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Productive Shopping For Digital Cameras
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21 Sep 08 NEW NIKON COOLPIX L6 TAKES 1,000 SHOTS RIGHT OUT OF THE BOX

enhancements provide consumers with long lasting photographic capability

MELVILLE, NY (August 24, 2006) - is redefining the phrase “user-friendly” with its latest addition to the COOLPIX family of , the L6. In addition to having 6.0 , an incredible, bright 2.5 inch and ’s In-Camera Image Innovations, the L6 can take an unprecedented 1,000 on a single set of the included Energizer® e2® Lithium® AA , the most of any camera in its class.

’s new COOLPIX L6 and its partnership with Energizer represent a continued dedication to improving the experience for the consumer,” said Bill Giordano, General Manager Marketing, COOLPIX for , Inc. With the L6, you may never have to worry about missing valuable opportunities again because the camera is always ready.”

In addition to having ground breaking life, the COOLPIX L6 offers a higher light sensitivity, up to ISO 800, than many conventional compact , allowing the user to shoot in a lower light without having to worry about their being dark or blurry. The L6 has a higher option for freezing time and capturing fast-moving subjects. In addition to these innovations, the camera boasts 6.0 for generating beautiful prints and a 3x optical -Nikkor glass lens for creative freedom and an incredible, bright 2.5 inch for effortless composition and display.

Like every camera in the COOLPIX family, the L6 is equipped with ’s In-Camera Image Innovations to fix common problems. This system includes Face-priority AF*, which automatically finds and focuses on a subject’s face, In-Camera Red-Eye Fix, which automatically corrects red-eye, and D-Lighting, an innovation that automatically corrects with insufficient light. Furthermore, the L6 is equipped with Blur Warning, which alerts the user when an image is blurred and Best Shot Selector, a feature which automatically identifies and saves the sharpest image from a series.

In addition to these features, the L6 has 15 scene modes, which simplify taking by automatically programming the camera’s settings for great in a variety of locations. Other features include color options for adding different color effects to your , a date counter which visually records the number of days until a special occasion, and several choices. Included with the L6 is a complimentary copy of PictureProject, ’s imaging software for organizing, editing and sharing .

The COOLPIX L6 offers 23 MB of internal and is compatible with an array of SD cards. The L6 uses PictBridge to easily connect to compatible .

The COOLPIX L6 will be available in stores September 2006 with an MSRP of $199.95. For more information about the L6 and the full line of COOLPIX cameras, please visit www..com.

*Face-recognition capability may be limited in some shooting conditions.

About
, At the Heart of the Image™. Inc. is the world leader in digital imaging, precision and imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional . Inc. distributes the Total Imaging System of consumer and professional cameras, Nikkor , Speedlights and System Accessories; COOLPIX® compact ; COOLSCAN® digital scanners; ; software products and sports and recreational . At the heart of every camera is ’s Exclusive Feature System, making it easy for anyone to take amazing digital . Through the Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) -US or visit www..com, which links all levels of to the web’s most comprehensive learning and sharing communities.

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21 Sep 08 Nikon’s New D2Hs Professional Digital SLR Camera Offers Enhanced Performance, Image Quality and Features

MELVILLE, NY, FEBRUARY 16, 2005 - (www.nikondigitalusa.com), the world leader in , today introduced the new D2Hs™ professional camera that incorporates several new enhancements and features. Designed for photojournalists and sports/action , D2Hs integrates the best technologies from its predecessors with an array of exclusive new innovations that deliver the speed, response and handling required for action .

The range of new features and enhancements in the D2Hs are based on extensive research and feedback from professional around the world. An all-new image processing engine in the camera produces with higher quality, finer gradations and lower noise, while a newly refined exposure metering system improves on ’s hallmark technology. The D2Hs Auto and auto focusing systems have been fine tuned to deliver precise, accurate results and an enhanced buffer now offers continuous shooting at 8 frames per second for up to 50 (JPEG, FINE).

“During the development of ’s recently announced D2X professional camera, the company created several new technologies and innovations that delivered breakthrough performance in that camera. These new innovations have been integrated into the D2Hs to offer photojournalists and sports a camera at par with ’s flagship D2X camera, with comparable performance, features and seamless workflow,” said Steve Heiner, general manager for and Professional Products at . “ will appreciate the seamless design, transition and workflow between the D2X and the new D2Hs, allowing them to quickly switch between the two best-of-breed , as dictated by the situation they need to .”

In addition to ’s exclusive 4.1 DX format JFET LBCAST (Lateral Buried Charge Accumulator and Sensing ), the D2Hs features the following new technologies and enhancements:

- Advanced new image processing engine produces high quality
The new image processing engine adopts advances from the D2X to further improve overall in the D2Hs, producing with finer gradations, lower noise and consistent, smooth transitions.
- High-speed continuous shooting at 8 fps for up to 50
The speed achieved by the LBCAST sensor and the camera’s image processing allows the D2Hs to shoot continuously at 8 frames per second for up to 50 consecutive JPEG or 40 RAW (NEF) shots.
- 3D-Color Matrix Metering II
Refinements to ’s hallmark exposure metering system in the D2Hs result in optimal exposure calculations from the data supplied by the 1,005- RGB Exposure/Color Matrix Metering Sensor, even when shooting under challenging conditions.
- Precise
The D2Hs uses refined Auto (AWB) and Auto Tone Control (ATC) systems to deliver precise settings when shooting in tricky or mixed lighting situations.
- Faster, higher precision 11-area AF system
Refinements to the camera’s AF and lens drive algorithms further improve focus precision, subject acquisition, and subject tracking. The high precision and speed of the D2Hs’ AF system also contributes to achieving high-speed continuous shooting.
- High-speed wireless data transfer and camera control
The D2Hs is compatible with the Wireless Transmitter WT-1/1A as well as the new Wireless Transmitter WT-2/2A, which supports both IEEE 802.11g (for faster transfer speeds) as well as IEEE 802.11b networks. The WT-2/2A also strengthens wireless security options and supports a wider variety of network protocols, including the new PTP/IP protocol that realizes wireless Capture Control from a computer running Capture 4 (Ver. 4.2.1 or later).
- sYCC color space support
Added support for sYCC color space produces JPEG files that can fully exploit the output of the latest color and use a gamut wider than sRGB to achieve optimum print quality.
- GPS connectivity expands applications
The latitude, longitude, altitude and UTC (Coordinated Universal Time) at which a shot is taken can be recorded from a GPS unit to the image’s metadata. GPS units that comply with the NMEA 0183 (ver.2.01) interface standard can be connected using the optional GPS cable (MC-35).
- High- 2.5″ LCD
A new large 2.5-inch LCD monitor with a higher of 232,000 pixels adds an all-digital interface for clear, flicker-free display of and information. Displays include preview at up to 15x magnification, an improved histogram display, and new selectable RGB histogram displays, making exposure confirmation quick, easy and accurate for each of the red, green and blue color channels. Other useful displays include the World Time function and the chronological Recent Settings list.

The D2Hs comes with PictureProject, an easy-to-use software application for managing, editing and sharing image files. The D2Hs is also compatible with ’s optional Capture software package that delivers a unique, powerful and expandable environment for full control over RAW(NEF) files. Capture 4’s Remote Camera Control function can control most shooting settings and trigger the camera’s shutter release remotely, either connected via the USB 2.0 Hi-Speed interface, or using the optional Wireless Transmitter WT-2/2A. (PTP/IP wireless camera control requires Windows XP or Mac OS X.)

As part of ’s Total Imaging System, the D2Hs is compatible with ’s growing family of digital-exclusive DX Nikkor as well as the lineup of high-quality Nikkor AF . When used with the SB-800 or SB-600 Speedlights, the D2Hs maximizes the potential of ’s Creative Lighting System with high precision performance, including i-TTL control and support for ’s Advanced Wireless Lighting system.

The D2Hs will be available in March 2005 for an MSRP of $3499.95.

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21 Sep 08 Canon Digital Camera: Express, Shoot and Share

Author: Nicholas Tan

is well known across the country as an and information systems. Their many products include copiers, , , camcorders, semiconductors among others, and of course .

The latest high end is the S2 IS. This is a 5.0 mega that features a 12x optical and a 4x digital . This baby is furnished with Optical (that is what the IS in S2 IS stands for) that eliminates camera shakes for people who have or for taking . The UD lens found in this provide amazing throughout the whole area.

As with many nowadays, this certain can record moving . Now with another first, the S2 allows you to record moving , and there no use for missing a incorporated with that moving . With the Movie Snap feature, just snap away when you see that , and it will be saved in your along with the recorded video.

This is also equipped with the that is designed to increase processing speed and . It instantly says that with the , your has faster start-up time, playback and while giving your the absolute brilliance.

The S2 also support USB 2.0 Hi-speed standard, so you will always have the easiest time transferring your files to and from your computer. With the USB 2.0, you can take advantage of your super hi-speed .

This is also supplied with a 1.8 inch LCD power saving and fold out screen that’s 115,000 . S2 shoots at 30 frames per second; this shooting rate can be reduced when taking in night display, to give you the brightness that you need when taking .

On the other hand, the latest point and shoot is the SD500 and the .

The SD500 is the first 7.1 mega that gives amazing and absolutely to die for details. It has a 3x optical that enables close up shooting with a 37-111mm equivalent with a camera. This is one of the new perpetual curve design for a that fits the hands perfectly.

Sporting a very slim design, you would marvel at its 2.0 inch LCD that gives easier frame and play back use.

This baby is also equipped with the same found in that gives you amazing features. Also USB 2.0 compatible and works with the same high-speed .

Even better than most out there, this can shoot moving to up to 60 frames per second- perfect for moving objects (especially in sports) and a 30 frames per second for shooting still . Furnished with scene modes like portrait (blurs the background and focuses on your subject), foliage (perfect for foliage, greenery or blossoms), beach (sunny shots without the dark faces), underwater (reduced background scatter. Tip: you can always buy waterproof case for shooting underwater ), fireworks, night snapshot, kids and pets, indoor, snow and digital macro (larger than life ).

This even enables you to customize and correct as you shoot. With modes like lightening skin tones, positive , darker skin tones and others, you can never go wrong with using a .

These are just some of the many features of the SD500. There are more to the SD500 that has yet to be discussed. Check ’s website at www.usa..com for a full profile of the SD500 and to other latest releases and products.

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21 Sep 08 Digital Camera Buyers Guide

Author: Michael Malega

Time to get started on this topic. Take a few moments to read every aspect of this paper hopefully it will be of great help.
We use cameras to take of a diversity of things. These can be special events in our lives or marvellous sights that we want to see time and time again. To take these we can use a diverseness of cameras. These can be of the normal cameras where you wait for the to develop or they can be . To buy a good calibre digital these days it helps to look at a digital buyers guide.
There are many unlike types of digital buyers guide magazines that you can buy. While they will look unlike in styles and formatting they are all configured to help you select the best digital for you. These buyers guides should not be that expensive and sometimes you can get one for free with a taking magazine.
When you look at a buyers guide cover you will be able to see the versatile products that will be reviewed and if they can be of any use to you in your photographic pursuits.
You will be able to see purchasing selective information about , , camera , and some of the accessories that are requisite for . You will also see the types of that are presently “hot”.
You can also find tips for purchasing these cameras as parts of kits in the digital buyers guide. The table of contents of the buyers guide will show you the main articles and product features that you can expect to read about when you buy this magazine.
Sometimes you will get worthful purchasing data about the newest and the best types of . These articles will cover in-depth the assorted features and procedure abilities of the unlike devices. You will be able to see which digital and are well thought out to be good value for your money and what you can expect to see from these products.
With a buyers guide you will be informed about the cost of the different , , and even the latest . Also looking at the purchasing advantages and prices of these products a buyers guide will also let you know what are the high end and what can be reasoned as bargains… to find more on this subject, please check our web site by clicking on our link below…
I hope you enjoyed reading this article and found the information useful and interesting.

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21 Sep 08 Digital Camera Buying Guide

Author: Monty Alexander

Planning to buy a ? Not sure how to get started?

Read on to discover how…..

What do you need the camera for?

If you buy a simple one that can be used at home, you will not get interesting that you need for taking really good photographic . On the other hand, it would be a waste of your money if you have the latest only to be used for personal at home.

Based on the purpose one can choose from the following main three types.

· Point and shoot: - reasonably compact, with features and size like cameras.

· Lifestyle: - with moderate features, it’s sleek and compact, so you can carry it around with ease.

· Professional: - with interchangeable , flashes and other accessories, this camera is robust and feature laden, just the right choice for a professional or serious .

These are the important features to look for?

Digital are made up of dots called pixels. The higher the number of pixels in your image, the better will be the quality of the image. This will therefore enable you to enlarge your image to higher dimensions without creating a pixilated (broken) image.

Compression

Compression shrinks a ’s file size, thus accommodating more in the card. However compression causes a small amount of data loss. If you need the absolute best-quality , you have to consider buying a camera that takes uncompressed but will accommodate less number of .

A camera’s size will decide the number of that can be stored. of 128MB will be good enough if you want to use the camera mostly at a social do or a party. If you are on a vacation or when you cannot download for days at a stretch, a of 512MB to 1GB will be most favorable.

Most come with at least an optical but many also come with an built into the back. For a , they vary from 1.5-2.5 inches.

Lens

It is the length of a camera’s lens that determines how much of a scene will fit in a . A “Normal” lens is about 50mm, most closely approximate to what your eye sees.

Optical

This enables the to in on an object without any problem in quality. Depending on the magnification number, you can in more.

Digital

This feature enables the to in on the centre of the by removing the edges of the image.

Focus an exposure

In most cameras, the correct exposure for the lighting conditions is automatically determined. A camera rated ISO 100, has approximately the same light sensitivity as that of a traditional camera loaded with ISO 100 . A higher ISO rating means that the camera is more sensitive to light and is potential enough to take in darker settings.

Audio and Movie capture

This feature allows you to record sounds and moving at the same time, in exactly the same way that a camcorder functions. Some provide the facility to record a few seconds of audio with each shot, thus letting you add a personal sound bite to your .

Movie mode

This is a feature that lets you take short clips with your camera. The total record length is typically limited to 10 to 90 seconds.

Most come with an in-built . Some cameras however include additional features, such as red-eye reduction or night portrait mode.

Image erase

Most cameras also let you select to erase. This handy feature gives you the chance to edit out the you don’t want in order to create space in the .

Self-timer

A self-timer allows your for a delayed exposure, usually giving you about 10 seconds before the is taken.

Computer connections

Most high-end cameras have software and connections for both Mac and PC computers. However it is necessary to make sure the you want is compatible with your platform before you buy it.

This feature enables the to capture still of something moving very fast.

Printing

Nowadays you can buy special , depending on the compatibility of your camera, to print off your without connecting it to a PC. This applies both for digital and SLR .

How important is size and portability to you?

Size is another very important factor to consider. If you are to use the camera for non professional purposes the size has to be small as you cannot afford to carry huge when you are enjoying a trip.

What is your budget?

Based on the budget the features will vary and the overall offering of a camera. Today’s run anywhere from Rs 800 to Rs 30,000, depending on and features. While the initial expense of a is still high you may find that the added convenience and savings in and processing costs are worth it.

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20 Sep 08 Digital Cameras in Todays Society

Author: Nigel

have become mainstream cameras because they are extremely easy to use and offer a host of wonderful features. connect to PC via USB so you can transfer your easily for archiving, editing, and printing. make it easy to share both online and in print. with in the four to five range are capable of producing professional-quality .

Cameras

The major advantage of is the ability to take multiple at no extra cost and then printing only the best ones. Cameras meant for automatic point-and-shoot , with a 3x lens, will serve casual shooters as well as dedicated hobbyists much of the time. with less than one are inexpensive, but they usually lack key features. Cameras with higher resolutionsof 7, 8, 10 or even more give you the latitude to create largerprints, or to crop and manipulate with -editing software without degrading them. All have a built-in computer, and all of them record electronically. Since still provides better quality, digitalcameras have not completely replaced . All the fun and interesting features of come as a direct result of striving to improve customer needs for high quality, low cost .

are made up of tiny cells (also called pixels). taken at higher will look much clearer and sharper when printed, and large prints will look better. You can even select only the best and copy them from your computer back onto the camera’s device so you can give an edited slide show of just the best . Once are in digital form, you can start to take pieces from various and paste them into other . Digital now makes it possible to put all of your on the Web and bore the entire world instead of just your friends and family. One nice thing about is that you can show your on a TV set.

Most support some type of removable card for storing your . You should buy as large a card as your camera can accept, as the cards that are included with the cameras are usually not nearly big enough to hold a good number of high quality . Two popular card types are and SmartMedia cards. Both types of are similar in price and performance but cards are more widely used. How many will fit in the . The exact number depends on the size of the card (or other type of used), the camera’s , the compression quality setting, the exact type of camera, and even the type of taken. If you can’t fit enough in the , you should buy a higher capacity card instead.

are distinguished by their —how many pixels, or elements, the contains. give you extraordinary control over . are perfect for learner as the can be displayed immediately. generally need a computer to manipulate and print , but the technology is evolving rapidly, and that work without a computer are now mass-market items. have high power requirements, and over time have become increasingly smaller in size, which has resulted in an ongoing need to develop a small enough to fit in the camera and yet able to power it for a reasonable length of time. emerging popularity is attributed to the vastly improved experience they afford, through instant viewing, deletion, annotation, and control over reprint size and quantity.

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19 Sep 08 Looking at a Digital Camera Buyers Guide for That Invaluable Info

Author: wa Wanjiru

We use cameras to take of a variety of things. These can be special events in our lives or fantastic sights that we want to see time and time again. To take these we can use a variety of cameras. These can be of the normal cameras where you wait for the to develop or they can be . To purchase a good quality these days it helps to look at a buyers guide.

There are many different types of buyers guide magazines that you can buy. While they will look different in styles and format they are all designed to help you select the best for you. These buyers guides should not be that expensive and sometimes you can get one for free with a magazine.

When you look at a buyers guide cover you will be able to see the various products that will be reviewed and if they can be of any use to you in your photographic pursuits.

You will be able to see buying information about , , camera , and some of the accessories that are needed for . You will also see the types of that are currently “hot”.

You can also find tips for buying these cameras as parts of kits in the buyers guide. The contents of the buyers guide will show you the main articles and product features that you can expect to read about when you purchase this magazine.

Sometimes you will get valuable buying information about the latest and the best types of . These articles will cover in-depth the various features and performance abilities of the different devices. You will be able to see which digital and are considered to be good value for your money and what you can expect to see from these products.

With a buyers guide you will be informed about the price of the different , , and even the newest camera . Besides looking at the buying advantages and prices of these products a buyers guide will also let you know what are the high end and what can be considered as bargains.

These are just a few of the products and services that you can find when you look at a buyers guide. These magazines are jam-packed with lots of information that is essential for the person who wants to buy a quality and needs good advice, and these guides can be considered invaluable.

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19 Sep 08 Digital Revolution With Canon Digital Camera

Author: Saris Hunsanugrom

There were times when cameras were considered to be a rich man’s luxury but nowadays, clicking with camera has become an important part of our daily events. With the constant improvement of technology, cameras have undergone a sea change and it was in the late 1970’s when saw the light of the day.

The first was Mavica, an analogue camera that used video floppy. However, since then, various brands launched such as , , , and to name a few. However, Inc. Japanese MNC specialized in the manufacturing of computer , copiers and cameras. started its operation in the year 1934 with Kwanon camera.

Ever since started manufacturing its , it became a hugely successful company and a cynosure of camera lover across world. Presently, is well known for its and advanced features that make it a well known brand name. Some of the high end includes series like G9, SX 100 IS, S5 IS and TX1.

EPH services include SD 950 IS, SD 890 IS, SD 790 IS, SD 870 IS, SD 770 IS, SD 1100 IS, SD 750, SD 850 IS, SD 800 IS and SD 1000. ’s A series includes A 460, A 550, A 470, A 560, A 580, A 570 IS, A 630, A 710 IS, A 590 IS, A 720 IS and A 650 IS to name a few.

Apart from , is famous for its EOS camera system that comes with Single (SLR) technology. However, for amateurs who love to shoot and capture moments of love and joy, the series is the best that comes with DIGIC processor and state of the art design.

Some of the highly rated include SD 1100 IS that supports 8 and 3X . Some other quality features include , features for . It supports JPEG file format and has a 2.5″ with 32 MB of internal as a part of Secure Digital feature.

SD950 IS comes with 12 mega and 3.7 optical and 4X digital feature. It also supports movie and sound mode. Its basic features include , , 2.5″ , Secure Digital of 32 MB. A590 IS includes image of 8 and optical and digital of 4X, focus, movie mode and manual and auto exposure along with 32 MB and 2.5: .

Digital Rebel XTi / 400D comes with 10.1 mega , file format of RAW and JPEG, processor, 9 point , micro drive support and automatic vibration and . Apart from it, there are

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19 Sep 08 Guide to Buying a Digital Camera

Author: Andrew Gates

The market today offers buyers a large number of choices, with products in widely differing price ranges, sizes and degree of operational complexity. From miniatures the size of a credit card, to fully functional (Single ) systems, you can buy a from manufacturers including brands such as , , , companies such as and , and consumer electronic companies like . Then there are other options that include the mobile phone manufacturers, and webcam suppliers.

The advantages of digital are numerous. Topmost is the fact that there is no processing: expensive both in cost and time. But there is also the advantage of smaller sized equipment, portable media and instant viewing. And if you don’t like what you see, you simply delete it and shoot again: no wastage.

If you like to take , being a digital makes a lot of sense. But which camera is the best one for you? In a field of excess abundance, how do you narrow down what you need? How much to pay? How many ? (What are they anyway?) Which brand? How much ?

Digital CamerasEvery shopper is different.

At MyShopping.com.au we recognise this fact, and so we list practically all brands and models from hundreds of suppliers. These listings include the cold hard digital data facts about each camera and a range of comparative pricings offered by different suppliers. But just as every shopper is different, every is different too. And just having the facts may not make you feel any more knowledgeable about which camera is right for you.

You could begin with the question: What sort of will you take with your new ? This is a valid starting point because from here you can begin to qualify your requirements in terms of technical capability and price. What sort of will you take with your new ?

Is it simply for happy snaps whenever you get together with friends and family at weekends and holidays? Or are you a serious bird watcher and you want to capture nature at its finest? Perhaps you want a camera for work to record your inventory, or recording information from a client. Maybe you’re a PI on a mission. The point is, you need to begin by recognising that your reason for buying a may not be the same as that of your best friend who is recommending the model she bought.

Once you’ve figured out the sort of you are going to take, you can then set about deciding on the type of camera that will meet your needs. If you need something highly portable that fits in your shirt pocket or your handbag and lets you take it anywhere you go, make size a big consideration. If you want to take seriously good , and you want to pursue an artistic endeavour, make image flexibility your main concern.

It might also be worthwhile considering your own position in the digital experience. Are you a novice about to buy your first camera, do you have some intermediate experience, or are you an advanced user?

Someone new to the market will likely not want to spend a lot of money, nor have a lot of mind-boggling features that leave you confused. There are cameras ideal for beginning users that have basic ‘point and shoot’ features including optical and digital lens, flexible media and built in . There is a huge range of cameras available with simple features at low cost.

If you consider yourself an intermediate user with some operational knowledge of technology, you may want to consider more advanced features that give you more control over the you take. These features usually come in a range of automatic settings and manual settings for capturing the image and different options in terms of and type (raw data, jpeg, tiff). Naturally there is some cost attached to additional features when compared to more basic cameras.

For advanced users, there are a lot of professional options you can consider; such as SLR view finding and lens interchange ability. Cameras in this range provide much greater control over the image, both before and once it is captured. These options include and aperture adjustment, and many cameras offer the ability to manipulate ‘in camera’, such as cropping, and brightness and contrast adjustments.

After the is taken

A further main consideration is what are you going to do with your once you have them? The great beauty of digital is the simple fact that you can store them on digital media such as CDs and media cards, and view them on computer screens and in many cases, your television. You need print only when and those you want to see, or show to others. Digital also gives fantastic opportunities to manipulate your using popular image manipulation programs, resizing them, altering brightness and contrast characteristics, and correcting problems such as , or removing skin blemishes.

Most are computer ready, able to plug directly into your PC or Mac using USB connectors. They usually include proprietary software allowing you to easily and instantly manage your image files in albums or slide shows. Many also include a video capture facility enabling you to take short motion .

What you want to do with your after you have them can have an impact on your choice of camera. If you want to make enlarged prints for example, you will want a high capacity (also talked about as ‘’). If you want for website use, you will want to get the best quality that can be reduced in without severe degradation.

Beauty is in the “I”

Great usually come from great conditions. You capture a great moment, the light is just right, the subject is at the perfect distance, the image is perfectly framed. But not every offers the flexibility to make the best of existing light conditions, or position. Most (certainly at the budget end) come with a built in automatic , which is terrific for happy snaps in darkened environments. And the automatic automatically does not ‘go off’ in bright sunny conditions. But in those times when you want to use the existing light, you need a camera that gives you manual control over the operation or not, of the .

Moreover, most in the lower and medium price ranges are highly automated. If you are moving from a traditional SLR camera where you have maximum control over , aperture and ISO speeds, it may be frustrating to not have easy access to the same range of tools to take advantage of existing light conditions.

In the more advanced (and therefore more expensive) range of , most lens and aperture functions are available in exactly the same way as other . What differs is how the colours and light of the image is translated through capture compared to the chemical processing systems.

You may want a wide range of focus options. Most have two different types of image magnification, lens magnification () that may be equivalent of a to 150 mm lens, and a digital magnification that may be to ten-fold (expressed as x10). This provides you with lens capability, which may be limited in its depth of field control and is subject to and movement if the conditions aren’t just right, and a digital magnification of the image. If being able to capture magnified distant is important to you, you need more , and a lens system that gives you some control over its focus and aperture management.

A final word on accessory

are electronic equipment. That means they run on , and if you use your camera a lot, you will find that you will be frequently replacing . Some cameras have rechargeable ; others simply use dry cells (AA), which you can of course load with rechargeable ones. It pays to have spare so that you always have a charged power source. Some cameras have docking stations to help manage the connection with computers. Many cameras have interchangeable lens systems, some of which may be compatible with traditional SLRs.

You can also print your own at home with special that handle standard paper, and connect directly to your camera. Although it may be less expensive to simply take your camera’s card, or a CD to your local camera store, and now many supermarkets and department stores, and use the automatic printing machines to print the you want.

There is a lot you can do with a , and you can pay les than $200, or more than $10,000. It all depends on how you see yourself as a , what you’re shooting, and what you want to do with your . At Myshopping.com.au you can very quickly compare specifications and prices.

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19 Sep 08 Consumer Reports - Digital Cameras

, which employ reusable cards instead of , give you far more creative control than cameras can. With a , you can transfer shots to your computer, then crop, adjust color and contrast, and add textures and other special effects. Final results can be made into cards or T-shirts, or sent via e-mail, all using the software that usually comes with the camera. You can make prints on a , or by dropping off the card at one of a growing number of photofinishers. You can upload the file to a -sharing Web site for , viewing, and sharing with others.

Like camcorders, have LCD viewers. Some camcorders can be used to take still , but a ’s is no match for a good ’s.

WHAT’S AVAILABLE

The leading brands are , , HP, , , and ; other brands come from consumer-electronics, computer, and and companies.

are categorized by how many pixels, or elements, the contains. One equals 1 million elements. A 3- camera can make excellent 8×10s and pleasing 11×14s. There are also 4- to 8- models, including point-and-shoot ones; these are well suited for making larger prints or for maintaining if you want to use only a portion of the original image. Professional use as many as 14 .

Price range: $200 to $400 for 3 ; $250 to $400 for 4 and 5 ; $300 to $1,000 for 6 to 8 .

IMPORTANT FEATURES

Most are highly automated, with features such as automatic (which manages the , aperture, or both according to ) and autofocus.

Instead of , typically record their shots onto - cards. and (SD) are the most widely used. Once quite expensive, such cards have tumbled in price–a 128-megabyte card can now cost less than $50. Other types of cards used by cameras include Stick, Smart Media and xD- card. A few cameras, mainly some models, use 3 1/4-inch CD-R or CD-RW discs.

To save , you transfer them to a computer, typically by connecting the camera to the computer’s USB or FireWire port or inserting the card into a special reader. Some can take cards and make prints without putting the on a computer first. Image-handling software, such as Adobe Photoshop Elements, Jasc Paint Shop, Microsoft It, and ACDSee, lets you size, touch up, and crop digital using your computer. Most work with both Windows and Macintosh machines.

The file format commonly used for is JPEG, which is a compressed format. Some cameras can save in uncompressed TIFF format, but this setting yields enormous files. Other high-end cameras have a RAW file format, which yields the image data with no processing from the camera.

typically have both an optical and a small color . LCD viewers are very accurate in framing the actual image you get–better than most of the optical viewfinders–but they use more power and may be hard to see in bright sunlight. You can also view shots you’ve already taken on the . Many provide a video output, so you can view your on a TV set.

Certain cameras let you record an audio clip with a . But these clips use additional space. Some allow you to record limited video, but the frame rate is slow and the poor.

A lens provides flexibility in framing shots and closes the distance between you and your subject–ideal if you want to quickly switch to a close shot. The typical 3x on mainstream cameras goes from a moderately wide-angle view () to moderate telephoto (105mm). You can find cameras with extended ranges between 8x and 12x, giving added versatility for outdoor . Other new cameras go down to 24 or 28 mm at the wide-angle end, making it easier to take in an entire scene in close quarters, such as a crowded party.

Optical zooms are superior to digital zooms, which magnify the center of the frame without actually increasing detail, resulting in a somewhat coarser view.

Sensors in are typically about as light-sensitive as ISO 100 , though some let you increase that setting. (At ISO 100, you’ll likely need to use a indoors and in low outdoor light.) A camera’s range tells you how far from the camera the will provide proper exposure: If the subject is out of range, you’ll know to close the distance. But can tolerate some underexposure before the image suffers noticeably.

Red-eye reduction shines a light toward your subject just before the main . (A camera whose unit is farther from the lens reduces the risk of . Computer editing of the image may also correct .) With automatic mode, the camera fires the whenever the light entering the camera registers as insufficient. A few new cameras have built-in red-eye correction capability.

Some cameras that have powerful telephoto now come with image stabilizers. These compensate for camera shake, letting you use a slower than you otherwise could for following movement. But an won’t compensate for the motion of subjects.

Most new 6- to 8- cameras come with full manual controls, including independent controls for shutter and aperture. That gives serious shutterbugs control over depth of field, shooting action, or shooting scene with tricky lighting.

HOW TO CHOOSE

The first step is to determine how you will use the camera most of the time. Consider these two questions:

How much flexibility to enlarge do you need? If you mainly want to make 4×6 , a camera with a 3- or 4- will be fine. Such a camera will also make an 8×10 print of an entire image without alteration that looks as sharp as one from a 6- or 8- model. But to enlarge the image more or enlarge only part of it, you’ll want a 6- to 8- camera.

How much control do you want over exposure and composition? Cameras meant for automatic point-and-shoot , with a 3x- lens, will serve snap shooters as well as dedicate hobbyists much of the time. The full-featured cameras in the 6- to 8- range offer that more-dedicated will want to have. Two of the more important are a range of 5x to 10x or more, which lets you bring distant outdoor subjects close and also lets you shoot candid portraits without getting right in your subject’s face, and a full complement of manual controls that you determine the and lens opening. ‘

Once you’ve established the performance priorities that you need from a camera, you can narrow your choices further by considering these convenience factors:

Size and weight. The smallest, lightest models aren’t necessarily inexpensive 3- cameras. And the biggest and heaviest aren’t necessarily found at the high end. If possible, try cameras at the store before you buy. That way, you’ll know which one fits you hand best and which can be securely gripped. In our tests, we have found that some of the smallest don’t leave much room even for small fingers.

type and life. All can run on rechargeable of one of two types: an expensive pack or a set of AA . In our tests of the cameras, neither type had a clear performance advantage. The best-performing cameras offer upward of 300 shots on a charge, while the worst manage only about 50. We think it’s more convenient to own a camera that accepts AA . You can buy economical, rechargeable cells (plus a charger) and drop in a set of disposable lithium or alkaline if the rechargeable run down in the middle of the day’s shooting.

Camera speed. With point-and-shoot cameras like the ones we tested, you must wait after each shot as the camera processes the image. Most models let you shoot an image every few seconds, but a few make you wait 5 seconds or more. They may frustrate you when you’re taking in sequence.

Your other cameras. If you’re adding a camera to your lineup or trading up to a more versatile model, look first for one that’s compatible with the other cameras. If it is, you can share cards and . Designs within a camera brand line are often similar. So staying wit the brand you have lowers the learning curve on the for family members who switch between cameras.

Copyright © 2002-2006 Consumers Union of U.S., Inc.

For the latest information on this and many other products and services, visit www.ConsumerReports.org.

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