msgbartop
Productive Shopping For Digital Cameras
msgbarbottom

20 Sep 08 Digital Cameras in Todays Society

Author: Nigel

have become mainstream cameras because they are extremely easy to use and offer a host of wonderful features. connect to PC via USB so you can transfer your easily for archiving, editing, and printing. make it easy to share both online and in print. with in the four to five range are capable of producing professional-quality .

Cameras

The major advantage of is the ability to take multiple at no extra cost and then printing only the best ones. Cameras meant for automatic point-and-shoot , with a 3x lens, will serve casual shooters as well as dedicated hobbyists much of the time. with less than one are inexpensive, but they usually lack key features. Cameras with higher resolutionsof 7, 8, 10 or even more give you the latitude to create largerprints, or to crop and manipulate with -editing software without degrading them. All have a built-in computer, and all of them record electronically. Since still provides better quality, digitalcameras have not completely replaced . All the fun and interesting features of come as a direct result of striving to improve customer needs for high quality, low cost .

are made up of tiny cells (also called pixels). taken at higher will look much clearer and sharper when printed, and large prints will look better. You can even select only the best and copy them from your computer back onto the camera’s device so you can give an edited slide show of just the best . Once are in digital form, you can start to take pieces from various and paste them into other . Digital now makes it possible to put all of your on the Web and bore the entire world instead of just your friends and family. One nice thing about is that you can show your on a TV set.

Most support some type of removable card for storing your . You should buy as large a card as your camera can accept, as the cards that are included with the cameras are usually not nearly big enough to hold a good number of high quality . Two popular card types are and SmartMedia cards. Both types of are similar in price and performance but cards are more widely used. How many will fit in the . The exact number depends on the size of the card (or other type of used), the camera’s , the compression quality setting, the exact type of camera, and even the type of taken. If you can’t fit enough in the , you should buy a higher capacity card instead.

are distinguished by their —how many pixels, or elements, the contains. give you extraordinary control over . are perfect for learner as the can be displayed immediately. generally need a computer to manipulate and print , but the technology is evolving rapidly, and that work without a computer are now mass-market items. have high power requirements, and over time have become increasingly smaller in size, which has resulted in an ongoing need to develop a small enough to fit in the camera and yet able to power it for a reasonable length of time. emerging popularity is attributed to the vastly improved experience they afford, through instant viewing, deletion, annotation, and control over reprint size and quantity.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

20 Sep 08 Digital Camera: the Future of Cameras

Author: Nicholas Tan

Basically a is a deice use to capture without the use of films. Unlike the , the does not rely on mechanical and chemical processes. It has a built in computer and records the it captures in an electronic form. Having and operating one does not even require the use of electricity.

Since the that a captures is in electronic form, it is a language recognized by computers. This language is called pixels, tiny colored dots represented by ones and zeros that make up the that you just took. Just like any , a is furnished with a series of that focus the light and creates the image that you want to capture. The difference here is then; a focuses its light on a while a focuses the light into a semiconductor device that electronically records the light. Remember the built in computer, it comes in here and breaks this information to digital data resulting to all the features of the .

Another feature of the is that it has a sensor that converts light into electrical charges. A or is an that is found in a . While other low-end use complementary metal oxide semiconductor or as an , it can still become better and more famous in the future but most engineers are do not believe that it can replace the for higher-end .

A collection of tiny diodes, the gathers electrons when they are struck by photons or the light particles. Each diode or photosite is sensitive to light, meaning that the brighter the light, the number of the electrons gathering will be larger

The price of a nowadays have been depreciating, one of the main reasons of this is because of the introduction of , this is because sensors are less expensive and are easier to manufacture than sensors. A and sensor works the same way at first, by converting the light electrical charges into photosites. Simply putting it, is to think that a works in such a way as thinking that the millions of tiny solar cells, each of which forms a part of the whole image. Both and do this task using different methods.

When shopping for the best , take note of these key features.

. Check the of the camera. The higher the , the more thou will be able to enlarge your without the grainy or the out-of-focus effect that we all want to avoid.

Lens. Choose a with better digital . The digital of the camera will enable you take the pixels from the and incorporate them to make an image.
Power. Always opt for rechargeable , they can always come in handy, plus you don’t waste as much money on the disposable ones.

Options. So you can brag to your friends how good a or artist you are. Or choose the one that gives options that best cater to your lifestyle, so you won’t ever whine how you never get the right .

. If you’re a freak, be sure that you have enough in your camera to take all the wacky, freaky, funny and just about any you can. Think 512MB if you’re a junkie and takes of just about anything.

Computer Interface. Always make sure that it is compatible with your PC, laptop, palmtop or whatever your local printer software is, you don’t want to go running around the whole state or the country looking for a computer that’s compatible with your , wont you?!

Physical. If you are going to be bringing it everywhere, choose a handy and portable . This way, it won’t always feel as heavy and bulky as those cameras that you see professional are always dragging on their neck. Don’t they ever get tired of that?!

These are just the basic things you have to look for in a when you buy one. A is so great that it is quickly replacing all in the market, with all its technology and portability, truly the is the future of cameras.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

19 Sep 08 Canon Digital Camera: the Better Way to Move in Past

Author: Jayson Pablo

There was an era when the past good times that we had lived happily were the matters of our only. With every new joy, those good times of past were being vanished from our and re-living them became so hard for all of us. Then the age of Art arrived and we all learnt to stock our memoirs in the form of paintings and sculptures. However, the boundaries of these methods were limited and hectic. The human culture was demanding more, then, in 1660’s the English Scientist Robert Boyle with his assistant Robert Hooke developed the first portable camera. This device was capable of capturing the events, thus, the humankind found their way to re-live their life. From the day of its inception, the camera has seen various changes in its style, performance, and looks.
From camera obscure to the modern , the is itself a legend. The concept of logarithmic camera was first reached its destination in the year 1972 and we got our first bona fide in the year 1990 with the name-tag of Logitech Fotoman. This camera made the use of ; it had the capability of storing the digitally and making them available to download them in PC. From the year 1991, various companies such as , , and others started manufacturing the High-end on very large scale. Their attractive products ranged from Simply Digital to the SLRs. When we aim these cameras at the object and fiddle with the , the camera robotically focuses on the object and digitally takes a reading of the obtainable light and then with the help of the processor, and ADC it interpolates the pixels to create crystal clear .
Nowadays, having a is a non-stop passion for every one. There are many companies in the market, who manufactures these digital photographic engines, but some of them are prodigious. is also among those prodigy masters. This giant offers very huge range of products from different categories. They also offer a superior range of digital still and . are one of the most significant products that are currently available in the market. These cameras employ high-quality features and tools to make them more efficient in the terms of quality and performance. These numerical photographic machines hold high-quality mechanism and the superb understanding of all colours so that they can easily tender the eye-pleasant lively . Fathered in the year 1937, the is now one of the biggest companies that offer qualitative technology for the cameras and . This company has redefined the way the world look at its past.
has mind-blowing categories of in its shelf. These categories hold the range of all way simple cameras to the superbly effective professional ones. These categories are- Digital and Cameras. The Digital Category is consisting of two superb series named as IXUS and the . Both of these series offers the cameras of astounding styles and great performances. The IXUS includes the cameras that are known as the ultimate Style Icons and combines unending grace with the avant-garde technology. In addition, the series covers the range of point-and-shoot cameras. These masterpieces are amazing in looks and they capture brilliant to cater the photographic feel of all levels. Digital IXUS860, Digital IXUS950, Digital IXUS960, G9, S5, and SX100 are some of the highlights of the IXUS and Series.
Whereas, the EOS Series of Cameras are the most widespread approach . These provide sparkling and snappish with every shot. These cameras are admired and appraised by the worldwide. Ranging from 10.1 to the latest 21 of superior , the EOS Cameras are making the world our playground, where we can reach to the new dimension creativity. If the life is all about finding new things then the are the ever-best things to find and explore.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

19 Sep 08 Slr Digital Camera: Advantages and Disadvantages

Author:

A tough decision war happens to all who want to buy a , whether to buy a compact or an SLR . SLR is Digital Single- camera, which is a standard tool for professional . It provides the advantage of large, bright and accurate optical finder with large controls and fast operations.

Among the , the is the best for you provided if you are a family oriented person having a serious appetite for . For capturing during family vacations, birthdays and holidays, the will be the best companion. Though the point shoot cameras have increased to higher , the choice of serious hobbyists and is SLR. The clear reason for the choice is that SLR has the capacity for producing artistic .

The main advantage and biggest difference that exit in the SLR is that there are more manual operations than the point-and-shoot cameras have. To get a , your camera should be always in ready mode. offer instant start up and also minimum shutter lag. The point-and -shoot cameras have shutter lag of 2 or 3 seconds, which means you can miss a shot. The ’s shutter lag is less than a second and so you can get all the shots without miss. Another advantage is that the can accept interchangeable . This helps you in getting best shots of sports and nature where you cannot go close for taking . You can the lens of SLR and take close-ups. The other advantages are long life, high-speed continuous shooting, great and the ability to save RAW .

The disadvantage is its larger size and you cannot fit it in your bag or purse. Not only larger in size, but also heavier and not suitable for vacations. It’s also very expensive when compared with compact and subcompact . The SLR prices can range between $1,000 and $10,000. The best portrayal of SLR is its speed, clarity and optical system. It can be easily mistaken for a point-shoot camera but it is entirely different in the way it is used and the delivered quality. In real meaning, this camera enables you to look at the precisely without any alteration of digital features within the camera.

The is built in such a manner that it enables to deliver high quality . In a compact , the image that you see in the eyepiece or through is generated digitally; but in SLR the image is sent by the lens and mirrors to that reflects the from one mirror to another. The is versatile and that is why the image seen in an SLR is exact without any alteration. The interchangeable allow you to utilize custom lens for a meticulous shot like Portrait, Landscape and Macro or Micro shots. Some are even available for taking motion shots.

The in SLR provide good quality and quick shoot and click capability with no time lag. Detachable give more attraction for in choosing SLR as their choice. If you are not comfortable with manual operations have automatic settings and this provides transitional steps in learning to use an SLR.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

19 Sep 08 Consumer Reports - Digital Cameras

, which employ reusable cards instead of , give you far more creative control than cameras can. With a , you can transfer shots to your computer, then crop, adjust color and contrast, and add textures and other special effects. Final results can be made into cards or T-shirts, or sent via e-mail, all using the software that usually comes with the camera. You can make prints on a , or by dropping off the card at one of a growing number of photofinishers. You can upload the file to a -sharing Web site for , viewing, and sharing with others.

Like camcorders, have LCD viewers. Some camcorders can be used to take still , but a ’s is no match for a good ’s.

WHAT’S AVAILABLE

The leading brands are , , HP, , , and ; other brands come from consumer-electronics, computer, and and companies.

are categorized by how many pixels, or elements, the contains. One equals 1 million elements. A 3- camera can make excellent 8×10s and pleasing 11×14s. There are also 4- to 8- models, including point-and-shoot ones; these are well suited for making larger prints or for maintaining if you want to use only a portion of the original image. Professional use as many as 14 .

Price range: $200 to $400 for 3 ; $250 to $400 for 4 and 5 ; $300 to $1,000 for 6 to 8 .

IMPORTANT FEATURES

Most are highly automated, with features such as automatic (which manages the , aperture, or both according to ) and autofocus.

Instead of , typically record their shots onto - cards. and (SD) are the most widely used. Once quite expensive, such cards have tumbled in price–a 128-megabyte card can now cost less than $50. Other types of cards used by cameras include Stick, Smart Media and xD- card. A few cameras, mainly some models, use 3 1/4-inch CD-R or CD-RW discs.

To save , you transfer them to a computer, typically by connecting the camera to the computer’s USB or FireWire port or inserting the card into a special reader. Some can take cards and make prints without putting the on a computer first. Image-handling software, such as Adobe Photoshop Elements, Jasc Paint Shop, Microsoft It, and ACDSee, lets you size, touch up, and crop digital using your computer. Most work with both Windows and Macintosh machines.

The file format commonly used for is JPEG, which is a compressed format. Some cameras can save in uncompressed TIFF format, but this setting yields enormous files. Other high-end cameras have a RAW file format, which yields the image data with no processing from the camera.

typically have both an optical and a small color . LCD viewers are very accurate in framing the actual image you get–better than most of the optical viewfinders–but they use more power and may be hard to see in bright sunlight. You can also view shots you’ve already taken on the . Many provide a video output, so you can view your on a TV set.

Certain cameras let you record an audio clip with a . But these clips use additional space. Some allow you to record limited video, but the frame rate is slow and the poor.

A lens provides flexibility in framing shots and closes the distance between you and your subject–ideal if you want to quickly switch to a close shot. The typical 3x on mainstream cameras goes from a moderately wide-angle view () to moderate telephoto (105mm). You can find cameras with extended ranges between 8x and 12x, giving added versatility for outdoor . Other new cameras go down to 24 or 28 mm at the wide-angle end, making it easier to take in an entire scene in close quarters, such as a crowded party.

Optical zooms are superior to digital zooms, which magnify the center of the frame without actually increasing detail, resulting in a somewhat coarser view.

Sensors in are typically about as light-sensitive as ISO 100 , though some let you increase that setting. (At ISO 100, you’ll likely need to use a indoors and in low outdoor light.) A camera’s range tells you how far from the camera the will provide proper exposure: If the subject is out of range, you’ll know to close the distance. But can tolerate some underexposure before the image suffers noticeably.

Red-eye reduction shines a light toward your subject just before the main . (A camera whose unit is farther from the lens reduces the risk of . Computer editing of the image may also correct .) With automatic mode, the camera fires the whenever the light entering the camera registers as insufficient. A few new cameras have built-in red-eye correction capability.

Some cameras that have powerful telephoto now come with image stabilizers. These compensate for camera shake, letting you use a slower than you otherwise could for following movement. But an won’t compensate for the motion of subjects.

Most new 6- to 8- cameras come with full manual controls, including independent controls for shutter and aperture. That gives serious shutterbugs control over depth of field, shooting action, or shooting scene with tricky lighting.

HOW TO CHOOSE

The first step is to determine how you will use the camera most of the time. Consider these two questions:

How much flexibility to enlarge do you need? If you mainly want to make 4×6 , a camera with a 3- or 4- will be fine. Such a camera will also make an 8×10 print of an entire image without alteration that looks as sharp as one from a 6- or 8- model. But to enlarge the image more or enlarge only part of it, you’ll want a 6- to 8- camera.

How much control do you want over exposure and composition? Cameras meant for automatic point-and-shoot , with a 3x- lens, will serve snap shooters as well as dedicate hobbyists much of the time. The full-featured cameras in the 6- to 8- range offer that more-dedicated will want to have. Two of the more important are a range of 5x to 10x or more, which lets you bring distant outdoor subjects close and also lets you shoot candid portraits without getting right in your subject’s face, and a full complement of manual controls that you determine the and lens opening. ‘

Once you’ve established the performance priorities that you need from a camera, you can narrow your choices further by considering these convenience factors:

Size and weight. The smallest, lightest models aren’t necessarily inexpensive 3- cameras. And the biggest and heaviest aren’t necessarily found at the high end. If possible, try cameras at the store before you buy. That way, you’ll know which one fits you hand best and which can be securely gripped. In our tests, we have found that some of the smallest don’t leave much room even for small fingers.

type and life. All can run on rechargeable of one of two types: an expensive pack or a set of AA . In our tests of the cameras, neither type had a clear performance advantage. The best-performing cameras offer upward of 300 shots on a charge, while the worst manage only about 50. We think it’s more convenient to own a camera that accepts AA . You can buy economical, rechargeable cells (plus a charger) and drop in a set of disposable lithium or alkaline if the rechargeable run down in the middle of the day’s shooting.

Camera speed. With point-and-shoot cameras like the ones we tested, you must wait after each shot as the camera processes the image. Most models let you shoot an image every few seconds, but a few make you wait 5 seconds or more. They may frustrate you when you’re taking in sequence.

Your other cameras. If you’re adding a camera to your lineup or trading up to a more versatile model, look first for one that’s compatible with the other cameras. If it is, you can share cards and . Designs within a camera brand line are often similar. So staying wit the brand you have lowers the learning curve on the for family members who switch between cameras.

Copyright © 2002-2006 Consumers Union of U.S., Inc.

For the latest information on this and many other products and services, visit www.ConsumerReports.org.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

19 Sep 08 Digital Camera Basics-resolution, Exposure, Focus, and Storage

Author: Brian Lee

The amount of detail that a camera can capture is called the , and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger can be without becoming blurry or “grainy.” High-end can capture over 12 million pixels. Some support over 16 million pixels (), or 20 million pixels for large-format cameras. For comparison, it has been estimated that the quality of is about 20 million pixels.

Exposure and Focus

Just as with , a has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and , are also present on .

Aperture: The size of the opening in the camera. The aperture is automatic in most , but some allow manual adjustment to give professionals and hobbyists more control over the final image.

: The amount of time that light can pass through the aperture. Unlike , the in a can be reset electronically, so have a digital shutter rather than a .

These two aspects work together to capture the amount of light needed to make a good image. In , they set the exposure of the sensor.

In addition to controlling the amount of light, the camera has to adjust the to control how the light is focused on the sensor. In general, the on are very similar to — some can even use conventional . Most use automatic focusing techniques.

The , however, is one important difference between the lens of a and the lens of a camera. The is the distance between the lens and the surface of the sensor. Sensors from different manufacturers vary widely in size, but in general they’re smaller than a piece of . In order to project the image onto a smaller sensor, the is shortened by the same proportion.

also determines the magnification, or , when you look through the camera. In cameras, a 50mm lens gives a natural view of the subject. Increasing the increases the magnification, and objects appear to get closer. The reverse happens when decreasing the . A lens is any lens that has an adjustable , and can have optical or digital — some have both. Some cameras also have macro focusing capability, meaning that the camera can take from very close to the subject.

have one of four types of :

1) Fixed-focus, fixed- - These are the kinds of on disposable and inexpensive cameras — inexpensive and great for , but fairly limited.

2) Optical- with automatic focus - Similar to the lens on a video camcorder, these have “wide” and “telephoto” options and automatic focus. The camera may or may not support manual focus. These actually change the of the lens rather than just magnifying the information that hits the sensor.

3) Digital- - With digital , the camera takes pixels from the center of the and interpolates (alters) them to make a full-sized image. Depending on the of the image and the sensor, this approach may create a grainy or fuzzy image. You can manually do the same thing with image processing software — simply snap a , cut out the center and magnify it.

4) Replaceable lens systems - These are similar to the replaceable on a camera. Some can use camera .

of

Most have an so you can view your right away. This is one of the great advantages of a — you get immediate feedback on what you capture. Of course, viewing the image on your camera would lose its charm if that’s all you could do. You want to be able to load the into your computer or send it directly to a printer. There are several ways to do this.

Although most of today’s cameras are capable of connecting through serial, parallel, SCSI, USB, or FireWire connections, they usually also use some sort of removable device. use a number of systems. These are like reusable, digital , and they use a caddy or card reader to transfer the data to a computer. Many involve fixed or removable . manufacturers often develop their own proprietary devices, including SmartMedia cards, cards and Sticks. Other removable device include floppy disks, hard disks (external, or microdrives), and writeable CD’s and DVD’s.

Regardless of what type of they use, all need lots of room for . They usually store in one of two formats — TIFF, which is uncompressed, and JPEG, which is compressed. Most cameras use the JPEG file format for storing , and they sometimes offer quality settings (such as medium or high).

To make the most of their space, almost all use some sort of additional data compression to make the files smaller. One compression routine takes advantage of patterns that repeat. The image can be reconstructed exactly as it was recorded, reducing the file size no more than 50%, often much less. Another compression routine called irrelevancy eliminates some of the more meaningless data, taking advantage of the fact that record more information than the human eye can easily detect.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

18 Sep 08 How to Know Your Digital Camera Type

Author: Roberto Sedycias

is one of the most popular hobbies of many people around the world. Almost every individual with a camera creates his own world of , least bothering the types of camera he is using. Most of the users have little or no idea on the configuration of the gadgets they have. Some people purchase without caring to figure out what type of will best serve their purpose.

However, professional know their needs pretty well in this regard. But it is wise for anyone to know the type of before investing in one of them. has many advanced features that the lack. But if you go through the minute details of each type of you will find them differing from each other in their features and functionality.

Compact :

Generally, a regular sized is smaller in size. But if you are opting for a compact you will find them as portable as to keep them in your pocket or small purse. They are also available with with sensor , , wireless and image quality. The LCD monitor shows the view of the to be taken and hence, helps capturing perfect .

The tends to catch dirt and debris. But the system removes dirt from it. The mode of the sharpens the image by eliminating camera shake. The portable and lightweight with multiple features varies in its price depending on its features.

Point and Shoot :

of this category do not need a lot of creativity on the part of the user and therefore, are good for any user. It is easy to use and have many controls that don`t need much of your involvement while taking the snaps. The powerful camera has compositional technology which can be wonderfully used not only for but also for video taping, paining and some of the other visual media.

Though the camera has its limitations like lack of flexibility, you still can capture your with great if you are smart to use the compositional technology. It is the best for the beginners. As any other they are also small light weight and the can be viewed on the screen before taking it.

camera:

A camera is a with single system. It has got a small mirror between the lens and camera films. The technology of this high-end camera creates more image control and focusing for the . Also, this type of is developed with . The number of pixels present is responsible for the clarity of .

Advanced :

The advanced have got some advantages over the basic . This type of is available with fully automatic, manual or semi-automatic control. The astounding captures amazing with ease of handling. The extremely simple interface allows the user easily understand its functionality. The advanced , and optical makes the advanced feasible for professional and personal use.

Before taking your you can go through some reviews that give clear of every type of camera, its feature and functionality. Ask some of the owners about the pros and cons of the models they own. Try out many models of before you settle down for the right for your purpose. Happy Buying!!!

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

18 Sep 08 Top 20 Questions to Consider When Buying a Digital Camera

Author: aldrin garcia

My top 20 key questions to ask yourself when buying a .

1. How many “” /?

Once and for all, at least to me, you have to get the highest your money can buy at the time you buy. Period.

2. Who made the lens?

Most cameras will give you an idea where the lens was made just by looking at the front of the lens. Know if the lens of your camera came from a reputable company like , Zeiss, , Etc… Lens quality is one of the most important factors you should consider especially if you’re going to use it for commercial, technical or scientific purposes.

3. Will I need interchangeable ? How many are available for my specific camera in mind?

Having the option of interchangeable gives you the freedom to experiment with different kinds of focal lengths. Although some P&S (point and shoot) cameras can rival ’s with a generous range for a non interchangeable lens system.

Also note the number of available for use with your specific camera because of flexibility reasons. You can practically cover the entire “ range” with interchangeable versus modest ranges on non interchangeable lens systems or P&S cameras.

4. Does it have a capability? What’s the range?

Almost all applications that I listed above will need some form of zooming in (telephoto) or out (wide angle), especially if you don’t have the space to move around the object you are shooting.

For Landscape shots, wide angle shots are very common and appealing while zooming in on the details serves as a break and complements the wide angle shots.

For weddings and events, you need a because there will be times where you are limited by the shooting space and you will have a difficult time moving around. Its a good thing to know that you can do all sorts of framing without even moving from your position.

A nice will give you the efficiency and versatility in your , so my suggestion is to go for the longest range you can get (usually from a 7X to a 10X for Point and Shoots).

Also note the speed of zooming in or out as this will be a factor if you’re shooting events like weddings. You will fail to capture that “decisive moment” on a mediocre speed.

5. Does it have the provision to capture raw ?

Many will say you’ll need this feature if you want to have big prints from your . Although this is correct, the main reason why you will want this is because of the benefit it will give you…pure total control of your … from exposure, color, metadata, hdr and a lot more.

6. Can I attach an external ?

Having an external capability will give you the power and creative freedom to light your subjects any which way you like.

You can connect your to all sorts of lighting equipment thus giving you more options and versatility. This comes in the form of a hotshoe or a PC-Sync socket.

If your doesn’t have this feature, there is still hope because accessories called slaves are being sold by third party companies in different flavors that will also do the same job more or less.

7. Does it have a tripod socket?

Some of the most beautiful landscape that I’ve seen are undoubtedly made with a tripod, so this is a must have if you are planning to do this kind of .

The “ shots” in a wedding, still life and product shots, studio and fine art shots … all need a tripod for successful execution… so guess what happens if you don’t have a tripod socket?… You cannot effectively use a tripod!

8. Does it have automatic and manual focusing?

It will not be evident at first why you’ll need this especially if you’re just starting out in . But if you’re like me… A total control freak when it comes to cameras… and you really want to express your creative side, this is definitely a must have.

9. Can you attach filters to it? and what filter size?

Creative expression through special effects is just one of the many reasons that makes fun and interesting, and experimenting with filters is one creative pursuit you should try with your especially if you’re a beginner.

Always remember to ask if the particular you are eyeing for can handle filters and ask for the filter size. (To save you from buying the right filter with the wrong filter size) Please note that most should be able to to handle filters as most that come with it have a filter thread built into the lens.

Most P&S (point and shoot) normally doesn’t have a filter thread built-in and might need special accessories to accomplish this so you should check to know for sure.

Again, there are many third party accessories that you could buy to adapt filters to your P&S that don’t have this provisions. I’ll discuss all about this in a future post so watch for it. (Or subscribe to my announcement list (feed via email) so you’ll know when it’s up.

10. Can I upgrade the firmware?

The good thing about some manufacturers is that they keep on improving their even after they sold it to you… this comes in the form of a firmware upgrade.

Usually this involves an improvement on one or many features of a camera. Be sure that the you’re planning to buy has an easy way of upgrading its firmware. This comes in the form of either an easy download via the manufacturer’s website (find it and bookmark it now) or a FREE CDROM.

Another caveat - be sure to consider if a downgrade is also possible or available with your … Why is there a need a downgrade you ask?… Because, you may want to reinstall an earlier firmware… just in case you don’t like the results from a firmware upgrade.

Occasionally there’s a feature that will be removed by the upgrade that you failed to read about and you decided that you just want to keep that feature instead of a bunch of trivial upgrades from the new firmware. (Yes, I personally experienced this.)

11. Are there extra goodies or software that come with it?

Some people ignore the fact that you can save a lot of money just by doing a simple arithmetic. Did you know that you could actually get your for a lot less if you study the deals and offers on the marketplace?

If you buy a and it comes with software that you can really use… like photoshop, elements, or any other software for that matter, then you already saved some money you would otherwise spend. Some dealers will throw in lots of extras… If you just simply ask.

Always try to ask for these things that you’ll end up buying anyway if you don’t - like camera bags, extra , extra , cards, tripod, etc. Trust me… you will end up buying these things if you don’t ask for it on the deal. What have you got to lose? Simply ASK. Would you believe that I effectively lowered one of my cost by as much as 30%? Ask away.

12. Is there Local Support in your area?

Finding the answer to this one will give you a great benefit in the long run. Wouldn’t you sleep better at night because you feel that extra security - that in case there is something wrong with your , you can bring it in for repair at a moments notice?

Not knowing when your camera will be repaired (or if it even arrived at a distant repair facility) is one of the worst feelings a can have especially if you’re in the middle of a photoshoot or project.

13. What type of warranty does it have? Worldwide / Countrywide?

If you travel a lot its good to know that a countrywide or even better - a worldwide warranty can get your camera fixed wherever you are. Always bring the warranty card and glue it on your camera bag.

14. Does it have the ability to take video and audio?

I know, most DSLRs don’t have this function. But some non interchangeable lens DSLRs have it. This is a very useful feature to have if you’re on a project or photoshoot and want to document or record a procedure, a moment, or an idea that you would otherwise have trouble remembering or even writing. It’s always a good idea to bring a P&S camera backup that have this function.

The things that you could do with audio and videoclips on a photoshoot are only limited by your imagination… interviews, documentation, funny quips, training procedures, bloopers, etc..

15. Does it have a manual ?

is one of the most interesting aspects of . Its fun and fascinating to work with. Having this option puts the fun-o-meter way way up. In future posts, I will be discussing in detail so be sure to stay tuned.

16. How sensitive is it to infrared?

If you’re planning to make infrared or enter the exciting world of Infrared fine art then you’ll want to know if your can do it.

TIP: There is a simple way to test how sensitive your is to infrared using a very common device - a TV remote control. For P&S, you can aim the remote control towards the lens and gauge how bright the LED from remote is. This should give you an idea how sensitive your is to infrared. For DSLRs you will need to take shots of the LED and experiment a little or you can simply research or the particular you have in mind for other people’s experiences and thoughts about it.

17. How high is the ISO sensitivity? Is it manually adjustable?

ISO sensitivity is a term referring to the sensitivity of to light. In the world, it refers to the sensitivity of the in your in relation to the ISO standard used for .

The higher the ISO sensitivity of your camera the faster or better it can record a specific amount of light.

High ISO sensitivity is useful for taking better in dark settings… such as inside a church or at night. The higher the ISO setting, the more details you can capture of a dark scene.

One caveat - take note of the amount of noise a particular camera exhibits at higher ISOs. Some people like it and some don’t. Again, don’t be afraid to ask or do research on the noise characteristics of your in mind to see if this is the right choice for you.

18. How high or low can you set the shutterspeed? What are the minimum and maximum aperture settings?

Shutterspeed and aperture settings are the basic mechanisms that drive your camera and controls the amount of light that is exposed by the or .

You use high shutterspeeds in action shots and to prevent camera shake, and you use low shutterspeeds for movement effects and bulb or long exposures. You can check for these figures on the websites that I gave you in part 1. You can see it in the technical specifications for a particular camera.

A bulb or “T” function is a nice feature to have because you can take exposures for virtually very long periods of time. Another feature to have is if your camera has a remote control to use this bulb or “T” mode. This gives you the capability to take without holding your camera and adding to the “camera shake”.

With the subject of apertures, a small one (small aperture opening) lets you have a wider depth of field so your shots are sharp from near to far versus a large aperture (big aperture opening) where your shots have a narrow depth of field and appear “selectively focused”.

19. Does it have some form of an ?

New cameras coming out as we speak often have this feature. Simply put, an is some form of a mechanism built into the lens or the (depending on the manufacturer and their implementation) that basically prevents you from getting blurred when taking in low light or you are using a long or . Having this feature can mean the difference between a blurry (aka no !) to a usable one.

20. How close can it focus? Macro abilities?

The closer your camera can focus… the bigger the of an object you can take in relation to the image dimensions of the final … and the bigger the of the object… the more detail you can get. If you want to take of small objects such as flowers and fine details then this is a must-have.

That’s it. Whew.

Do you really have to go over all these questions?… Of course not, but even if you only study and ponder on half of them…and take the time… I promise you that one thing will surely happen…

You’ll be…

a lot smarter!

than when you first started asking these questions… ergo you’ll be in a better position to decide what to buy… Because you are now armed with the most powerful tool anybody can have

the power of information!

In any case, I hope you find as much value in these questions as many of my friends have and be able to get the camera of your dreams.

Enjoy!

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

17 Sep 08 How to Know Your Digital Camera Type

is one of the most popular hobbies of many people around the world. Almost every individual with a camera creates his own world of , least bothering the types of camera he is using. Most of the users have little or no idea on the configuration of the gadgets they have. Some people purchase without caring to figure out what type of will best serve their purpose.

However, professional know their needs pretty well in this regard. But it is wise for anyone to know the type of before investing in one of them. has many advanced features that the lack. But if you go through the minute details of each type of you will find them differing from each other in their features and functionality.

Compact :

Generally, a regular sized is smaller in size. But if you are opting for a compact you will find them as portable as to keep them in your pocket or small purse. They are also available with with sensor , , wireless and image quality. The LCD monitor shows the view of the to be taken and hence, helps capturing perfect .

The tends to catch dirt and debris. But the system removes dirt from it. The mode of the sharpens the image by eliminating camera shake. The portable and lightweight with multiple features varies in its price depending on its features.

Point and Shoot :

of this category do not need a lot of creativity on the part of the user and therefore, are good for any user. It is easy to use and have many controls that don`t need much of your involvement while taking the snaps. The powerful camera has compositional technology which can be wonderfully used not only for but also for video taping, paining and some of the other visual media.

Though the camera has its limitations like lack of flexibility, you still can capture your with great if you are smart to use the compositional technology. It is the best for the beginners. As any other they are also small light weight and the can be viewed on the screen before taking it.

camera:

A camera is a with single system. It has got a small mirror between the lens and camera films. The technology of this high-end camera creates more image control and focusing for the . Also, this type of is developed with . The number of pixels present is responsible for the clarity of .

Advanced :

The advanced have got some advantages over the basic . This type of is available with fully automatic, manual or semi-automatic control. The astounding captures amazing with ease of handling. The extremely simple interface allows the user easily understand its functionality. The advanced , and optical makes the advanced feasible for professional and personal use.

Before taking your you can go through some reviews that give clear of every type of camera, its feature and functionality. Ask some of the owners about the pros and cons of the models they own. Try out many models of before you settle down for the right for your purpose. Happy Buying!!!

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,