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21 Sep 08 Nikon Introduces Light, Small and Easy to Use D50

- D50’s Ease-of-Use and Attractive Pricing Set to Bring the Thrill of Performance to More Consumers than Ever Before
- 6.1- D50 Arrives in Stores in June 2005 for an Estimated Street Price of $899.95 (D50 outfit, with the new AF-S DX -Nikkor 18-55mm f/3.5-5.6G ED lens)
- Two New DX Nikkor Offer More Options and Versatility

MELVILLE, NY, APRIL 20, 2005 - ® (www..com) has taken another bold step forward in redefining the landscape today by introducing the highly anticipated D50™ camera. The D50 is the smallest, lightest and easiest-to-use camera to date, and is designed for the broadest range of consumers including family -keepers looking to take advantage of the , speed and responsiveness ’s offer, as well as enthusiasts and amateur who want to capture brilliant digital with vibrant color and immaculate . The new entry-level D50 makes exceptional a reality for everyone.

“With the new D50, intends to bring a fulfilling experience to more consumers than ever before and help them capture their most precious with great quality and ease. The D50 inherits the high , responsiveness and speed consumers have come to expect of ’s cameras, while also embodying a simple, intuitive and compact design, so anyone in the family can use it without hesitation,” said Steve Heiner, general manager for Camera Systems at Inc. “The attractive price for the D50 will expand the market substantially and ensure many more people can enjoy shooting with a this year.”

The Ultimate

The D50 stands out as ideal for families searching for that perfect camera to capture timeless during important occasions and life events such as weddings, first homeruns, birthdays, prom night, and golden anniversaries, among others. The D50 is the perfect combination of intelligent, easy-to-use features and impeccable , and at an estimated street price of $899 (for the D50 outfit with the AF-S DX -Nikkor 18-55mm f/3.5-5.6G ED lens), it represents an excellent value for its . The camera’s seven Digital Vari-Program modes make capturing the moment easier than ever, and the new “Child” mode, for example, assures that moms and dads don’t have to be experts to capture the most vivid color and contrast when taking of their children. The D50’s “Child” mode automatically adjusts several of the camera’s settings, including ISO, , and , to produce optimized when taking of children. The D50 promises to be an ideal tool for parents who refuse to let pass them by.

The D50 also includes a full range of manual controls and custom settings, so users can grow with the camera, and advanced enthusiasts can find themselves right at home with a D50 in their hands.

Hallmark and Performance

The D50 incorporates several important new technologies to ensure a rich, yet simplified experience for consumers. With a new 6.1 effective DX Format and a highly advanced image processing engine, the D50 produces dazzlingly faithful capable of tremendous enlargement, yet manageable in overall file size. ’s new Metering II ensures accurate in all types of lighting situations by automatically comparing input from its frame-wide 420- metering sensor for each scene to a large onboard database of over 30,000 scenes from actual . Professionals and amateurs alike rely on ’s exclusive light metering technologies that produce ideal exposures instantly. Newly developed exposure evaluation methods detect highlights and shadows in the frame, and compensate for them to help prevent inaccurate exposure. choices in the D50 extend from 30 seconds to an action-stopping 1/4,000
second. A high-speed sync speed up to 1/500 second makes great fill possible and ’s i-TTL technology makes it automatic.

Simple Sophistication

The next evolution of ’s popular scene-optimized Digital Vari-Program modes simplifies taking, and helps users take incredible with very little effort. The Digital Vari-Program modes also free up the user to think about capturing special and fleeting moments instead of getting overwhelmed with buttons and dials. Selecting one of the seven simple icons from the handy exposure mode dial optimizes otherwise complex settings and ISO-equivalent sensitivity to produce consistently remarkable results. The newly added “Child” mode mentioned earlier makes it easier to take memorable of the little ones complete with vivid color and contrast that are ready to print without the fuss of adjustments within the computer.

Instant Gratification

Unlike lesser systems, the D50 is always ready to shoot when that special moment or expression presents itself. From the moment the power is turned on, the D50 is ready to shoot in an imperceptible 0.2 seconds. The shutter responds almost instantly when a is taken, thereby minimizing “shutter-lag” and virtually eliminating a common frustration of digital . Continuous shooting at 2.5 per second can be maintained for a burst of up to 137 , making action a reality. taken are instantly processed and recorded to a compact SD (Secure Digital) card, and a new USB 2.0 Hi-Speed interface supports faster transfer of when connected to a computer.

Compact, Lightweight and Designed to Go Everywhere

The D50’s compact, lightweight design makes it easy to carry the camera anywhere there’s a good moment to capture. Its smart design and easily accessible controls provide handling efficiency and ease of operation, helping bring the fun back to taking. Newly designed plain-language menus are displayed clearly on the large 2.0-inch , and intuitive help menus are available for on-the-spot reference.

A high capacity rechargeable lithium-ion helps extend mobility and convenience by delivering the power to shoot up to 2,000** on a single charge.

Interchangeable : The Nikkor Advantage

One of the unique benefits of shooting with a is the ability to take advantage of the expansive creative possibilities offered by interchangeable Nikkor . With the introduction of the D50, also introduced two new DX Nikkor that are ideally paired with the D50 to offer consumers a broad range, while maintaining a lightweight and ultra- compact size. Designed exclusively for ’s D-series cameras, DX Nikkor are optimized to achieve outstanding center-to-edge-to-corner , when used with any of ’s cameras. ’s DX Nikkor range now includes six high performance that offer unmatched wide-angle coverage and versatility:

-New AF-S DX -Nikkor 18-55mm f/3.5-5.6G ED
-New AF-S DX -Nikkor 55-200mm f/4-5.6G ED
-AF-S DX -Nikkor 18-70mm f/3.5-4.5 ED-IF
-AF-S DX -Nikkor 17-55mm f/2.8G ED-IF
-AF-S DX -Nikkor 12-24mm f/4G ED-IF
-AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

The D50 also offers seamless compatibility with ’s extensive family of over 50 high-performance AF Nikkor , providing the same superb color reproduction, razor-sharp image clarity and fast and accurate autofocus performance relied upon by the countless number of professional who use ’s pro cameras everyday.

Managing and Sharing with PictureProject™ Software

Sharing is fun, and ’s new PictureProject software is designed to eliminate the complexities typically associated with sharing, managing and editing on a computer. After conducting exhaustive worldwide research into consumer habits, expectations and requirements, developed its PictureProject software to be a simple, easy-to-use, and powerful application that addresses most frustrations associated with managing on a computer. PictureProject boasts powerful features wrapped into an intuitive interface that navigates quickly and is easy to master.

The software allows users to easily transfer to PC’s or MAC’s and browse, organize, and share them. taken in vertical orientation are automatically rotated. Controls for retouch tasks including brightness and red-eye correction, are intuitive and fast. PictureProject’s In Touch™ plug-in allows users to share with friends and relatives without attaching them in an email or uploading them to a website. Instead Pictureproject in-Touch facilitates a direct transfer of the from the sender’s computer to a recipient’s computer. PictureProject In-Touch is included in the newest version 1.5 of PictureProject software and can also be downloaded free of charge via www.nikonnet.com.

With support for JPEG, TIFF and NEF and compressed NEF (RAW) files, PictureProject also works in close unison with Capture 4 as the ideal companion to its powerful feature set. Capture 4 is ’s advanced image management and editing software designed to offer the most robust and comprehensive performance with ’s NEF (RAW) files. While PictureProject is already a dynamic component to , the software also supports plug-ins, allowing users to add new features, as technology and the market evolve.

As part of ’s Total Imaging System, the D50 inherits the advantages of the various components of this system, including high-quality AF and DX Nikkor , the SB-800 and SB-600 Speedlights, which enable use of ’s Creative Lighting System, as well as versatile software options, to deliver a new level of operating ease, expanded creative possibilities, and pure enjoyment. The D50 presents the perfect opportunity for anyone to start enjoying the advantages of today.

The D50 outfit, including the new AF-S DX -Nikkor 18-55mm f/3.5-5.6G ED lens, will be available in June for an estimated selling price of $899.95***.

MAJOR FEATURES OF THE D50

Vivid color and sharp details straight from the camera
- New 6.1 effective DX Format imaging sensor that produces 3,008 x 2,000- with accurate color, high and sharp details for great capable of significant enlargement, or cropping for creative effect. File sizes remain manageable, making it easier to take and store more great .
- Advanced processor that marks a further evolution of analog and digital processing and pre-conditioning technologies, producing that require no preparation in a computer and are ready to print straight from the camera. is optimized, including auto , auto tone and color control, and real-time processes diminish digital noise to produce beautiful long exposure shots.
- Metering II ensures accurate and .
Instant, precise response
- Near-instant 0.2-second power-up, and short shutter release lag (response) time.
- Continuous shooting at 2.5 frames per second for a continuous burst of up to 137 without having to wait for the camera to record the to the SD card. (Using JPEG NORMAL - Large settings, and a SanDisk Ultra II 256MB ) The number of continuous shots possible in a single burst may be fewer depending on the type of used.
- Fast 5-area AF system with predictive focus tracking and Lock-on™ delivers greater precision with fast, more consistent subject acquisition and improved focus tracking to capture all the action as it happens. Automatic AF-assist illuminator helps ensure top AF performance in dark situations.
- Fast with a range from 30 to 1/4,000 sec.
- Fast sync up to 1/500 sec. for great fill-effects under brighter light and back lighted conditions.
- Fast data transfer and recording to SD cards keeps the D50 always ready to shoot in any situation.
Accurate automated and manual control for predictable results
- Seven Digital Vari-Program selections for automatic adjustment of all the settings necessary to produce incredible digital including ISO-equivalent sensitivity, , sharpening, tone (contrast), color, and hue for crisp and vivid results that match the intended shot. Selections include Auto, Portrait, Landscape, Child, Sports, Close up, and Night Portrait.
- Image enhancement options optimize sharpening, tone (contrast), color, or hue while using Auto Multi Program [P], Shutter-Priority Auto [S], Aperture-Priority Auto [A], or Manual [M] exposure modes to best match the taking situation. The easy to set choices include Normal, Vivid, Sharp, Soft, Direct print, Landscape or Custom optimization.
- Automatic control over ISO-equivalent sensitivity from to 1600; can also be set manually.
- Optimized exposure with a choice of three TTL (Through The Lens) exposure modes: Metering II with 420- RGB Sensor, variable Center-Weighted Meter, or choice of Spot Meters.
- Auto exposure bracketing helps achieve the exact results desired.
- exposure compensation.
- A choice of three color modes ensures the best match for the shot when operating the camera manually.
Mode Ia: Renders natural-looking skin tones out of the camera. (sRGB)
Mode II: Realizes a wider color range suited for processing or retouching. (Adobe RGB)
Mode IIIa: Renders vivid landscape and flora colors out of the camera. (sRGB)
- Simultaneous recording of compressed NEF (RAW) and JPEG image files for the same shot helps by providing a smaller JPEG image file that can be quickly sent via email and a compressed NEF (RAW) file for more creative flexibility using PictureProject or Capture software for further enhancement.
Intuitive handling and operating ease
- Light and compact:
Dimensions (W x H x D): 133 x 102 x 76mm (5.3 x 4.1 x 3.0 in.)
Weight: Approx. 540g (1 lb. 3 oz.) without .
- Intuitive and familiar operation with ergonomically designed and sensibly located buttons and controls, including the handy multi selector and mode dial.
- Quality optical features diopter correction and information display.
- New large 2.0-inch LCD monitor located directly below the displays the large fonts of the easy-to-view easy-to-understand menu design, and the intuitive help system dialogs that make understanding easy.
- Versatile LCD playback options include Single image playback, Thumbnail image playback (4 or 9 at a time), playback, Slide show, easy Histogram indication for determining highlights and shadow values, and Highlight point displays for even quicker highlight information, with automatic image rotation for vertical shots.
- LCD control panel on camera top makes it easy to confirm settings and camera status.
- Long-life rechargeable lithium-ion with power to shoot up to 2,000 *1 on a single charge.
- Custom Settings for personalizing to match the individual’s shooting style, or different taking conditions.
- Wireless remote control of the D50 can be achieved with the optional ML-L3 remote control.
Easy image handling
- New Small function for saving within the camera at the reduced sizes of 640×480, 320×240, or 160×120 for Internet use - either for mail attachments or placement on web pages.
- In-camera page setup support makes it easy to print directly from the D50 to any PictBridge compatible printer via the supplied USB cable.
- Up to 36 alphanumeric characters can be entered in each image’s EXIF header (file information) for personal identification when are viewed in PictureProject software.
- Video connector and supplied video cable makes it easy to connect the D50 directly to a television for playing slideshows or viewing individual
Creative and versatile system components
- High-quality Nikkor : The unrivalled performance of AF, AF-S and DX Nikkor greatly expands creative possibilities.
- Built-in auto pop-up features exclusive i-TTL control, fast 1/500 sec. sync , and coverage for as wide as 18mm.
- Supports ’s Creative Lighting System when using a SB-800 and SB-600 Speedlight mounted on the ISO shoe for additional on camera output in large rooms, or for longer distance situations. Also allows off-camera multiple lighting with iTTL Technology with SB-800 and SB-600.
- Integrated Software Solutions:
Capture 4 (Ver. 4.3) (optional) is a comprehensive and remote camera control package that fully supports NEF, (RAW), TIFF and JPEG data. Among other features, the package offers Image Dust Off sensor dust and particle shade removal control, D-Lighting for scene-specific automatic dodge and burn control.

PictureProject is ’s versatile bundled software that simplifies and improves data transfer, as well as browsing and editing of image files. PictureProject features an intuitive user interface, and supports optional plug-ins that add functionality and creative options.

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21 Sep 08 The Switch From Film to Digital Camera: Making the Adjustment

Author: Christine Peppler

From all of the books, advertisements, and products in stores it would appear that no one continues to use a camera. This isn’t true of course. Although a can offer much greater control during the editing process and perhaps even a cost savings over the long run, a traditional camera still has advantages for some consumers. One of those being that if their camera is a good one and meets their needs, there is no reason to change.

However, for those who do decide to switch to a there will be significant differences to which they must adjust. Certainly the technology behind a makes them different; how are captured and stored, the themselves, pixels, , and so forth. But there are a handful of basic changes to which even those who on a very limited and casual basis will need to adapt.

Response Time

With a more affordable, point-and-shoot type there can be a significant delay between pressing the button and the camera actually taking the . These cameras are somewhat like a small computer. During the lag time it is focusing but this can cause some great shots to be missed.

Of course, spending the time to shop for a camera with less lag time is one solution; and certainly many of the more expense models don’t suffer this issue. However, there is a simple adjustment which can produce a significant reduction in the lag time. The can set up the shot, aim the camera at the subject, and press the button down half way and hold it. At this point, the will begin the process of focusing. Then, a couple of seconds or more later, when the and subject are ready, the button is depressed entirely and the is taken almost immediately. Obviously, this requires the to anticipate and prepare before taking a shot.

Life

Because much of what a does consumes energy from the , they are known to drain very quickly. One of the particularly power greedy functions unique to a is that of powering an . Again there are a number of things users can do to assure they don’t run out of power and to reduce the rate at which the camera uses the energy.

To avoid a trickling discharge, should be removed from the camera when the device won’t be used for more that a week or two and, likewise, a should be powered off if the user doesn’t anticipate taking a shot for another 30 minutes or so. Using the “sleep mode” is good also, to assure that even if the user forgets, the camera gets powered off.

Using the instead of the to frame shots is wise when you wish to save power. Users can also avoid using whenever their subject is more than 12 feet or so away, since the will be ineffective anyway and drain power needlessly. Those traveling with a also need to be sure to carry a backup to avoid problems.

A final recommendation is to use other power sources when possible. Use AC power when performing various functions such as downloading or use a card reader to download from the cards and remove the camera from the process entirely. can be edited on the computer rather than on the camera to save additional power.

The Viewing System

A often has an optical which is separate from the lens through which the camera takes the . Thus, when a subject is somewhat near, what a sees, and what the camera sees are two different things. Using the LCD to frame a shot is also difficult because in order to see the screen, the camera is held away from the body, making it difficult to hold the camera steady for a good shot. The fix for this is to use the “correction marks” visible through the which approximate the border of the image that the camera is seeing versus using the . This also allows the user to keep the camera closer to the body in a steady fashion.

Another option is to buy a camera with an electronic which takes the image captured by the lens, and electronically transfers it to a display screen allowing the user to accurately frame the . Use of an electronic however will increase power consumption.

The third option is to buy a with a TTL mechanism. With TTL, the views a scene through the same lens that records the image and is thus able to frame a scene accurately. This option however is generally available only on more expensive .

Despite these differences, do offer some tremendous advantages; from being able to view instantly, edit them, print them at home, share them easily on the internet, and so forth which make them worth the small effort to adjust to their unique characteristics.

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21 Sep 08 Terminology - Digital Cameras

Author: Sinta Makah

It helps when learning to use your new to also know what some of the more common terms mean. Below you will find many of these common terms defined..
— A setting that sets the focus, exposure and white-balance automatically.
Burst Mode or Continuous Capture Mode — a series of taken one after another at quickly timed intervals with one press of the shutter button.
Compression — The process of compacting digital data, and text by deleting selected information.
Digital — Cropping and magnifying the center part of an image.
JPEG — The predominant format used for in
Lag Time — The pause between the time the shutter button is pressed and when the camera actually captures the image

LCD — (Liquid-Crystal Display) is a small screen on a for viewing .

Lens — A circular and transparent glass or plastic piece that has the function of collecting light and focusing it on the sensor to capture the image.
Megabyte — (MB) Measures 1024 Kilobytes, and refers to the amount of information in a file, or how much information can
be contained on a Card, Hard Drive or Disk.
Pixels — Tiny units of color that make up digital . Pixels also measure digital . One million pixels
adds up to one mega-.
RGB — Refers to Red, Green, Blue colors used on computers to create all other colors.
— Camera describes the number of pixels used to create the image, which determines the amount of
detail a camera can capture. The more pixels a camera has, the more detail it can register and the larger the can be
printed.
Card — The removable device which holds taken with the camera, comparable to , but much smaller. Also called a card…
— The optical “window” to look through to compose the scene.
— White balancing adjusts the camera to compensate for the type of light (daylight, fluorescent, incandescent, etc.,) or lighting conditions in the scene so it will look normal to the human eye.

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21 Sep 08 Choosing Your First Digital Camera

Author: Kirsten Whittaker

are no longer a luxury these days, with high and sophisticated features coming within a very appealing price range. And thanks to many comprehensive reviews, it’s easy to pick the most sought after features and qualities and still stay within a budget.

Most people turn to digital because they like the ease of printing and sharing the on the web. Business owners choose the for their product catalogues or brochures, students employ for their projects and with in most recent cell phones, even a child can take a snap and publish it instantly on the web. And thanks to the newest lens and zooming qualities, you don’t have to be a seasoned pro to shoot close-to-professional with modern .

You can hardly find a today with lower than 2 - two million color dots per . This is a decent quality for most uses, including printing the for the home or school use. The higher the rate, the bigger you can print without sacrificing the quality. However, if you are not a professional or a who deals with upscale all the time, you don’t really need a that produces more than 8- camera - and these rarely become available for less than $1000. Plus, if you seek to print large detailed , make sure you have a high-quality printer that can reproduces all the tiny details that make a difference.

When you pick a , you should also pay attention to the number. have two different kinds of . Digital enlarges all pixels digitally, while optical enlarges the image with the lens magnification. Since you can always enlarge the image later, on the computer using the Photoshop or other , you would be better to concentrate on higher optical rate. The average optical for midlevel is 2 to 4x.

There are a few other options to consider: whether a uses a rechargeable ( and consume a lot of energy); whether the has a standard (you may need to buy a few more cards in future), and if the menus are easy to understand. If you travel a lot, you may want a that is lightweight and compact.

Even if you decide to pick the least expensive to serve your basic needs, you will still enjoy all the benefits of digital : no rolls to buy, no wasted to dispose of and best of all, no waiting time to get them printed. New models of are constantly launched, and the older ones are becoming less expensive day by day. Know your priorities, check the most recent reviews, and there should be a to perfectly suit your needs.

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21 Sep 08 The Advantages Of A Digital Camera

Author: Roberto Sedycias

The has totally changed the way we take ; it has made the greatest impact in the world of since the Polaroid Instamatic camera. It is a great accessory to the present day computer; can be taken in an instant and loaded on to the computer, and emailed to a friend or a relative in the space of a few minutes. If you add a quality ink jet printer to your computer, you will not need to develop a roll of ever again.

The started out from a single 1 mega quality ; now they come in over 10 with huge print sizes, with amazing quality.

You may find it tough to decide which will fulfill your needs the best. You will have to undertake a bit of research, to help you to find the , with the proper , filters, external , - everything you need so that you can start taking , like a professional! Just spend a little time and figure out how you will be really using your , before you purchase one. Will it be for daily use, for special occasions like birthdays, family reunions? Will the price of the make a lot of difference?

The is also part of a new field of , in which you use a green or a blue background, and with special software like Corel Paint or PhotoShop, you can do wonders and create a new imaginative background. You can edit out the background and put in its place any of thousands of prepared indoors or outdoors backgrounds. There are multifunctional that can take not only but also video and sound. can be categorized as still cameras, and professional modular .

Since the market is so full of different models of , you have to select a that will suit your needs. They come in different price ranges, so you will not have any difficulty selecting one that will fit into your budget. Before buying a , your first consideration has to be the . A with a higher than what you require can prove to be a waste of money, processing power and . A large number of pixels do not necessarily mean a superior image, so be cautious. A lower is the best for posting to the web, to view on your computer, or to email files. You don`t always need a high capacity card, a small capacity card can also give high quality performance.

A can use its own and charger, or it can use double A size . A may connect to a computer for data transmission. The most usual method of connectivity is USB, but Fire wire port or Blue Tooth are also used. Some can connect to computer networks wirelessly.

One of the good things about a is that you do not have to spend anything on developing the at a local store, nor do you have to drive to the store and back. A gives you an instant feeling of gratification when you view the you have taken on the or on your personal computer. You also have the full freedom of editing your until you are fully satisfied with them!

You can select, save or delete without any cost involved. The are stored hundreds of media cards, so you can take as many as you wish before you run out of space.

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21 Sep 08 Helpful Guidelines For Choosing Your Next Digital Camera

Author: Vince Nitti

are available in many shapes and sizes, represent various specifications, and offer an impressive array of features in many price ranges. This is why their popularity is soaring all over the world, with many people already using one for their own . They have become an integral part of many geographic and corporate cultures.

have become more than simply replacements for 35-mm cameras, however. They can be used for taking videos as well as still by upgrading the camera’s card to increase capacity, allowing them to replace the old VHS recorder as well.

While enjoying significant popularity on their own, have also become integrated within a large number of other hand-held tools, such as PDAs and cell phones. Technology now allows these devices to incorporate a within them, making the use of both devices much more functional and convenient.

Many brands of are available today with a wide range of features. All the big camera names of the past, , , , etc., offer everything from 35-mm to digital products. Even companies better known for the computer products, such as , , and HP, are now offering in their product lines.

Considerations

differ from by having a small , sometimes including a . This screen is similar to a TV screen, allowing the user to better see the before snapping it. Some have screens large enough to include much more of the subject and background than has ever been possible before.

Instead of , these devices have slots to hold a card or “stick.” The amount of available within any device can be measured along a range of to gigabytes, depending on how much you’re willing to spend. Getting a camera with more means spending more money, but the extra capacity can be worth it.

Another feature to consider before purchasing is the type of used. While some units feature disposable , the more expensive cameras use rechargeable for longer energy life. Disposable typically wear out quickly, while a charger is generally bundled with those cameras using rechargeable .

Another consideration when considering which model to purchase is how the are downloaded. Most have a USB port to allow easy connectivity to a computer, but some require removal of the card and using a reader to download into a computer.

Features

Those considering purchasing their first should at least know the basic features of an individual camera before spending a lot of money. While snapping a is basically the same in all cameras, there are many other features that will influence your decision. The number of used when taking a should be among the top concerns. represent the number of pixels, or dots, that make up the . The more pixels used in a , the greater the clarity will be. Cameras that utilize a greater number of pixels are capable of producing better over a larger image, but these require much more space for .

Another important feature to consider in a is the feature. The terms to be familiar with are optical , which utilizes a moving lens and brings the image forward to make it appear closer, and digital , which is used to crop and stretch the image. Most have two- capability.

The last feature this article will discuss is the durability of the camera’s case. Many buyers don’t consider this as important, but camera cases made mostly of plastic are relatively fragile. Some camera cases are made from a combination of metal alloy and plastic that is more durable and can sustain more jarring without allowing internal damage, although neither option can guarantee your camera’s safety. It’s better to spend a little more for a case that will better protect your investment.

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21 Sep 08 Benefits of Using a Digital Camera

Author: Roberto Sedycias

If you are one of those who love taking , then is probably one invention you simply cannot afford to miss! Smart and trustworthy, this one is probably the most imaginative development in the world of till date!

are electronic devices that capture as well as store digitally, instead of on . A , however, needs a or a media to save these . Some of the most popularly used devices include Floppy Disks, CD Singles, DVDs, Cards (such as Microdrives or Cards, Sticks, MiniSD Cards, , etc), FP and many others. Though devices such as Floppy Disks need computers, using autonomous devices, like the can ensure that you can print your directly using a printer.

One of the greatest advantages of using a is that they, unlike the , can record, store, retrieve, remove, edit and manage your as you may wish to. In fact may also allow one to shoot and save videos of a considerable length. The sound and the quality ranges form one camera to another to a great extent, though in most cases a can surely allow you to shoot at least a reasonably good video.

Another great benefit of using a is that these devices are (in most of the cases) very portable, and can be easily carried around form place to place. Though one cannot say that these are not delicate, and need not be handled with care, one can sure stay assured of the fact that these days are not very difficult to be taken care of either. If you can keep it safely in a cover, and handle it with reasonable care, and your camera is sure to serve you well. However, since in most cases come with a long guarantee period, this is one thing you simply need not worry about!

Just like all other electronic devices, also come with a wide rage of features that keep on adding and developing with the growth in technology. Though much depends on the price of the camera and the companies manufacturing it, there are certain features that have been found to be popular among almost all of them. These days it is not rare to find allowing , image adjusting, and automatic functioning (as based on the time set by you), when you go clicking . Settings as to the color code, brightness, , etc can also be changed. Generally also allow you to make your own or video albums, so that you can systematically save them all.

A works on , the life and the stand by time of which varies greatly, depending on the camera you are using and of course on the itself. Generally these are chargeable, so you know you can charge your anytime you need to. However, the best part of it is that, (depending on your video camera) the can work non-stop for a relatively fair amount of time. This means you can click away your happily, without having to bother about the betraying you mid way!

These days almost all well known and even not so well known related company can be seen producing . Needless to say, as more and more companies enter the market producing more and more sophisticated , the more the prices can be seen falling with each passing day. Now in such circumstances, how can anyone resist having a of their own?!

This article is under GNU FDL license and can be distributed without any previous authorization from the author. However the author’s name and all the URLs (links) mentioned in the article and biography must be kept.

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21 Sep 08 The Technology Behind Digital Cameras

Author: Roberto Sedycias

Technology has revolutionized the concept of capturing live . The earlier concept of producing permanent was based on pure chemistry. In 1830, Louis Daguerre, devised the first practical way of producing permanent . Today we are talking about the computerized imagery in the filmless taken by a device that is smart in electronic intelligence and in appearance - .

A takes video, still , or both digitally. It records on a light . Instead of using a , an arrangement of charged-coupled devices-light sensitive semiconductors, which stores electrical charges,-does the job. These -composed of pixels -transform the light from the scene snapped into an analog signal which is then converted into a digital version. One electronic filtering system regulates color and other components. Another system reduces the . The image is finally sent to a temporary area and ultimately onto a card. Many compact can record sound, video and still .

The are transferred to a computer where they can be modified, printed, attached to email, inserted in web pages, etc. The most significant advantages of a are its capacity and ability to screen the taken on a tiny video monitor.

The technology of the relates to the same technology of Video Tape Recorder. The first VTR in 1951 captured from the television by converting the information into electrical impulses (digital) and subsequently saving them onto magnetic tape. It was in 1960s when NASA had made a major breakthrough by converting analog to by means of the space probe for mapping the surface of the moon. Also digital imaging had its other uses in spy satellites.

scientists invented the first mega sensor capable of recording 1.4 million pixels. In 1991, released the first system- a F-3 camera equipped with 1.3 aimed at journalists. The first for the consumers which worked with a home PC via a serial cable were the Apple Quick Take 100 camera(1994), the DC40 camera(1995), the QV-11 with LCD monitor(late 1995) and `s Cyber-Shot Digital (1996).

The main features of a can be summarized as follows:

: means of a . The higher the number of pixels, the higher is the .

: The are stored like a data file in a . The size of the determines the number of which can be taken, stored and downloaded in the computer.

Type: Most have a built in of a range around 10 -16 feet which is required to provide extra light needed to take in insufficient light.

Optical : Normally two types of are used viz., digital and optical. The optical serve more purpose like adding detail and .

Compression: This process helps to reduce the file size.

Lens: The length of a lens determines how much of a scene will fit into a .

: A very interesting feature of a is the which permits one to see what the will look like before and after taking , leaving room to decide whether to erase or save the .

In the market there are several brands of which are selling successfully and the continuous improvement in Technology is leading way to introduction of more and more exciting features in the .

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21 Sep 08 Enjoy the Photography With Digital Cameras

Author: Elaina

Digital is getting huge popularity among the all-level . In fact, the age of cameras is gone and now the cameras that can produce are in vogue. Such cameras have brought a new revolution in the field of professional .

are attracting the lovers these days. These have many advantages which make such cameras useful for taking and creating videos. These benefits can be stated as the following.

* The facility of instant review is given with such cameras that enable users to correct their mistakes and take another .
* One does not have to spend money on as these cameras give him or her opportunity to take many shots of the same object or scene.
* The allow users to capture hundreds of and save them on to the computer.
* The taken by these devices can be easily copied from one medium to other optical medium.
* One can also upload the on different online portals so that they could see them anytime and anywhere.
* These gadgets are also smaller in size and lighter in weight than the cameras.
* Such devices enable users to change the so that different styles of can be tried out. *

Users can find many brands of digital . Some of them are , and cameras. The popular devices are equipped with 10.0 mega camera and many other advanced features. Similarly, gadgets too are loaded with high camera, 24X zooming facility and external card space.

The discounted can be found on the online shopping portals. These portals offer discount to the customers so that they could gain the maximum benefits. Various incentives, schemes and deals are also offered on these websites. One can participate in the online contests in order to win the free gifts and sometimes also avail the products free of cost.

are used extensively by persons of all ages. The manufacturing companies are focusing on research and development works so that they could bring more innovative features in their products. Therefore, one can look for more advanced cameras in the future.

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21 Sep 08 Ten Points to Remember When Buying a Digital Camera

Author: Ernie Delgado

Professional know exactly what they’re looking for when they purchase a . Years of experience and fine tuning every day makes the choice clear for them. For the rest of us, a purchase can be a daunting experience. I know when I first got into the technology seemed a little intimidating- but it doesn’t have to be. Here’s a short guide with ten things to look for when, as an amateur , you’re ready to replace that antique sitting on the top shelf of the closet.

1. – When first came out, it was all about the . There was a wide variety of sizes (and prices) available- however, now most of even the smallest are 5 , which is more than adequate for your typical 4×6 vacation and the occasional 8×10. The time to go larger is when you want to regularly create larger - or you want to be able to in on areas of specific detail and print those. The compromise you must make for those larger is more space used on your card, so if you get a higher camera, make sure to pick some extra cards.

2. – For most amateurs, and are a mystery. What should I use when? The manufacturers have addressed this with scene preset modes. Picking the correct mode allows you to select the proper settings of, for example, a close-up by simply clicking ‘’ instead of manually configuring the camera. If you’re interested in as a hobby, manual configuration options are something you should look for.

3. Zooms –There are two types of available, optical and digital. The one you should really pay attention to is optical - using optical are sharper. Also understand that when the camera is using the higher , it will be more vulnerable to shaking, so you may want to pick up a tripod if you’ll be using that most of the time.

4. Size – Take a little time to think about what you’re going to be using your camera for. There’s always a tradeoff between size and functionality- here’s a quick summary:
a. Ultra Compact – small, light pocket . Some may have fewer features.
b.Compact- fit in a modest , great for point and shoot .
c. Advanced- more functionality here along with more size. Typically we see buttons for modes as opposed to menus (which saves having to navigate), better zooms, and they also accept accessories (, filters, etc.)
d. Digital Single () – Heavy and large, these offer the best functionality; typically professionals and serious use them.

5. Weight – Hand in hand with size is camera weight. Generally speaking, more features equals more weight, so think carefully about what you really need. A small, light camera with fewer features is a better choice if you want to take it everywhere and get lots of , as opposed to a heavy monster you dread having to lug and only use once in a while.

6. –Basically come in two formats, proprietary packs, and then there are cameras that accept AA . If you get a camera with the proprietary pack, it’s worth it to purchase another one as backup, because invariably you’ll want to take a and the will die. I recommend getting a camera that allows you to use AA - if you need to buy a set in pinch you can, and you also have the flexibility of buying rechargeables and using them again and again.

7. Speed- When you are ready to purchase, be sure to check out the lag on button press. If you want to things in motion (kids, pets, sports, etc) it can be very frustrating to try to snap that perfect and have the image captured 5 seconds later after the moment has passed. Some cameras offer continuous shutter mode, which allows you to snap in sequence. For most amateurs 5 frames per second is adequate.

8. Manual Focus – part of the beauty of is most of them take care of focusing for you. In some situations you may want the ability to manually focus to bring out detail.

9. Low Light Modes – Some cameras have auxiliary lights to help focus or even night vision mode. If you’re going to be taking at night, it’s worth the money to add this to your checklist.

10. Accessories- Most people focus exclusively on the camera, and the accessories are an afterthought. Depending on where you buy your camera, you may be able to get a package deal that includes things you would have to buy anyway, like a case, cards, extra and the like. If you buy your camera in a camera store don’t be afraid to negotiate, many will give you a better price or throw in extras like lessons.

When you buy a there’s no need to be intimidated, just do some research online and have an idea of what you want to do with your camera, create a list of important points, and then buy with confidence.

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