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21 Sep 08 NIKON UNVEILS NEW D40 - THE SMALLEST AND EASIEST-TO-USE NIKON DIGITAL SLR EVER [DETAILED PRESS RELEASE]

* D40 Inherits Incredible Quality from ’s Photographic Expertise, Making it Easy for Everyone to Take Breathtaking
* Features an All-New, Visually Intuitive Interface, In-Camera Editing and Built-In Help Features for Just $599.95** With a 3X -Nikkor Lens
MELVILLE, NY, NOVEMBER 16, 2006 - , (www..com) the world leader in high quality digital imaging, precision and imaging technology, today unveiled its new D40, the latest addition to its comprehensive line of cameras. Designed to bring the performance, excitement and experience of ’s cameras to more customers than ever before, the D40 is an ultra-compact, lightweight 6.1-effective D-SLR that offers simplified new features, exceptional speed and a redesigned, visually-intuitive menu system that brings consumers a whole new level of simplicity in a . The D40 also incorporates handling and performance advantages that eliminate the frustrations often associated with compact , making it ideal for anyone who wants to capture spectacular digital without complication.

cameras have gained substantial interest among consumers looking for higher-quality and faster handling response,” said Edward Fasano, general manager for marketing, SLR System Products at Inc. “But perceived complexity and bulkiness of some models has discouraged some customers. With the D40, addresses these challenges with incredible ease of use, compactness and a remarkable range of features and technologies. Consumers can enjoy the satisfaction of quality by simply pressing the shutter button and getting beautiful with vibrant colors, stunning and outstanding detail. With the D40, even first-time camera users will be thrilled with their results.”

Outstanding
The D40 features a high- 6.1-effective DX Format and a highly advanced Image Processing Engine. Combined, these features produce exceptional image detail with vivid, true-to-life colors.

The D40 combines sophisticated exposure automation with options for complete user control to help make it the ideal camera for anyone ready to explore their creative potential with . Using ’s exclusive Metering II, the D40 assures accurate , even in difficult lighting conditions. Its frame-wide 420- sensor instantly and automatically assesses and compares each scene’s brightness, contrast and color with a built-in database of information from over 30,000 real-world lighting scenarios, before setting the accurate exposure. For those who want more control over their shots, alternative metering options, such as spot metering, center-weighted metering and exposure compensation, are also available.

Precise, Quick Response
One of the hallmarks of ’s cameras is how fast they operate, not only when capturing , but also when recording them to the camera’s SD card. The D40 proudly carries this tradition forward; the camera powers up and is ready to shoot in only 0.18 seconds.

With minimal shutter lag time and the ability to shoot 2.5 frames per second, up to 100 (in JPEG Normal mode), the D40 is ready to capture priceless expressions or special moments perfectly. are instantly processed and rapidly recorded to the SD card. Bright, clear preview are also displayed in an instant on the D40’s 2.5-inch color LCD monitor.

The D40’s three-area auto-focus system also adds to the camera’s overall speed, delivering fast and precise focus under varying shooting conditions. Incorporating ’s advanced Multi-CAM 530 AF Sensor Module, the three-area AF system, with central cross-type sensor operation, adds effective new focusing options and ensures greater ability to capture that .

Designed for Life as it Happens
The D40 brings the fun, excitement and superior of to everyone. Its compact size and ideal ergonomics make it the solution for anytime, anywhere. Its bright and sharp , with 0.8x magnification, ensures precise composition.

After shooting, share your new with family and friends, or check , exposure and focus on the D40’s large 2.5-inch, 230,000-dot high- color LCD monitor, which provides the ability to enlarge your shot up to 19 times. The operating menus have been carefully designed with color schemes and large fonts for quick, easy navigation through the camera’s options. Also, the newly introduced assist help you select the appropriate settings for many camera features by showing illustrative end-result typical of that setting.

The D40’s innovative information display can be shown in Classic format or with the new Graphic and Wallpaper formats for Digital Vari-Program modes and Program Auto, Shutter-priority Auto, Aperture-priority Auto and Manual (P/S/A/M) exposure modes.

The camera boasts refined ergonomics and design, born from ’s extensive experience designing successful high performance for more than 50 years. The D40’s size, layout and operation of all controls are designed for maximum ease-of-use. The result is an incredibly compact, light that is comfortable to handle and can go anywhere, anytime.

Creativity at Your Finger Tips
For anyone just beginning to enjoy the added performance and versatility of , creative shooting is as simple as rotating the D40’s Digital Vari-Program mode dial. The camera has eight preconfigured program modes that optimize the camera’s performance for specific shooting conditions, allowing to take great in challenging conditions that might otherwise be confusing or time-consuming. In Portrait mode, for example, the camera automatically optimizes the color, hue, and levels to capture the most flattering skin tones, softens the focus of the background to emphasize the face and applies a milder form of in-camera sharpening. The D40 includes a new Off mode that shuts off the camera’s and boosts its ISO, so users can easily take in places where is not allowed, inappropriate, or when they prefer the look of natural light. Users can also select from other Digital-Vari Program modes including Auto, Portrait, Landscape, Close-Up, Sports, Night Landscape or Night Portrait. As users gain experience with the camera, the D40 offers advanced controls that offer greater creative control over the look and feel of their .

D40 will enjoy the camera’s Image Optimize menu options that closely tailor results to the scene at hand, the intended use of an image or to the ’s custom preference. , tone (contrast), color, and hue optimization are controlled by the user-selected choice of Normal, Softer, Vivid, More Vivid, Portrait, Custom and Black-and-White.

The D40 also features an image Retouch menu, with exclusive in-camera editing functions that promise to keep D40 shooters engaged when they’re not busy shooting. Options within the Retouch menu include:

- D-Lighting: Automatically balances underexposed portions of an image to enhance detail in these areas, without affecting the highlights of the .
- In-camera Red-eye Correction: Automatically removes the annoying red-eye effect sometimes caused by .
- Trim: can be trimmed to produce smaller cropped versions of any file on the for greater creative freedom and greater efficiency.
- Image Overlay: Merges a pair of selected RAW files to create a composite image within the camera as a RAW or JPEG file. This feature is especially useful when trying to create a soft-focus effect with two similar .
- Monochrome settings: Convert any color image in the camera into a pleasing monochromatic , either in black-and-white, sepia or cyanotype.
- Filter Effects: Emulate and apply the effects of a skylight or a warming filter to any image stored on the . A Color Balance menu within filter effects can also be used to make subtle shifts in color.
- Small : Create a smaller version of any image in the camera for easy sharing and faster download.

Total Package: The Advantage
One of the key advantages cameras offer is access to ’s extensive system of , Speedlights and accessories. The D40 is compatible with all AF-S and AF-I Nikkor *, and comes packaged with a new 3X 18-55mm f/3.5-5.6G ED II AF-S DX -Nikkor lens that incorporates cutting-edge optical technologies, such as ED glass and aspherical lens elements. This lens offers users a popular 3x range, which conveniently covers angles that meet the needs of everything from tight portraits to wide-angle landscapes.

The D40 is also compatible with ’s range of i-TTL technology enabled Speedlights including the SB-800, SB-600 and the recently introduced SB-400. A perfect companion for the D40, the SB-400 is an ultra-compact, lightweight Speedlight which is ideal for photographing subjects at extended distances or illuminating subjects with a softer, more natural appearing lighting effect with its bounce capability. With a guide number of over 98 feet the SB-400 provides all of the power and coverage that a D40 customer may demand for shooting group shots and reducing harsh shadows. All of the SB-400’s settings can be controlled automatically by the camera’s metering system or manually from the camera’s built-in menus. Keeping with the D40s remarkable ease-of-use, using the SB 400 Speedlight is as simple as sliding it on, turning it on and shooting.

The D40 comes with ’s PictureProject software that makes transferring, organizing and sharing fun and easy. The camera also includes a 30-day trial version for Capture NX software (optional), ’s award-winning software that dramatically simplifies editing for JPEG, TIFF and RAW (NEF) format . Designed specifically for , Capture NX software provides a unique and easy-to-understand interface with tools that need, but without the level of complexity and clutter of other applications. Its patented new U Point™ technology simplifies editing by enabling to enhance specific areas of a selectively, without the use of masks, selections, or layers. Capture NX also helps users realize the full potential of ’s RAW (NEF) file, with robust processing for the highest quality results from NEF files.

The D40 camera and the new 18-55mm f/3.5-5.6G ED II AF-S DX -Nikkor lens will be packaged together and made available beginning December 2006 for an estimated selling price of $599.95**. For more information, please visit www..com.

About

, At the Heart of the Image™. Inc. is the world leader in digital imaging, precision and imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional . Inc. distributes the Total Imaging System of consumer and professional cameras, Nikkor , Speedlights and System Accessories; COOLPIX® compact ; COOLSCAN® digital scanners; ; software products and sports and recreational . At the heart of every camera is ’s Exclusive Feature System, making it easy for anyone to take amazing digital . Through the Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) -US or visit www..com, which links all levels of to the web’s most comprehensive learning and sharing communities.

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21 Sep 08 NIKON’S NEW D80™ DIGITAL SLR CAMERA BRINGS ADVANCED PERFORMANCE AND UNMATCHED CREATIVE CONTROL TO PHOTO ENTHUSIASTS

* 10.2 D80 Offers Outstanding Performance, Ease Of Use, Versatile Personal Control and Exciting In-Camera Editing Tools
* All New 7.5x 18-135mm f/3.5-5.6G AF-S IF-ED DX Nikkor Lens Included with the D80 Outfit Creates a Compelling Option for Enthusiasts

MELVILLE, NY, AUGUST 9, 2006 - Building on the extraordinary success of the D70 and D70s, ® (www..com) today introduced the new D80™ camera - an impressively featured, high performance camera that incorporates ’s latest digital and photographic technologies, and offers advanced features as well as automated operation to satisfy any with the passion to create beautiful and preserve special moments. With a new 10.2 effective DX Format and an exclusive high- color processing engine inherited from ’s latest professional cameras, the D80 can render with incredible , sharp detail and vibrant color that is unmatched in this class of cameras. And it can shoot these fast - at speeds of up to 3 frames per second, for up to 100 (in JPEG Normal mode), ensuring that the camera’s always ready for the next fleeting moment.

The D80 works with the efficiency and grace of a fine-tuned instrument, powering up in only 0.18 seconds and capturing a with an imperceptible shutter lag time of just 80 milliseconds (0.08 seconds). A new 11-area auto-focus system detects focus with superb precision and can even track a moving subject across the frame, shifting focus instantly and automatically to any of the 11 auto-focus points that detect the subject. The D80’s large, bright 0.94x affords a remarkable view not found in many , making critical composition easier and more pleasing. The camera’s rechargeable can last up to 2700 shots on a single charge, while also providing a real-time Fuel Gauge of the percentage of charge remaining in the at all times. And like all cameras, the D80 feels solid and substantial while being both compact and comfortable. But more experienced enthusiasts will admire the D80 most for its bevy of creative controls and features that make with the camera so much more enjoyable and rewarding. Its new Optimize image menu, for instance, offers complete control over the look and feel of your , allowing you to boost and create with vivid color, or shoot black-and-white with a choice of four filtration effects, or even create your own custom look that expresses personal style and creativity. Other creative tools include an all-new image Retouch menu for in-camera , built-in i-TTL control with the ability to control up to two remote groups of Speedlights, as well as over 32 Custom settings to customize several attributes of the camera’s performance.

“The D70 and D70s cameras proved to be extraordinarily successful due to the excellent value they offered to passionate enthusiasts when each was introduced. They offered an ideal balance of features, performance, innovation and price, making them appealing to a very broad range of . With the introduction of the D80, is significantly raising the bar for a camera in this class,” said Edward Fasano, general manager for Marketing, SLR System Products at Inc. “By bringing high-end features and technologies inherited from our professional line of cameras to the passionate enthusiast, while making the camera simpler and more enjoyable to use, we believe the D80 will represent the ’sweet spot’ for anyone looking for a new level of camera performance and value. Paired with the new 7.5x 18-135mm f/3.5-5.6G AF-S IF-ED DX -Nikkor lens, the D80’s performance and versatility becomes even more compelling for consumers,” he added.

Unrivaled
At the heart of any lies its image processing engine - a sophisticated processor that determines, among other things, the overall color rendering and of taken with the camera. One of the key advances developed for the D80 is ’s own high- image processing engine that inherits best-of-breed technologies from ’s latest professional cameras, including color independent analog pre-conditioning and high-precision 12-bit processing algorithms, which combine to produce natural-looking that benefit from faithful color and tone reproduction. A new dedicated high-performance processing chip greatly accelerates performance on all levels, while also achieving lower power consumption, assuring more per charge.
The D80 also benefits from ’s exclusive Metering II, to ensure accurate exposures, even in the most challenging lighting conditions. Evaluating, rather than merely measuring or averaging the true content of each scene, input from the system’s frame-wide 420- sensor is automatically referenced against an onboard database of over 30,000 scenes from actual to calculate final exposure value. Variable Center-Weighted metering and Spot metering centered on the active focus area are also available, as are exposure compensation and auto exposure bracketing. Sophisticated exposure automation combined with options for complete user control help to make the D80 an ideal high-performance for passionate enthusiasts.

Speed to Burn
One of the hallmarks of ’s cameras is how fast they operate, not only when capturing , but also when processing them. The D80 proudly carries this tradition forward. Not only is the camera powered up and ready to shoot in only 0.18 seconds, it also reacts at blazing speeds when the shutter button is pressed. With a minimal shutter lag time of just 80 milliseconds (0.08 seconds), and the ability to shoot 3 frames per second up to 100 (in JPEG Normal mode), the camera is ready to shoot whenever that priceless expression or special moment presents itself. shot are processed instantly and recorded rapidly to the inserted SD card. Preview are also displayed near instantly.
The D80’s new 11-area auto-focus system also fulfills its role in the overall speed of the camera, delivering fast and precise focus under varying shooting conditions. Adopting a refined version of ’s advanced Multi-CAM 1000 AF Sensor Module, this new 11-area AF system with center area wide-frame operation adds effective new focusing options that will instill greater confidence in getting the desired shot. An all-new Auto-Area AF mode measures all eleven focus areas and automatically determines which of them are on the primary subject.

Creativity Comes Standard
The D80 is designed to inspire creativity at every level. For this reason, the camera includes a wide assortment of features and tools to empower all kinds of users, ranging from the novice to the seasoned pro, to pursue their creative vision, instantly and right from within the camera.
D80 will enjoy the camera’s built-in Multiple Exposure mode for unique composite image effects, or the Optimize menu options that closely tailor results to the scene at hand or the intended use of an image or to a custom preference of the . Optimization of sharpening, tone (contrast), color, and hue is controlled by the user-selected choice of Normal, Softer, Vivid, More Vivid, Portrait, Custom and Black-and-White. The black-and-white mode can be customized using red, green, yellow and orange filter effects as well as image sharpening and tone compensation.

The D80 also features an all-new image Retouch menu, with exclusive in-camera editing functions that will certainly keep D80 users engaged when they’re not busy shooting. Options within the Retouch menu include:

* D-Lighting: Automatically balances underexposed portions of an image to enhance detail in these areas, without affecting the highlights of the
* In-camera Red-eye Correction: Automatically removes the annoying red-eye effect sometimes caused by .
* Trim: can be trimmed within the camera to produce smaller files with reduced display sizes for easy sharing or greater efficiency for specific end purposes.
* Image Overlay: Merges a pair of selected RAW files taken with the D80 to create a composite image within the camera as a RAW or JPEG file. This feature is especially useful when trying to create a soft-focus effect with two similar
* Monochrome settings: Monochrome settings can be applied to any color image in the camera, to convert it to a pleasing monochromatic , either in black-and-white, sepia or cyanotype
* Filter Effects: Can be used to emulate and apply the effects of a Skylight filter or a Warming filter to any image stored on the inserted . A Customized Color menu within filter effects can also be used to make subtle shifts in color to any image in the camera.

For anyone just beginning to enjoy the added performance and versatility of , creative shooting is as simple as rotating the Digital Vari-Program mode dial on the camera. The D80 has seven preconfigured program modes to optimize the camera for specific shooting conditions and greatly increase the chances of taking a great . In “Portrait” Mode, for example, the camera automatically optimizes the color, hue, and levels to capture the most flattering skin tones, softens the focus of the background to emphasize the face and applies a milder form of in-camera sharpening. Users can choose from Auto, Portrait, Landscape, Close-Up, Sports, Night Landscape or Night Portrait.

The D80 also offers creative ways to share , with its built-in Pictmotion slideshow feature, which includes style selections that control transitions and background music. Shows can be enjoyed on the 2.5-inch LCD, or complete with audio on a television when connected via the supplied AV cable.

Creature Comfort
The D80 features refined ergonomics and design, borne from ’s extensive experience designing successful for over 50 years. As a result, the camera is incredibly comfortable to use and handle, and incorporates several new features that enhance its usability. The D80 features a large and bright with large 0.94x magnification to ensure the clearest view possible for precise composition. Included is a built-in diopter adjustment control knob also makes it easier to fine-tune the view to match eyesight. The ’s integrated grid display can also be turned on to assist with composition.
A large new 2.5-inch 230,000-dot high- LCD provides an ultra-wide 170-degree viewing angle from all directions. Navigating the spacious preview of your is easy with a new dedicated button, magnifying on screen up to 25 times their original size. A new RGB histogram display aids in evaluating exposures with greater precision. Other playback options include single frame, 4 or 9-image thumbnail display, an improved histogram display and highlight point display. A new menu interface featuring refinements to the carefully chosen color scheme and increased font size makes navigation easier on the eye, easier to understand and easier to use. Menus can be customized to display only selected items using the new “My Menu” set.

The D80 is slimmer and more compact than its predecessors, and remains true to ’s commitment to intuitive operation. The size, layout and operation of all buttons and controls are designed for maximum ease of use.

System Strength
With the D80, users also have complete and seamless compatibility with ’s extensive Total Digital Imaging System, and the camera is designed to take advantage of many of the technologies built into accessories. The D80’s powerful built-in Speedlight is compatible with ’s Creative Lighting System, and can wirelessly control up to two groups of Speedlights in full TTL mode, taking the guesswork out of multiple . Compatible Speedlights within the Creative Lighting System include the SB-800, SB-600 and ’s Wireless Close-up Speedlight Systems, featuring the SB-R200.
The D80 also offers unprecedented compatibility with ’s extensive selection of AF Nikkor as well as new DX Nikkor , which are designed exclusively for use with DX format cameras. Nikkor , famous for optical superiority, add to the D80’s ability to deliver outstanding .

The D80 will also have an optional MB-D80 pack available, extending the shooting capability in an ergonomic design that adds shooting stability. Able to run on either one or two EN-EL3e rechargeable or six AA-size , the pack also features an additional command dial and alternative buttons for shutter release and AE-Lock/AF-Lock that make vertical shooting more comfortable.

The D80 is also fully compatible with Capture NX software (available for purchase separately), ’s highly versatile and elegantly simple new editing solution designed to help tap the full potential of NEF (RAW) . Featuring an innovative user interface that provides easier access to powerful and visually intuitive enhancement tools, Capture NX’s powerful image processing and editing tools can also be applied to JPEG and TIFF files to satisfy a broader range of photofinishing needs and applications.

The D80 will be available beginning September 2006 for an estimated selling price of $999.95** for body only and $1299.95** for body and lens outfit, including the new 18-135mm f/3.5-5.6G AF-S IF-ED DX Nikkor Lens. For more information, please visit www..com.

About
, At the Heart of the Image™. Inc. is the world leader in digital imaging, precision and imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional . Inc. distributes the Total Imaging System of consumer and professional cameras, Nikkor , Speedlights and System Accessories; COOLPIX® compact ; COOLSCAN® digital scanners; ; software products and sports and recreational . At the heart of every camera is ’s Exclusive Feature System, making it easy for anyone to take amazing digital . Through the Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) -US or visit www..com, which links all levels of to the web’s most comprehensive learning and sharing communities.

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21 Sep 08 NIKON® INTRODUCES THE 70-300MM F/4.5-5.6G ED-IF AF-S VR ZOOM-NIKKOR LENS

Offers Enhanced VR (VRII) Vibration Reduction System in a Compact, 4.3x Lens for DX Format Digital and

MELVILLE, NY, AUGUST 9, 2006 - Inc. (www..com) today introduced the new 70-300mm f/4.5-5.6G ED-IF AF-S VR -Nikkor lens, a 4.3x lens that is ideal for telephoto shooting opportunities. It incorporates many of ’s most advanced attributes such as Extra Low Dispersion (ED) glass, Silent Wave Motor technology (SWM) and Enhanced Vibration Reduction (VR II), in a design engineered for use with both DX format digital and . With a high-powered 70-300mm range, the lens is ideal for sports, action, wildlife, travel and portrait , among other telephoto applications. When used on a DX format , this lens approximates the angle performance of a 105-450mm lens on a .

’s range of Nikkor with Vibration Reduction technology has grown substantially and the new 70-300mm f/4.5-5.6G ED-IF AF-S VR -Nikkor lens is another excellent addition, offering both digital and SLR an advanced high-powered lens in a surprisingly compact, lightweight design,” said Edward Fasano, general manager for Marketing, Products, at Inc. “High quality requires a challenging blend of art, science and, of course, photographic experience. With the new 70-300mm AF-S VR -Nikkor, engineers have again met that challenge, producing a lens whose delivers clarity and contrast typically found only in costing substantially more,” he added.

Beyond the lens’ incredible optical versatility is the benefit of Enhanced VR II Vibration Reduction - an innovation that makes it possible to take substantially sharper handheld at slower than would otherwise be possible. This provides the distinct advantage of being able to shoot more effectively in a much broader variety of challenging conditions. With the new VR II advantage, users can take at as many as 4 stops slower* than they ordinarily could shoot without the image degrading blur associated with camera shake at slow . ’s advanced VR technology further enhances taking potential with a choice of two modes to match most shooting conditions. VR Normal Mode primarily compensates for camera shake, and includes automatic panning detection, as well as automatic tripod detection. VR Active Mode effectively compensates for vibration in situations where it is more pronounced and more frequent, such as when shooting from a moving vehicle.

To further ensure outstanding , the 70-300mm f/4.5-5.6G ED-IF AF-S VR -Nikkor features two Extra-Low Dispersion (ED) glass elements and three complex aspherical lens elements that provide for higher , high-contrast while minimizing chromatic aberration, astigmatism and other forms of distortion. The lens also features ’s compact Silent Wave Motor technology (SWM), which combines fast and precise autofocusing with super-quiet operation, as well as Internal Focusing (IF) construction that allows the lens to focus without changing its external size, improving balance and handling characteristics.

The 70-300mm f/4.5-5.6G ED-IF AF-S VR -Nikkor lens will be available beginning October 2006 with a Manufacturer’s Suggested Retail Price of $669.00**. For more information about and Nikkor , please visit www..com.

About
, At the Heart of the Image™. Inc. is the world leader in digital imaging, precision and imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional . Inc. distributes the Total Imaging System of consumer and professional cameras, Nikkor , Speedlights and System Accessories; COOLPIX® compact ; COOLSCAN® digital scanners; ; software products and sports and recreational . At the heart of every camera is ’s Exclusive Feature System, making it easy for anyone to take amazing digital . Through the Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) -US or visit www..com, which links all levels of to the web’s most comprehensive learning and sharing communities.

*Under measurement conditions.

** Manufacturers Suggested Retail Prices (MSRP) are for reference only. Actual prices are set by dealers and are subject to change at any time.

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21 Sep 08 NIKON® INTRODUCES NEW 18-135MM F/3.5-5.6G ED-IF AF-S DX ZOOM-NIKKOR LENS

MELVILLE, NY, AUGUST 9, 2006 - ® (www..com) today introduced the versatile, affordable new 18-135mm f/3.5-5.6G ED-IF AF-S DX -Nikkor lens, further expanding ’s successful line of DX Nikkor , engineered for use exclusively with ’s DX format cameras. Developed for use with all D-series Cameras, the 18-135mm f/3.5-5.6G ED-IF AF-S DX lens will be included as the compact, lightweight 7.5x lens in the recently announced D80™ 10.2- camera Outfit.

The 18-135mm f/3.5-5.6G ED-IF AF-S DX has a broad range (providing angle performance approximating a 28-200mm lens on a ) that is suitable for a wide variety of shooting situations, ranging from wide-angle landscapes to portraits, recreational sports, action and close-ups. This offers a selection of ’s highly regarded technologies such as compact Silent Wave motor (AF-S) for super fast and quiet autofocus operation, Extra-Low (ED) for minimized chromatic aberrations, and Internal Focusing (IF) for convenient and balanced handling.

“The new 18-135mm f/3.5-5.6G ED-IF AF-S DX is an excellent, all-encompassing lens that can be an ideal companion to any camera, especially the recently announced D80,” said Edward Fasano, general manager for Marketing, Products at Inc. “The 18-135mm f/3.5-5.6G ED-IF AF-S DX demonstrates remarkable along with wonderful compactness,” he added.

Designed exclusively for use with DX Format cameras, DX Nikkor deliver a versatile range of angle-of-view, higher performance, and outstanding center-to-edge-to-corner , while making possible smaller and lighter designs.

The 18-135mm f/3.5-5.6G ED-IF AF-S DX lens will be available beginning September 2006 for a suggested retail price of $485. The lens will also be sold packaged with the recently announced D80 10.2-megapixle camera. The packaged outfit will have an estimated street price of $1299.95*, offering substantial savings when purchased together.

About
, At the Heart of the Image™. Inc. is the world leader in digital imaging, precision and imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional . Inc. distributes the Total Imaging System of consumer and professional cameras, Nikkor , Speedlights and System Accessories; COOLPIX® compact ; COOLSCAN® digital scanners; ; software products and sports and recreational . At the heart of every camera is ’s Exclusive Feature System, making it easy for anyone to take amazing digital . Through the Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) -US or visit www..com, which links all levels of to the web’s most comprehensive learning and sharing communities.

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21 Sep 08 NikonNet and ‘Legends Behind the Lens’ Honor Tony Sweet This March

Jazz drummer Tony Sweet talks about his love of and the passion that drives him

MELVILLE, N.Y., March 8 — Talk to Tony Sweet about and before long, the conversation will turn to the subject of jazz. A jazz drummer for 20 years, Tony’s music experience informs everything he does as a . This March, NikonNet will pay tribute to Tony Sweet and his work in its inspiring monthly showcase, “Legends Behind the Lens.”

Tony’s experience in is extensive and ranges from shooting for stock, calendars, greeting cards, posters and catalogue sales to authoring fine-art books such as Fine Art Nature and Fine Art Flower . Tony is well recognized as an educator and conducts numerous outdoor and nature workshops. He’s also a contributor to Shutterbug magazine.

“NikonNet is pleased to honor Tony Sweet this March,” says Anna Marie Bakker, Director of Communications at Inc. “Music and are very similar — tone, color and balance are all part of their universal language. Tony’s have such grace and elegance; it is evident that music is a major inspiration to him.”

Tony’s striking are based on one guiding principle: “Every single thing in the space either helps or hurts the image; there’s nothing neutral.” He believes that turn imagined into — seeing things first in their mind and bringing them to existence by hitting the shutter. “When you’re playing music, when you’re really in the moment, you’re reacting instantly and totally to what’s going on,” he says. “You’re almost pre-hearing where someone is going, and you’re there. You can’t be thinking about technique; the moment you think about it, it’s too late. It’s the same thing in . The only way to achieve what you want in is to master your craft and then just forget about it. You shouldn’t be thinking of how to get what you want; you’re just out there doing it.”

Tony believes the ideal is to without thinking about technique. While many start out doing a lot of thinking and scanning their surroundings for reference points and scenes they are familiar with, Tony feels that a grows and becomes more spontaneous once they empty their minds and react to what exists around them.

While conducting his workshops and seminars, Tony tells his outdoor and nature workshop students that they’ll know they’re getting better by the number of frames they’re hooting — and the number they’re keeping. He feels that the better you are, the fewer frames you shoot.

Tony can chart his own progress by that formula, and by the fact that he’s simplified his and made them ever more elegant and direct. It was a process he didn’t have to think about because it was identical to the music process. He also says that the players he most admires are the most lyrical. “What hit me was how clear and direct they were, how simple, in fact. Not in technique, but in their expression and communication.”

Tony’s gear includes a F6, for and a D2X, for digital. Among his favorite are the 12-24mm f/4G ED-IF AF-S DX, 35-70mm f/2.8D AF and 80-200mm f/2.8D ED AF -Nikkors; the 300mm f/4 ED-IF AF-S Nikkor; the 105mm f/2.8D AF and 200mm f/4D ED-IF AF Micro-Nikkors; and an old favorite, the 85mm f/2.8 PC Micro-Nikkor. A recent addition to his lineup is ’s R1C1 wireless close-up Speedlight system. For more information on Tony Sweet, visit NikonNet’s “Legends Behind the Lens” series at http://www.nikonnet.com/legends.

About “Legends Behind the Lens”

NikonNet’s “Legends Behind the Lens” series aims to educate users and, in turn, breathe excitement into . has assembled a comprehensive and intriguing collection of artists to share their most incredible, challenging, emotional and exciting experiences on NikonNet.

This inspiring monthly program offers a behind-the-scenes look into the personalities and philosophies behind the world’s greatest and most famous . “Legends Behind the Lens” also offers portfolio galleries, as well as tips and tricks of the trade from featured professionals.

Past “Legends” in the series include David Alan Harvey, Nancy Brown, Joe Buissink, Steven Weinberg, B. Moose Peterson, Eddie Adams, Jay Maisel and Howard Bingham.

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21 Sep 08 Nikon Announces Seven New COOLPIX Cameras With Consumer’s Digital Photography Needs in Mind

’s New COOLPIX Put Performance and Style in Your Life

Announces Seven New COOLPIX Cameras With Consumer’s Digital Needs in Mind

’s New COOLPIX Put Performance and Style in Your Life

MELVILLE, N.Y., Feb. 21 — Looking for a premier with your needs in mind? Whether you’re a first time consumer, looking to update your old , a person who enjoys sharing your or an experienced looking for a compact , ’s 2006 COOLPIX line has a camera and feature set that is right for you. Today, announced the addition of seven new COOLPIX cameras adding to its Life, Style and Performance Series. Developed with the consumer in mind, has combined exceptional features with world-renowned quality design and style at attractive prices.

“Consumers requested small, sharp, powerful and easy-to-use that can capture and share moments and ,” says Bill Giordano, General Manager of Consumer Product Marketing for Inc. “From entry-level to advanced technologies our designers and engineers have done an outstanding job of adopting design styles and intuitive technology that directly address what the consumer asks for — a camera that looks great and performs just as
well.”

Unique to COOLPIX , and now for the first time available throughout the line-up, is ’s Exclusive Feature System, which gives users the power to automatically improve recorded in-camera. This combination of in-camera features provides a quick, easy and seamless answer to underexposed due to excessive backlight or insufficient ,
blurry or out-of-focus shots and red eyes. The system includes:

– In-Camera Red-Eye Fix(TM): automatically detects and corrects , a common condition that occurs in . You may never see again.
– Face-Priority AF*: automatically finds and focuses on a persons face within the frame, providing sharp focus to produce clear, crisp portraits wherever the subject is positioned in the frame.
– D-Lighting: selects and creates a copy of with excessive backlight or insufficient illumination, adding light and detail where necessary.
– Blur Warning: alerts the user that a shot has resulted in a blurry allowing for it to be retaken before leaving the scene.
– Best Shot Selector (BSS): automatically identifies and saves the sharpest shot from ten sequential shots.

In addition, every new COOLPIX camera features TV Quality Move Mode** function (recording movies at up to 30 fps with sound), Noise Reduction - to produce better results during low-light conditions; a broad choice of selection and a convenient Help Button, which is never further than a push of a button away, giving easy-to-understand explanations for all
functions throughout the menu.

Made Easy with ’s COOLPIX L-Series

If you are looking for an easy to use, compact that takes great right out of the box, the COOLPIX L Series is a perfect fit. The COOLPIX L2, L3 and L4 feature high-quality components, including a 3x optical -Nikkor lens, a big, bright, 2.0-inch LCD and a streamlined design (less than 1″ thick) which contributes to the camera’s style and operation.

Adding to the cameras’ portability, each camera is AA-size and SD card compatible. With generous effective values of 6.0 for the COOLPIX L2, 5.1 for the and 4.0 for the COOLPIX L4, users have the ability to produce clear, crisp . A choice of 15 Scene Modes - including four with Scene Assist - Best Shot Selector (BSS), Single and Continuous AF, Choice of and Noise reduction help users create with optimal results.

The L2 and L3 will be available in late February 2006 with MSRP’s of, $199.95 for the L3 and $249.95 for the L2. The L4 will be available in March 2006 with an MSRP of $149.95

Brilliance Made Beautiful with ’s COOLPIX S Series

The stylish COOLPIX S5 and S6 combine high-quality imaging performance with impressive digital sharing technology. The sleek, modern wave design of the S Series cameras, along with 6.0 effective and a 3x optical -Nikkor ED Glass lens, make them ideal for the user who wants a camera with added style. Sharing digital is easy with the new Pictmotion(TM) function, which allows users to select their favorite , choose one of five royalty-free, pre-installed music files, or their own choice of music***, and automatically produce slide shows with pace and transition selected to match the music and style. Slide shows can be played back with ease on the S5’s 2.5-inch LCD of the S6’s 3.0-inch LCD, each of which is viewable for a wide 170-degree angle.

The incorporation of a Rotary Multi Selector allows for easy scrolling through the newly designed menu system and breezing through playback at up to 10 frames per second. Also included in the new S Series is a standalone One-Touch Portrait button conveniently located on the top of each camera, giving users instant access to the In-Camera Fix and Face Priority AF options.

To ensure quality in various shooting environments, users have the option of 16 scene modes, 17 for S5 with Underwater mode****, including four modes with Scene Assist.

The COOLPIX S6 features an additional advantage of built-in WiFi capability, allowing for wireless transfer of to a computer and wireless printing***** with any PictBridge enabled printer.

The COOLPIX S5 and S6 will be available nationwide in March 2006. The S5 has an MSRP of $349.95 and the S6 $449.95.

Passion Made Powerful with ’s COOLPIX P-Series

The COOLPIX P3 and P4 combine 8.1 effective with a range of advanced in-camera technologies. Designed for the who enjoys customization and the ability to control their , the P Series cameras feature an innovative Vibration Reduction (VR) capability. Originally developed for SLR , VR capability is available in two modes (Normal and Active) in order to compensate for camera movement. VR Normal compensates for minor movements, most often associated with handheld shooting, while VR Active compensates for more pronounced movements, such as the vibration of a moving vehicle.

The P3 and P4 give users the flexibility of a full array of settings. Covering a broader area of the frame, the new 11 wide-area AF achieves better results in more diverse compositions - leaving free to concentrate on the shot while the camera automatically achieves superior, sharp focus. In addition, there are 16 shooting modes, including nine advanced scene modes that allow to produce better suited to their own personal tastes - through the use of three effects that vary brightness, color intensity, noise reduction and more. To help capture the action as it happens, both cameras feature continuous shooting at up to 1.8 frames per second, which is
complimented by a five shot buffer that allows users to shoot in a continuous burst, with the camera recording the last five taken.

The COOLPIX P3 comes with built in Wi-Fi capability that allows for wireless transfer of to a computer and wireless printing***** with any PictBridge enabled printer.

The COOLPIX P3 and P4 will be available in March 2006 with a MSRP of $449.95 and $399.95, respectively.

* Face-recognition capability may be limited in some shooting
conditions.
** COOLPIX L4 does not record sound in the Movie Mode.
*** Via PictureProject for Windows only.
**** Requires new FJ-CP-1 - Field Jacket - Price TBD
***** Requires optionally available Wireless Printer Adapter PD-10.

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21 Sep 08 COOLPIX P3 and P4 Offer Powerful Performance

Incorporates SLR-Inspired Technology Into a Compact

MELVILLE, NY (February 21, 2006) - today announced the COOLPIX P3 and P4, an expansion to its more advanced and feature-rich P, or Performance, Series of . Designed for the who enjoys a high level of control, advanced imaging technologies and the ability to take creative control of their , these two exciting new cameras combine 8.1 effective with a wide range of advanced in-camera technologies, taking to the next level.

“The COOLPIX P3 and P4 are the perfect camera for consumers who are looking for a customizable experience,” says Bill Giordano, General Manager of Consumer Product Marketing for , Inc. “These cameras take many technologies first available in ’s SLR line and makes them readily and easily available to consumers looking for a capable, compact at a very attractive price.”

has added its Vibration Reduction (VR) system, a feature adapted directly from ’s world-renowned SLR , to the P Series cameras allowing them to capture rock-steady at of up to three stops slower that could normally be hand held. VR capability is available at the push of a button in two modes (Normal and Active) in order to compensate for camera movement. VR Normal compensates for minor movements, most often associated with handheld shooting, while VR Active compensates for more pronounced movements, such as the vibration of a moving vehicle. An electronic adaptation of Vibration Reduction also applies to movie shooting, allowing for sharp video in low light conditions and keeping subjects clear during panning while helping to support faster framing on the cameras’ incredible, bright 2.5-inch LCD.

COOLPIX P Series users will enjoy the flexibility of a full array of settings similar to ’s SLR models. Covering a broader area of the frame, the new 11 wide-area AF achieves better results in more diverse compositions - leaving free to concentrate on the shot while the camera automatically achieves superior, sharp focus almost anywhere in the frame. In addition, there are 17 shooting modes, including nine advanced scene modes that allow to produce better suited to their own personal tastes - through the use of three effects that vary brightness, color intensity, , noise reduction and more.

To add even greater control, both cameras offer Aperture-priority Auto mode to let benefit from aperture control in 1/3EV steps. Users can select large apertures for attractive background blurring or stop down to small apertures to extend crisp focus into the distance - all while the camera automatically selects the most appropriate for optimized exposure.

To help capture the action as it happens, both cameras feature continuous shooting at up to 1.8 frames per second, which is complimented by a five shot buffer that allows users to shoot in a continuous burst, with the camera recording the last five taken. This speed allows the P Series cameras to be a great companion for SLR shooters looking for a smaller but powerful camera to take anywhere.

An addition to the successful COOLPIX P1 and P2 cameras, the new P3 also comes equipped with the ability to transfer wirelessly through the camera’s built in Wi-Fi feature*. ’s wireless solution is fun and convenient and allows consumers to send their wirelessly to a computer. In addition, can be sent wirelessly to any PictBridge-enabled printer**. The Wi-Fi feature to transfer to a computer is built into the camera and requires no additional accessories.

Unique to COOLPIX , and now for the first time available throughout the line-up, is ’s Exclusive Feature System, which gives users the power to automatically improve recorded in-camera. This combination of in-camera features provides a quick, easy and seamless answer to underexposed due to excessive backlight or insufficient , blurry or out-of-focus shots and red eyes. The system includes:

- In-Camera Red-Eye Fix™: automatically detects and corrects , a common condition that occurs in . You may never see again.
- Face-Priority AF***: automatically finds and focuses on a persons face within the frame, providing sharp focus to produce clear, crisp portraits wherever the subject is positioned in the frame.
- D-Lighting: selects and creates a copy of with excessive backlight or insufficient illumination, adding light and detail where necessary
- Blur Warning: alerts the user that a shot has resulted in a blurry allowing for it to be retaken before leaving the scene.
- Best Shot Selector (BSS): automatically identifies and saves the sharpest shot from ten sequential shots.

Additionally, the P Series cameras include handy features such as, TV Quality Movie Mode
function (recording movies at up to 30 fps with sound limited only by the available , Single and Continuous AF, Choice of and Noise Reduction to ensure better color reproduction in darker lighting conditions.

The COOLPIX P3 and P4 will be available in March 2006 with a MSRP of $449.95 and $399.95, respectively. The Wireless Print Adaptor (PD-10) is currently available and has an MSRP of $49.95. For more information about these models and other COOLPIX cameras, please visit www..com.

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21 Sep 08 Nikon Introduces All-New Capture NX Software

Powerful and Intuitive New Software Simplifies Workflow While Reducing the Time and Effort Required to Edit and Process

MELVILLE, NY (February 21, 2006) - (www..com) today introduced Capture NX, an all-new image processing and editing software that gives digital powerful tools complimented by simple and visual operation that streamlines their workflow. Capture NX, the next generation of ’s popular Capture software, inherits the robust RAW (NEF) processing from Capture 4.4, and combines these with brand new features such as Nik Software, Inc.’s revolutionary, patented U Point™ technology, seamless image-browsing and advanced batch-processing , superior color management control and comprehensive system compatibility with ’s Digital Imaging System. Capture NX’s intuitive interface design offers a rewarding experience and delivers powerful performance while maintaining an ease-of-use that is welcomed by enthusiasts of all skill levels.

In addition to providing cutting-edge features and for ’s Electronic Format (NEF) files, Capture NX also makes editing and processing of JPEG and TIFF files created by virtually any simple and easy*. With its wide-ranging features, user-friendly interface and powerful performance, Capture NX makes visually intuitive, allowing you to immediately see the effects as they are applied as well as providing access to a wide range of enhancement tools.

“With the introduction of Capture NX, offers an exciting new way to edit and process that is both powerful and visually intuitive while speeding up their workflow,” said Michael Rubin, senior manager for Software Products at Inc. “Capture NX continues the NEF file link between our models while adding revolutionary U Point editing technology that benefits all owners. We’re confident will find great use for this amazing new technology,” he added.

Exclusive New U Point Technology

Capture NX’s exclusive U Point technology is revolutionary in its approach to enable edits to portions of an image, or an entire image, without requiring the to manually outline or mask the editable area. U Point technology achieves this by using “Control Points” - simple, interactive points that can be placed anywhere in an image and can be instructed to affect very specific characteristics of the image. For example, if a wanted to enhance the tone of a certain color that appears in an image, without adversely affecting the neighboring portions of the image, he or she can do so by simply placing a control point on the color and defining the enhancement, which can be reflected locally or globally. Enhancements can be instantly adjusted, canceled or added with ease, without compromising the original quality of the image. Control Points powered by U Point technology are perfectly compatible with the NEF file’s Instruction Set structure. Control Points include Color Control Points, Black, White, and Neutral Control Points and Red-Eye Reduction Control Points.

Capture NX software is further complemented by a suite of features and tools that include the following:
- Sophisticated Edit List: A master control list of Capture NX features and enhancements. Anything that affects an image will have an Edit List entry. Entries can be removed, altered, or duplicated from this list without any destructive effects on the integrity of an image.
- Expanded Power of the NEF file format: Capture NX further extends the NEF file format by incorporating U Point technology, giving users the ability to save and undo the effects of Control Points on an NEF image at any time. JPEG and TIFF saved in the NEF file format can also take advantage of this feature.
- Powerful Image Browser: Capture NX’s Browser is capable of labeling, sorting and editing, all while browsing . Users can apply most of Capture NX’s features and editing directly onto via thumbnails within the Browser, saving a great deal of time while allowing users to bypass opening each file in the Capture NX’s editor.
- Improved batch processing: Capture NX supports various batch processing methods, and is especially useful in applying a predefined series of adjustments to several at once.
- Selective tools: Capture NX includes selective tools for enhancements including Selective Application Brush, Lasso and Marquee, Gradient and Fill/Remove.
- Color Management control: Capture NX features a reinforced color management system with on-screen Soft Proofing for advanced control of how colors from an image correspond to colors that a printer can produce. Options for this feature include Perceptual, , Relative Colorimetric and Absolute Colorimetric.
- Exclusive Capture Features: Capture NX inherits powerful functions from Capture 4.4 software, including Color Aberration Control, D-Lighting, Image Dust-Off, Vignette Control and Fisheye-to-Rectilinear Image Transformation. A new Distortion Control has been added to help control pincushion and barrel distortion effects.

’s new Capture NX software represents the nexus of ’s integrated digital imaging components, such as cameras, , software, Speedlights, and accessories, and allows to yield the highest performance from their equipment.

Capture NX new software is scheduled for delivery during Spring 2006. Pricing, availability and upgrade information will be released prior to delivery. will preview the new Capture NX software from February 26-March 1, 2006 at the PMA trade show in Orlando, Florida, Booth #2603 and at additional shows throughout the year.

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21 Sep 08 Nikon Unveils First Ever Macro Lens With Vibration Reduction

New Nikkor Lens Offers Quiet Autofocusing and Enhanced VR for Close-Up with digital and

MELVILLE, NY, FEBRUARY 21, 2006 - Professional and enthusiasts seeking the latest opportunity to enhance their extreme close-up and general possibilities can rely on ’s new 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor. Inc. (www..com) today introduced the world’s first macro lens equipped with Vibration Reduction (VR) and Silent Wave Motor (SWM) systems. Engineered for use with digital and , this lens offers a host of ’s advanced optical features and technologies including Nano Crystal Coat, Extra Low Dispersion (ED) glass and Internal Focusing (IF) design.

“We are excited to offer the 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor as the newest addition to ’s range of high performance Nikkor that deliver unmatched and advanced . Extreme close-up is one of the most demanding and popular forms of , and this significantly extends the range of conditions under which professionals and enthusiasts can achieve outstanding results,” said Edward Fasano, general manager for Marketing, Products, at Inc. “With enhanced VR II technology built into the lens, can shoot hand-held at up to four stops slower than would otherwise be possible, and still get razor sharp .”

Combined with the Silent Wave Motor technology and Internal Focusing system, the 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor provides handling characteristics that better enable superior close-up under a broad range low-light conditions. And like other high-performance Micro-Nikkor , the new 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor is perfectly suited for general as well.

The 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor features ’s enhanced Vibration Reduction System (VR II) which substantially improves high-quality hand held close-up shooting. The VR II function minimizes the negative effects of camera shake by offering users the ability to take at as many as 4 stops slower* than would otherwise be possible, without the image degrading blur associated with slow . ’s VR technology further enhances taking potential with a choice of two modes to match most shooting conditions. VR Normal Mode primarily compensates for camera shake, and includes automatic panning detection, as well as automatic tripod detection. VR Active Mode effectively compensates for vibration in situations where it is more pronounced and more frequent, such as when shooting from a moving vehicle.

The addition of SWM delivers faster and quieter auto-focusing, along with quick switching between autofocus and manual operation. Near-silent focusing can also be attributed to the Internal Focus (IF) design which also provides a constant lens length and eliminates front lens rotation, making it an ideal lens for use with the new Wireless Close-Up Speedlight System. Together, the SMW, VR II and IF components provide the sharp at close range (macro shooting focus of 31cm) without disturbing the subject during focus.

The 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor optical formula is highlighted with ’s Nano Crystal Coat and Extra Low Dispersion (ED) glass. These highly advanced optical technologies provide higher-quality and high-contrast by reducing chromatic aberrations and virtually eliminating reflections caused by multiple internal lens elements.
The AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED lens will be available beginning in March 2006 for an estimated selling price of approximately $799.00**. For more information about and the Nikkor brand of , please visit www..com.

105mm f/2.8G ED-IF AF-S VR Micro-Nikkor: Major Features

- The world’s first macro lens equipped with SWM and VR systems
- VR II Vibration Reduction technology allows to shoot hand-held at as many as 4 slower* (at near infinity to 1/3x shooting and approx. 1 step at near 1:1) than would otherwise be possible, assuring dramatically sharper hand-held .
- Incorporates Silent Wave Motor (SWM) for fast and quiet autofocusing, and quick switching between autofocus and manual operation.
- Engineered for use with digital and .
- Offers a 105mm ( angle equivalent to 157.5mm with DX format).
- Design incorporates 14 elements in 12 groups (with 1 ED glass and 1 Nano Crystal Coat-deposited lens elements).
- ED glass and Nano Crystal Coat combine to minimize chromatic aberration, providing higher and high-contrast .
- Employs a nine-blade rounded diaphragm opening ensuring that out-of-focus elements appear more natural.
- Offers a Maximum reproduction ratio of 1:1.
- Enables focusing from as close as 31cm (12.2 in.) from the subject through its entire focal range.
- M/A mode for rapid switching between autofocus and manual focus operation.
- Internal Focusing (IF) design simplifies the use of circular polarizing filters.
- HB-38 Bayonet Lens Hood (included) greatly reduces stray light, enhancing .
- Supplied with CL-1020 Flexible Lens Pouch

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21 Sep 08 NikonNet and ‘Legends Behind the Lens’ Pay Tribute to Joel Sartore This January

MELVILLE, N.Y., Jan. 4 — In order to make a change, one must shed light on the issue at hand. This is the method used by Joel Sartore in his environmental . His work has been an influential force in creating awareness about the environment and the importance of protecting our natural surroundings. In celebration of his unique approach and remarkable dedication, NikonNet will honor Joel Sartore for the month of January in its inspiring monthly showcase, “Legends Behind the Lens.”

For over 15 years, Sartore has photographed wildlife and the environment for National Geographic and other publications. Convincing people that there is a tangible, measurable and practical benefit to preserving the land and its inhabitants is, Sartore believes, the key to saving the wild places and the species that live there. Sartore realizes that a hopeful message is vital.

“You can’t get anyone to want to change the earth for the better if you’re negative,” he explains. Sartore remembers hearing a powerful piece of advice from the former mayor of New York City, Rudy Giuliani: “One of the things he said was that no one will do anything, take any action, if all you’re telling them is that things are bad and there’s no hope. If you’re trying to lead, you have to find a positive message. That opened my eyes. People want to have reasons for hope. Hope is what motivates them.” Sartore believes that change will come, but it is going to take time. “A camera is a great way to give a voice to the voiceless,” Sartore remarks. “It’s a way of showing people what’s at stake.”

Sartore did not set out to be an environmental or, for that matter, work for National Geographic, for whom he is a contributing . His degree from the University of Nebraska is in journalism, and he was a newspaper for several years, handling general assignment work. It was the result of meeting National Geographic James Stanfield that led Joel to send his portfolio to the magazine. At first his work with National Geographic was along the lines of Americana profiles. He worked his way into nature stories when he saw “the environmental destruction that was going on.” In addition to National Geographic, Sartore has been published in Time, Life, Newsweek and Sports Illustrated.

“Joel Sartore has a clear passion for his work,” notes Anna Marie Bakker, Director of Communications at Inc. “He has provided his audience with a unique view of the environment through and is pleased to honor him for the month of January.”

The introduction of the D2X marked Sartore’s move to digital. His preferred are the 12-24mm f/4G ED-IF AF-S DX, 28-70mm f/2.8 ED-IF AF-S and 70-200mm f/2.8G ED-IF AF-S VR -Nikkors, and the 400mm f/2.8D ED-IF AF-S II Nikkor. To learn more about Joel Sartore, visit NikonNet’s “Legends Behind the Lens” series at http://www.nikonnet.com/legends.

About “Legends Behind the Lens”

NikonNet’s “Legends Behind the Lens” series aims to educate users and, in turn, breathe excitement into . has assembled a comprehensive and intriguing collection of artists to share their most incredible, challenging, emotional and exciting experiences on NikonNet.

This inspiring monthly program offers a behind-the-scenes look into the personalities and philosophies behind the world’s greatest and most famous . “Legends Behind the Lens” also offers portfolio galleries, as well as tips and tricks of the trade from featured professionals. Past “Legends” in the series include Kevin Gilbert, Nancy Brown, Joe Buissink, Steven Weinberg, B. Moose Peterson, Eddie Adams, Jay Maisel and Howard Bingham.

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