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Productive Shopping For Digital Cameras
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21 Sep 08 NIKON PRESENTS FIVE NEW COOLPIX CAMERAS

’s New COOLPIX Developed with Consumer’s Digital Needs in Mind

MELVILLE, NY (August 24, 2006) - Consumers stand in front of a counter telling themselves they want an easy to use camera that takes great . today unveiled two new “L” or Life series cameras and three new “S” or Style series cameras with the consumer’s taking needs in mind. These new cameras incorporate existing technologies that have excited so many new users and added additional useful features to enhance the overall experience.

“Developed with the consumer in mind, has combined exceptional features with world-renowned quality design and style at attractive prices,” says Bill Giordano, General Manager Marketing, COOLPIX for , Inc. “From entry-level to advanced technologies, our designers and engineers have done an outstanding job of adopting design styles and intuitive technology that directly address what the consumer asks for - a camera that looks great and performs just as well.”

Every camera in the COOLPIX family is equipped with ’s In-camera Image Innovations to fix common problems. This system includes Face-priority AF*, which automatically finds and focuses on a subject’s face, In-Camera Red-Eye Fix, which automatically corrects red-eye, and D-Lighting, an innovation that automatically corrects with insufficient light. The cameras are also equipped with Blur Warning, which alerts the user when an image is blurred, and Best Shot Selector, a feature which automatically identifies and saves the sharpest image from a series.

In addition, every new COOLPIX camera features TV Quality Move Mode** (recording movies at up to 30 fps with sound), Noise Reduction - to produce better results during low-light conditions; a broad choice of selections and a convenient Help Button, which is never further than a push of a button away, giving easy-to-understand explanations for all functions throughout the menu.

Made Easy with ’s COOLPIX L5
Continuing the Life series , has introduced the COOLPIX L5 which combines high-quality features like a 5x -Nikkor glass lens, an incredible, bright 2.5 inch LCD and same advanced Lens Shift Vibration Reduction (VR) found in many lens systems. Lens shift VR technology allows the user to make the most of the 5x . Adding to the convenience are three unique image innovations accessible via a One-Touch portrait button, which activates Face-priority AF, In-Camera Red-Eye Fix and D-Lighting. The L5 runs on two AA- which power this 7.2 effective camera and is compatible with the widely available SD card.

’s COOLPIX L6 Keeps Going and Going
’s L6 adds powerful imaging performance, easy operation and outstanding life that allows the user to shoot with greater confidence for better-looking results. The L6 boasts 6.0 effective and a 3x -Nikkor glass lens, making it a cinch to capture everything from pleasing portraits to expansive landscapes with true-to-life color and fine detail. The L6 can take an unprecedented 1,000 on a single set of the included Energizer® e2® Lithium® AA , the most of any camera in its class.

Highly convenient, such extended life is ideally suited for travel or when capturing important events, such as a wedding, where you can’t afford to run out of power.

The COOLPIX L6 offers light sensitivity beyond conventional compact digitals, with settings up to ISO 800. This means users can shoot in lower light without having to use a long exposure. It also allows users to select higher for the capture of fast-moving subjects.

’s COOLPIX S9 Blends Stunning Design with Innovative Technology
unveils new the COOLPIX S9 for style-savvy consumers who want a fashionable camera at exceptional price. The S9 blends beautiful aesthetic attributes and advanced imaging technology. The S9 is a 6.1 , easy-to-use camera in a slim, stylish body. The camera is equipped with a 3x -Nikkor ED glass lens to ensure sharp, creative freedom and a 2.5 inch to compose and share .

For ease of use, the COOLPIX S9 makes it seamless for consumers to access ’s In-camera Image Innovations through a One-Touch Portrait Button, located on the top of the camera.

The COOLPIX S9 offers a Stop-Motion feature for creating fun, stop-motion animated video shorts. To use the feature, the consumer simply needs to pose an object that they want to animate, take a , re-position the object and again. Opaque versions of previous shots are shown on the camera’s LCD to assist users when positioning and repositioning their object. Once shooting is completed, the S9 automatically creates a Quicktime™ video of the object’s movement in-camera.

The COOLPIX S10 Offers Adventurers and Enthusiasts in a Mighty 10x Camera

The new COOLPIX S10 features an incredible 10x optical -Nikkor glass lens, Vibration Reduction (VR), 6.0 effective , a 2.5″ LCD and an innovative, compact swivel design allowing the long- camera to fit into a shirt pocket. The powerful 10x, optical combined with ’s VR and innovative body design gives digital unprecedented freedom and creativity with the ability to take from a wide range of angles such as overhead, from the hip and even self portraits.

With the advantage of Vibration Reduction (VR) capability, the COOLPIX S10 allows users to overcome camera shake to take sharper, more stable in a range of shooting situations. The S10 includes a High-Sensitivity option up to an impressive ISO 800.

Furthermore, the COOLPIX S10 adds new entertainment to with ’s Pictmotion function that lets users combine , movies, music and visual styles for automatically produced audiovisual shows, in-camera. It’s easy for everyone to gather and watch Pictmotion shows together because the LCD of the COOLPIX S10 has an impressively wide viewing angle of 170 degrees.

The New COOLPIX S7c Takes Great and E-mails Them!
The new COOLPIX S7c combines high-quality imaging performance and style with impressive new sharing technology to make the S7c the most technologically advanced compact that has ever released.

The S7c is a 7.1 effective camera with a 3x -Nikkor ED glass lens with a One-Touch Portrait Button that acts as a shortcut to three In-Camera Image Innovations. The COOLPIX S7c also offers Vibration Reduction (VR), Pictmotion and a High-Sensitivity mode up to a 1600 ISO and the new Stop-Motion feature.

The S7c incorporates Wireless transfer, which enables a to send from the camera’s to a computer or printer wirelessly. The COOLPIX S7c is also compatible with ’s all-new COOLPIX CONNECT service that lets users take and then e-mail them to friends across the world in mere seconds.

and T-Mobile™ have partnered to give customers the amazing ability to email directly from the new COOLPIX S7c.The first time you connect your COOLPIX S7c in one of the 7,000 T-Mobile HotSpot locations, your one year of complimentary T-Mobile Camera Wi-Fi service (for ) will be automatically activated*. Simply turn on your COOLPIX S7c, choose Wi-Fi mode to automatically connect your camera to the T-Mobile Hotspot or open access network, and you can email directly from your COOLPIX S7c. You are connected right out of the box!

The new COOLPIX camera line-up will be available nationwide September 2006. For more information about this and other COOLPIX cameras, please visit www..com.

* One year of T-Mobile HotSpot service begins from the first time you automatically connect in a T-Mobile HotSpot location. Does not include access at Wi-Fi roaming locations. This offer expires on September 30, 2007.

T-Mobile and HotSpot and design are federally registered trademarks and the magenta color is a trademark of Deutsche Telekom AG. © 2006 T-Mobile USA, Inc.

About
, At the Heart of the Image™. Inc. is the world leader in digital imaging, precision and imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional . Inc. distributes the Total Imaging System of consumer and professional cameras, Nikkor , Speedlights and System Accessories; COOLPIX® compact ; COOLSCAN® digital scanners; ; software products and sports and recreational . At the heart of every camera is ’s Exclusive Feature System, making it easy for anyone to take amazing digital . Through the Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) -US or visit www..com, which links all levels of to the web’s most comprehensive learning and sharing communities.

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21 Sep 08 Choosing Your First Digital Camera

Author: Kirsten Whittaker

are no longer a luxury these days, with high and sophisticated features coming within a very appealing price range. And thanks to many comprehensive reviews, it’s easy to pick the most sought after features and qualities and still stay within a budget.

Most people turn to digital because they like the ease of printing and sharing the on the web. Business owners choose the for their product catalogues or brochures, students employ for their projects and with in most recent cell phones, even a child can take a snap and publish it instantly on the web. And thanks to the newest lens and zooming qualities, you don’t have to be a seasoned pro to shoot close-to-professional with modern .

You can hardly find a today with lower than 2 - two million color dots per . This is a decent quality for most uses, including printing the for the home or school use. The higher the rate, the bigger you can print without sacrificing the quality. However, if you are not a professional or a who deals with upscale all the time, you don’t really need a that produces more than 8- camera - and these rarely become available for less than $1000. Plus, if you seek to print large detailed , make sure you have a high-quality printer that can reproduces all the tiny details that make a difference.

When you pick a , you should also pay attention to the number. have two different kinds of . Digital enlarges all pixels digitally, while optical enlarges the image with the lens magnification. Since you can always enlarge the image later, on the computer using the Photoshop or other , you would be better to concentrate on higher optical rate. The average optical for midlevel is 2 to 4x.

There are a few other options to consider: whether a uses a rechargeable ( and consume a lot of energy); whether the has a standard (you may need to buy a few more cards in future), and if the menus are easy to understand. If you travel a lot, you may want a that is lightweight and compact.

Even if you decide to pick the least expensive to serve your basic needs, you will still enjoy all the benefits of digital : no rolls to buy, no wasted to dispose of and best of all, no waiting time to get them printed. New models of are constantly launched, and the older ones are becoming less expensive day by day. Know your priorities, check the most recent reviews, and there should be a to perfectly suit your needs.

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21 Sep 08 Ten Points to Remember When Buying a Digital Camera

Author: Ernie Delgado

Professional know exactly what they’re looking for when they purchase a . Years of experience and fine tuning every day makes the choice clear for them. For the rest of us, a purchase can be a daunting experience. I know when I first got into the technology seemed a little intimidating- but it doesn’t have to be. Here’s a short guide with ten things to look for when, as an amateur , you’re ready to replace that antique sitting on the top shelf of the closet.

1. – When first came out, it was all about the . There was a wide variety of sizes (and prices) available- however, now most of even the smallest are 5 , which is more than adequate for your typical 4×6 vacation and the occasional 8×10. The time to go larger is when you want to regularly create larger - or you want to be able to in on areas of specific detail and print those. The compromise you must make for those larger is more space used on your card, so if you get a higher camera, make sure to pick some extra cards.

2. – For most amateurs, and are a mystery. What should I use when? The manufacturers have addressed this with scene preset modes. Picking the correct mode allows you to select the proper settings of, for example, a close-up by simply clicking ‘’ instead of manually configuring the camera. If you’re interested in as a hobby, manual configuration options are something you should look for.

3. Zooms –There are two types of available, optical and digital. The one you should really pay attention to is optical - using optical are sharper. Also understand that when the camera is using the higher , it will be more vulnerable to shaking, so you may want to pick up a tripod if you’ll be using that most of the time.

4. Size – Take a little time to think about what you’re going to be using your camera for. There’s always a tradeoff between size and functionality- here’s a quick summary:
a. Ultra Compact – small, light pocket . Some may have fewer features.
b.Compact- fit in a modest , great for point and shoot .
c. Advanced- more functionality here along with more size. Typically we see buttons for modes as opposed to menus (which saves having to navigate), better zooms, and they also accept accessories (, filters, etc.)
d. Digital Single () – Heavy and large, these offer the best functionality; typically professionals and serious use them.

5. Weight – Hand in hand with size is camera weight. Generally speaking, more features equals more weight, so think carefully about what you really need. A small, light camera with fewer features is a better choice if you want to take it everywhere and get lots of , as opposed to a heavy monster you dread having to lug and only use once in a while.

6. –Basically come in two formats, proprietary packs, and then there are cameras that accept AA . If you get a camera with the proprietary pack, it’s worth it to purchase another one as backup, because invariably you’ll want to take a and the will die. I recommend getting a camera that allows you to use AA - if you need to buy a set in pinch you can, and you also have the flexibility of buying rechargeables and using them again and again.

7. Speed- When you are ready to purchase, be sure to check out the lag on button press. If you want to things in motion (kids, pets, sports, etc) it can be very frustrating to try to snap that perfect and have the image captured 5 seconds later after the moment has passed. Some cameras offer continuous shutter mode, which allows you to snap in sequence. For most amateurs 5 frames per second is adequate.

8. Manual Focus – part of the beauty of is most of them take care of focusing for you. In some situations you may want the ability to manually focus to bring out detail.

9. Low Light Modes – Some cameras have auxiliary lights to help focus or even night vision mode. If you’re going to be taking at night, it’s worth the money to add this to your checklist.

10. Accessories- Most people focus exclusively on the camera, and the accessories are an afterthought. Depending on where you buy your camera, you may be able to get a package deal that includes things you would have to buy anyway, like a case, cards, extra and the like. If you buy your camera in a camera store don’t be afraid to negotiate, many will give you a better price or throw in extras like lessons.

When you buy a there’s no need to be intimidated, just do some research online and have an idea of what you want to do with your camera, create a list of important points, and then buy with confidence.

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21 Sep 08 Digital Camera - the Easy Way to Take Pictures

Author: Roberto Sedycias

In comparison to cameras, have number of advantages which includes displaying the image on the camera screen right after recording, a single small device can record thousands of , records , provision to edit , and above all capacity can be re-used by deleting the . There are numbers of devices available that has in-built like mobile phones, PDA`s etc. Specialized are fit into like The .

Digitizing on scanner and digitizing are much older than making of still using from an array of discrete . It was then used for astronauts to provide onboard navigation information during their visit to planets. It provided the still of stars and planet locations during transit and also additional stadiametric information for orbiting or landing guidance while approaching planet.

Steven Sasson, an engineer at Eastman , attempted to develop first with solid state chips. But it was just a technical exercise. The true was DS-1P developed in 1988. And the first commercialized camera was Dycam Model 1 in 1990. Then in 1991, launched its DCS 100. Else QV-10 was the first consumer camera in 1995. D1, a 2.74 camera was the first developed in 1999. And in 2003, 300D, first 600 camera was launched.

There are various types of available. For videos, there are professional which are used in television and movie production. Camcorders come with inbuilt and a small to watch video while recording and playback. One can get still also with them. Webcams, attached to computers, can capture full-motion video and are also available with or zooming ability.

In live-preview , there is an electronic camera that can be used to frame and preview before taking the and also to review stored . Many of such cameras can take motion . Then the recorded can be transferred to computer, printer or any other such device. USB mass device enables the camera to function as disk drive for computer and Transfer Protocol is then used.

To use Firewire, device is removed from camera and inserted into other device. Compact , small and portable with inbuilt , are easy to use, and are stored using Lossy compression. They might be able to capture motion but that to a limit. Bridge or SLR like camera is higher-end-live-preview camera with more advanced features like superzoom , takes movies with sound, etc. Digital rangefinder, a user operated mechanism, is capable to measure subject distance.

Apart from above mentioned , there are other categories also. Professional modular systems are used in studios for commercial production. Line-scan camera systems, based on focusing mechanism, are used in industrial settings to capture of constantly moving materials. They capture at extremely fast with high image .

Most of the come with pre-set modes for different applications. Data can be transferred through USB port, Firewire port, USB PTP mode and even through wireless connections like WiFi, Bluetooth etc. These data are mostly stored in Microdrives, Joint Experts Group (JPEG), Tagged Image File Format (TIFF) and RAW. Formats for movies are AVI, DV, MPEG and MOV. Recently MP4 format is also developed. have small but powerful to operate for enough length of time.

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19 Sep 08 Consumer Reports - Digital Cameras

, which employ reusable cards instead of , give you far more creative control than cameras can. With a , you can transfer shots to your computer, then crop, adjust color and contrast, and add textures and other special effects. Final results can be made into cards or T-shirts, or sent via e-mail, all using the software that usually comes with the camera. You can make prints on a , or by dropping off the card at one of a growing number of photofinishers. You can upload the file to a -sharing Web site for , viewing, and sharing with others.

Like camcorders, have LCD viewers. Some camcorders can be used to take still , but a ’s is no match for a good ’s.

WHAT’S AVAILABLE

The leading brands are , , HP, , , and ; other brands come from consumer-electronics, computer, and and companies.

are categorized by how many pixels, or elements, the contains. One equals 1 million elements. A 3- camera can make excellent 8×10s and pleasing 11×14s. There are also 4- to 8- models, including point-and-shoot ones; these are well suited for making larger prints or for maintaining if you want to use only a portion of the original image. Professional use as many as 14 .

Price range: $200 to $400 for 3 ; $250 to $400 for 4 and 5 ; $300 to $1,000 for 6 to 8 .

IMPORTANT FEATURES

Most are highly automated, with features such as automatic (which manages the , aperture, or both according to ) and autofocus.

Instead of , typically record their shots onto - cards. and (SD) are the most widely used. Once quite expensive, such cards have tumbled in price–a 128-megabyte card can now cost less than $50. Other types of cards used by cameras include Stick, Smart Media and xD- card. A few cameras, mainly some models, use 3 1/4-inch CD-R or CD-RW discs.

To save , you transfer them to a computer, typically by connecting the camera to the computer’s USB or FireWire port or inserting the card into a special reader. Some can take cards and make prints without putting the on a computer first. Image-handling software, such as Adobe Photoshop Elements, Jasc Paint Shop, Microsoft It, and ACDSee, lets you size, touch up, and crop digital using your computer. Most work with both Windows and Macintosh machines.

The file format commonly used for is JPEG, which is a compressed format. Some cameras can save in uncompressed TIFF format, but this setting yields enormous files. Other high-end cameras have a RAW file format, which yields the image data with no processing from the camera.

typically have both an optical and a small color . LCD viewers are very accurate in framing the actual image you get–better than most of the optical viewfinders–but they use more power and may be hard to see in bright sunlight. You can also view shots you’ve already taken on the . Many provide a video output, so you can view your on a TV set.

Certain cameras let you record an audio clip with a . But these clips use additional space. Some allow you to record limited video, but the frame rate is slow and the poor.

A lens provides flexibility in framing shots and closes the distance between you and your subject–ideal if you want to quickly switch to a close shot. The typical 3x on mainstream cameras goes from a moderately wide-angle view () to moderate telephoto (105mm). You can find cameras with extended ranges between 8x and 12x, giving added versatility for outdoor . Other new cameras go down to 24 or 28 mm at the wide-angle end, making it easier to take in an entire scene in close quarters, such as a crowded party.

Optical zooms are superior to digital zooms, which magnify the center of the frame without actually increasing detail, resulting in a somewhat coarser view.

Sensors in are typically about as light-sensitive as ISO 100 , though some let you increase that setting. (At ISO 100, you’ll likely need to use a indoors and in low outdoor light.) A camera’s range tells you how far from the camera the will provide proper exposure: If the subject is out of range, you’ll know to close the distance. But can tolerate some underexposure before the image suffers noticeably.

Red-eye reduction shines a light toward your subject just before the main . (A camera whose unit is farther from the lens reduces the risk of . Computer editing of the image may also correct .) With automatic mode, the camera fires the whenever the light entering the camera registers as insufficient. A few new cameras have built-in red-eye correction capability.

Some cameras that have powerful telephoto now come with image stabilizers. These compensate for camera shake, letting you use a slower than you otherwise could for following movement. But an won’t compensate for the motion of subjects.

Most new 6- to 8- cameras come with full manual controls, including independent controls for shutter and aperture. That gives serious shutterbugs control over depth of field, shooting action, or shooting scene with tricky lighting.

HOW TO CHOOSE

The first step is to determine how you will use the camera most of the time. Consider these two questions:

How much flexibility to enlarge do you need? If you mainly want to make 4×6 , a camera with a 3- or 4- will be fine. Such a camera will also make an 8×10 print of an entire image without alteration that looks as sharp as one from a 6- or 8- model. But to enlarge the image more or enlarge only part of it, you’ll want a 6- to 8- camera.

How much control do you want over exposure and composition? Cameras meant for automatic point-and-shoot , with a 3x- lens, will serve snap shooters as well as dedicate hobbyists much of the time. The full-featured cameras in the 6- to 8- range offer that more-dedicated will want to have. Two of the more important are a range of 5x to 10x or more, which lets you bring distant outdoor subjects close and also lets you shoot candid portraits without getting right in your subject’s face, and a full complement of manual controls that you determine the and lens opening. ‘

Once you’ve established the performance priorities that you need from a camera, you can narrow your choices further by considering these convenience factors:

Size and weight. The smallest, lightest models aren’t necessarily inexpensive 3- cameras. And the biggest and heaviest aren’t necessarily found at the high end. If possible, try cameras at the store before you buy. That way, you’ll know which one fits you hand best and which can be securely gripped. In our tests, we have found that some of the smallest don’t leave much room even for small fingers.

type and life. All can run on rechargeable of one of two types: an expensive pack or a set of AA . In our tests of the cameras, neither type had a clear performance advantage. The best-performing cameras offer upward of 300 shots on a charge, while the worst manage only about 50. We think it’s more convenient to own a camera that accepts AA . You can buy economical, rechargeable cells (plus a charger) and drop in a set of disposable lithium or alkaline if the rechargeable run down in the middle of the day’s shooting.

Camera speed. With point-and-shoot cameras like the ones we tested, you must wait after each shot as the camera processes the image. Most models let you shoot an image every few seconds, but a few make you wait 5 seconds or more. They may frustrate you when you’re taking in sequence.

Your other cameras. If you’re adding a camera to your lineup or trading up to a more versatile model, look first for one that’s compatible with the other cameras. If it is, you can share cards and . Designs within a camera brand line are often similar. So staying wit the brand you have lowers the learning curve on the for family members who switch between cameras.

Copyright © 2002-2006 Consumers Union of U.S., Inc.

For the latest information on this and many other products and services, visit www.ConsumerReports.org.

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19 Sep 08 How Do I Choose a Digital Camera?

Author: J Adams

A might look like a camera but they are actually quite different. Both freeze light to make a . cameras do this chemically using . use a light sensitive or to convert light and into pixels.

Pixels are the tiniest areas of light that your can recognize and change into information. The greater amount of pixels the more detail and higher the the . A low color printout of tree will show that it is green but in a high the leaves and texture of the bark will be more sharply defined.

With digital your have the ability to use software like Adobe Photoshop Deluxe and Microsoft to edit and make corrections.

Choosing Your Camera
Important considerations when choosing a are: What do you want the camera to do? What features do you require? How much do you wish to spend on your camera?
There are professional high end cameras that cost thousands of dollars, cheap throwaway cameras and a huge selection of mid-level cameras available to choose from.

Will you be photographing for the internet and for email? Will your be printed? For regular print size and web a one to two camera will do. In fact for the web a lower would be better as higher are slow to download.

Do you want a point-and-click camera? Are you someone who just wants to get the taken with the least amount of bother. Do you want a camera that does everything automatically and you simply have to press a button? Or, are you someone who would rather figure out the best settings for your camera and make the adjustments manually? It’s always best to find a camera that suits your purpose, need and ability.

High or Low
High end, high cameras are good for that are to be printed. The greater the number of pixels the higher the . High does not make sense on the web as the extra does not make appear any sharper. Also, high are slow to download on the web.

To print your you will need a good quality color printer. If are to be printed, high does make a difference depending how large you want the to be. High will give a large print better definition. High cameras cost more. Expect to pay more for high . You also need to check that your printer can handle high prints.


Low-end have fixed focus made of plastic. With these everything is focused and you don’t need to make a decision what to focus on.

Variable focused are made of glass or high quality plastic. These focus on whatever object you are trying to capture in a .

Most mid-range come with and manual focus built in. is for point-and-click of whatever is in the middle of the frame. Or, by turning the ring over the lens, you can manually focus the camera. These cameras allow users to switch between auto and manual focus.


have optical and digital . Optical costs more, give a better quality , and works the same way as on non- with lens adjustments. A digital comes about when the camera makes calculations to manipulates the pixels. Digital gives a less sharp image. Some cameras include both optical and digital .

View Finder
The view finder is what you look through to see what you are photographing. The view finder on both digital and regular cameras will approximate the your lens is viewing. will also come with an that you can use to check your and decide weather or not to keep them.

Lighting
When it comes to lighting you might not want the camera to make the decision automatically for you. On an auto setting you camera might not make the best lighting choice given the location and environment. At times like this you can appreciate being able to switch between manual and automatic settings.

allow you to test exposure and view a on LCD prior to pressing the button fully and committing to a .


There will be a built in that comes with your . In addition, the better cameras have a location for a attachment. This is a good option for producing better quality .

Connecting to Your Computer
You will need a PC USB cable, or for Mac’s - Firewire or Mac USB cable, to connect to your computer. You will also need a cable adapter for your camera’s CF (Compact ) or SM (Smart Media) card .

The CF or SM cards are removable high capacity cards for your . Your camera will use one type of card or the other. Not both. Check to see which type of card your camera uses.

USB connections are fast and easy to set up. Older cameras connect through a serial port. USB is faster and does not require that the computer be rebooted before it recognizes the camera.

and AC Adapters
often come with rechargeable . It is best to have two sets of . One set to use while the other is recharging. AC adapters make it easy to plug into an electrical outlet when you are near by one.

Main Drawback of
The main drawback of is shutter lag delays when the camera delays responding after you squeeze the button. It is possible you may miss the moment when photographing moving objects due to shutter lag. Some of the newer cameras are beginning to address the problem.

Select a camera that does what you want it to do, has features you will use and is priced in the range you want to pay. This will be the for you. If your experience is limited and you do not want to take a lot of time learning how to use the camera, go with a point-and-shoot camera. Something without too many features. If you are a camera enthusiast who wants to do more with your camera or is willing to take the time to learn how to use the feature then, by all means go all out.

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17 Sep 08 Buying a Digital Camera

Family and friends can be pretty far flung these days, so how do you keep in touch? Snail mail and phoning are good options, but it’s fun to be able to share . With the advent of , it’s easy to post on a blog or website, or send via email.

Of course, cameras will work, as you can scan and convert to digital files, but the easiest way to send quickly and cheaply is to use a .

How To Find What’s Best For YOU When Buying A

There are all kinds of available these days, so the trick is to find the one that suits your needs and budget. If you are buying your first , the lingo and technology are a bit different than for cameras, so before shopping take time to learn a little and figure out what you’d like to buy.

First, what kind of are you? Do you like total control over the taking process, or would you rather just aim the camera and push the shutter button? Then it’s also helpful to decide what you want to do with your . Do you just want to put them online or send them via email, or do you want to be able to print them, and if so, how large do you want your prints?

If isn’t your passion, and you just want to have to share, buying a simple point-and-shoot is probably best. It has automatic settings, so all you have to do is aim the camera, press the shutter and viola! Instant !

However, if you prefer more control over the taking process, try buying a mid-range . There is a wide range in both price and features. For the more serious hobby , there are “prosumer” cameras midway between point-and-shoot cameras and cameras. They offer better lens quality and usually more features than a point-and-shoot, though those little cameras can come pretty loaded these days!

cameras are top of the line and more expensive. These work more like , having a body with detachable lens. This gives you more options with being able to change lens, but it’s also much more expensive. Just one lens can cost as much as a point-and-shoot ! There’s also usually a steeper learning curve to figure out how to use all the options on a camera.

However, if you’re buying your first , intermediate, “prosumer” and cameras probably aren’t the best choice. All the settings and features can be a little overwhelming for the beginner, and your expensive camera may end up collecting dust somewhere. Try a low to midrange camera first and get a feel for and what features are most important to you. Then when you’re ready to move up and buy a better , you’ll have a better idea of what to look for before you lay out your hard earned cash!

What To Look For When You’re Ready To Buy A

You can buy in all sorts of places these days, from fancy department stores to discount stores, / and many stores online. While you can sometimes find great deals on-line, if this is your first , go to shops and look at different cameras if at all possible. It helps to pick it up and get the feel of the camera in your hand to see if it’s comfortable and the controls are easy to use, and you can check out what features it has and how they work.

But what exactly are you looking for?

A makes your ….

One of the first things to check out when buying a is the . A is a single dot in a graphics image. A is equivalent to one million pixels. A 1- camera would produce an image roughly 1200 pixels wide by 900 pixels high, a 3 would be 2048 x 1536 , and so on. Higher mean better , but aren’t the whole . The main thing to keep in mind is the more , the bigger image you can print.

Approximate vs. Print Size

2 prints well up to 4×6 inches

3 prints well up to 5×7 inches

4 prints well up to 6×8 inches

6 prints well up to 7×10 inches

8 prints well up to 10×14 inches

12 prints well up to 16×24 inches

For email, websites and printing , a 3 to 5- camera is a good choice. If you want to make high quality 8×10 prints or larger, you need more . Higher also allow you to crop down to a smaller portion of the while still retaining in prints.

One other thing to keep in mind when considering and , be sure you are getting optical . This is the actual number of the camera records. Some cameras offer interpolated to get bigger from the same number of by using software algorithms to determine what color pixels to add, so the becomes bigger at the expense of clarity.

Opt for optical…

have two kinds of , optical and digital. In this case, focus on the optical . It’s the one that actually uses the lens’ to bring the subject closer. The higher the number, the further away you can “pull in” your subject. The digital merely takes the original information and makes it bigger, and once again, clarity is sacrificed. Most serious turn off digital . Stick to optical!

For Your Viewing Pleasure…

commonly use an instead of a to focus on your subject, though some come equipped with both. Check the size of the screen when buying a to be sure you can comfortably see your subject. It’s also really handy to have a flip screen that allows you to hold your camera low or high, and still be able to see what’s on the screen.

Fun features…

Many offer settings for such things as burst shooting mode, which is handy if you want to take of moving subjects. The camera shoots a series of without pause, then writes the files to . Other features allow for manually changing settings, special effects, short digital movie files, using an external , and much more. Look over several different cameras, decide what features you just have to have, and which are on the “nice to have but not vital” list. No one camera will do everything well.

Get the

You’ve got to get the out of the camera to share them. Usually the files are downloaded to your computer through a USB port, so make sure your computer has one. Also, keep in mind when choosing a camera, the more , the bigger the files. You’ve got to store those files somewhere, so how much is available on your computer? Does it have a CD burner.

However, you can still buy a even if you don’t have a computer. Many labs, even in places like Walmart or Kmart, have machines with the capability of making prints and/or CD’s from cards, and will make a disk of the files, sort of like digital negatives. There’s also the option of buying a printer with a docking station for your camera. Just plug the camera into the docking station, and bypass the need for a computer to print.

Cash After Camera

When buying your , keep some cash in reserve, because there are two more important purchases you need to make.

1. - The ’s equivalent of , the amount of determines how many you can take. Different cameras use different types of , so the first step is to find out what your camera uses. The most popular types are: Secure Digital (SD), (CF), SmartMedia (SM), Stick (MS), MultiMediaCard (MMC), and xD- Card (xD).

Cameras are usually packaged with a small MB-sized card. A second card of 64 MB is good, but of course the more MB and the more cards, the more you can take before having to download and erase the . The different cards are NOT interchangeable, so be sure to buy the right kind for your camera!

2. - There’s nothing more frustrating than being in the middle of snapping and the dies. Get extras. It’s worth the expense to have a second charged and waiting should the one in your camera lose power. The rechargeable ones are more expensive, but the ability to use them over and over makes them worth the initial outlay of cash.

That’s The Total Package!

There you have the basics for choosing a . Decide what kind of you are likely to take, what size prints you want to make, how much , and are there any extras you can’t live without? Look for the camera that most closely matches your list in your price range, buy a bigger card and an extra set, and you’re good to go!

 

Have fun sharing those with friends and family!

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