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21 Sep 08 Nikon at Jones Beach Theater Sponsorship Unveiled Nikon Inc. and Live Nation Officially Announce New Name in Title Sponsorship for Summer 2006 Season Line Up

Inc. and Live Nation Officially Announce New Name in Title Sponsorship for Summer 2006 Season Line Up

MELVILLE, N.Y. and WANTAGH, N.Y., April 18 — Inc. and Live Nation are proud to officially announce today that is now the exclusive name in title sponsor giving the iconic brand the exclusive naming rights to the Jones Beach Theater. The legendary amphitheater, which is one of over forty venues owned or operated by Live Nation, will now be known exclusively as at Jones Beach Theater.

(: http://www.newscom.com/cgi-bin/prnh/20060418/NYTU186 )

is very excited with the announcement of at Jones Beach Theater,” said Anna Marie Bakker, director of Communications for Inc. “This new agreement brings together two renowned Long Island-based icons and allows to further connect with its local, regional and national consumers.”

Along with the official renaming of the venue, Live Nation will soon announce the complete 2006 summer music line up slated for at Jones Beach Theater. at Jones Beach Theater anticipates 40-45 events this summer at the 14,000 seat facility in Wantagh, NY. Several performers including Jimmy Buffett and Depeche Mode are currently on sale with the full lineup to be announced on May 2nd at 8 am.

Jason Stone, Vice President / General Manager for Jones Beach Theater added, “We are pleased to welcome to the Live Nation family and are gearing up for an exciting summer together.”

For more information, please visit http://www.nikonjonesbeach.com.

About

, At the Heart of the Image(TM). Inc. is the world leader in digital imaging, precision and imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional . Inc. distributes the Total Imaging System of consumer and professional cameras, Nikkor , Speedlights and System Accessories; COOLPIX(R) compact ; COOLSCAN(R) digital scanners; ; software products and sports and recreational . At the heart of every camera is ’s Exclusive Feature System, making it easy for anyone to take amazing digital . Through the Spirit Initiative(TM), the company plays an active role in supporting aspiring and advanced through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) -US or visit http://www..com, which links all levels of to the web’s most comprehensive learning and sharing communities.

About Live Nation

Live Nation is a leading live content and distribution company focused on creating superior experiences for artists, performers, corporations and fans. Live Nation owns, operates or has booking rights for 150 venues worldwide and promoted or produced over 20,000 events in 2005. Live Nation is headquartered in Los Angeles, California. Live Nation is listed on the New York Stock Exchange, trading under the symbol “LYV”. More information about Live Nation and its business is available at http://www.livenation.com.

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21 Sep 08 NikonNet and ‘Legends Behind the Lens’ Honor Tony Sweet This March

Jazz drummer Tony Sweet talks about his love of and the passion that drives him

MELVILLE, N.Y., March 8 — Talk to Tony Sweet about and before long, the conversation will turn to the subject of jazz. A jazz drummer for 20 years, Tony’s music experience informs everything he does as a . This March, NikonNet will pay tribute to Tony Sweet and his work in its inspiring monthly showcase, “Legends Behind the Lens.”

Tony’s experience in is extensive and ranges from shooting for stock, calendars, greeting cards, posters and catalogue sales to authoring fine-art books such as Fine Art Nature and Fine Art Flower . Tony is well recognized as an educator and conducts numerous outdoor and nature workshops. He’s also a contributor to Shutterbug magazine.

“NikonNet is pleased to honor Tony Sweet this March,” says Anna Marie Bakker, Director of Communications at Inc. “Music and are very similar — tone, color and balance are all part of their universal language. Tony’s have such grace and elegance; it is evident that music is a major inspiration to him.”

Tony’s striking are based on one guiding principle: “Every single thing in the space either helps or hurts the image; there’s nothing neutral.” He believes that turn imagined into — seeing things first in their mind and bringing them to existence by hitting the shutter. “When you’re playing music, when you’re really in the moment, you’re reacting instantly and totally to what’s going on,” he says. “You’re almost pre-hearing where someone is going, and you’re there. You can’t be thinking about technique; the moment you think about it, it’s too late. It’s the same thing in . The only way to achieve what you want in is to master your craft and then just forget about it. You shouldn’t be thinking of how to get what you want; you’re just out there doing it.”

Tony believes the ideal is to without thinking about technique. While many start out doing a lot of thinking and scanning their surroundings for reference points and scenes they are familiar with, Tony feels that a grows and becomes more spontaneous once they empty their minds and react to what exists around them.

While conducting his workshops and seminars, Tony tells his outdoor and nature workshop students that they’ll know they’re getting better by the number of frames they’re hooting — and the number they’re keeping. He feels that the better you are, the fewer frames you shoot.

Tony can chart his own progress by that formula, and by the fact that he’s simplified his and made them ever more elegant and direct. It was a process he didn’t have to think about because it was identical to the music process. He also says that the players he most admires are the most lyrical. “What hit me was how clear and direct they were, how simple, in fact. Not in technique, but in their expression and communication.”

Tony’s gear includes a F6, for and a D2X, for digital. Among his favorite are the 12-24mm f/4G ED-IF AF-S DX, 35-70mm f/2.8D AF and 80-200mm f/2.8D ED AF -Nikkors; the 300mm f/4 ED-IF AF-S Nikkor; the 105mm f/2.8D AF and 200mm f/4D ED-IF AF Micro-Nikkors; and an old favorite, the 85mm f/2.8 PC Micro-Nikkor. A recent addition to his lineup is ’s R1C1 wireless close-up Speedlight system. For more information on Tony Sweet, visit NikonNet’s “Legends Behind the Lens” series at http://www.nikonnet.com/legends.

About “Legends Behind the Lens”

NikonNet’s “Legends Behind the Lens” series aims to educate users and, in turn, breathe excitement into . has assembled a comprehensive and intriguing collection of artists to share their most incredible, challenging, emotional and exciting experiences on NikonNet.

This inspiring monthly program offers a behind-the-scenes look into the personalities and philosophies behind the world’s greatest and most famous . “Legends Behind the Lens” also offers portfolio galleries, as well as tips and tricks of the trade from featured professionals.

Past “Legends” in the series include David Alan Harvey, Nancy Brown, Joe Buissink, Steven Weinberg, B. Moose Peterson, Eddie Adams, Jay Maisel and Howard Bingham.

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21 Sep 08 Nikon Announces Seven New COOLPIX Cameras With Consumer’s Digital Photography Needs in Mind

’s New COOLPIX Put Performance and Style in Your Life

Announces Seven New COOLPIX Cameras With Consumer’s Digital Needs in Mind

’s New COOLPIX Put Performance and Style in Your Life

MELVILLE, N.Y., Feb. 21 — Looking for a premier with your needs in mind? Whether you’re a first time consumer, looking to update your old , a person who enjoys sharing your or an experienced looking for a compact , ’s 2006 COOLPIX line has a camera and feature set that is right for you. Today, announced the addition of seven new COOLPIX cameras adding to its Life, Style and Performance Series. Developed with the consumer in mind, has combined exceptional features with world-renowned quality design and style at attractive prices.

“Consumers requested small, sharp, powerful and easy-to-use that can capture and share moments and ,” says Bill Giordano, General Manager of Consumer Product Marketing for Inc. “From entry-level to advanced technologies our designers and engineers have done an outstanding job of adopting design styles and intuitive technology that directly address what the consumer asks for — a camera that looks great and performs just as
well.”

Unique to COOLPIX , and now for the first time available throughout the line-up, is ’s Exclusive Feature System, which gives users the power to automatically improve recorded in-camera. This combination of in-camera features provides a quick, easy and seamless answer to underexposed due to excessive backlight or insufficient ,
blurry or out-of-focus shots and red eyes. The system includes:

– In-Camera Red-Eye Fix(TM): automatically detects and corrects , a common condition that occurs in . You may never see again.
– Face-Priority AF*: automatically finds and focuses on a persons face within the frame, providing sharp focus to produce clear, crisp portraits wherever the subject is positioned in the frame.
– D-Lighting: selects and creates a copy of with excessive backlight or insufficient illumination, adding light and detail where necessary.
– Blur Warning: alerts the user that a shot has resulted in a blurry allowing for it to be retaken before leaving the scene.
– Best Shot Selector (BSS): automatically identifies and saves the sharpest shot from ten sequential shots.

In addition, every new COOLPIX camera features TV Quality Move Mode** function (recording movies at up to 30 fps with sound), Noise Reduction - to produce better results during low-light conditions; a broad choice of selection and a convenient Help Button, which is never further than a push of a button away, giving easy-to-understand explanations for all
functions throughout the menu.

Made Easy with ’s COOLPIX L-Series

If you are looking for an easy to use, compact that takes great right out of the box, the COOLPIX L Series is a perfect fit. The COOLPIX L2, L3 and L4 feature high-quality components, including a 3x optical -Nikkor lens, a big, bright, 2.0-inch LCD and a streamlined design (less than 1″ thick) which contributes to the camera’s style and operation.

Adding to the cameras’ portability, each camera is AA-size and SD card compatible. With generous effective values of 6.0 for the COOLPIX L2, 5.1 for the and 4.0 for the COOLPIX L4, users have the ability to produce clear, crisp . A choice of 15 Scene Modes - including four with Scene Assist - Best Shot Selector (BSS), Single and Continuous AF, Choice of and Noise reduction help users create with optimal results.

The L2 and L3 will be available in late February 2006 with MSRP’s of, $199.95 for the L3 and $249.95 for the L2. The L4 will be available in March 2006 with an MSRP of $149.95

Brilliance Made Beautiful with ’s COOLPIX S Series

The stylish COOLPIX S5 and S6 combine high-quality imaging performance with impressive digital sharing technology. The sleek, modern wave design of the S Series cameras, along with 6.0 effective and a 3x optical -Nikkor ED Glass lens, make them ideal for the user who wants a camera with added style. Sharing digital is easy with the new Pictmotion(TM) function, which allows users to select their favorite , choose one of five royalty-free, pre-installed music files, or their own choice of music***, and automatically produce slide shows with pace and transition selected to match the music and style. Slide shows can be played back with ease on the S5’s 2.5-inch LCD of the S6’s 3.0-inch LCD, each of which is viewable for a wide 170-degree angle.

The incorporation of a Rotary Multi Selector allows for easy scrolling through the newly designed menu system and breezing through playback at up to 10 frames per second. Also included in the new S Series is a standalone One-Touch Portrait button conveniently located on the top of each camera, giving users instant access to the In-Camera Fix and Face Priority AF options.

To ensure quality in various shooting environments, users have the option of 16 scene modes, 17 for S5 with Underwater mode****, including four modes with Scene Assist.

The COOLPIX S6 features an additional advantage of built-in WiFi capability, allowing for wireless transfer of to a computer and wireless printing***** with any PictBridge enabled printer.

The COOLPIX S5 and S6 will be available nationwide in March 2006. The S5 has an MSRP of $349.95 and the S6 $449.95.

Passion Made Powerful with ’s COOLPIX P-Series

The COOLPIX P3 and P4 combine 8.1 effective with a range of advanced in-camera technologies. Designed for the who enjoys customization and the ability to control their , the P Series cameras feature an innovative Vibration Reduction (VR) capability. Originally developed for SLR , VR capability is available in two modes (Normal and Active) in order to compensate for camera movement. VR Normal compensates for minor movements, most often associated with handheld shooting, while VR Active compensates for more pronounced movements, such as the vibration of a moving vehicle.

The P3 and P4 give users the flexibility of a full array of settings. Covering a broader area of the frame, the new 11 wide-area AF achieves better results in more diverse compositions - leaving free to concentrate on the shot while the camera automatically achieves superior, sharp focus. In addition, there are 16 shooting modes, including nine advanced scene modes that allow to produce better suited to their own personal tastes - through the use of three effects that vary brightness, color intensity, noise reduction and more. To help capture the action as it happens, both cameras feature continuous shooting at up to 1.8 frames per second, which is
complimented by a five shot buffer that allows users to shoot in a continuous burst, with the camera recording the last five taken.

The COOLPIX P3 comes with built in Wi-Fi capability that allows for wireless transfer of to a computer and wireless printing***** with any PictBridge enabled printer.

The COOLPIX P3 and P4 will be available in March 2006 with a MSRP of $449.95 and $399.95, respectively.

* Face-recognition capability may be limited in some shooting
conditions.
** COOLPIX L4 does not record sound in the Movie Mode.
*** Via PictureProject for Windows only.
**** Requires new FJ-CP-1 - Field Jacket - Price TBD
***** Requires optionally available Wireless Printer Adapter PD-10.

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21 Sep 08 Nikon COOLPIX Makes Memories Easy and Affordable

User Friendly Cameras with High-Quality Components

MELVILLE, NY (February 21, 2006) - The COOLPIX family of is pleased to announce the addition of three new cameras in its L, or Life, series. The COOLPIX L2, L3 and L4 combine high-quality design and construction with easy to use features available at affordable prices. All three cameras boast a sharp 3x optical -Nikkor lens, a big, bright 2.0-inch LCD and lightweight, compact body style (slimmest in it’s class with AA-type ) while offering high of 6.0 effective for the COOLPIX L2, 5.1 effective for the and 4.0 effective for the COOLPIX L4.

“The COOLPIX L-series cameras are ideal for entry-level to intermediate users who are looking for easy to use, beautifully designed cameras” says Bill Giordano, General Manager of Consumer Product Marketing for , Inc. “Each of these cameras feature ’s Exclusive Feature System, which helps users improve their in-camera. With these attractive price points and easy operability, anyone can take better right out of the box.”

has developed the L Series with the snapshot consumer in mind and created well-featured cameras that can easily turn those into lasting . Unique to COOLPIX , and now for the first time available throughout the line-up, is ’s Exclusive Feature System, which gives users the power to automatically improve recorded in-camera. This combination of in-camera features provides a quick, easy and seamless answer to dark , blurry or out-of-focus shots and red eyes. The system includes:

- In-Camera Red-Eye Fix™: automatically detects and corrects , a common condition that occurs in . You may never see again.
- Face-Priority AF*: automatically finds and focuses on a persons face within the frame, providing sharp focus to produce clear, crisp portraits wherever the subject is positioned in the frame.
- D-Lighting: selects and creates a copy of with excessive backlight or insufficient illumination, adding light and detail where necessary.
- Blur Warning: alerts the user that a shot has resulted in a blurry allowing for it to be retaken before leaving the scene.
- Best Shot Selector (BSS): automatically identifies and saves the sharpest shot from ten sequential shots.

Additionally, the L Series cameras include handy features such as, TV Quality Movie Mode** function (recording movies at up to 30fps with sound on the L2 and L3), Single and Continuous AF, Choice of and Noise Reduction to ensure better color reproduction in darker lighting conditions.

The COOLPIX L2, L3 and L4 all have a streamlined, easy to carry design that features a smooth, stylish finish and a curved grip that contributes to both design elegance and shooting stability. Adding to the cameras’ convenient portability, all of L-series models are AA-size and SD card compatible, with 32 MB of internal for the L2 and L3 and 16MB for the L4. If the user is unsure of which camera setting to use, the on-camera Help button can be pressed to display simple explanations for functions in the main menu. Each camera is packaged with a complimentary copy of ’s PictureProject™ Software.

The big, bright, easy-to-view 2.0-inch LCD features new icons, function selection and color scheme and a choice of 15 Scene Modes - including four with Scene Assist, which displays useful framing guides in the monitor helping the user to compose the shot with optimal results - providing users with the ability to achieve crisp, clear in a variety of situations such as Beach/Snow, Fireworks, Museum, Party/Indoor and more.

The COOLPIX L2 and L3 will be available in late February 2006 with MSRP’s of $199.95 for the L3 and $249.95 for the L2. The COOLPIX L4 will be available in March 2006 with an MSRP of $149.95. For more information about the L-series cameras and other COOLPIX cameras, please visit www..com.

*Face-recognition capability may be limited in some shooting conditions.
** COOLPIX L4 does not record sound in the Movie Mode.

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21 Sep 08 COOLPIX P3 and P4 Offer Powerful Performance

Incorporates SLR-Inspired Technology Into a Compact

MELVILLE, NY (February 21, 2006) - today announced the COOLPIX P3 and P4, an expansion to its more advanced and feature-rich P, or Performance, Series of . Designed for the who enjoys a high level of control, advanced imaging technologies and the ability to take creative control of their , these two exciting new cameras combine 8.1 effective with a wide range of advanced in-camera technologies, taking to the next level.

“The COOLPIX P3 and P4 are the perfect camera for consumers who are looking for a customizable experience,” says Bill Giordano, General Manager of Consumer Product Marketing for , Inc. “These cameras take many technologies first available in ’s SLR line and makes them readily and easily available to consumers looking for a capable, compact at a very attractive price.”

has added its Vibration Reduction (VR) system, a feature adapted directly from ’s world-renowned SLR , to the P Series cameras allowing them to capture rock-steady at of up to three stops slower that could normally be hand held. VR capability is available at the push of a button in two modes (Normal and Active) in order to compensate for camera movement. VR Normal compensates for minor movements, most often associated with handheld shooting, while VR Active compensates for more pronounced movements, such as the vibration of a moving vehicle. An electronic adaptation of Vibration Reduction also applies to movie shooting, allowing for sharp video in low light conditions and keeping subjects clear during panning while helping to support faster framing on the cameras’ incredible, bright 2.5-inch LCD.

COOLPIX P Series users will enjoy the flexibility of a full array of settings similar to ’s SLR models. Covering a broader area of the frame, the new 11 wide-area AF achieves better results in more diverse compositions - leaving free to concentrate on the shot while the camera automatically achieves superior, sharp focus almost anywhere in the frame. In addition, there are 17 shooting modes, including nine advanced scene modes that allow to produce better suited to their own personal tastes - through the use of three effects that vary brightness, color intensity, , noise reduction and more.

To add even greater control, both cameras offer Aperture-priority Auto mode to let benefit from aperture control in 1/3EV steps. Users can select large apertures for attractive background blurring or stop down to small apertures to extend crisp focus into the distance - all while the camera automatically selects the most appropriate for optimized exposure.

To help capture the action as it happens, both cameras feature continuous shooting at up to 1.8 frames per second, which is complimented by a five shot buffer that allows users to shoot in a continuous burst, with the camera recording the last five taken. This speed allows the P Series cameras to be a great companion for SLR shooters looking for a smaller but powerful camera to take anywhere.

An addition to the successful COOLPIX P1 and P2 cameras, the new P3 also comes equipped with the ability to transfer wirelessly through the camera’s built in Wi-Fi feature*. ’s wireless solution is fun and convenient and allows consumers to send their wirelessly to a computer. In addition, can be sent wirelessly to any PictBridge-enabled printer**. The Wi-Fi feature to transfer to a computer is built into the camera and requires no additional accessories.

Unique to COOLPIX , and now for the first time available throughout the line-up, is ’s Exclusive Feature System, which gives users the power to automatically improve recorded in-camera. This combination of in-camera features provides a quick, easy and seamless answer to underexposed due to excessive backlight or insufficient , blurry or out-of-focus shots and red eyes. The system includes:

- In-Camera Red-Eye Fix™: automatically detects and corrects , a common condition that occurs in . You may never see again.
- Face-Priority AF***: automatically finds and focuses on a persons face within the frame, providing sharp focus to produce clear, crisp portraits wherever the subject is positioned in the frame.
- D-Lighting: selects and creates a copy of with excessive backlight or insufficient illumination, adding light and detail where necessary
- Blur Warning: alerts the user that a shot has resulted in a blurry allowing for it to be retaken before leaving the scene.
- Best Shot Selector (BSS): automatically identifies and saves the sharpest shot from ten sequential shots.

Additionally, the P Series cameras include handy features such as, TV Quality Movie Mode
function (recording movies at up to 30 fps with sound limited only by the available , Single and Continuous AF, Choice of and Noise Reduction to ensure better color reproduction in darker lighting conditions.

The COOLPIX P3 and P4 will be available in March 2006 with a MSRP of $449.95 and $399.95, respectively. The Wireless Print Adaptor (PD-10) is currently available and has an MSRP of $49.95. For more information about these models and other COOLPIX cameras, please visit www..com.

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21 Sep 08 Nikon COOLPIX Style Series Adds Slideshows With Your Music and Wave Design

’s New 6.0- COOLPIX S5 and S6 Perform As Great As They Look

MELVILLE, NY (February 21, 2006) - today announced a stylish and edgy addition to the COOLPIX S, or Style, Series of . The new COOLPIX S5 and S6 combine high-quality imaging performance with impressive new Pictmotion™ sharing technology to make the S5 and S6 the must-have compact . Both the S5 and S6 have sleek, slim wave designs, appealing to users who want their cameras to look as great as the they take. Each camera boasts 6.0 effective and features a 3x -Nikkor ED Glass lens.

“Along with other products of great design, ’s new COOLPIX S Series encompasses all things desirable. It’s a great union of form and function,” says Bill Giordano, General Manager of Consumer Product Marketing for Inc. “Beyond style, the introduction of Pictmotion technology, huge, bright and a new Rotary Multi Selector turn the S5 and S6 cameras into fun tools for taking and sharing digital .”

Unique to COOLPIX , and now for the first time available throughout the line-up, is ’s Exclusive Feature System, which gives users the power to automatically improve recorded in-camera. This combination of in-camera features provides a quick, easy and seamless answer to dark , blurry or out-of-focus shots and red eyes. The system includes:

- In-Camera Red-Eye Fixâ„¢: automatically detects and corrects , a common condition that occurs in . You may never see again.
- Face-Priority AF*: automatically finds and focuses on a persons face within the frame, providing sharp focus to produce clear, crisp portraits wherever the subject is positioned in the frame.
- D-Lighting: selects and creates a copy of with excessive backlight or insufficient illumination, adding light and detail where necessary.
- Blur Warning: alerts the user that a shot has resulted in a blurry allowing for it to be retaken before leaving the scene.
- Best Shot Selector (BSS): automatically identifies and saves the sharpest shot from ten sequential shots.

Making it simple and convenient to take stunning portraits, a standalone One-Touch Portrait Button featured on both the S5 and S6, gives users instant access to the Face Priority AF and In-Camera Fix options. To ensure quality in various shooting environments, users have the option of 16 scene modes,17 for S5 with Underwater mode**, including four modes with Scene Assist and a TV Quality Movie Mode function that records moving at 30fps with sound.

Sharing digital is made easy with the new Pictmotion technology, which puts a creative new spin on the average in-camera slide show. By allowing users to select their favorite recorded and matching one of five royalty-free, pre-installed music files on the camera, or your own choice of music***, Pictmotion automatically analyzes all the elements to produce in-camera slide shows that look great and are fun to share with others. The COOLPIX S5 and S6 provide quality playback of sound and the bright, sharp expanded 2.5 and 3.0-inch LCD’s – with an impressively wide 170-degree viewing angle - make it easy for everyone to see.

With the incorporation of a new Rotary Multi Selector, users can easily scroll their way through the newly designed menu system or breeze through playback at up to 10 frames per second. Another new feature for the COOLPIX S5 and S6 includes a calendar function that automatically sorts according to the date that they were taken. For added in camera assistance, created a Help button, which is now standard on all ’s new COOLPIX cameras. This component provides easy-to-understand explanations for functions on the main menu.

Supporting both 80211.b and 80211.g WiFi standards, the built-in WiFi on the COOLPIX S6 allows for wireless transfer and printing of to any PictBridge-enabled printer. For wireless printing of without a computer offers the accessory Wireless Printer Adapter PD-10.

The COOLPIX S5 and S6 will be available nationwide in March 2006. The S5 has an MSRP of $349.95 and the S6 $449.95. For more information about this and other COOLPIX cameras, please visit www..com.

* Face-recognition capability may be limited in some shooting conditions.
**Requires new FJ-CP-1 Field Jacket Price TBD
***Via PictureProject for Windows only.

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21 Sep 08 Nikon Unveils First Ever Macro Lens With Vibration Reduction

New Nikkor Lens Offers Quiet Autofocusing and Enhanced VR for Close-Up with digital and

MELVILLE, NY, FEBRUARY 21, 2006 - Professional and enthusiasts seeking the latest opportunity to enhance their extreme close-up and general possibilities can rely on ’s new 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor. Inc. (www..com) today introduced the world’s first macro lens equipped with Vibration Reduction (VR) and Silent Wave Motor (SWM) systems. Engineered for use with digital and , this lens offers a host of ’s advanced optical features and technologies including Nano Crystal Coat, Extra Low Dispersion (ED) glass and Internal Focusing (IF) design.

“We are excited to offer the 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor as the newest addition to ’s range of high performance Nikkor that deliver unmatched and advanced . Extreme close-up is one of the most demanding and popular forms of , and this significantly extends the range of conditions under which professionals and enthusiasts can achieve outstanding results,” said Edward Fasano, general manager for Marketing, Products, at Inc. “With enhanced VR II technology built into the lens, can shoot hand-held at up to four stops slower than would otherwise be possible, and still get razor sharp .”

Combined with the Silent Wave Motor technology and Internal Focusing system, the 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor provides handling characteristics that better enable superior close-up under a broad range low-light conditions. And like other high-performance Micro-Nikkor , the new 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor is perfectly suited for general as well.

The 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor features ’s enhanced Vibration Reduction System (VR II) which substantially improves high-quality hand held close-up shooting. The VR II function minimizes the negative effects of camera shake by offering users the ability to take at as many as 4 stops slower* than would otherwise be possible, without the image degrading blur associated with slow . ’s VR technology further enhances taking potential with a choice of two modes to match most shooting conditions. VR Normal Mode primarily compensates for camera shake, and includes automatic panning detection, as well as automatic tripod detection. VR Active Mode effectively compensates for vibration in situations where it is more pronounced and more frequent, such as when shooting from a moving vehicle.

The addition of SWM delivers faster and quieter auto-focusing, along with quick switching between autofocus and manual operation. Near-silent focusing can also be attributed to the Internal Focus (IF) design which also provides a constant lens length and eliminates front lens rotation, making it an ideal lens for use with the new Wireless Close-Up Speedlight System. Together, the SMW, VR II and IF components provide the sharp at close range (macro shooting focus of 31cm) without disturbing the subject during focus.

The 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor optical formula is highlighted with ’s Nano Crystal Coat and Extra Low Dispersion (ED) glass. These highly advanced optical technologies provide higher-quality and high-contrast by reducing chromatic aberrations and virtually eliminating reflections caused by multiple internal lens elements.
The AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED lens will be available beginning in March 2006 for an estimated selling price of approximately $799.00**. For more information about and the Nikkor brand of , please visit www..com.

105mm f/2.8G ED-IF AF-S VR Micro-Nikkor: Major Features

- The world’s first macro lens equipped with SWM and VR systems
- VR II Vibration Reduction technology allows to shoot hand-held at as many as 4 slower* (at near infinity to 1/3x shooting and approx. 1 step at near 1:1) than would otherwise be possible, assuring dramatically sharper hand-held .
- Incorporates Silent Wave Motor (SWM) for fast and quiet autofocusing, and quick switching between autofocus and manual operation.
- Engineered for use with digital and .
- Offers a 105mm ( angle equivalent to 157.5mm with DX format).
- Design incorporates 14 elements in 12 groups (with 1 ED glass and 1 Nano Crystal Coat-deposited lens elements).
- ED glass and Nano Crystal Coat combine to minimize chromatic aberration, providing higher and high-contrast .
- Employs a nine-blade rounded diaphragm opening ensuring that out-of-focus elements appear more natural.
- Offers a Maximum reproduction ratio of 1:1.
- Enables focusing from as close as 31cm (12.2 in.) from the subject through its entire focal range.
- M/A mode for rapid switching between autofocus and manual focus operation.
- Internal Focusing (IF) design simplifies the use of circular polarizing filters.
- HB-38 Bayonet Lens Hood (included) greatly reduces stray light, enhancing .
- Supplied with CL-1020 Flexible Lens Pouch

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21 Sep 08 Nikon Digital Imaging Software Business Enhanced by Collaboration With American Developer, Nik Software, Inc.

Partnership Will Lead to Exciting New Developments in Imaging Software for

TOKYO, Feb. 14 — Corporation (Michio Kariya, President) is pleased to announce collaboration in the field of imaging software for with American software developer, Nik Software, Inc. (formerly nik multimedia, Inc., Mr. Michael J. Slater, President & CEO; headquarters in San Diego, California).

With this collaboration, the technologies of both companies will be merged to develop and market innovative software products based on new concepts. This new relationship will enable a stronger presence and guarantee a leading role in the imaging software market.

To further the success of this collaboration, has also made equity investment in Nik Software, Inc. (hereafter “Nik”).

Behind the collaboration

As the popularity of increases, software applications that allow users to enjoy and expand the possibilities of their digital with management, enhancement, and processing tools become more and more important. Well aware of this fact, offers a selection of software applications including the image management and enhancement application, PictureProject, and the advanced image processing and editing application, Capture.

and Nik, with its own digital imaging software technology, have maintained a cooperative relationship since 2004.

Recognizing the significant benefits this collaboration will have in fortifying the digital imaging software business of both companies, as well as in offering users simple and fun to use software that appeals to the very broad digital market, and Nik have decided to expand and reinforce their ties.

* Overview of the collaboration
* Technical cooperation in the development of digital imaging software.
* Worldwide distribution, utilizing channels established by , of
products developed jointly.

* Plans for the future
With integration of ’s technology with Nik’s digital imaging software technology, the introduction of digital imaging software, based on new concepts, that incorporates innovative technology, versatility, and unique advantages is scheduled.

Harnessing the strengths of both companies and establishing a cooperative relationship in the software business will further the development of next-generation digital imaging software. The resulting software will offer users a wide variety of benefits in working with their digital , as well as offering greater performance from both personal and imaging. Together, all of these new possibilities and advantages will provide both companies with greater opportunities and a stronger position in the software business.

* Nik Software, Inc. corporate profile

President & CEO: Mr. Michael J. Slater
Offices: San Diego, California U.S.A. (Corporate Headquarters)
Hamburg, Germany (European Branch Office)
Primary business: Development and sales of digital imaging software
Primary products: nik Color Efex Pro(TM) (digital filters), nik
Sharpener Pro(TM) ( sharpening
software), Dfine(R) ( noise reduction
software)
Establishment: Established in 1995; Incorporated in 2001

* Statement from Mr. Michael J. Slater, President & CEO of Nik Software,
Inc.:
“This cooperative agreement enables both and Nik to fulfill their common commitment to continuously develop advanced products and technology for the booming digital market. We look forward to working with to build a strong digital imaging software business by leveraging both our companies’ proprietary technologies and -imaging know-how.”

For further information regarding the /Nik collaboration:
* Members of the press
Corporate Communications & IR Dept. Corporate Strategy Center,
Corporation
Bldg., 2-3 Marunouchi 3-chome, Chiyoda-ku, Tokyo, 100-8331 Japan
Mr. Hatori or Mr. Enomoto
+81-3-3216-1032

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21 Sep 08 NikonNet and ‘Legends Behind the Lens’ Honor David Alan Harvey This February

MELVILLE, N.Y., Feb. 1 — David Alan Harvey really knows how to tell a good story - through , that is. Not only can he compose a story through his , but he also has the ability to his subjects without them ever being affected by his presence. This February, NikonNet will pay tribute to David Alan Harvey and his work in its inspiring monthly showcase, “Legends Behind the Lens.”

For over 30 years, Harvey’s have brought us as close to the reality of situations as we are likely to get. With a graduate degree in journalism from the University of Missouri, he went to work for the Topeka [Kansas] Capitol Journal. He eventually became a staff for National Geographic and was named Magazine of the Year in 1978 by the National Press ’s Association. In 1986 he left the Geographic’s staff to become a freelancer. He joined the Magnum agency in 1993. Harvey is a frequent contributor to National Geographic and has shot more than 30 stories for them over the years on subjects as diverse as French teenagers, the Berlin Wall and Mayan culture. His have appeared in numerous magazines and newspapers, including The New York Times and Sports Illustrated. His books include The Mysterious Mayas, America’s Atlantic Isles, Cuba and Divided Soul, an acclaimed collection of of Hispanic life and culture.

The element which makes Harvey’s work so intriguing is his ability to connect and turn them into a visual story. He is constantly drawn to the long-form narrative story. “Sometimes I think, hey, I’m not going to think ’story’ any more, but then I just somehow can’t help myself,” Harvey comments. “I tend to get involved in a narrative, whether it’s Cuba or hip hop or a project I’m doing on portraits of women. It’s something I instinctively feel like doing. I tend to tie together.”

Not only does Harvey have the unique talent of linking together, he also possesses the ability to blend in with each and every crowd. As seen through his , Harvey’s edge is that he can, as he says, “hang out with both the Harley Davidson crowd and IBM executives, all in the same day.” Harvey is often accepted and respected by all groups of people in all areas of life. “You’ve got to like meeting and hanging out with a lot of different kinds of people,” he explains, “and I think that comes from my background. The way I look at the world is that people are not really very different from each other. I key in on the commonalities, and I genuinely enjoy getting to know people from all over the world. It’s not hard for me personally to get involved in their lives.”

“David Alan Harvey has a unique approach to and NikonNet is pleased to honor him this February,” states Anna Marie Bakker, Director of Communications at Inc. “His ability to transcend barriers and merge into the environment of his subjects makes his work honest and distinct. He is, indeed, a rare talent.”

People react to David, not the camera he carries. He does not stand on the sidelines. Instead, he becomes an integral part of his surroundings. It is this ability to merge and interact which has earned him the respect not only of fellow , but from those who have had the honor of being his subjects. To learn more about David Alan Harvey, visit NikonNet’s “Legends Behind the Lens” series at http://www.nikonnet.com/legends.

About “Legends Behind the Lens”

NikonNet’s “Legends Behind the Lens” series aims to educate users and, in turn, breathe excitement into . has assembled a comprehensive and intriguing collection of artists to share their most incredible, challenging, emotional and exciting experiences on NikonNet. This inspiring monthly program offers a behind-the-scenes look into the personalities and philosophies behind the world’s greatest and most famous . “Legends Behind the Lens” also offers portfolio galleries, as well as tips and tricks of the trade from featured professionals. Past “Legends” in the series include Kevin Gilbert, Nancy Brown, Joe Buissink, Steven Weinberg, B. Moose Peterson, Eddie Adams, Jay Maisel and Howard Bingham.

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21 Sep 08 NikonNet and ‘Legends Behind the Lens’ Pay Tribute to Joel Sartore This January

MELVILLE, N.Y., Jan. 4 — In order to make a change, one must shed light on the issue at hand. This is the method used by Joel Sartore in his environmental . His work has been an influential force in creating awareness about the environment and the importance of protecting our natural surroundings. In celebration of his unique approach and remarkable dedication, NikonNet will honor Joel Sartore for the month of January in its inspiring monthly showcase, “Legends Behind the Lens.”

For over 15 years, Sartore has photographed wildlife and the environment for National Geographic and other publications. Convincing people that there is a tangible, measurable and practical benefit to preserving the land and its inhabitants is, Sartore believes, the key to saving the wild places and the species that live there. Sartore realizes that a hopeful message is vital.

“You can’t get anyone to want to change the earth for the better if you’re negative,” he explains. Sartore remembers hearing a powerful piece of advice from the former mayor of New York City, Rudy Giuliani: “One of the things he said was that no one will do anything, take any action, if all you’re telling them is that things are bad and there’s no hope. If you’re trying to lead, you have to find a positive message. That opened my eyes. People want to have reasons for hope. Hope is what motivates them.” Sartore believes that change will come, but it is going to take time. “A camera is a great way to give a voice to the voiceless,” Sartore remarks. “It’s a way of showing people what’s at stake.”

Sartore did not set out to be an environmental or, for that matter, work for National Geographic, for whom he is a contributing . His degree from the University of Nebraska is in journalism, and he was a newspaper for several years, handling general assignment work. It was the result of meeting National Geographic James Stanfield that led Joel to send his portfolio to the magazine. At first his work with National Geographic was along the lines of Americana profiles. He worked his way into nature stories when he saw “the environmental destruction that was going on.” In addition to National Geographic, Sartore has been published in Time, Life, Newsweek and Sports Illustrated.

“Joel Sartore has a clear passion for his work,” notes Anna Marie Bakker, Director of Communications at Inc. “He has provided his audience with a unique view of the environment through and is pleased to honor him for the month of January.”

The introduction of the D2X marked Sartore’s move to digital. His preferred are the 12-24mm f/4G ED-IF AF-S DX, 28-70mm f/2.8 ED-IF AF-S and 70-200mm f/2.8G ED-IF AF-S VR -Nikkors, and the 400mm f/2.8D ED-IF AF-S II Nikkor. To learn more about Joel Sartore, visit NikonNet’s “Legends Behind the Lens” series at http://www.nikonnet.com/legends.

About “Legends Behind the Lens”

NikonNet’s “Legends Behind the Lens” series aims to educate users and, in turn, breathe excitement into . has assembled a comprehensive and intriguing collection of artists to share their most incredible, challenging, emotional and exciting experiences on NikonNet.

This inspiring monthly program offers a behind-the-scenes look into the personalities and philosophies behind the world’s greatest and most famous . “Legends Behind the Lens” also offers portfolio galleries, as well as tips and tricks of the trade from featured professionals. Past “Legends” in the series include Kevin Gilbert, Nancy Brown, Joe Buissink, Steven Weinberg, B. Moose Peterson, Eddie Adams, Jay Maisel and Howard Bingham.

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