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Productive Shopping For Digital Cameras
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21 Sep 08 Nikon Announes New and Enhanced Suite of Coolscan High-Speed Desktop Film Scanners

Redefines Quality and Performance With New Products and Exclusive Features

SAN FRANCISCO, CA, MACWORLD CONFERENCE & EXPO, Booth 1129, January 5, 2004 - ® has answered the calls of hobbyists, professional and graphics professionals with the next generation of Coolscan desktop scanners – the Coolscan V ED, Super Coolscan 5000 ED and the Super ED. The new scanners are loaded with features and benefits designed for a wide range of users, including Applied Science Fiction’s™ Digital ICE4™ Advanced technology, ’s exclusive Scan ™ and other “one-button-simple” solutions. The new lineup of Coolscan products will help small and large businesses to streamline their operations and increase productivity while giving home users and hobbyists an affordable solution to revitalize, restore and save precious family .

“While digital is dominating today’s and , there are still an enormous amount of as well as a need for creating high-quality, versatile hi- digital files. In American homes, literally millions of negatives and slides holding precious family are wasting away in shoeboxes and attics,” said Jerry Grossman, vice president, marketing, Consumer Digital Products and , Inc. “A scanner is an incredibly useful tool to help unlock the potential of an image and use the advantages of digital to bring that image to life.”

Why ?

invented affordable desktop scanning in 1994 with the introduction of the original Coolscan, and has been the market leader ever since. In 2001, was the first manufacturer to offer the groundbreaking Digital ICE3™ technology in its scanners, as well as high quality ED (Extra-low Dispersion) glass for sharp clear and accurate color representation. Designed with this tradition in mind, possesses defining that make each Coolscan scanner the best in its class.

The new Coolscan desktop scanners boast 4,000 dpi across the product line, a greater optical density range for even deeper levels of details, faster processing speeds (USB 2 and FireWire - IEEE 1394) and an enhanced version of Scan 4.

Coolscan scanners offer features such as:

- Scanner Nikkor ED lens - The single most important element in the production of high-quality scans is the lens. has incorporated of the highest quality in each scanner. ED (Extra-low Dispersion) lens elements are far superior in edge-to-edge , definition and contrast, as well as color registration, and accuracy.

- Low-heat, high-accuracy LED light source - Most scanners use halogen or fluorescent lamps as light sources, but they require time to warm up and the heat they generate can cause damage to . products are the only scanners to employ LEDs as the source of light. LEDs are a stable, precise light source, which require no maintenance or warm-up time and present no risk of your being damaged.

- Digital ICE4 Advanced™ - ’s ED glass and LED lighting help to optimize the effectiveness of Digital ICE4 Advanced™ components, making Coolscan scanners and ICE a perfect match.

- Color Management System (CMS) - CMS provides consistently accurate reproduction of image data on monitors and in printouts.

Coolscan Scanners Are Designed for Multiple Applications

Coolscan V ED - The Digital Time Machine

The Coolscan V ED is an affordable, high-performance scanner that is designed to be easy to operate for first-time scanner users. For some camera
users, their best may, in fact, be their own . By using the Coolscan V ED, a N75 or N80 can produce digital scans at close to 22- .

The Coolscan V ED is perfect for those looking to bring old back to life and preserve with better-than-original quality. Imagine removing scratches from a 1950s family reunion shot or sending your parents their wedding portrait looking better than the day it was taken. It’s more than scanning - it’s “Timemachineography™.”

With an optical of 4,000 dpi and 14-bit A/D input conversion, the Coolscan V ED is the perfect tool for a home user or hobbyist looking to enhance their own experience. A new plug-and-play USB 2.0 interface even improves the speed of image transfer. Scan speed is also surprisingly fast - the Coolscan V ED can scan an image in only 38 seconds (including image transfer and display) - making the entire process smoother and easier from start to finish.

Super Coolscan 5000 ED - Superior Quality, Greater Efficiency, Increased Profits

The Super Coolscan 5000 ED is designed with the needs of imaging professionals in mind, delivering 135/IX240 scanning at an amazing 20 seconds per image (including image transfer to display) - at 4,000 dpi optical . This, combined with a 16-bit A/D converter and 16-bit output channel, gives pros the speed and power they need to truly affect the scope of their business.

The Super Coolscan 5000 ED is targeted primarily to small and medium-sized business users including professional , web developers and finishers, who demand the highest standard of and ultra high-speed scanning capability. The Super Coolscan 5000 ED achieves incredible scan speeds of 20-seconds by utilizing a newly developed high-quality 2-line sensor.

In addition to speed, the scanner also offers a number of time-saving accessories including the redesigned Slide Feeder (SF-210) and Roll Adapter (SA-30) to accommodate a variety of slide mounts and uncut . The Super Coolscan 5000 ED combines superior performance and efficiency to make it the perfect digital archiving solution for business users.

Super ED - Maximum Versatility, Reliability and Performance

The Super ED is the ultimate scanning solution for serious imaging professionals designed to handle a broad range of formats such as , 120/220, 16mm, 6 x 7, 6 x 9 , electron microscope and more. The Super ED caters specifically to professionals in fields such as advertising and studio who regularly work with 120/220 format films.

The scanner outputs a true optical of 4,000 dpi while 16-bit A/D conversion allows the Super ED to produce of incredible overall quality. Multi-sample scan capability of as many as 16 passes ensures faithful reproduction with smoother gradation of color and detail. This scanner employs a newly developed 3-line sensor, which contributes to unmatched , as well as fast scanning (: 40 seconds; 6 x 9: 185 seconds). Unlike the other new scanners, the Super ED employs an IEEE 1394 interface to quickly manage extremely large file transfers.

The Super ED also features unparalleled image restoration . Digital ICE4 Advanced™, The Super ED’s exclusive Digital ICE Professional™ is now also compatible with Kodachrome . ’s Scan offers a simple solution for adjusting brightness and color .

Coolscan and Super Coolscan desktop scanners come equipped with everything needed to begin scanning immediately. To make the scanning experience as seamless as possible, is shipping its new Easy Scanning Guide CD-ROM which features a custom ™ animated tutorial explaining the setup and operation of each new scanner.

The complete line of scanners will be available this month. The Coolscan V ED will be sold at an MSRP of $599.95. The Super Coolscan 5000 ED will retail for $1099.95 MSRP while the Super ED will be $1999.95 MSRP. For more information, visit www.nikoncoolscan.com.

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21 Sep 08 Nikon Introduces New SB-800 Speedlight With i-TTL Technology

Designed For D2H Professional , SB-800 Offers Full Wireless Remote Control for Multiple Speedlights; New Level of

MELVILLE, NY, JULY 22, 2003 - (www..com), the world leader in , today introduced the SB-800™ speedlight, the foundation for a new Creative Lighting System. The SB-800 features powerful new i-TTL™ control system for automatic balanced fill- and advanced wireless lighting that delivers outstanding results creative new possibilities. The SB-800’s i-TTL Balanced Fill- control utilizes ’s new Advanced Data Communication system to introduce improved monitor-pre- and wireless operation.

Designed for professional and enthusiasts, the SB-800 offers groundbreaking new features when used with ’s new D2H professional camera. These features include advanced wireless control for multiple SB-800 speedlights that are controlled by a master speedlight, new Auto FP high-speed sync, new Value (FV) lock, color information communication for improved and a new Wide-Area AF Assist Illuminator that is tailored to the D2H’s new 11-area Multi-Cam 2000 AF sensor module. Combined with other cameras, the SB-800 offers performance comparable to the highly successful SB-80DX speedlight.

“While developing the new D2H professional camera, recognized the opportunity to create a new speedlight system that could harness the revolutionary technology incorporated in the camera and respond to professional ’ needs. The result is the SB-800 speedlight, ’s most system, featuring revolutionary new i-TTL advanced wireless control ,” said Richard LoPinto, vice president for systems at , Inc. “The SB-800 will find creative uses in studios, remote locations and any number of -taking situations where need to carry a compact, versatile and powerful light system that works automatically and maintains tremendous creative control,” he added.

SB-800: Advanced Wireless Lighting Control for Easier Creative Lighting

The SB-800 speedlight system features new wireless technology that enables to fully control up to four groups of SB-800 speedlights wirelessly. This set of four includes one Master Controller and three remote groups - each of which can contain any number of SB-800 speedlights for total lighting control. A majority of features for speedlights within each group can be individually controlled from the Master Controller. These settings are made and confirmed on the Master Controller’s large dot-matrix . All speedlights within this wireless arrangement can operate in i-TTL mode for completely automatic exposures - which are calculated via a new monitor pre- function that measures light from each source and combines them with overall camera exposure readings - producing an accurate, well exposed with balanced lighting. Each group within the wireless arrangement can also be programmed to different modes such as i-TTL AA, or , or any combination of these modes.

One of the most appealing features of ’s i-TTL wireless system is the ability to adjust compensation settings on the fly for each group of speedlights, from the Master Controller. This makes controlling light output from speedlights placed in hard to reach locations simple and effortless. The SB-800 makes multiple as easy as using a single speedlight mounted on a camera, without the hassles of cables or stands.

In addition to wireless , the SB-800 offers significant new features designed for high-speed and exceptional overall accuracy. Highlights of these new features include:

- Auto Adjustment using Color Temperature Information: The SB-800 achieves a high level of when used with the D2H camera. With changes in the duration of light emitted by a speedlight, there are slight variations of color temperature. Using the D2H in Auto mode, the SB-800 communicates these slight variations in color data back to D2H and the camera’s auto system implements the fine adjustment needed for overall excellent .
- FV-Lock: FV-Lock ( Value Lock) is comparable to the way an AE-Lock functions in a camera. Once the camera measures a correct value, the SB-800 locks this value until the resets it - helping to maintain the value for correct exposure of the subject.
- Auto FP High-Speed Sync : The SB-800’s Auto FP function can automatically fire the speedlight in i-TTL mode at up to 1/8,000 second, offering excellent opportunities to use in bright light with fast aperture .
- Modeling : A modeling feature in the SB-800 fires a stroboscopic burst of light for approximately one second, allowing to visually confirm lighting and shadow effects before shooting.
- Quick Recycle Pack: Included with the SB-800 Speedlight is the SD-800 Quick Recycle pack that cuts recycling time in the SB-800 to as short as 2.7 seconds for full power manual .
- Additional features: Additional features in the SB-800 include coverage, bounce and rotating head, large LCD read-out panel, accessory filters for special color effects and emulation of fluorescent and incandescent lighting, robust locking shoe, and autofocus assist light.

Seamless Functionality Within ’s Total Imaging System

The SB-800 offers 3D Multi-Sensor Balanced Fill- function with ’s F5, F100, N80 and N75 and offers Matrix Balanced Fill- with the N65 . The SB-800 also provides D-TTL performance with cameras including the D1x, D1H, D1, and D100. With the new D2H camera, the speedlight offers advanced i-TTL control. The D2H is also fully compatible with all DX-series speedlights, including the SB-80DX, SB-50DX and SB-28DX. The SB-800 speedlight will be available at authorized dealer locations in the fourth quarter of 2003.

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21 Sep 08 Find a Nice Digital Camera

Author: Komang Setiabudi

Where are you going today? Are you going alone or together with your friends or family? Don’t forget to bring your camera. Don’t leave home without your camera. A lot of unique thing happen in the street. You can capture anything with your camera.

What is your camera? Do you still have your grandfather’s camera? Many people still use SLR (single lens reflection) cameras. A is great because you can create art. A professional will use both digital and .

If you go to the city and enter the , there are not many available now. Most people are preferred to use a compact . A is slim, full with features and easy to use. You don’t have to bring a big size camera and wherever you want to take some .

When you need to buy a you must think about the price, brand, features, quality, mega , services and guarantee, etc. You can choose many brands such as , , , Lumix, , , , Sanyo, , , and other brand. A starts from 1.3 and above 10 . You can get a good quality from 4 or more mega . Don’t buy a below the 4 because the quality is not so good when you print your . Recently, , Exilim, Cyber-shot, Lumix and other Chinese brand Mikona camera promote 12.1 . Wow…

The latest also equipped with technology, high sensitive ISO, anti shake, anti blur, , internal editing, and other high tech features. Also you can connect your to view full HDTV 1080p for better . You don’t have to buy a separate video camera if you are a traveler because a compact size also equipped with a capability to make a movie. It’s incredible.

Before you make a decision please consider the feature of the camera. Don’t forget to check the brochure and browse the information in the Internet. Make sure that the size, , and light, life, etc. fits your needs. Ask the shop owner about bonus if you choose a particular brand. Sometime they give some bonuses such as external or soft case. Most also include video capture capability, but make sure that you can make a video or movie with sound or audio. Video without audio is not complete. It’s a great idea if you purchase a in a promotion season. are now available for both professional and amateur enthusiasts. A professional is expensive and the size it’s bigger than the compact size .

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21 Sep 08 Finding A Digital Camera Online

Author: David Faulkner

The great international market bazaar known as the Internet has rapidly made inroads on the territory of traditional brick and mortar retailers, and has in fact become the preferred shopping venue for millions of consumers. The Internet allows people to shop a their convenience from the comfort of their homes without spending money on gas and time fighting traffic.

Internet shopping also allows consumers to comparison shop online, reviewing the features of different items and finding the best prices. While there are, of course, things that should not be purchased online like perishable foods or live animals, it would be very hard to run a search for a non-perishable item an not find someone, somewhere ., who is selling it on their website.

Concerns About Shopping Online

Electronic items are especially in demand for online purchase, and many thousands of people have bought or considered buying a online. While the chances of getting scammed when purchasing a high-end item like a online do exist, they are probably greater than the chances of being cheated by a regular store or by purchasing a camera through the classifieds.

Internet retailers, like traditional ones, live and die with their customer base, and if they cannot get repeat business, will be doomed. Being conned when you purchase you online guarantees you will not be a return customer, and also guarantees bad publicity for the seller.

People buy for different reasons; environmentally conscious consumers like them because there are no polluting chemicals involved in the production of digital . Others like them because they allow instant viewing of a , and because there are software which can turn even the most amateur into a budding Ansel Adams.

If you’re considering buying a online, you can feel good both about doing you small part to protect the environment, and about owning a technology which appears to be the future of amateur . While your online purchase may not get you the superlative quality that professional create with and darkrooms, it will get you started, and the technology is improving by leaps and bounds.

What To Look For In A

When shopping for your on line, research its capacity and pixilation; the greater its pixelation number, the better the and detailing of your will be. But the price you pay for a online will increase as its pixelation does.

The number of your can store is determined by its capacity; however, you can always purchase extra capacity by getting an additional card, just like you can buy extra for your personal computer. The very first could hold up to thirty , making them competitive with 36- rolls of photographic .

Today, however, even priced in the medium range will store a hundred of more . Once you’ve settled on ho much pixilation and capacity you need, and found the camera website offering it at the best price, you should be ready to buy your digital cameral online!

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21 Sep 08 Ten Points to Remember When Buying a Digital Camera

Author: Ernie Delgado

Professional know exactly what they’re looking for when they purchase a . Years of experience and fine tuning every day makes the choice clear for them. For the rest of us, a purchase can be a daunting experience. I know when I first got into the technology seemed a little intimidating- but it doesn’t have to be. Here’s a short guide with ten things to look for when, as an amateur , you’re ready to replace that antique sitting on the top shelf of the closet.

1. – When first came out, it was all about the . There was a wide variety of sizes (and prices) available- however, now most of even the smallest are 5 , which is more than adequate for your typical 4×6 vacation and the occasional 8×10. The time to go larger is when you want to regularly create larger - or you want to be able to in on areas of specific detail and print those. The compromise you must make for those larger is more space used on your card, so if you get a higher camera, make sure to pick some extra cards.

2. – For most amateurs, and are a mystery. What should I use when? The manufacturers have addressed this with scene preset modes. Picking the correct mode allows you to select the proper settings of, for example, a close-up by simply clicking ‘’ instead of manually configuring the camera. If you’re interested in as a hobby, manual configuration options are something you should look for.

3. Zooms –There are two types of available, optical and digital. The one you should really pay attention to is optical - using optical are sharper. Also understand that when the camera is using the higher , it will be more vulnerable to shaking, so you may want to pick up a tripod if you’ll be using that most of the time.

4. Size – Take a little time to think about what you’re going to be using your camera for. There’s always a tradeoff between size and functionality- here’s a quick summary:
a. Ultra Compact – small, light pocket . Some may have fewer features.
b.Compact- fit in a modest , great for point and shoot .
c. Advanced- more functionality here along with more size. Typically we see buttons for modes as opposed to menus (which saves having to navigate), better zooms, and they also accept accessories (, filters, etc.)
d. Digital Single () – Heavy and large, these offer the best functionality; typically professionals and serious use them.

5. Weight – Hand in hand with size is camera weight. Generally speaking, more features equals more weight, so think carefully about what you really need. A small, light camera with fewer features is a better choice if you want to take it everywhere and get lots of , as opposed to a heavy monster you dread having to lug and only use once in a while.

6. –Basically come in two formats, proprietary packs, and then there are cameras that accept AA . If you get a camera with the proprietary pack, it’s worth it to purchase another one as backup, because invariably you’ll want to take a and the will die. I recommend getting a camera that allows you to use AA - if you need to buy a set in pinch you can, and you also have the flexibility of buying rechargeables and using them again and again.

7. Speed- When you are ready to purchase, be sure to check out the lag on button press. If you want to things in motion (kids, pets, sports, etc) it can be very frustrating to try to snap that perfect and have the image captured 5 seconds later after the moment has passed. Some cameras offer continuous shutter mode, which allows you to snap in sequence. For most amateurs 5 frames per second is adequate.

8. Manual Focus – part of the beauty of is most of them take care of focusing for you. In some situations you may want the ability to manually focus to bring out detail.

9. Low Light Modes – Some cameras have auxiliary lights to help focus or even night vision mode. If you’re going to be taking at night, it’s worth the money to add this to your checklist.

10. Accessories- Most people focus exclusively on the camera, and the accessories are an afterthought. Depending on where you buy your camera, you may be able to get a package deal that includes things you would have to buy anyway, like a case, cards, extra and the like. If you buy your camera in a camera store don’t be afraid to negotiate, many will give you a better price or throw in extras like lessons.

When you buy a there’s no need to be intimidated, just do some research online and have an idea of what you want to do with your camera, create a list of important points, and then buy with confidence.

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20 Sep 08 The Magic Behind Digital Camera

Author: Harry Rockwell

A , as opposed to a or videotape camera, uses an to transform (or video) into electronic data. Modern are typically multifunctional and the same device can take , video, and/or sound.

In 2005, are starting to push traditional cameras out of many markets. Shrinking device sizes have recently allowed miniaturized to be included in multifunctional devices, such as cell phones and PDAs.

Classification

can be classified into several groups:

* Professional such as those used in television and movie production. These typically have multiple sensors (one per color) to enhance and color gamut. Professional usually do not have a built-in VCR or .

* Camcorders used by amateurs. These are a combination of camera and VCR to create an all-in-one production unit. They generally include a to record sound, and feature a small LCD to watch the video during filming and playback.

Still cameras

are generally characterized by the use of and USB or Fire Wire for and transfer.

Most have a rear LCD for reviewing . They are rated in ; that is, the product of their maximum dimensions. The actual transfers to a host computer are commonly carried out using the USB mass device class (so that the camera appear as a drive) or using the Transfer Protocol and its derivatives.

All use a (for Charged Coupled Device) which is a chip comprised of a grid of phototransistors to sense the light intensities across the plane of focus of the .

There has recently been some application of a second kind of chip, called a (Complementary Metal-Oxide Semiconductor) sensor, and this chip is often differentiated from a proper in that it uses less power and a different kind of light sensing material, however the differences are highly technical and many manufacturers still consider the chip a charged coupled device. For our purposes, a chip sensor is a .

* Standard : This encompasses most . They are characterized by great ease in operation and easy focusing; this design allows for limited motion capability. They have an extended depth of field.

This allows objects at multiple depths to be in focus simultaneously, which accounts for much of their ease of focusing. It is also part of the reason professional find their flat or artificial-looking. They excel in landscape and casual use.

* typically have a sensor nine times larger than that of a standard , and are targeted at professional and enthusiasts. They resemble ordinary in most ways, with replaceable and lens components, which give the user maximum control over light, focus and depth of field.

They are also bulkier and more expensive than their casual-use oriented counterparts. They are superb for portraiture and artistic because they can be customized for various applications with a comprehensive range of exchangeable .

Professional modular systems

High-end backs used by professionals are usually separate devices from the which they are used with. (This is because most of the large- and medium-format camera systems in professional use at the time that digital capture overtook as the professional’s medium of choice were modular in nature, i.e. the had multiple , viewfinders, winders and backs available for use with it to fit different needs.)

Since the first backs were introduced there have been three main methods of “capturing” the image, each based on the hardware configuration of the particular back.

The first method is often called “Single Shot,” in reference to the number of times the camera’s sensor is exposed to the light passing through the .

Single Shot capture systems use either one with a Bayer filter stamped onto it or three separate CCDs (one each for the primary additive colors Red, Green and Blue) which are exposed to the same image via a beam splitter.

The second method is referred to as “Multi-Shot” because the sensor is exposed to the image in a sequence of three or more openings of the lens aperture. There are several methods of application of the multi-shot technique.

The most common originally was to use a single with three filters (once again red, green and blue) passed in front of the sensor in sequence to obtain the additive color information.

Another multiple shot method utilized a single with a Bayer filter but actually moved the physical location of the on the focus plane of the lens to “stitch” together a higher image than the would allow otherwise. A third version combined the two methods without stamping a Bayer filter onto the chip.

The third method is called “Scan” because the sensor moves across the focus plane much like the sensor of a desktop scanner.

These CCDs are usually referred to as “sticks” rather than “chips” because they utilize only a single row of pixels (more properly “photosites”) which are again “stamped” with the Bayer filter.

The choice of method for a given capture is of course determined largely by the subject matter. It is usually inappropriate to attempt to capture a subject which moves (like people or objects in motion) with anything but a single shot system.

However, the higher color fidelity and larger file sizes and available with multi-shot and scan-backs make them attractive for commercial working with stationary subjects and large-format .

Webcams

* Webcams are attached to computers, used for or other purposes. Webcams can capture full-motion video as well, and some models include or ability.

These devices range in price from very inexpensive to expensive higher-end models; many complex webcams have a servo-controlled base capable of tracking facial motion with the help of software.

Interpolation

Image color or interpolation is used unless the camera uses a beam splitter single-shot approach, three-filter multi-shot approach, or Foveon X3 sensor.

The software specific to the camera interprets the information from the sensor to obtain a full color image. This is because in digital , each must have three values for luminous intensity, one each for the red, green, and blue channels. A normal cannot simultaneously record these three values.

The Bayer filter pattern is typically used. A Bayer filter pattern is a 2×2 pattern of light filters, with green ones at opposite corners and red and blue elsewhere.

The high proportion of green takes advantage of properties of the human visual system, which is determines brightness mostly from green and is far more sensitive to brightness than to hue or .

Sometimes a 4-color filter pattern is used, often involving 2 different hues of green. This provides a wider color gamut, but requires a slightly more complicated interpolation process.

The luminous intensity color values not captured for each can be interpolated (or guessed at) from the values of adjacent pixels which represent the color being calculated.

In some cases, extra is interpolated into the image by shifting photosites off of a standard grid pattern so that photosites are adjacent to each other at 45 degree angles, and all three values are interpolated for “virtual” photosites which fall into the spaces at 90 degree angles from the actual photosites.

Connectivity

Many can connect directly to a computer to transfer data. USB is the most widely used method, though some have a Fire wire port.

Integration

Some devices, like mobile phones integrates . Mobile phone cameras are much more sold than standalone digital ones.

need to store data. The higher one goes in size, the more will be needed. Cameras use a removable card to store data, but the cheapest and smallest cameras may simply use fixed internal instead. Some cameras come with inbuilt as well.

Autonomous devices

An autonomous device, such as a , operates without need of a computer. The camera connects to the printer, which then downloads and prints its . Some DVD recorders and television sets can read cards too.

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20 Sep 08 Making the Most of Digital Camera Memory Cards

Author: John Pawlett

are revolutionizing the world of home and professional , but they are married to cards just as are married to . Making the best use of cards can have a very big impact on your enjoyment of digital . Choosing the right card for the job can be as important as choosing the right for a .

If you are new to , the cards are the most important parts of any , without which they may not work at all. So if you are handling a or planning a purchase, you must know more about the cards used in these cameras.

Something many new owners find counter-intuitive is that bigger is not always better with a digital card. The actual response speed of your can depend greatly on the card it is using. The speed that your camera writes new to the digital card is partially dependant on the transfer speed of the but is also dependant on factors in the card itself.

cards that have buffers can take the data into a faster type of and then transfer the data from there to the slower which provides the main of almost all cards. Some provide their own buffer to allow you to take your next while the previous is being transferred to the card.

When you delete an image from the card of your , the is reconfigured because of special issues having to do with how this stores data. Normally this is an issue that you don’t have to worry about at all. However, if you have a very large card and delete an image, you may experience a several minute delay while house cleaning is performed on the card. Because of this, do not delete while you are taking .

Instead wait until you are at home, your hotel or in the car before reviewing your and deleting the ones you don’t want. Smaller cards take less time for this house cleaning so many experienced owners will choose to have more than one medium sized card instead of one very large one.

Now the question arises-how many cards are enough for your camera? On an average basis, you must have at least two cards for your . That is, if you are using it in a normal and average fashion.

Most professional choose to carry about four to six cards. This helps them shoot smoothly and constantly. If they run out of , they just take the loaded card out and insert the fresh one. Because cards can malfunction (just like traditional canisters, but not as often), you should choose to have at least two cards at all times.

By having at least two cards, you can work with one and keep the other in reserve for emergency. Having at least one extra card for your will also ensure that you have the backup protection needed if you run out of space on your first card or in the possible event of the first card malfunctioning.

The next important issue is how to take proper care of these cards. The cards may seem like some small and fragile piece of technology, but they are actually fairly sturdy. The is encased in a stiff plastic shell which can withstand normal wear and handling. At one end of the card is either a set of little holes or copper strips. These are the sensitive part of the card. Any voltage source or a large jolt of static could corrupt the and probably cause permanent damage to the card. When the card is not in your camera, it is best to keep it stored in a protective case or in your . Putting it in your pocket could cause a short (from your keys perhaps) or dirty the electrical contracts.

There have been instances where the users have misbehaved greatly with them and the cards have yet survived and continued to function correctly. But, this does not mean that one should not care for them.

When it is time to transfer your data from the card to your PC, it is best to have a card reader, or have a PC with a built-in reader. The data cables provided with most are very slow compared to the speed of a direct reader and it is often easier to review, copy and delete from a card when using a reader instead of through the data cable connection.

When traveling, X-Rays have never been shown to corrupt the data on, or damage, a card. The card is also not magnetic in nature so the motors in the X-Ray machine’s conveyor belt should not be able to cause any harm either.

Armed with knowledge comes the power to benefit from that knowledge. If you have learned something new about digital cards, hopefully you will benefit by enjoying your more and finding more opportunities to take great .

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20 Sep 08 Digital Camera: the Future of Cameras

Author: Nicholas Tan

Basically a is a deice use to capture without the use of films. Unlike the , the does not rely on mechanical and chemical processes. It has a built in computer and records the it captures in an electronic form. Having and operating one does not even require the use of electricity.

Since the that a captures is in electronic form, it is a language recognized by computers. This language is called pixels, tiny colored dots represented by ones and zeros that make up the that you just took. Just like any , a is furnished with a series of that focus the light and creates the image that you want to capture. The difference here is then; a focuses its light on a while a focuses the light into a semiconductor device that electronically records the light. Remember the built in computer, it comes in here and breaks this information to digital data resulting to all the features of the .

Another feature of the is that it has a sensor that converts light into electrical charges. A or is an that is found in a . While other low-end use complementary metal oxide semiconductor or as an , it can still become better and more famous in the future but most engineers are do not believe that it can replace the for higher-end .

A collection of tiny diodes, the gathers electrons when they are struck by photons or the light particles. Each diode or photosite is sensitive to light, meaning that the brighter the light, the number of the electrons gathering will be larger

The price of a nowadays have been depreciating, one of the main reasons of this is because of the introduction of , this is because sensors are less expensive and are easier to manufacture than sensors. A and sensor works the same way at first, by converting the light electrical charges into photosites. Simply putting it, is to think that a works in such a way as thinking that the millions of tiny solar cells, each of which forms a part of the whole image. Both and do this task using different methods.

When shopping for the best , take note of these key features.

. Check the of the camera. The higher the , the more thou will be able to enlarge your without the grainy or the out-of-focus effect that we all want to avoid.

Lens. Choose a with better digital . The digital of the camera will enable you take the pixels from the and incorporate them to make an image.
Power. Always opt for rechargeable , they can always come in handy, plus you don’t waste as much money on the disposable ones.

Options. So you can brag to your friends how good a or artist you are. Or choose the one that gives options that best cater to your lifestyle, so you won’t ever whine how you never get the right .

. If you’re a freak, be sure that you have enough in your camera to take all the wacky, freaky, funny and just about any you can. Think 512MB if you’re a junkie and takes of just about anything.

Computer Interface. Always make sure that it is compatible with your PC, laptop, palmtop or whatever your local printer software is, you don’t want to go running around the whole state or the country looking for a computer that’s compatible with your , wont you?!

Physical. If you are going to be bringing it everywhere, choose a handy and portable . This way, it won’t always feel as heavy and bulky as those cameras that you see professional are always dragging on their neck. Don’t they ever get tired of that?!

These are just the basic things you have to look for in a when you buy one. A is so great that it is quickly replacing all in the market, with all its technology and portability, truly the is the future of cameras.

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19 Sep 08 How to Compare Digital Camera Features

Author: wa Wanjiru

When we are ready to buy a we need to look at various facts. These facts will help us to compare features and eventually decide which we wish to buy. As there are many features that can be present in the various you will need to isolate the main points and features of interest to you.

By narrowing this field of comparison we can look for only the items that will help us take great looking . Among these items to be compared can be the amount of pixels that are offered in each type of .

To compare features like this you should have access to a buyer’s guide that will inform you about the amount of pixels that can be found in a . The amount of pixels will normally mean that your quality will be very good.

You can also compare features to see if a is suited for the amateur , semi-serious , the serious amateur who is looking to better their or even professional .

The various information that you can find about will let you see what different features are present in a certain . You will also see when you are looking to compare features of two or three , if these have the ability to turn your into sepia, , or with the use of filters.

As you compare features it is necessary to see what types of shooting modes are present in the that you want. There should be indications about the focusing and of different like , , , and even Pentac .

These different types of information that you can find, will help you to compare features that are of a technical nature. There are other sources of information like magazines that will let you compare digital features that allow you to take with special effects.

These effects can be how a feature works to give you an unexpected shot from a totally new angle or the way that you can change the focus of a by cropping the surrounding areas of your subject.

To take great looking it also helps to have a that provides you with many different helpful features. The many different sources that you can use like magazines, internet articles, and even buyer’s guides will allow you to compare features.

This way you can select the best type of that is suited for your needs. To compare features you need all of these different sources. This way you have a wide choice of to look at.

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19 Sep 08 Digital Camera Basic Information

Author: Roberto Sedycias

A is an electronic that can capture and then store them. Instead of employing like the or using magnetic tapes to record in an like in , a stores in an electronic way in a digital format. Nowadays we also get modern and multifunctional compact that can record and store sound and video apart from .

have become a rage everywhere in the world. They are amongst the top items of must-have lists of every home. Not only much more technically advanced with better features than their older versions, are also very handy and practical. They come in a wide range and variety to suit everyone`s tastes and budget.

Apart from having a better quality, the most obvious advantage of over the conventional ones is that you can click and store as many as you want without worrying about wasting the roll. After you have transferred the to your computer, you can easily keep those you want, discard others, print some and may even edit the not so flattering ones. This clearly gives you a lot of options and choices as you can change the background of edit brightness and contrast and make other changes according to your whims.

can be of various types. The first in the category is the video camera which is mainly used to record moving . Then you have digital or live preview cameras. These cameras are usually of two types, compact and bridge. Compact has small zooms and is characterized by easy focusing and easy operation. They usually have a built in . Bridge have super and are capable of taking good .

Then we have digital single cameras with a mirror and , digital which is nothing but a camera that has a rangefinder and the professional modular system that is a very with different modular parts like grips, winders etc to suit different purposes. These types of cameras are usually used for commercial purposes in studios as they are quite big and bulky.

With a wide variety of available in the market, it is obvious to get confused as to which will be the best-buy amongst them. However you need to understand that each camera has its unique function and specialty and you need to check out each one to determine your pick. As for example, if your purchased camera is going to be a gift then you need to know which type of will be suitable for the person. For instance, teens will obviously like cameras that are funky and cool, while mums will be delighted to get cameras that will allow easy image sharing for family .

Before buying a it is important that you get your basic information right so that you can get the best deal. There are lots of factors that you need to consider like the of the and the size of camera. Another important consideration is the or Cards. Semi-professional would also like to consider having a decent .

Last but not the least, after you get your brand new then learn about the basics of its maintenance and operation. Get acquainted with its various features; learn how to share your with friends and family and steps to take to troubleshoot your camera.

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