21 Sep 08 NIKON® INTRODUCES THE 70-300MM F/4.5-5.6G ED-IF AF-S VR ZOOM-NIKKOR LENS
New Lens Offers Enhanced Nikon VR (VRII) Vibration Reduction System in a Compact, 4.3x Zoom Lens for Nikon DX Format Digital and 35mm Film SLR Cameras
MELVILLE, NY, AUGUST 9, 2006 - Nikon Inc. (www.nikondigital.com) today introduced the new 70-300mm f/4.5-5.6G ED-IF AF-S VR Zoom-Nikkor lens, a 4.3x zoom lens that is ideal for telephoto shooting opportunities. It incorporates many of Nikon’s most advanced lens design attributes such as Extra Low Dispersion (ED) glass, Silent Wave Motor technology (SWM) and Enhanced Vibration Reduction (VR II), in a design engineered for use with both Nikon DX format digital and 35mm film SLR cameras. With a high-powered 70-300mm focal length range, the lens is ideal for sports, action, wildlife, travel and portrait photography, among other telephoto applications. When used on a Nikon DX format digital SLR, this lens approximates the picture angle performance of a 105-450mm lens on a 35mm SLR camera.
“Nikon’s range of Nikkor lenses with Vibration Reduction technology has grown substantially and the new 70-300mm f/4.5-5.6G ED-IF AF-S VR Zoom-Nikkor lens is another excellent addition, offering both Nikon digital and 35mm SLR photographers an advanced high-powered zoom lens in a surprisingly compact, lightweight design,” said Edward Fasano, general manager for Marketing, SLR Systems Products, at Nikon Inc. “High quality lens design requires a challenging blend of art, science and, of course, photographic experience. With the new 70-300mm AF-S VR Zoom-Nikkor, Nikon engineers have again met that challenge, producing a lens whose optical performance delivers clarity and contrast typically found only in lenses costing substantially more,” he added.
Beyond the lens’ incredible optical versatility is the benefit of Enhanced VR II Vibration Reduction - an innovation that makes it possible to take substantially sharper handheld pictures at slower shutter speeds than would otherwise be possible. This provides the distinct advantage of being able to shoot more effectively in a much broader variety of challenging conditions. With the new Nikon VR II advantage, users can take pictures at shutter speeds as many as 4 stops slower* than they ordinarily could shoot without the image degrading blur associated with camera shake at slow shutter speeds. Nikon’s advanced VR technology further enhances picture taking potential with a choice of two modes to match most shooting conditions. VR Normal Mode primarily compensates for camera shake, and includes automatic panning detection, as well as automatic tripod detection. VR Active Mode effectively compensates for vibration in situations where it is more pronounced and more frequent, such as when shooting from a moving vehicle.
To further ensure outstanding optical performance, the 70-300mm f/4.5-5.6G ED-IF AF-S VR Zoom-Nikkor features two Extra-Low Dispersion (ED) glass elements and three complex aspherical lens elements that provide for higher resolution, high-contrast images while minimizing chromatic aberration, astigmatism and other forms of distortion. The lens also features Nikon’s compact Silent Wave Motor technology (SWM), which combines fast and precise autofocusing with super-quiet operation, as well as Internal Focusing (IF) construction that allows the lens to focus without changing its external size, improving balance and handling characteristics.
The 70-300mm f/4.5-5.6G ED-IF AF-S VR Zoom-Nikkor lens will be available beginning October 2006 with a Manufacturer’s Suggested Retail Price of $669.00**. For more information about Nikon and Nikkor optics, please visit www.nikondigital.com.
About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes the Nikon Total Imaging System of consumer and professional digital SLR cameras, Nikkor optics, Speedlights and System Accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. At the heart of every Nikon camera is Nikon’s Exclusive Feature System, making it easy for anyone to take amazing digital pictures. Through the Nikon Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced photographers through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) NIKON-US or visit www.nikonusa.com, which links all levels of photographers to the web’s most comprehensive photo learning and sharing communities.
*Under Nikon measurement conditions.
** Manufacturers Suggested Retail Prices (MSRP) are for reference only. Actual prices are set by dealers and are subject to change at any time.
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21 Sep 08 NIKON® INTRODUCES NEW 18-135MM F/3.5-5.6G ED-IF AF-S DX ZOOM-NIKKOR LENS
MELVILLE, NY, AUGUST 9, 2006 - Nikon® (www.nikondigital.com) today introduced the versatile, affordable new 18-135mm f/3.5-5.6G ED-IF AF-S DX Zoom-Nikkor lens, further expanding Nikon’s successful line of DX Nikkor lenses, engineered for use exclusively with Nikon’s DX format digital SLR cameras. Developed for use with all Nikon D-series digital SLR Cameras, the 18-135mm f/3.5-5.6G ED-IF AF-S DX lens will be included as the compact, lightweight 7.5x zoom lens in the recently announced Nikon D80™ 10.2-megapixel digital SLR camera Outfit.
The 18-135mm f/3.5-5.6G ED-IF AF-S DX has a broad focal length range (providing picture angle performance approximating a 28-200mm lens on a 35mm film SLR camera) that is suitable for a wide variety of shooting situations, ranging from wide-angle landscapes to portraits, recreational sports, action and close-ups. This new lens offers a selection of Nikon’s highly regarded technologies such as compact Silent Wave motor (AF-S) for super fast and quiet autofocus operation, Extra-Low Dispersion glass (ED) for minimized chromatic aberrations, and Internal Focusing (IF) for convenient and balanced handling.
“The new 18-135mm f/3.5-5.6G ED-IF AF-S DX is an excellent, all-encompassing lens that can be an ideal companion to any Nikon digital SLR camera, especially the recently announced D80,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “The 18-135mm f/3.5-5.6G ED-IF AF-S DX demonstrates remarkable optical performance along with wonderful compactness,” he added.
Designed exclusively for use with DX Format digital SLR cameras, DX Nikkor lenses deliver a versatile range of angle-of-view, higher performance, and outstanding center-to-edge-to-corner image quality, while making possible smaller and lighter designs.
The 18-135mm f/3.5-5.6G ED-IF AF-S DX lens will be available beginning September 2006 for a suggested retail price of $485. The lens will also be sold packaged with the recently announced D80 10.2-megapixle digital SLR camera. The packaged outfit will have an estimated street price of $1299.95*, offering photographers substantial savings when purchased together.
About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes the Nikon Total Imaging System of consumer and professional digital SLR cameras, Nikkor optics, Speedlights and System Accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. At the heart of every Nikon camera is Nikon’s Exclusive Feature System, making it easy for anyone to take amazing digital pictures. Through the Nikon Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced photographers through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) NIKON-US or visit www.nikonusa.com, which links all levels of photographers to the web’s most comprehensive photo learning and sharing communities.
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21 Sep 08 Nikon Unveils First Ever Macro Lens With Vibration Reduction
New Nikkor Lens Offers Quiet Autofocusing and Enhanced VR for Close-Up Photography with Nikon digital and 35mm film SLR cameras
MELVILLE, NY, FEBRUARY 21, 2006 - Professional photographers and enthusiasts seeking the latest opportunity to enhance their extreme close-up and general photography possibilities can rely on Nikon’s new 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor. Nikon Inc. (www.nikonusa.com) today introduced the world’s first macro lens equipped with Nikon Vibration Reduction (VR) and Silent Wave Motor (SWM) systems. Engineered for use with Nikon digital and 35mm film SLR cameras, this lens offers a host of Nikon’s advanced optical features and technologies including Nano Crystal Coat, Extra Low Dispersion (ED) glass and Internal Focusing (IF) design.
“We are excited to offer the 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor as the newest addition to Nikon’s range of high performance Nikkor lenses that deliver unmatched optical performance and advanced capabilities. Extreme close-up photography is one of the most demanding and popular forms of photography, and this new lens significantly extends the range of conditions under which professionals and enthusiasts can achieve outstanding results,” said Edward Fasano, general manager for Marketing, SLR Systems Products, at Nikon Inc. “With enhanced VR II technology built into the lens, photographers can shoot hand-held at shutter speeds up to four stops slower than would otherwise be possible, and still get razor sharp pictures.”
Combined with the Silent Wave Motor technology and Internal Focusing system, the 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor provides handling characteristics that better enable superior close-up photography under a broad range low-light conditions. And like other high-performance Micro-Nikkor lenses, the new 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor is perfectly suited for general photography as well.
The 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor features Nikon’s enhanced Vibration Reduction System (VR II) which substantially improves high-quality hand held close-up shooting. The VR II function minimizes the negative effects of camera shake by offering users the ability to take pictures at shutter speeds as many as 4 stops slower* than would otherwise be possible, without the image degrading blur associated with slow shutter speeds. Nikon’s VR technology further enhances picture taking potential with a choice of two modes to match most shooting conditions. VR Normal Mode primarily compensates for camera shake, and includes automatic panning detection, as well as automatic tripod detection. VR Active Mode effectively compensates for vibration in situations where it is more pronounced and more frequent, such as when shooting from a moving vehicle.
The addition of SWM delivers faster and quieter auto-focusing, along with quick switching between autofocus and manual operation. Near-silent focusing can also be attributed to the Internal Focus (IF) design which also provides a constant lens length and eliminates front lens rotation, making it an ideal lens for use with the new Nikon Wireless Close-Up Speedlight System. Together, the SMW, VR II and IF components provide the photographer sharp images at close range (macro shooting focus of 31cm) without disturbing the subject during focus.
The 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor optical formula is highlighted with Nikon’s Nano Crystal Coat and Extra Low Dispersion (ED) glass. These highly advanced optical technologies provide higher-quality resolution and high-contrast images by reducing chromatic aberrations and virtually eliminating reflections caused by multiple internal lens elements.
The AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED lens will be available beginning in March 2006 for an estimated selling price of approximately $799.00**. For more information about Nikon and the Nikkor brand of optics, please visit www.nikonusa.com.
105mm f/2.8G ED-IF AF-S VR Micro-Nikkor: Major Features
- The world’s first macro lens equipped with SWM and VR systems
- VR II Vibration Reduction technology allows photographers to shoot hand-held at as many as 4 shutter speeds slower* (at near infinity to 1/3x shooting and approx. 1 step at near 1:1) than would otherwise be possible, assuring dramatically sharper hand-held images.
- Incorporates Silent Wave Motor (SWM) for fast and quiet autofocusing, and quick switching between autofocus and manual operation.
- Engineered for use with Nikon digital and 35mm film SLR cameras.
- Offers a 105mm focal length (picture angle equivalent to 157.5mm with Nikon DX format).
- Design incorporates 14 elements in 12 groups (with 1 ED glass and 1 Nano Crystal Coat-deposited lens elements).
- ED glass and Nano Crystal Coat combine to minimize chromatic aberration, providing higher resolution and high-contrast images.
- Employs a nine-blade rounded diaphragm opening ensuring that out-of-focus elements appear more natural.
- Offers a Maximum reproduction ratio of 1:1.
- Enables focusing from as close as 31cm (12.2 in.) from the subject through its entire focal range.
- M/A mode for rapid switching between autofocus and manual focus operation.
- Internal Focusing (IF) design simplifies the use of circular polarizing filters.
- HB-38 Bayonet Lens Hood (included) greatly reduces stray light, enhancing image quality.
- Supplied with CL-1020 Flexible Lens Pouch
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21 Sep 08 Nikon Adds New 18-200MM Lens to its Nikkor Line of Lenses
New Lens Offers Enhanced VR Vibration Reduction System in a Compact and Lightweight 11.1x High Power Zoom Lens for Nikon Digital SLRs
MELVILLE, NY, NOVEMBER 1, 2005 – Nikon Inc. (www.nikonusa.com) today introduced the new 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens, a compact, lightweight 11.1x zoom lens that is ideal for high performance everyday photography and incorporates advanced features such as Nikon’s Extra Low Dispersion (ED) glass, Silent Wave Motor technology (SWM) and Enhanced Vibration Reduction (VR II), in a DX-Nikkor design engineered exclusively for use with Nikon DX format digital SLR cameras. With a remarkable 18-200mm focal length range (picture angle equivalent to a 27-300mm lens in 35mm format), the lens conveniently covers everything from wide landscapes to tight portraits and action photography. Advanced Nikon engineering has lent the lens a compact lightweight design that offers excellent handling characteristics and superb optical quality.
“Nikon’s range of DX Nikkor lenses, designed specifically for Nikon digital SLR cameras, has grown substantially since the introduction of the category, and the new 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens is an excellent addition offering Nikon digital SLR photographers an advanced all-purpose lens with superb optical performance and Enhanced Vibration Reduction capabilities,†said Edward Fasano, general manager for Marketing, SLR Systems Products, at Nikon Inc. “Nikkor lenses are famous for their breathtaking sharpness, optimal contrast and consistent color rendition across its range of lenses with varying focal lengths. Now with the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor, Nikon photographers will be able to take advantage of remarkable versatility in one lens with assurance of the outstanding Nikkor image performance that has made Nikkor lenses renowned worldwide.â€
Beyond the lens’ incredible optical versatility is the benefit of Enhanced VR II Vibration Reduction an innovation that makes it possible to take substantially sharper handheld pictures at slower shutter speeds than would otherwise be possible. This provides the distinct advantage of being able to shoot more effectively in a much broader variety of challenging conditions. With the new Nikon VR II advantage, users can take pictures at shutter speeds as many as 4 stops slower* than they ordinarily could shoot without the image degrading blur associated with camera shake at slow shutter speeds. Nikon’s VR technology further enhances picture taking potential with a choice of two modes to match most shooting conditions. VR Normal Mode primarily compensates for camera shake, and includes automatic panning detection, as well as automatic tripod detection. VR Active Mode effectively compensates for vibration in situations where it is more pronounced and more frequent, such as when shooting from a moving vehicle.
To further ensure outstanding optical performance, the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor features two Extra-Low Dispersion (ED) glass elements and three complex aspherical lens elements that provide for higher resolution, high-contrast images while minimizing chromatic aberration, astigmatism and other forms of distortion. The lens also features Nikon’s compact Silent Wave Motor technology (SWM), which combines fast and precise autofocusing with super-quiet operation, as well as Internal Focusing (IF) construction that allows the lens to focus without changing its external size, improving balance and handling chrematistics.
All of Nikon’s DX Nikkor lenses are engineered exclusively for use with Nikon DX format digital SLR cameras, making the lens smaller and lighter while providing exceptional center-to-edge-to-corner image quality and overall optical performance. With the addition of the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens, Nikon photographers can choose from over 50 Nikkor lenses, ranging from the amazing 10.5mm f/2.8G ED AF DX Fisheye to the astounding 600mm f/4D ED-IF AF-S II super Telephoto.
The 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens will be available beginning in December 2005 for an estimated selling price of $699.95**. For more information about Nikon and the Nikkor brand of optics, please visit www.nikonusa.com.
18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor Major Features
• Offers the broad 18-200mm focal range (11.1x zoom) for use in a variety of situations (equivalent to a 27-300 mm lens in 35mm format)
• VR II Vibration Reduction system offers the practical equivalent of using a shutter speed 4 stops faster
• Two ED glass and three complex aspherical lens elements minimize chromatic aberration, astigmatism and other forms of distortion, while ensuring high resolution and contrast
• Incorporates a compact SWM (Silent Wave Motor) for quiet focusing
􀂃 Delivers high-level optical performance that is specially designed for use with the Nikon digital SLRs
• Employs a seven-blade rounded diaphragm opening that achieves a natural blur for out-of-focus elements
• Enables focusing from as close as 50cm (20 in.) from the subject through its entire focal range
• M/A mode for rapid switching between autofocus and manual focus operation
• Internal Focusing (IF) design simplifies the use of circular polarizing filters
• Nikon Super Integrated Coating (SIC) offers superb color reproduction while minimizing ghosting and flare
• Flower-shaped Lens Hood HB-35 (included) greatly reduces stray light, enhancing image quality
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21 Sep 08 Nikon Expands Nikkor Lens Line With Two New DX Lenses for D50 Digital SLR Camera
- New AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED Lens Offers Versatile Zoom Range in a Lightweight, Ultra-Compact Package
- New AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED Lens Brings Powerful Telephoto Capabilities in a Highly Compact Design
MELVILLE, NY, APRIL 20, 2005 - Nikon Inc. (www.nikondigital.com) today unveiled two new DX format Nikkor lenses to accompany its growing line of digital SLR cameras, including the new D50™. The AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED and AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED lenses deliver legendary Nikkor optical performance within ultra-compact, lightweight and affordable designs, to provide superb picture quality for Nikon digital SLR photographers. These two new lenses join a growing line-up of DX Nikkor lenses that are designed and optimized for Nikon’s Digital SLR cameras.
“Memorable pictures rely on several factors that certainly begin with an expertly engineered camera equipped with a superior lens. Nikon SLR cameras and Nikkor interchangeable lenses work in perfect concert to make remarkable photography possible for anyone. Nikkor lenses are famous for their ability to record breathtaking sharpness, balanced with optimal contrast, accurate and consistent color, all to significantly improve overall image quality,” said Edward Fasano, General Manager of Marketing at Nikon Inc. “Nikon’s new AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED and AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED lenses incorporate the same quality and exclusive optical technologies that have made Nikkor lenses world renowned among professional photographers.”
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED
Pre-packaged as an ideal companion lens for the new D50 digital SLR camera, the new AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED is a versatile zoom lens created for a broad range of consumers ranging from occasional weekend snap-shooters to the avid photo enthusiast. It is an ultra-compact, lightweight standard zoom lens with a 3x zoom range that is ideal for everyday photography. With a popular 18-55mm focal length range, the lens can be conveniently used to photograph everything from wide angle landscapes to portraits and is well suited for use at parties, on vacation, and other occasions.
AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED
The new AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED brings far-away subjects to the photographer without the burden of carrying a large telephoto lens. Zooming in on those elusive action shots at soccer or baseball games will fill the frame with images that would be otherwise impossible to capture. Its impressive zoom range of 55-200mm allows users the versatility to capture everything from razor-sharp candid portraits to sports, nature and even wildlife pictures. Despite its long zoom range, the AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED is remarkably compact and lightweight, and proves to be a formidable companion to the instant responsiveness and the impressive speed of the new D50 digital SLR camera.
To ensure outstanding optical performance, both new lenses also feature Nikon’s exclusive Extra-Low Dispersion (ED) glass to minimize chromatic aberrations, and Silent Wave Motor technology (SWM) for fast, quiet auto-focusing. All of Nikon’s DX Nikkor lenses are optimized for the DX format sensors found in all Nikon digital SLR cameras, making the lens smaller, lighter and with exceptional center-to-edge-to-corner image quality and performance. With the addition of the AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED and AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED lenses, Nikon photographers can choose from 50 Nikkor lenses, ranging from the amazing 10.5mm f/2.8G ED AF DX Fisheye to the astounding 600mm f/4D
ED-IF AF-S II super Telephoto.
Both AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED and AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED lenses will be available in June 2005 for an estimated selling price of $179.95 and $249.95*, respectively. For more information about Nikon and the Nikkor brand of optics, please visit www.nikondigital.com.
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21 Sep 08 Nikon Adds New AF-S NR 18-70mm f/3.5-4.5G IF-ED Lens To Growing Line of Optics Dedicated To Nikon Digital SLR Cameras
MELVILLE, NY, JANUARY 28, 2005 - Marking another significant advancement in lens design, Nikon® (www.nikondigitalusa.com), the world leader in photography, today introduced the versatile new AF-S DX Nikkor™ 18-70mm f/3.5-4.5G IF-ED lens, further expanding Nikon’s successful line of DX Nikkor digital-dedicated lenses. Developed to be compatible with all Nikon D-series digital SLR Cameras, the AF-S DX 18-70mm f/3.5-4.5G IF-ED lens will be included as the standard zoom lens in the recently announced Nikon D70 digital SLR camera Outfit.
The AF-S DX 18-70mm f/3.5-4.5G IF-ED covers a very popular focal length range (equivalent to 27-105mm in 35mm format), and offers a selection of Nikon’s highly regarded technologies such as Silent Wave motor (AF-S) for super fast and quiet autofocus operation, Extra-Low Dispersion glass (ED) for minimized chromatic aberrations, and Internal Focusing (IF) for convenient and balanced handling. In addition, the AF-S DX 18-70mm f/3.5-4.5G IF-ED also incorporates hallmark Nikon features that customers have come to expect from Nikkor lenses, such as distance information guide window, a reliable metal lens mount for years of durability, and a M/A mode for seamless switching between autofocus and manual modes.
“With the introduction of the remarkable new D70 digital SLR camera, the AF-S DX 18-70mm f/3.5-4.5G IF-ED lens fulfills the need among Nikon digital SLR customers for a versatile, compact new lens that offers a popular zoom range and advanced features,” said Richard LoPinto, vice president for SLR camera systems, Nikon, Inc. “Less than 13 months ago, Nikon announced its first DX Nikkor lens, and today with the introduction of the AF-S DX 18-70mm
f/3.5-4.5G IF-ED, Nikon has expanded this line to include four lenses, offering Nikon photographers the broadest range of digital-dedicated lenses in the market, all with exceptional performance, quality and value,” he added.
Designed exclusively for use with DX Format SLR cameras, DX Nikkor lenses deliver a versatile range of angle-of-view, higher performance, and outstanding center-to-edge-to-corner image quality, while realizing smaller and lighter designs. All DX Nikkor lenses have a picture angle comparable to that of 35mm format lenses with a 1.5x factor. Since the introduction of the DX Nikkor lenses, the series has grown to include four lenses. These include:
* AF-S DX Zoom-Nikkor 18-70mm f/3.5-4.5 IF-ED: 76 degrees - 22 degrees
50′ angle-of-view
* AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED: 79 degrees - 28 degrees 50′
angle-of-view
* AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED: 99 degrees - 61 degrees
angle-of-view
* AF DX Fisheye-Nikkor 10.5mm f/2.8G ED lens: 180 degrees angle-of-view
When used with a Nikon digital SLR camera and Nikon Capture(TM) software, images shot with the AF DX Fisheye-Nikkor 10.5mm lens can be transformed into ultra-wide angle rectilinear images with a choice of 100 degrees and 130 degrees horizontal angles of view.
The AF-S DX 18-70mm f/3.5-4.5G IF-ED will be packaged with the newly announced D70 digital SLR camera. The D70 Outfit (including lens) will be available for a suggested retail price of $1999, and an anticipated street price of $1299. Sold separately, the lens will have a suggested retail price of $590. The lens will be available in Spring 2004.
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21 Sep 08 Nikon Steadies the Action With New AF-S VR Nikkor 300MM F2.8G IF-ED Lens
Popular Long Range, Fast Aperture Lens Now Features Nikon’s Renowned Vibration Reduction Technology
MELVILLE, NY, SEPTEMBER 16, 2004 - Nikon (www.nikonusa.com), the world leader in photography, today announced an all-new AF-S VR Nikkor 300mm f/2.8G IF-ED super-telephoto lens that features Nikon’s remarkable Vibration Reduction (VR) technology. Designed to work seamlessly with Nikon’s digital and film SLR cameras, this new lens offers professional sports and action photographers a high level of quality, precision and performance.
“Nikon shooters will attest that Vibration Reduction technology works more effectively in achieving sharper pictures in low light or shaky conditions than any other existing technology. Now sports and action photographers can reap the benefits of VR in a focal length they most often use. Coupled with the added advantage of Nikon’s new Nano-Crystal AR coat, photographers can expect very sharp, high-contrast images from the new AF-S VR Nikkor 300mm f/2.8G IF-ED lens,” said Jerry Grossman, vice president of Marketing, Nikon Inc.
Based on the extremely popular and well received AF-S Nikkor 300mm f/2.8G IF-ED II, the new lens has been upgraded in specifications and performance to fully satisfy professional photographers. The first addition to this fast and powerful lens is the benefit of VR (Vibration Reduction) - an innovation that allows photographers to take high-quality handheld shots indoors and in dark locations at shutter speeds three stops slower without compromising the sharpness of the picture. A choice of two VR modes allows photographers to best match their shooting conditions and further augments the effectiveness of VR performance. Normal mode primarily compensates for camera shake, and includes automatic panning detection as well as automatic tripod detection. Active mode effectively compensates for vibration in situations where it is pronounced and frequent, such as when shooting from a moving vehicle.
Along with the adoption of VR technology, the new lens also offers handy access to a control pad on the side of the barrel for seamless usability. A Focus Mode switch enables instant and easy switching between M/A (Manual-Priority Autofocus) and M (Manual Focus) modes, while a Focus Limiter switch restricts AF-servo movement within a selected shooting distance range. New Focus Preset buttons can instantly recall a preset focal point - a priceless feature when photographers shooting sports need to quickly return focus to a specific location such as a base or a team’s goal.
The AF-S VR Nikkor 300mm f/2.8G IF-ED also benefits from Nikon’s new Nano-Crystal AR Coat, which demonstrates superior anti-reflective properties to virtually eliminate ghost and flare to provide clear and vivid images when shooting under powerful sunlight or indoors under spotlights.
The features already incorporated in the lens’ predecessor are carried over as well. This includes Nikon’s exclusive SWM (Silent Wave Motor) that combines fast and accurate autofocusing with super-quiet operation, ED glass elements that minimize chromatic aberration, Internal Focusing (IF) for smoother focusing and a better balanced body, as well as a rubber ring on the lens mount that delivers the same level of resistance to dust and drops of water as Nikon’s professional cameras such as the F6 and D2X and D2H.
Compatibility with Nikon’s TC-14EII (1.4x), new TC-17EII (1.7x), and TC-20EII (2.0x) teleconverters extends the flexibility and total reach of the lens to as long as 600mm when mounted on a 35mm film SLR. When mounted on a Nikon digital SLR, photographers can achieve an angle of view equivalent to a 900mm lens.
The AF-S VR Nikkor 300mm f/2.8G IF-ED lens is scheduled to be available at authorized Nikon dealers beginning January 2005.
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20 Sep 08 Digital Camera Basics - Want To Stop Being An Idiot And Learn How Digital Cameras Work?
Author: Mike Singh
With the advancement of the digital camera and the software that is made for them, most pictures look professional from the first click of the camera. But like most things, it is important to understand the “how and why” for higher quality results.
The basics of a digital camera revolve around terms like pixel, pixel count, white balance, sensor, sensitivity, optical zoom, or digital zoom. These improve your understanding of what digital photography is all about, and will help you become a more efficient photographer.
For example, one important term is digital sensor. A typical digital camera may have a digital sensor element that is as big as a small finger nail. Most 5MP digital cameras use a sensor that is 7mm x 5mm in size. This is much smaller than the size of the negative of a 35 mm camera. However, high-end digital cameras have large sensors, and generate superior images. These are important things to know, to see how pictures can be better or worse.
Digital cameras also have sensitivity settings similar to ISO ratings on film. Most digital cameras will have settings for sensitivity equivalent to ISO 100 and ISO 200. Many also have a setting for ISO 400. A few expensive digital SLR cameras with large sensors have settings for ISO 3200 or even for ISO 6400.
Most digital cameras have an optical and a digital zoom. An optical zoom lens works by changing the focal length and magnification while the zoom is being utilized - with the image quality remaining high. Digital zoom works by cropping the image to a smaller size. The cropped image is enlarged to fill the frame, causing a significant loss of quality.
The manufacturers of digital cameras use the term “pixel count” to describe their camera’s image properties. The word pixel originates from “(PIC)ture (EL)ement”- with the use of phonics added for emphasis. It represents a single point in a graphic image - not a dot but an abstract sample that can be reproduced in any size, without a dot or square appearance.
A pixel is important to understand because it is the basic unit of measurement, used to define a digital photograph. The more the number of pixels per square inch, the higher the resolution of a digital picture, increasing its clarity. Some examples would be 2,400 pixels per inch, 640 pixels per line, or spaced 10 pixels apart. Designers, artists, and photographers sometimes interchange the pixel terminology, such as dots per inch (dpi) with pixels per inch (ppi). The dpi is used when it refers to the printer’s resolution for the printing density. Each pixel is made up of three color channels - red, green and blue-and has a numerical value of between 0 and 255.
The pixel count also decides the size of a print in case you want to print photographs. A 3MP camera can provide excellent 4×6 inch prints, while a 4 or 5MP digital camera can deliver high quality 8×10 inch prints. With a digital camera you can pick the white balance to suit the light source. This is meant to ensure that white looks white, and not yellow or blue. Normally, your digital camera will do this automatically. You can also set the white balance yourself for better effects.
Since each pixel generates three bytes of data, a photographer using a 3MP camera will need a storage space of 9 million bytes or 9MB to store a single image. This is a huge amount of space. Camera companies therefore allow for a compression of image using a format called JPEG. This reduces the file size significantly but while doing so a lot of data is lost. To overcome this problem companies have come up with different storage formats. Canon calls it RAW while Nikon calls it NEF. The data loss is less in these formats.
The low end cameras used by beginners can shoot images whose pixel count is one million is categorized as 1 MP or one million pixel camera because the intensity of each pixel is variable, with each pixel having three or four dimensions of variability - such as red, green and blue, cyan, magenta, yellow, and black. The high-end cameras used by professionals, can range from 14MP to 22MP with a pixel count as high as 14 million or 22 million per image.
The thing to remember is the higher the resolution, the more realistic the image is, matching closest what the actual image is. So take your time, do some research, and talk to people who know cameras. Otherwise, a lot of money will be spent on something that is barely adequate for what you want.
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19 Sep 08 Digital Camera Basics-resolution, Exposure, Focus, and Storage
Author: Brian Lee
The amount of detail that a camera can capture is called the resolution, and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger pictures can be without becoming blurry or “grainy.” High-end consumer cameras can capture over 12 million pixels. Some professional cameras support over 16 million pixels (megapixels), or 20 million pixels for large-format cameras. For comparison, it has been estimated that the quality of 35mm film is about 20 million pixels.
Exposure and Focus
Just as with film, a digital camera has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and shutter speed, are also present on conventional cameras.
Aperture: The size of the opening in the camera. The aperture is automatic in most digital cameras, but some allow manual adjustment to give professionals and hobbyists more control over the final image.
Shutter speed: The amount of time that light can pass through the aperture. Unlike film, the light sensor in a digital camera can be reset electronically, so digital cameras have a digital shutter rather than a mechanical shutter.
These two aspects work together to capture the amount of light needed to make a good image. In photographic terms, they set the exposure of the sensor.
In addition to controlling the amount of light, the camera has to adjust the lenses to control how the light is focused on the sensor. In general, the lenses on digital cameras are very similar to conventional camera lenses — some digital cameras can even use conventional lenses. Most use automatic focusing techniques.
The focal length, however, is one important difference between the lens of a digital camera and the lens of a 35mm camera. The focal length is the distance between the lens and the surface of the sensor. Sensors from different manufacturers vary widely in size, but in general they’re smaller than a piece of 35mm film. In order to project the image onto a smaller sensor, the focal length is shortened by the same proportion.
Focal length also determines the magnification, or zoom, when you look through the camera. In 35mm cameras, a 50mm lens gives a natural view of the subject. Increasing the focal length increases the magnification, and objects appear to get closer. The reverse happens when decreasing the focal length. A zoom lens is any lens that has an adjustable focal length, and digital cameras can have optical or digital zoom — some have both. Some cameras also have macro focusing capability, meaning that the camera can take pictures from very close to the subject.
Digital cameras have one of four types of lenses:
1) Fixed-focus, fixed-zoom lenses - These are the kinds of lenses on disposable and inexpensive film cameras — inexpensive and great for snapshots, but fairly limited.
2) Optical-zoom lenses with automatic focus - Similar to the lens on a video camcorder, these have “wide” and “telephoto” options and automatic focus. The camera may or may not support manual focus. These actually change the focal length of the lens rather than just magnifying the information that hits the sensor.
3) Digital-zoom lenses - With digital zoom, the camera takes pixels from the center of the image sensor and interpolates (alters) them to make a full-sized image. Depending on the resolution of the image and the sensor, this approach may create a grainy or fuzzy image. You can manually do the same thing with image processing software — simply snap a picture, cut out the center and magnify it.
4) Replaceable lens systems - These are similar to the replaceable lenses on a 35mm camera. Some digital cameras can use 35mm camera lenses.
Most digital cameras have an LCD screen so you can view your picture right away. This is one of the great advantages of a digital camera — you get immediate feedback on what you capture. Of course, viewing the image on your camera would lose its charm if that’s all you could do. You want to be able to load the picture into your computer or send it directly to a printer. There are several ways to do this.
Although most of today’s cameras are capable of connecting through serial, parallel, SCSI, USB, or FireWire connections, they usually also use some sort of removable storage device. Digital cameras use a number of storage systems. These are like reusable, digital film, and they use a caddy or card reader to transfer the data to a computer. Many involve fixed or removable flash memory. Digital camera manufacturers often develop their own proprietary flash memory devices, including SmartMedia cards, CompactFlash cards and Memory Sticks. Other removable storage device include floppy disks, hard disks (external, or microdrives), and writeable CD’s and DVD’s.
Regardless of what type of storage they use, all digital cameras need lots of room for pictures. They usually store images in one of two formats — TIFF, which is uncompressed, and JPEG, which is compressed. Most cameras use the JPEG file format for storing pictures, and they sometimes offer quality settings (such as medium or high).
To make the most of their storage space, almost all digital cameras use some sort of additional data compression to make the files smaller. One compression routine takes advantage of patterns that repeat. The image can be reconstructed exactly as it was recorded, reducing the file size no more than 50%, often much less. Another compression routine called irrelevancy eliminates some of the more meaningless data, taking advantage of the fact that digital cameras record more information than the human eye can easily detect.
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18 Sep 08 Top 20 Questions to Consider When Buying a Digital Camera
Author: aldrin garcia
My top 20 key questions to ask yourself when buying a digital camera.
1. How many “megapixels” /resolution?
Once and for all, at least to me, you have to get the highest resolution your money can buy at the time you buy. Period.
2. Who made the lens?
Most cameras will give you an idea where the lens was made just by looking at the front of the lens. Know if the lens of your camera came from a reputable company like Leica, Zeiss, Canon, Etc… Lens quality is one of the most important factors you should consider especially if you’re going to use it for commercial, technical or scientific purposes.
3. Will I need interchangeable lenses? How many are available for my specific camera in mind?
Having the option of interchangeable lenses gives you the freedom to experiment with different kinds of focal lengths. Although some P&S (point and shoot) cameras can rival DSLR’s with a generous zoom range for a non interchangeable lens system.
Also note the number of lenses available for use with your specific camera because of flexibility reasons. You can practically cover the entire “zoom range” with interchangeable lenses versus modest zoom ranges on non interchangeable lens systems or P&S cameras.
4. Does it have a zoom capability? What’s the range?
Almost all applications that I listed above will need some form of zooming in (telephoto) or out (wide angle), especially if you don’t have the space to move around the object you are shooting.
For Landscape shots, wide angle shots are very common and appealing while zooming in on the details serves as a break and complements the wide angle shots.
For weddings and events, you need a zoom because there will be times where you are limited by the shooting space and you will have a difficult time moving around. Its a good thing to know that you can do all sorts of framing without even moving from your position.
A nice zoom will give you the efficiency and versatility in your photography, so my suggestion is to go for the longest range you can get (usually from a 7X to a 10X for Point and Shoots).
Also note the speed of zooming in or out as this will be a factor if you’re shooting events like weddings. You will fail to capture that “decisive moment” on a mediocre zoom speed.
5. Does it have the provision to capture raw images?
Many photographers will say you’ll need this digital camera feature if you want to have big prints from your pictures. Although this is correct, the main reason why you will want this is because of the benefit it will give you…pure total control of your pictures… from exposure, color, metadata, hdr and a lot more.
6. Can I attach an external flash?
Having an external flash capability will give you the power and creative freedom to light your subjects any which way you like.
You can connect your digital camera to all sorts of lighting equipment thus giving you more options and versatility. This comes in the form of a hotshoe or a PC-Sync socket.
If your digital camera doesn’t have this feature, there is still hope because accessories called flash slaves are being sold by third party companies in different flavors that will also do the same job more or less.
7. Does it have a tripod socket?
Some of the most beautiful landscape pictures that I’ve seen are undoubtedly made with a tripod, so this is a must have if you are planning to do this kind of photography.
The “available light shots” in a wedding, still life and product shots, studio and fine art shots … all need a tripod for successful execution… so guess what happens if you don’t have a tripod socket?… You cannot effectively use a tripod!
8. Does it have automatic and manual focusing?
It will not be evident at first why you’ll need this especially if you’re just starting out in photography. But if you’re like me… A total control freak when it comes to cameras… and you really want to express your creative side, this is definitely a must have.
9. Can you attach filters to it? and what filter size?
Creative expression through special effects is just one of the many reasons that makes photography fun and interesting, and experimenting with filters is one creative pursuit you should try with your photography especially if you’re a beginner.
Always remember to ask if the particular digital camera you are eyeing for can handle filters and ask for the filter size. (To save you from buying the right filter with the wrong filter size) Please note that most Digital SLRs should be able to to handle filters as most lenses that come with it have a filter thread built into the lens.
Most P&S (point and shoot) digital cameras normally doesn’t have a filter thread built-in and might need special accessories to accomplish this so you should check to know for sure.
Again, there are many third party accessories that you could buy to adapt filters to your P&S digital cameras that don’t have this provisions. I’ll discuss all about this in a future post so watch for it. (Or subscribe to my announcement list (feed via email) so you’ll know when it’s up.
10. Can I upgrade the firmware?
The good thing about some digital camera manufacturers is that they keep on improving their digital cameras even after they sold it to you… this comes in the form of a firmware upgrade.
Usually this involves an improvement on one or many features of a camera. Be sure that the digital camera you’re planning to buy has an easy way of upgrading its firmware. This comes in the form of either an easy download via the manufacturer’s website (find it and bookmark it now) or a FREE CDROM.
Another caveat - be sure to consider if a downgrade is also possible or available with your digital camera… Why is there a need a downgrade you ask?… Because, you may want to reinstall an earlier firmware… just in case you don’t like the results from a firmware upgrade.
Occasionally there’s a feature that will be removed by the upgrade that you failed to read about and you decided that you just want to keep that feature instead of a bunch of trivial upgrades from the new firmware. (Yes, I personally experienced this.)
11. Are there extra goodies or software that come with it?
Some people ignore the fact that you can save a lot of money just by doing a simple arithmetic. Did you know that you could actually get your digital camera for a lot less if you study the deals and offers on the marketplace?
If you buy a digital camera and it comes with software that you can really use… like photoshop, elements, or any other image editing software for that matter, then you already saved some money you would otherwise spend. Some dealers will throw in lots of extras… If you just simply ask.
Always try to ask for these things that you’ll end up buying anyway if you don’t - like camera bags, extra lenses, extra batteries, memory cards, tripod, lens cleaners etc. Trust me… you will end up buying these things if you don’t ask for it on the deal. What have you got to lose? Simply ASK. Would you believe that I effectively lowered one of my camera purchase cost by as much as 30%? Ask away.
12. Is there Local Support in your area?
Finding the answer to this one will give you a great benefit in the long run. Wouldn’t you sleep better at night because you feel that extra security - that in case there is something wrong with your digital camera, you can bring it in for repair at a moments notice?
Not knowing when your camera will be repaired (or if it even arrived at a distant repair facility) is one of the worst feelings a photographer can have especially if you’re in the middle of a photoshoot or project.
13. What type of warranty does it have? Worldwide / Countrywide?
If you travel a lot its good to know that a countrywide or even better - a worldwide warranty can get your camera fixed wherever you are. Always bring the warranty card and glue it on your camera bag.
14. Does it have the ability to take video and audio?
I know, most DSLRs don’t have this function. But some non interchangeable lens DSLRs have it. This is a very useful feature to have if you’re on a project or photoshoot and want to document or record a procedure, a moment, or an idea that you would otherwise have trouble remembering or even writing. It’s always a good idea to bring a P&S camera backup that have this function.
The things that you could do with audio and videoclips on a photoshoot are only limited by your imagination… interviews, documentation, funny quips, training procedures, bloopers, etc..
15. Does it have a manual white balance?
White balance is one of the most interesting aspects of digital cameras. Its fun and fascinating to work with. Having this option puts the photography fun-o-meter way way up. In future posts, I will be discussing white balance in detail so be sure to stay tuned.
16. How sensitive is it to infrared?
If you’re planning to make infrared pictures or enter the exciting world of Infrared fine art photography then you’ll want to know if your digital camera can do it.
TIP: There is a simple way to test how sensitive your digital camera is to infrared using a very common device - a TV remote control. For P&S, you can aim the remote control towards the lens and gauge how bright the LED from remote is. This should give you an idea how sensitive your digital camera is to infrared. For DSLRs you will need to take shots of the LED and experiment a little or you can simply research or google the particular camera model you have in mind for other people’s experiences and thoughts about it.
17. How high is the ISO sensitivity? Is it manually adjustable?
ISO sensitivity is a term referring to the sensitivity of film to light. In the digital camera world, it refers to the sensitivity of the electronic sensor in your digital camera in relation to the ISO standard used for film.
The higher the ISO sensitivity of your camera the faster or better it can record a specific amount of light.
High ISO sensitivity is useful for taking better pictures in dark settings… such as inside a church or at night. The higher the ISO setting, the more details you can capture of a dark scene.
One caveat - take note of the amount of noise a particular camera exhibits at higher ISOs. Some people like it and some don’t. Again, don’t be afraid to ask or do research on the noise characteristics of your camera model in mind to see if this is the right choice for you.
18. How high or low can you set the shutterspeed? What are the minimum and maximum aperture settings?
Shutterspeed and aperture settings are the basic mechanisms that drive your camera and controls the amount of light that is exposed by the film or image sensor.
You use high shutterspeeds in action shots and to prevent camera shake, and you use low shutterspeeds for movement effects and bulb or long exposures. You can check for these figures on the websites that I gave you in part 1. You can see it in the technical specifications for a particular camera.
A bulb or “T” function is a nice feature to have because you can take exposures for virtually very long periods of time. Another feature to have is if your camera has a remote control to use this bulb or “T” mode. This gives you the capability to take pictures without holding your camera and adding to the “camera shake”.
With the subject of apertures, a small one (small aperture opening) lets you have a wider depth of field so your shots are sharp from near to far versus a large aperture (big aperture opening) where your shots have a narrow depth of field and appear “selectively focused”.
19. Does it have some form of an image stabilizer?
New cameras coming out as we speak often have this feature. Simply put, an image stabilizer is some form of a mechanism built into the lens or the camera body (depending on the manufacturer and their implementation) that basically prevents you from getting blurred pictures when taking pictures in low light or you are using a long or telephoto lens. Having this feature can mean the difference between a blurry picture (aka no picture!) to a usable one.
20. How close can it focus? Macro abilities?
The closer your camera can focus… the bigger the picture of an object you can take in relation to the image dimensions of the final photo… and the bigger the picture of the object… the more detail you can get. If you want to take pictures of small objects such as flowers and fine details then this is a must-have.
That’s it. Whew.
Do you really have to go over all these questions?… Of course not, but even if you only study and ponder on half of them…and take the time… I promise you that one thing will surely happen…
You’ll be…
a lot smarter!
than when you first started asking these questions… ergo you’ll be in a better position to decide what digital camera to buy… Because you are now armed with the most powerful tool anybody can have
the power of information!
In any case, I hope you find as much value in these questions as many of my friends have and be able to get the camera of your dreams.
Enjoy!
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