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21 Sep 08 The Advantages Of A Digital Camera

Author: Roberto Sedycias

The has totally changed the way we take ; it has made the greatest impact in the world of since the Polaroid Instamatic camera. It is a great accessory to the present day computer; can be taken in an instant and loaded on to the computer, and emailed to a friend or a relative in the space of a few minutes. If you add a quality ink jet printer to your computer, you will not need to develop a roll of ever again.

The started out from a single 1 mega quality ; now they come in over 10 with huge print sizes, with amazing quality.

You may find it tough to decide which will fulfill your needs the best. You will have to undertake a bit of research, to help you to find the , with the proper , filters, external , - everything you need so that you can start taking , like a professional! Just spend a little time and figure out how you will be really using your , before you purchase one. Will it be for daily use, for special occasions like birthdays, family reunions? Will the price of the make a lot of difference?

The is also part of a new field of , in which you use a green or a blue background, and with special software like Corel Paint or PhotoShop, you can do wonders and create a new imaginative background. You can edit out the background and put in its place any of thousands of prepared indoors or outdoors backgrounds. There are multifunctional that can take not only but also video and sound. can be categorized as still cameras, and professional modular .

Since the market is so full of different models of , you have to select a that will suit your needs. They come in different price ranges, so you will not have any difficulty selecting one that will fit into your budget. Before buying a , your first consideration has to be the . A with a higher than what you require can prove to be a waste of money, processing power and . A large number of pixels do not necessarily mean a superior image, so be cautious. A lower is the best for posting to the web, to view on your computer, or to email files. You don`t always need a high capacity card, a small capacity card can also give high quality performance.

A can use its own and charger, or it can use double A size . A may connect to a computer for data transmission. The most usual method of connectivity is USB, but Fire wire port or Blue Tooth are also used. Some can connect to computer networks wirelessly.

One of the good things about a is that you do not have to spend anything on developing the at a local store, nor do you have to drive to the store and back. A gives you an instant feeling of gratification when you view the you have taken on the or on your personal computer. You also have the full freedom of editing your until you are fully satisfied with them!

You can select, save or delete without any cost involved. The are stored hundreds of media cards, so you can take as many as you wish before you run out of space.

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21 Sep 08 The Technology Behind Digital Cameras

Author: Roberto Sedycias

Technology has revolutionized the concept of capturing live . The earlier concept of producing permanent was based on pure chemistry. In 1830, Louis Daguerre, devised the first practical way of producing permanent . Today we are talking about the computerized imagery in the filmless taken by a device that is smart in electronic intelligence and in appearance - .

A takes video, still , or both digitally. It records on a light . Instead of using a , an arrangement of charged-coupled devices-light sensitive semiconductors, which stores electrical charges,-does the job. These -composed of pixels -transform the light from the scene snapped into an analog signal which is then converted into a digital version. One electronic filtering system regulates color and other components. Another system reduces the . The image is finally sent to a temporary area and ultimately onto a card. Many compact can record sound, video and still .

The are transferred to a computer where they can be modified, printed, attached to email, inserted in web pages, etc. The most significant advantages of a are its capacity and ability to screen the taken on a tiny video monitor.

The technology of the relates to the same technology of Video Tape Recorder. The first VTR in 1951 captured from the television by converting the information into electrical impulses (digital) and subsequently saving them onto magnetic tape. It was in 1960s when NASA had made a major breakthrough by converting analog to by means of the space probe for mapping the surface of the moon. Also digital imaging had its other uses in spy satellites.

scientists invented the first mega sensor capable of recording 1.4 million pixels. In 1991, released the first system- a F-3 camera equipped with 1.3 aimed at journalists. The first for the consumers which worked with a home PC via a serial cable were the Apple Quick Take 100 camera(1994), the DC40 camera(1995), the QV-11 with LCD monitor(late 1995) and `s Cyber-Shot Digital (1996).

The main features of a can be summarized as follows:

: means of a . The higher the number of pixels, the higher is the .

: The are stored like a data file in a . The size of the determines the number of which can be taken, stored and downloaded in the computer.

Type: Most have a built in of a range around 10 -16 feet which is required to provide extra light needed to take in insufficient light.

Optical : Normally two types of are used viz., digital and optical. The optical serve more purpose like adding detail and .

Compression: This process helps to reduce the file size.

Lens: The length of a lens determines how much of a scene will fit into a .

: A very interesting feature of a is the which permits one to see what the will look like before and after taking , leaving room to decide whether to erase or save the .

In the market there are several brands of which are selling successfully and the continuous improvement in Technology is leading way to introduction of more and more exciting features in the .

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20 Sep 08 The Magic Behind Digital Camera

Author: Harry Rockwell

A , as opposed to a or videotape camera, uses an to transform (or video) into electronic data. Modern are typically multifunctional and the same device can take , video, and/or sound.

In 2005, are starting to push traditional cameras out of many markets. Shrinking device sizes have recently allowed miniaturized to be included in multifunctional devices, such as cell phones and PDAs.

Classification

can be classified into several groups:

* Professional such as those used in television and movie production. These typically have multiple sensors (one per color) to enhance and color gamut. Professional usually do not have a built-in VCR or .

* Camcorders used by amateurs. These are a combination of camera and VCR to create an all-in-one production unit. They generally include a to record sound, and feature a small LCD to watch the video during filming and playback.

Still cameras

are generally characterized by the use of and USB or Fire Wire for and transfer.

Most have a rear LCD for reviewing . They are rated in ; that is, the product of their maximum dimensions. The actual transfers to a host computer are commonly carried out using the USB mass device class (so that the camera appear as a drive) or using the Transfer Protocol and its derivatives.

All use a (for Charged Coupled Device) which is a chip comprised of a grid of phototransistors to sense the light intensities across the plane of focus of the .

There has recently been some application of a second kind of chip, called a (Complementary Metal-Oxide Semiconductor) sensor, and this chip is often differentiated from a proper in that it uses less power and a different kind of light sensing material, however the differences are highly technical and many manufacturers still consider the chip a charged coupled device. For our purposes, a chip sensor is a .

* Standard : This encompasses most . They are characterized by great ease in operation and easy focusing; this design allows for limited motion capability. They have an extended depth of field.

This allows objects at multiple depths to be in focus simultaneously, which accounts for much of their ease of focusing. It is also part of the reason professional find their flat or artificial-looking. They excel in landscape and casual use.

* typically have a sensor nine times larger than that of a standard , and are targeted at professional and enthusiasts. They resemble ordinary in most ways, with replaceable and lens components, which give the user maximum control over light, focus and depth of field.

They are also bulkier and more expensive than their casual-use oriented counterparts. They are superb for portraiture and artistic because they can be customized for various applications with a comprehensive range of exchangeable .

Professional modular systems

High-end backs used by professionals are usually separate devices from the which they are used with. (This is because most of the large- and medium-format camera systems in professional use at the time that digital capture overtook as the professional’s medium of choice were modular in nature, i.e. the had multiple , viewfinders, winders and backs available for use with it to fit different needs.)

Since the first backs were introduced there have been three main methods of “capturing” the image, each based on the hardware configuration of the particular back.

The first method is often called “Single Shot,” in reference to the number of times the camera’s sensor is exposed to the light passing through the .

Single Shot capture systems use either one with a Bayer filter stamped onto it or three separate CCDs (one each for the primary additive colors Red, Green and Blue) which are exposed to the same image via a beam splitter.

The second method is referred to as “Multi-Shot” because the sensor is exposed to the image in a sequence of three or more openings of the lens aperture. There are several methods of application of the multi-shot technique.

The most common originally was to use a single with three filters (once again red, green and blue) passed in front of the sensor in sequence to obtain the additive color information.

Another multiple shot method utilized a single with a Bayer filter but actually moved the physical location of the on the focus plane of the lens to “stitch” together a higher image than the would allow otherwise. A third version combined the two methods without stamping a Bayer filter onto the chip.

The third method is called “Scan” because the sensor moves across the focus plane much like the sensor of a desktop scanner.

These CCDs are usually referred to as “sticks” rather than “chips” because they utilize only a single row of pixels (more properly “photosites”) which are again “stamped” with the Bayer filter.

The choice of method for a given capture is of course determined largely by the subject matter. It is usually inappropriate to attempt to capture a subject which moves (like people or objects in motion) with anything but a single shot system.

However, the higher color fidelity and larger file sizes and available with multi-shot and scan-backs make them attractive for commercial working with stationary subjects and large-format .

Webcams

* Webcams are attached to computers, used for or other purposes. Webcams can capture full-motion video as well, and some models include or ability.

These devices range in price from very inexpensive to expensive higher-end models; many complex webcams have a servo-controlled base capable of tracking facial motion with the help of software.

Interpolation

Image color or interpolation is used unless the camera uses a beam splitter single-shot approach, three-filter multi-shot approach, or Foveon X3 sensor.

The software specific to the camera interprets the information from the sensor to obtain a full color image. This is because in digital , each must have three values for luminous intensity, one each for the red, green, and blue channels. A normal cannot simultaneously record these three values.

The Bayer filter pattern is typically used. A Bayer filter pattern is a 2×2 pattern of light filters, with green ones at opposite corners and red and blue elsewhere.

The high proportion of green takes advantage of properties of the human visual system, which is determines brightness mostly from green and is far more sensitive to brightness than to hue or .

Sometimes a 4-color filter pattern is used, often involving 2 different hues of green. This provides a wider color gamut, but requires a slightly more complicated interpolation process.

The luminous intensity color values not captured for each can be interpolated (or guessed at) from the values of adjacent pixels which represent the color being calculated.

In some cases, extra is interpolated into the image by shifting photosites off of a standard grid pattern so that photosites are adjacent to each other at 45 degree angles, and all three values are interpolated for “virtual” photosites which fall into the spaces at 90 degree angles from the actual photosites.

Connectivity

Many can connect directly to a computer to transfer data. USB is the most widely used method, though some have a Fire wire port.

Integration

Some devices, like mobile phones integrates . Mobile phone cameras are much more sold than standalone digital ones.

need to store data. The higher one goes in size, the more will be needed. Cameras use a removable card to store data, but the cheapest and smallest cameras may simply use fixed internal instead. Some cameras come with inbuilt as well.

Autonomous devices

An autonomous device, such as a , operates without need of a computer. The camera connects to the printer, which then downloads and prints its . Some DVD recorders and television sets can read cards too.

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19 Sep 08 Digital Camera Basic Information

Author: Roberto Sedycias

A is an electronic that can capture and then store them. Instead of employing like the or using magnetic tapes to record in an like in , a stores in an electronic way in a digital format. Nowadays we also get modern and multifunctional compact that can record and store sound and video apart from .

have become a rage everywhere in the world. They are amongst the top items of must-have lists of every home. Not only much more technically advanced with better features than their older versions, are also very handy and practical. They come in a wide range and variety to suit everyone`s tastes and budget.

Apart from having a better quality, the most obvious advantage of over the conventional ones is that you can click and store as many as you want without worrying about wasting the roll. After you have transferred the to your computer, you can easily keep those you want, discard others, print some and may even edit the not so flattering ones. This clearly gives you a lot of options and choices as you can change the background of edit brightness and contrast and make other changes according to your whims.

can be of various types. The first in the category is the video camera which is mainly used to record moving . Then you have digital or live preview cameras. These cameras are usually of two types, compact and bridge. Compact has small zooms and is characterized by easy focusing and easy operation. They usually have a built in . Bridge have super and are capable of taking good .

Then we have digital single cameras with a mirror and , digital which is nothing but a camera that has a rangefinder and the professional modular system that is a very with different modular parts like grips, winders etc to suit different purposes. These types of cameras are usually used for commercial purposes in studios as they are quite big and bulky.

With a wide variety of available in the market, it is obvious to get confused as to which will be the best-buy amongst them. However you need to understand that each camera has its unique function and specialty and you need to check out each one to determine your pick. As for example, if your purchased camera is going to be a gift then you need to know which type of will be suitable for the person. For instance, teens will obviously like cameras that are funky and cool, while mums will be delighted to get cameras that will allow easy image sharing for family .

Before buying a it is important that you get your basic information right so that you can get the best deal. There are lots of factors that you need to consider like the of the and the size of camera. Another important consideration is the or Cards. Semi-professional would also like to consider having a decent .

Last but not the least, after you get your brand new then learn about the basics of its maintenance and operation. Get acquainted with its various features; learn how to share your with friends and family and steps to take to troubleshoot your camera.

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19 Sep 08 Consumer Reports - Digital Cameras

, which employ reusable cards instead of , give you far more creative control than cameras can. With a , you can transfer shots to your computer, then crop, adjust color and contrast, and add textures and other special effects. Final results can be made into cards or T-shirts, or sent via e-mail, all using the software that usually comes with the camera. You can make prints on a , or by dropping off the card at one of a growing number of photofinishers. You can upload the file to a -sharing Web site for , viewing, and sharing with others.

Like camcorders, have LCD viewers. Some camcorders can be used to take still , but a ’s is no match for a good ’s.

WHAT’S AVAILABLE

The leading brands are , , HP, , , and ; other brands come from consumer-electronics, computer, and and companies.

are categorized by how many pixels, or elements, the contains. One equals 1 million elements. A 3- camera can make excellent 8×10s and pleasing 11×14s. There are also 4- to 8- models, including point-and-shoot ones; these are well suited for making larger prints or for maintaining if you want to use only a portion of the original image. Professional use as many as 14 .

Price range: $200 to $400 for 3 ; $250 to $400 for 4 and 5 ; $300 to $1,000 for 6 to 8 .

IMPORTANT FEATURES

Most are highly automated, with features such as automatic (which manages the , aperture, or both according to ) and autofocus.

Instead of , typically record their shots onto - cards. and (SD) are the most widely used. Once quite expensive, such cards have tumbled in price–a 128-megabyte card can now cost less than $50. Other types of cards used by cameras include Stick, Smart Media and xD- card. A few cameras, mainly some models, use 3 1/4-inch CD-R or CD-RW discs.

To save , you transfer them to a computer, typically by connecting the camera to the computer’s USB or FireWire port or inserting the card into a special reader. Some can take cards and make prints without putting the on a computer first. Image-handling software, such as Adobe Photoshop Elements, Jasc Paint Shop, Microsoft It, and ACDSee, lets you size, touch up, and crop digital using your computer. Most work with both Windows and Macintosh machines.

The file format commonly used for is JPEG, which is a compressed format. Some cameras can save in uncompressed TIFF format, but this setting yields enormous files. Other high-end cameras have a RAW file format, which yields the image data with no processing from the camera.

typically have both an optical and a small color . LCD viewers are very accurate in framing the actual image you get–better than most of the optical viewfinders–but they use more power and may be hard to see in bright sunlight. You can also view shots you’ve already taken on the . Many provide a video output, so you can view your on a TV set.

Certain cameras let you record an audio clip with a . But these clips use additional space. Some allow you to record limited video, but the frame rate is slow and the poor.

A lens provides flexibility in framing shots and closes the distance between you and your subject–ideal if you want to quickly switch to a close shot. The typical 3x on mainstream cameras goes from a moderately wide-angle view () to moderate telephoto (105mm). You can find cameras with extended ranges between 8x and 12x, giving added versatility for outdoor . Other new cameras go down to 24 or 28 mm at the wide-angle end, making it easier to take in an entire scene in close quarters, such as a crowded party.

Optical zooms are superior to digital zooms, which magnify the center of the frame without actually increasing detail, resulting in a somewhat coarser view.

Sensors in are typically about as light-sensitive as ISO 100 , though some let you increase that setting. (At ISO 100, you’ll likely need to use a indoors and in low outdoor light.) A camera’s range tells you how far from the camera the will provide proper exposure: If the subject is out of range, you’ll know to close the distance. But can tolerate some underexposure before the image suffers noticeably.

Red-eye reduction shines a light toward your subject just before the main . (A camera whose unit is farther from the lens reduces the risk of . Computer editing of the image may also correct .) With automatic mode, the camera fires the whenever the light entering the camera registers as insufficient. A few new cameras have built-in red-eye correction capability.

Some cameras that have powerful telephoto now come with image stabilizers. These compensate for camera shake, letting you use a slower than you otherwise could for following movement. But an won’t compensate for the motion of subjects.

Most new 6- to 8- cameras come with full manual controls, including independent controls for shutter and aperture. That gives serious shutterbugs control over depth of field, shooting action, or shooting scene with tricky lighting.

HOW TO CHOOSE

The first step is to determine how you will use the camera most of the time. Consider these two questions:

How much flexibility to enlarge do you need? If you mainly want to make 4×6 , a camera with a 3- or 4- will be fine. Such a camera will also make an 8×10 print of an entire image without alteration that looks as sharp as one from a 6- or 8- model. But to enlarge the image more or enlarge only part of it, you’ll want a 6- to 8- camera.

How much control do you want over exposure and composition? Cameras meant for automatic point-and-shoot , with a 3x- lens, will serve snap shooters as well as dedicate hobbyists much of the time. The full-featured cameras in the 6- to 8- range offer that more-dedicated will want to have. Two of the more important are a range of 5x to 10x or more, which lets you bring distant outdoor subjects close and also lets you shoot candid portraits without getting right in your subject’s face, and a full complement of manual controls that you determine the and lens opening. ‘

Once you’ve established the performance priorities that you need from a camera, you can narrow your choices further by considering these convenience factors:

Size and weight. The smallest, lightest models aren’t necessarily inexpensive 3- cameras. And the biggest and heaviest aren’t necessarily found at the high end. If possible, try cameras at the store before you buy. That way, you’ll know which one fits you hand best and which can be securely gripped. In our tests, we have found that some of the smallest don’t leave much room even for small fingers.

type and life. All can run on rechargeable of one of two types: an expensive pack or a set of AA . In our tests of the cameras, neither type had a clear performance advantage. The best-performing cameras offer upward of 300 shots on a charge, while the worst manage only about 50. We think it’s more convenient to own a camera that accepts AA . You can buy economical, rechargeable cells (plus a charger) and drop in a set of disposable lithium or alkaline if the rechargeable run down in the middle of the day’s shooting.

Camera speed. With point-and-shoot cameras like the ones we tested, you must wait after each shot as the camera processes the image. Most models let you shoot an image every few seconds, but a few make you wait 5 seconds or more. They may frustrate you when you’re taking in sequence.

Your other cameras. If you’re adding a camera to your lineup or trading up to a more versatile model, look first for one that’s compatible with the other cameras. If it is, you can share cards and . Designs within a camera brand line are often similar. So staying wit the brand you have lowers the learning curve on the for family members who switch between cameras.

Copyright © 2002-2006 Consumers Union of U.S., Inc.

For the latest information on this and many other products and services, visit www.ConsumerReports.org.

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19 Sep 08 Why Buy Digital Cameras?

Author: Roberto Sedycias

started at a very high pace during the 20th Century. Like many other areas of development, also saw major developments in its field. Photographic has seen a constant improvement from way back in 1913 when a was produced till 1985 when was first introduced in by Pixar.

Basically is an electronic which captures and stores in a digital format without using any processing films. The first true was launched in 1988 by Company .This camera used a card for purposes. The latest models of are also able to record sound and video. These store on a small device called (). From the can be transferred to computer and the can be edited with the help of software like Adobe Photoshop.

Advantages of

Convenience of use: The foremost advantage of using the is that you don`t need to worry about buying films and changing the rolls. You can click as many you want, transfer them to computer, have a close look at them and get only the good ones printed after editing them thoroughly.

Edit options: The allow you to edit the in the easiest way with the help of software. The color, brightness and contrast of the can be adjusted and the image can be cropped and resized as required. This helps to optimize the of the .

Economical: are economical in the sense that they do away with the cost of films and the cost of processing. When are taken in bulk quantity the cost of films saved works out to a considerable amount.

Flexibility: You can view the you have just clicked on the of the and if you don`t like it you can retake the same.

Disadvantages of

Quality of output: For professional reproduction purposes the conventional camera is still the best as cannot match them in and depth quality.

Initial Cost: The initial investment cost for is higher than the camera. The cost of the camera for home use runs from around US$ 150 to $1000 whereas the professional models cost may go as high as US$20000.

Slower Speed: take some time for storing the which is unsuitable for action in which you need very fast clicks.

Important features

The quality largely depends upon its optic features, color depth, etc. While shopping for a one should take care of following.

High : of a depends upon its capacity to store the dots or pixels. The more pixels it can store the higher will be the . Cameras with a capacity of 5 or more are ideal for home while professional may look for a capacity of more than 7 .

Capacity: The capacity of the to store is also very important. The cameras have a built in capacity and additional card slot to store . The cost of the cards is high but nevertheless they are very important to serve the purposes of .

Bit Depth: This relates to the color capability or the capacity of a to reproduce colors. Good cameras are capable of handling 24 bit color which fulfills the range of the human eye.

and features: A good camera must have optical with automatic flashes in order to produce better .

Display: A good is important for a as it allows the user to flip through the he has taken.

The is certainly becoming more and more popular in the modern era and is set to replace the conventional ones for all general purposes.

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18 Sep 08 Digital Camera: a Buyers’ Guide

Author:

A takes still or videos or both by recording the on a light- digitally. Most still cameras can record moving video and sound as well, apart from still . The sales and popularity of have increased now compared to the cameras.

have a feature for viewing the image that is recorded immediately on the Camera display screen, the feature that is not available in cameras. Other features include such as the facility to capture a lot of on a small chip, record video along with sound, edit the , delete the not required etc. are now available along with many devices ranging from mobile phones and PDAs to vehicles.

The camera perhaps has been affected more by the than any other products. The are not a new phenomenon. The first was released by in the U.S. market around 15 years ago. The DCS-100 model at that time with 1.3- was available for about $13,000. The have emerged with more features and are available at comparatively lesser prices, even to the extent of $80 at select stores.

The biggest benefit of technology is the capability. You can view the on the camera itself, on a web page, a computer monitor, or on paper after printing. The can be connected to the printer directly through the USB port for printing . People can afford to buy a today as the prices have fallen with the availability of more features.

It is important for you to know the issues of image for comparing models. The unit of used for displaying digital data by is called Mega (MP). More the , the higher the of the final image. Still you need to compare recorded with your actual requirements.

Some typical found on are:

256×256 – This is available with very cheap cameras. quality is unacceptable.
640×480 – Suitable for posting over a web site or for sending by email.
1216×912 – This is good for printing .
1600×1200 – This is a High standard with around 2 million total pixels.
2240×1680 – This is available on most 4 mega cameras.
4064×2704 – This is available on high-end with 11.1 .

Some High-end can record of over 12 million pixels. Most have 16 million pixels. have 20 million pixels. For comparison sake, it is stated that the quality of is approximately around 20 million pixels. Some types of are Point and Shoot, Semi-Professional, Bridge and SLR.

You need to know the complete package offered when you compare the prices of . You can look for the availability of image-editing software, carry case, add-on card and USB cable for working on your computer, when you want to compare the prices and the features offered. Other general features that you can look into are the availability of an , a timer, a built-in , a date & time stamp, optical feature and optical of good quality.

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18 Sep 08 The Early Digital Camera

Author: Roberto Sedycias

A is basically a digital device that enables to be captured. are stored electronically rather than on . This process involves converting light into electrical charges, and then translating this back into the image that was seen through the LCD. Although the is a recent addition to the world of , the concept of the possibility of a was begun in the 1950s.

The early concept of the was closely linked to television technology. It began with digital being recorded on scanners and in the form of digital . In 1951 broadcasting companies were recording as electrical impulses and onto magnetic tape from their television cameras, and this paved the way for technology to begin. By 1956 electrical impulse recordings were common practise within industry, and began to dream of a device.

The first record of a patent for a type of was in 1972 when Texas Instruments patented a camera that did not require . However, the patent revealed a more analog based design rather than a , and there is no record of whether the camera was actually created. What the patent does show, however, is that interest towards a was growing with the idea that the need for could be removed. A pioneer in the history of was Steve Sasson, an engineer at . Digital were of the moon were being transmitted via satellite by NASA, using a mosaic sensor, and he saw the possibility of a for commercial use. In 1972 he began to group together available equipment used within the industry to create an image digitally rather than on .

Central to this early concept of the , and still used by today, is the Charged Coupled Device. The detects light and colour intensity and then converts this information into electrons. The value of each cell in the image is then read, and converted to binary format to make the image computer compatible. Steve Sasson produced his first image in 1979. The image took a total of 23 seconds to take, and a further 23 seconds to read from the playback unit. Although the image was less than perfect, it showed that the was a possibility. had developed a camera that developed from light, but it was never manufactured for the public.

The first camera to be marketed was the Mavica electronic in 1981. It was not a true as the image was recorded on mini disc, and then attached to a television or video. It was more a freeze frame video camera but it greatly influenced people`s attitude to the recorded image. It made public the possibility of a camera that stored using techniques other than . It still used more television technology but was the first hand held with the general idea of usage. Cameras that could transmit via satellite became popular, but were used by the media only due to the expense incurred. The possibilities were becoming apparent and were used for news coverage. The first camera for general use with a computer was the Apple Quicktake 100 camera which appeared in1984. In 1986 the RC-701 was used for coverage of the Olympics, with quality printed in the newspaper. This showed the possible quality, and the desire for the was born.

The first mega sensor was invented in 1986. It contained 1.4 million pixels and was suitable for a image measuring 5×7 inches. In 1987 accessories for storing, printing, manipulating, transmitting, and recording digital came onto the market, with the DS-P1 arriving in 1988. This is arguably the first true as recognised today, boasting a 16MB card. With the arrival of JPEG and MPEG standards in the 1990´s, the face of the was changed for ever. marketed the first readily available that met all standards, with the DC40 in 1995.

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17 Sep 08 The Early Digital Camera

A is basically a digital device that enables to be captured. are stored electronically rather than on . This process involves converting light into electrical charges, and then translating this back into the image that was seen through the LCD. Although the is a recent addition to the world of , the concept of the possibility of a was begun in the 1950s.

The early concept of the was closely linked to television technology. It began with digital being recorded on scanners and in the form of digital . In 1951 broadcasting companies were recording as electrical impulses and onto magnetic tape from their television cameras, and this paved the way for technology to begin. By 1956 electrical impulse recordings were common practise within industry, and began to dream of a device.

The first record of a patent for a type of was in 1972 when Texas Instruments patented a camera that did not require . However, the patent revealed a more analog based design rather than a , and there is no record of whether the camera was actually created. What the patent does show, however, is that interest towards a was growing with the idea that the need for could be removed. A pioneer in the history of was Steve Sasson, an engineer at . Digital were of the moon were being transmitted via satellite by NASA, using a mosaic sensor, and he saw the possibility of a for commercial use. In 1972 he began to group together available equipment used within the industry to create an image digitally rather than on .

Central to this early concept of the , and still used by today, is the Charged Coupled Device. The detects light and colour intensity and then converts this information into electrons. The value of each cell in the image is then read, and converted to binary format to make the image computer compatible. Steve Sasson produced his first image in 1979. The image took a total of 23 seconds to take, and a further 23 seconds to read from the playback unit. Although the image was less than perfect, it showed that the was a possibility. had developed a camera that developed from light, but it was never manufactured for the public.

The first camera to be marketed was the Mavica electronic in 1981. It was not a true as the image was recorded on mini disc, and then attached to a television or video. It was more a freeze frame video camera but it greatly influenced people`s attitude to the recorded image. It made public the possibility of a camera that stored using techniques other than . It still used more television technology but was the first hand held with the general idea of usage. Cameras that could transmit via satellite became popular, but were used by the media only due to the expense incurred. The possibilities were becoming apparent and were used for news coverage. The first camera for general use with a computer was the Apple Quicktake 100 camera which appeared in1984. In 1986 the RC-701 was used for coverage of the Olympics, with quality printed in the newspaper. This showed the possible quality, and the desire for the was born.

The first mega sensor was invented in 1986. It contained 1.4 million pixels and was suitable for a image measuring 5×7 inches. In 1987 accessories for storing, printing, manipulating, transmitting, and recording digital came onto the market, with the DS-P1 arriving in 1988. This is arguably the first true as recognised today, boasting a 16MB card. With the arrival of JPEG and MPEG standards in the 1990´s, the face of the was changed for ever. marketed the first readily available that met all standards, with the DC40 in 1995.

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