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Productive Shopping For Digital Cameras
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19 Sep 08 Consumer Reports - Digital Cameras

, which employ reusable cards instead of , give you far more creative control than cameras can. With a , you can transfer shots to your computer, then crop, adjust color and contrast, and add textures and other special effects. Final results can be made into cards or T-shirts, or sent via e-mail, all using the software that usually comes with the camera. You can make prints on a , or by dropping off the card at one of a growing number of photofinishers. You can upload the file to a -sharing Web site for , viewing, and sharing with others.

Like camcorders, have LCD viewers. Some camcorders can be used to take still , but a ’s is no match for a good ’s.

WHAT’S AVAILABLE

The leading brands are , , HP, , , and ; other brands come from consumer-electronics, computer, and and companies.

are categorized by how many pixels, or elements, the contains. One equals 1 million elements. A 3- camera can make excellent 8×10s and pleasing 11×14s. There are also 4- to 8- models, including point-and-shoot ones; these are well suited for making larger prints or for maintaining if you want to use only a portion of the original image. Professional use as many as 14 .

Price range: $200 to $400 for 3 ; $250 to $400 for 4 and 5 ; $300 to $1,000 for 6 to 8 .

IMPORTANT FEATURES

Most are highly automated, with features such as automatic (which manages the , aperture, or both according to ) and autofocus.

Instead of , typically record their shots onto - cards. and (SD) are the most widely used. Once quite expensive, such cards have tumbled in price–a 128-megabyte card can now cost less than $50. Other types of cards used by cameras include Stick, Smart Media and xD- card. A few cameras, mainly some models, use 3 1/4-inch CD-R or CD-RW discs.

To save , you transfer them to a computer, typically by connecting the camera to the computer’s USB or FireWire port or inserting the card into a special reader. Some can take cards and make prints without putting the on a computer first. Image-handling software, such as Adobe Photoshop Elements, Jasc Paint Shop, Microsoft It, and ACDSee, lets you size, touch up, and crop digital using your computer. Most work with both Windows and Macintosh machines.

The file format commonly used for is JPEG, which is a compressed format. Some cameras can save in uncompressed TIFF format, but this setting yields enormous files. Other high-end cameras have a RAW file format, which yields the image data with no processing from the camera.

typically have both an optical and a small color . LCD viewers are very accurate in framing the actual image you get–better than most of the optical viewfinders–but they use more power and may be hard to see in bright sunlight. You can also view shots you’ve already taken on the . Many provide a video output, so you can view your on a TV set.

Certain cameras let you record an audio clip with a . But these clips use additional space. Some allow you to record limited video, but the frame rate is slow and the poor.

A lens provides flexibility in framing shots and closes the distance between you and your subject–ideal if you want to quickly switch to a close shot. The typical 3x on mainstream cameras goes from a moderately wide-angle view () to moderate telephoto (105mm). You can find cameras with extended ranges between 8x and 12x, giving added versatility for outdoor . Other new cameras go down to 24 or 28 mm at the wide-angle end, making it easier to take in an entire scene in close quarters, such as a crowded party.

Optical zooms are superior to digital zooms, which magnify the center of the frame without actually increasing detail, resulting in a somewhat coarser view.

Sensors in are typically about as light-sensitive as ISO 100 , though some let you increase that setting. (At ISO 100, you’ll likely need to use a indoors and in low outdoor light.) A camera’s range tells you how far from the camera the will provide proper exposure: If the subject is out of range, you’ll know to close the distance. But can tolerate some underexposure before the image suffers noticeably.

Red-eye reduction shines a light toward your subject just before the main . (A camera whose unit is farther from the lens reduces the risk of . Computer editing of the image may also correct .) With automatic mode, the camera fires the whenever the light entering the camera registers as insufficient. A few new cameras have built-in red-eye correction capability.

Some cameras that have powerful telephoto now come with image stabilizers. These compensate for camera shake, letting you use a slower than you otherwise could for following movement. But an won’t compensate for the motion of subjects.

Most new 6- to 8- cameras come with full manual controls, including independent controls for shutter and aperture. That gives serious shutterbugs control over depth of field, shooting action, or shooting scene with tricky lighting.

HOW TO CHOOSE

The first step is to determine how you will use the camera most of the time. Consider these two questions:

How much flexibility to enlarge do you need? If you mainly want to make 4×6 , a camera with a 3- or 4- will be fine. Such a camera will also make an 8×10 print of an entire image without alteration that looks as sharp as one from a 6- or 8- model. But to enlarge the image more or enlarge only part of it, you’ll want a 6- to 8- camera.

How much control do you want over exposure and composition? Cameras meant for automatic point-and-shoot , with a 3x- lens, will serve snap shooters as well as dedicate hobbyists much of the time. The full-featured cameras in the 6- to 8- range offer that more-dedicated will want to have. Two of the more important are a range of 5x to 10x or more, which lets you bring distant outdoor subjects close and also lets you shoot candid portraits without getting right in your subject’s face, and a full complement of manual controls that you determine the and lens opening. ‘

Once you’ve established the performance priorities that you need from a camera, you can narrow your choices further by considering these convenience factors:

Size and weight. The smallest, lightest models aren’t necessarily inexpensive 3- cameras. And the biggest and heaviest aren’t necessarily found at the high end. If possible, try cameras at the store before you buy. That way, you’ll know which one fits you hand best and which can be securely gripped. In our tests, we have found that some of the smallest don’t leave much room even for small fingers.

type and life. All can run on rechargeable of one of two types: an expensive pack or a set of AA . In our tests of the cameras, neither type had a clear performance advantage. The best-performing cameras offer upward of 300 shots on a charge, while the worst manage only about 50. We think it’s more convenient to own a camera that accepts AA . You can buy economical, rechargeable cells (plus a charger) and drop in a set of disposable lithium or alkaline if the rechargeable run down in the middle of the day’s shooting.

Camera speed. With point-and-shoot cameras like the ones we tested, you must wait after each shot as the camera processes the image. Most models let you shoot an image every few seconds, but a few make you wait 5 seconds or more. They may frustrate you when you’re taking in sequence.

Your other cameras. If you’re adding a camera to your lineup or trading up to a more versatile model, look first for one that’s compatible with the other cameras. If it is, you can share cards and . Designs within a camera brand line are often similar. So staying wit the brand you have lowers the learning curve on the for family members who switch between cameras.

Copyright © 2002-2006 Consumers Union of U.S., Inc.

For the latest information on this and many other products and services, visit www.ConsumerReports.org.

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18 Sep 08 Digital Camera Basics

An electronics on-line discussion forum contains a story about an elderly woman who wanted a simple camera to take of her grandchildren. When she received a for Christmas, she looked puzzled for a moment and then asked, “Where do you put in the ?” This humorous example demonstrates how the revolutionary technology of may be mystifying for those who have difficulty grasping the concept of a “filmless” camera! For almost a century, enthusiasts sagely discussed such topics as , light meters and F-stops; today, have made such topics all but obsolete.

Howstuffworks.com contains an article by Gurevich, Karim, and Wilson that greatly simplifies an explanation of how work. Very simply, they explain that CDs, mp3’s, and DVDs all share the same technology: they convert traditional analog “wave” data into digital data based upon “bits.” In so doing, this radical shift in technology has changed greatly – and forever – how we do things and what has become possible including digital “filmless” cameras. While cameras depend upon chemical and mechanical processes, contain a computer that records electronically.

In 1994, and Apple developed and sold the first . Today there are hundreds of models to choose from, depending upon the type of you need, the complexity with which you’re comfortable, and what you can afford. For everyday use, most people prefer a “point and shoot” camera that isn’t complex, takes good quality that can be loaded onto computers or printed for personal use and to send to friends, and is affordable. According to a number of consumer guides and customer reviews, the top ten in the low, mid, and high price ranges are:

1. D300 (high)
2. EOS 5D (high)
3. EOS 40D (high)
4. HP Photosmart M547 (low, great value)
5. Finepix S700 (mid)
6. GE A730 (mid)
7. D200 (high)
8. EOS Digital Rebel Xsi (high)
9. Lumix DMC-FZ18 (mid)
10. EOS 30D (high)

The point should be made that what constitutes a “great” is usually in the eye of the beholder. One person’s “top ten” list is almost certain to differ from another person’s. For example, a that is making devoted converts is the Exilim series that sells in the mid-level price range, depending upon your needs. On the other end, .com rates the Optio E-10 as “the worst ever.”
With all these differing opinions, what’s the best way to buy the that’s right for you? If you simply want to take personal , choose a that has at least three . This will give you good quality at a very affordable price. Remember that the higher the number of , the better quality your will be, but the you choose will be more complex and more expensive. Also consider the size and shape of the camera; is it easy for you to carry in your purse or pocket? Finally, be sure your has at least 256-512 megabites of space on its card so you won’t have to buy additional cards. Taking all these factors into consideration will help you enjoy capturing treasured for years to come.

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18 Sep 08 Cheap Digital Camera Varieties

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Major manufacturers such as HP, , and offer cheap too. Cheap generally have lesser advanced features such as multiple file settings, optical , optional image file type settings, advanced automatic exposure meters, large capacity cards, replaceable and waterproofing. Most of the cheap are of point and shoot type.

is related to rating directly and the handling of by the camera. If you want to post on a web site, email or store them on hard drives, cheap with a 1.3 rating are more than satisfactory. If you want to have of portrait quality, then you have to look for cameras with 3 or higher ratings.

Due to the rating, many cameras are expensive. The higher the rating of the , the larger the . However, cheap will not come with a lot of but still may not be necessary at all times. You don’t require a lot of if you don’t need very large . Most cheap will print eight by ten inches and this is what many people may need.

However, cheap can be an excellent gift for young children. If you want to get started in digital and if you are not sure how to take it forward, cheap is an excellent choice. It can also be a spare or a good second camera for keeping in your boat or car for taking advantage of capturing some unexpected opportunities. You need not spend a large amount of money for buying a brand new just for opening up the box and reading the instruction manuals once but not interested to learn all the features of the camera. Still, most people often get discouraged from buying a used as they feel that they can get great by getting the most expensive camera available. There are many cheap available for sale and you may not require all of the fancy features and thus can save money.

You have to think about the overall quality you get from a cheap . It can take amazing outside and if you try to take some inside the house, the quality can be poor. Though you can repair them with some editing software, you will not get professional . But you can have it for your basic taking needs.

You can look for cheap available on a number of websites and can read reviews and blogs from some people who have tried with such cameras. This is the best way for deciding the type of cheap suitable for your needs. Many sites have listings of sales, coupons, bargains and cheap deals. You can select a specific deal offered on a cheap sent to you via palm text message, email, RSS feed or mobile phone amongst others. Such alerts on deals can be customized to enable you to select for receiving only cheap offers from a particular brand or vendor in an area. You can also customize such that cheap can be classified based on the price as everyone has a different budget.

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