21 Sep 08 Nikon Introduces F6 as Pinnacle of 35MM SLR Photography
Nikon F6™ Becomes the Next Legendary F-Series Camera That Offers Cutting-Edge Technologies to 35mm Film Photography
MELVILLE, NY, SEPTEMBER 16, 2004 - Responding to the demands of professionals and enthusiasts around the world, Nikon (www.nikonusa.com) today introduced the F6™ 35mm professional SLR - a flagship film camera that seamlessly blends cutting-edge new technologies and uncompromising craftsmanship to offer film enthusiasts the finest shooting experience an SLR camera can offer.
The F6 benefits from the aggressive advancements in camera technology Nikon has made in response to an explosive demand for high-end digital cameras. It embodies Nikon’s latest technological advancements, such as the Multi-CAM200 11-area AF system for exceptionally high-speed autofocus operation with outstanding accuracy, and the i-TTL Creative Lighting System for incomparable flash photography. The F6 features a newly refined proprietary 3D Color Matrix Metering system for improved accuracy in scene recognition and exposure. The camera also operates at highly subdued noise levels to ensure the ultimate shooting experience. For film shooters, the F6 undoubtedly represents the epitome of 35mm SLR photography and cutting edge performance.
“While many professional photographers have rapidly adopted digital photography in their workflow, there are several who enjoy the choice of using 35m film, depending on the situation or circumstance they are photographing in. Nikon recognizes this, and with the F6 and the newly announced D2X digital SLR camera, we are offering photographers the best cameras in both categories, for a seamless experience in performance, features and usability,” said Jerry Grossman, vice president of Marketing, Nikon Inc.
The F6 is the sixth model in a legendary series of F-series professional film SLR cameras from Nikon. First introduced with the Nikon F in 1959, the series has transcended newer challenges over the years with successive new models. The original Nikon F was succeeded by the F2 (1971), F3 (1980), F4 (1988) and the critically acclaimed F5 in 1996. Each of these cameras inherited select elements from its predecessors, including the legendary Nikon F mount and a consistent design philosophy to offer professionals tools of the highest caliber and performance. Each successive model also raised the bar for innovation and technological advancement to meet the increasingly diversified needs of professional photographers. Today, tens of thousands of Nikon F-series SLR cameras and Nikkor lenses are put to test daily around the world, helping photographers make great pictures. The new Nikon F6 promises to uphold Nikon’s tradition of innovation and enduring value.
F6 offers New Features for Film Fanatics
The Nikon F6 35mm film SLR camera earns its right to become the next flagship Nikon F-Series professional camera by incorporating remarkable new technologies and design enhancements that give photographers who prefer film the highest level of performance in an SLR camera. In addition to incorporating Nikon’s new Multi-CAM2000 11-area AF system and powerful i-TTL Creative Lighting System, the F6 also incorporates several fine refinements in design and construction. It features an improved Nikon 3D Color Matrix Metering system for greater accuracy in scene recognition and exposure, as well as a new shutter unit crafted from DuPont™ KEVLAR® and a special aluminum alloy for unparalleled reliability, lighting-quick movement and precision. Nikon engineers have successfully subdued the camera’s operational sounds by using a professional echoic chamber to measure sound and vibration meticulously and then craft the camera with parts that have been highly refined for absolute minimum vibration, and frequency of movement attenuated to a level below that detectable by the human ear. Constructed on an aluminum-alloy die-cast chassis with magnesium-alloy front body and covers (top, bottom) and strategically placed rubber surfaces, the F6 is built like a tank, and has undergone several reliability and rigidity tests to ensure flawless performance. A self-diagnostic shutter incorporated in the camera has undergone testing to assure accurate release up to and beyond 150,000 cycles, even in the most extreme environmental conditions. The F6 undoubtedly goes beyond Nikon’s uncompromising standards of quality, durability and rigidity that photographers around the world expect and trust.
The F6 also features a variety of exciting, innovative control options such as a customizable function button, built-in data back functions, shooting data memory and compatibility with a new Multi Power Battery Pack MB-40. This new power pack boosts the camera”s framing rate from a native 5.5 frames per second to a full 8 frames per second, allowing Nikon engineers to reduce the size of the F6 significantly from its predecessor, the F5. With the convenience and versatility afforded by 41 Custom Settings, photographers can also fine-tune the F6 to suit their individual shooting preferences and requirements.
The new flagship film SLR also boasts a number of dedicated accessories. These include the Multi Power Battery Pack MB-40, interchangeable focusing screens (seven types), Data Reader MV-1 and camera cases. The Nikon F6 is scheduled to be available at Nikon authorized dealers in October 2004.
Nikon F6 Feature Highlights
High-precision shutter unit
No shutter unit in any other camera comes close to matching the precision and durability of the F6’s assembly. Created from cutting-edge materials - DuPontTM KEVLAR® and a special aluminum alloy - the blades of the shutter unit offer unparalleled reliability and are extremely lightweight, for lightning-quick movement. For enhanced accuracy, the movement of the blades was carefully analyzed during the design process using a high-speed video camera and computer simulations, enabling unprecedented precision even at shutter speeds of up to 1/8,000 second.
DuPontTM and KEVLAR® are trademarks and registered trademarks of DuPont or its affiliates.
Minimized operational sound and vibration
Nikon engineers were so intent on subduing the camera’s operational sounds that they used a professional audio room to properly gauge the sound quality and frequency. The degree of vibration to which every part of the camera would be subjected was measured. This meticulous approach has resulted in a camera comprised of parts that have been highly refined for absolute minimum vibration, and frequency of movement attenuated to a level below that detectable by the human ear.
Highly efficient mechanics
The development of the F6 marks the first time 3D computer movement analysis has ever been applied to an SLR. This technique reveals the degree of power distributed to or generated by particular parts in specific directions. This made it possible for Nikon to optimize the mechanical operation of the camera with fewer parts, leading to lower power consumption and higher durability
Harsh environmental testing
To ensure the camera could withstand the most severe conditions and environments, the F6 has been subjected to rigorous testing. The F6’s astonishing reliability is a function of Nikon’s “the right material for the right place” approach. Nikon engineers considered countless situations for camera use, then submitted the F6 to real-life testing to virtually guarantee exceptional dependability wherever and whenever photographers shoot.
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21 Sep 08 Nikon Introduces New SB-800 Speedlight With i-TTL Technology
Designed For D2H Professional Digital SLR, SB-800 Offers Full Wireless Remote Control for Multiple Speedlights; New Level of Color Accuracy
MELVILLE, NY, JULY 22, 2003 - Nikon (www.nikonusa.com), the world leader in photography, today introduced the SB-800™ speedlight, the foundation for a new Nikon Creative Lighting System. The SB-800 features powerful new i-TTL™ flash control system for automatic balanced fill-flash and advanced wireless lighting capabilities that delivers outstanding results creative new possibilities. The SB-800’s i-TTL Balanced Fill-Flash control utilizes Nikon’s new Advanced Data Communication system to introduce improved monitor-pre-flash and wireless operation.
Designed for professional photographers and photo enthusiasts, the SB-800 offers groundbreaking new features when used with Nikon’s new D2H professional digital SLR camera. These features include advanced wireless control for multiple SB-800 speedlights that are controlled by a master speedlight, new Auto FP high-speed sync, new Flash Value (FV) lock, flash color information communication for improved color accuracy and a new Wide-Area AF Assist Illuminator that is tailored to the D2H’s new 11-area Multi-Cam 2000 AF sensor module. Combined with other Nikon digital SLR cameras, the SB-800 offers performance comparable to the highly successful Nikon SB-80DX speedlight.
“While developing the new D2H professional digital SLR camera, Nikon recognized the opportunity to create a new speedlight system that could harness the revolutionary technology incorporated in the camera and respond to professional photographers’ needs. The result is the SB-800 speedlight, Nikon’s most advanced lighting system, featuring revolutionary new i-TTL advanced wireless control capabilities,” said Richard LoPinto, vice president for SLR camera systems at Nikon, Inc. “The SB-800 will find creative uses in studios, remote locations and any number of picture-taking situations where photographers need to carry a compact, versatile and powerful light system that works automatically and maintains tremendous creative control,” he added.
SB-800: Advanced Wireless Lighting Control for Easier Creative Lighting
The SB-800 speedlight system features new wireless technology that enables photographers to fully control up to four groups of SB-800 speedlights wirelessly. This set of four includes one Master Controller and three remote groups - each of which can contain any number of SB-800 speedlights for total lighting control. A majority of features for speedlights within each group can be individually controlled from the Master Controller. These settings are made and confirmed on the Master Controller’s large dot-matrix LCD screen. All speedlights within this wireless arrangement can operate in i-TTL mode for completely automatic flash exposures - which are calculated via a new monitor pre-flash function that measures light from each source and combines them with overall camera exposure readings - producing an accurate, well exposed photograph with balanced lighting. Each group within the wireless arrangement can also be programmed to different flash modes such as i-TTL AA, or Manual mode, or any combination of these modes.
One of the most appealing features of Nikon’s i-TTL wireless system is the ability to adjust flash compensation settings on the fly for each group of speedlights, from the Master Controller. This makes controlling light output from speedlights placed in hard to reach locations simple and effortless. The SB-800 makes multiple flash photography as easy as using a single speedlight mounted on a camera, without the hassles of cables or stands.
In addition to wireless flash capabilities, the SB-800 offers significant new features designed for high-speed photography and exceptional overall accuracy. Highlights of these new features include:
- Auto White Balance Adjustment using Flash Color Temperature Information: The SB-800 achieves a high level of color accuracy when used with the D2H digital SLR camera. With changes in the duration of light emitted by a speedlight, there are slight variations of color temperature. Using the D2H in Auto White Balance mode, the SB-800 communicates these slight variations in color data back to D2H and the camera’s auto white balance system implements the fine adjustment needed for overall excellent white balance.
- FV-Lock: FV-Lock (Flash Value Lock) is comparable to the way an AE-Lock functions in a camera. Once the camera measures a correct flash value, the SB-800 locks this value until the photographer resets it - helping to maintain the flash value for correct exposure of the subject.
- Auto FP High-Speed Sync Flash: The SB-800’s Auto FP function can automatically fire the speedlight in i-TTL mode at shutter speeds up to 1/8,000 second, offering excellent opportunities to use flash in bright light with fast aperture lenses.
- Modeling Flash: A modeling flash feature in the SB-800 fires a stroboscopic burst of light for approximately one second, allowing photographers to visually confirm lighting and shadow effects before shooting.
- Quick Battery Recycle Pack: Included with the SB-800 Speedlight is the SD-800 Quick Battery Recycle pack that cuts recycling time in the SB-800 to as short as 2.7 seconds for full power manual flash.
- Additional features: Additional features in the SB-800 include zoom coverage, bounce and rotating flash head, large LCD read-out panel, accessory filters for special color effects and emulation of fluorescent and incandescent lighting, robust locking flash shoe, and autofocus assist light.
Seamless Functionality Within Nikon’s Total Imaging System
The SB-800 offers 3D Multi-Sensor Balanced Fill-Flash function with Nikon’s F5, F100, N80 and N75 35mm film SLR cameras and offers Matrix Balanced Fill-Flash with the N65 35mm film SLR camera. The SB-800 also provides D-TTL performance with Nikon digital SLR cameras including the D1x, D1H, D1, and D100. With the new D2H digital SLR camera, the speedlight offers advanced i-TTL control. The D2H is also fully compatible with all DX-series Nikon speedlights, including the SB-80DX, SB-50DX and SB-28DX. The SB-800 speedlight will be available at Nikon authorized dealer locations in the fourth quarter of 2003.
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20 Sep 08 Basic Understanding of your Digital Camera Flash
Author: Chris Marshall
Many of us do not think twice about the usage of our digital camera’s flash assuming that the camera will use the flash automatically as needed. Flash however can and should be manually set in many scenarios resulting in high quality digital photos.
The most common usage of flash photography is when there is not enough ambient light for example when taking an indoor digital photo in a dark room. There are many other ways in which you can use your digital camera’s flash to get high quality digital photos. One such usage is fill-in flash.
Before setting your flash to manual mode and making more efficient usage of it you should know a bit more of the technology and history behind flash photography. Flash photography has been around for more than a century. During the early days of photography flash was implemented as a powder that was literally lit by either fire or electrical current. At that time flash photography was a risky business. Digital cameras today use a safe implementation by utilizing electronic flash tubes that are automatically synchronized with the camera’s shutter.
You have two options for using flash with your digital camera. The first option is using the digital camera internal flash. Practically all digital cameras have build-in flash units. Most cameras also allow the usage of an external flash unit. Such flash units can be either mechanically attached to the digital camera or they can be connected to the camera via a cable and mechanically positioned on a tripod or any other mechanism. They are synchronized and controlled by the digital camera. External flash units vary in price and features. They can have different maximum light energy that they can emit and different mechanical capabilities (tilting, skewing).
In automatic flash mode the camera sensors evaluate the amount of ambient light in the scene. The digital camera fires the flash if the amount of ambient light is not high enough. There are limitations to the cameras automatic sensors resulting in either firing the flash when it was not needed or vice versa.
In some scenarios the usage of flash can result in poor digital photos. For example when the object is too close to the digital camera the flash light will be too strong and will wash out the object. Another example is in scenarios where the flash creates unwanted shadows in the digital photo. Yet another example is exaggeration of details such as when shooting a digital photo of an older person the skin wrinkles and imperfections details can be overly detailed.
Digital camera’s flash units have a certain effective range. This is a limitation of how much light energy the flash unit can emit. Internal flash units usually have shorter range than external flash units. If the object in the photo is outside of the flash range the flash will not be effective and the object will be dark. On the other hand if the object is too close to the flash unit or the flash unit emits too much energy the object will be washed out. If your object is outside of your flash unit effective range you should turn off the flash and use slow shutter photography preferably with a tripod or another stabilizing mechanism. If your flash units allows the setting of the light energy that will be fired (usually by setting the distance to the object) make sure that it is set right to prevent washed out objects.
In some scenarios there will be enough ambient light to take a digital photo but without the usage of the flash the digital photo quality will be very poor. In such scenario if the camera is left on automatic flash mode it will not fire the flash. For example daytime photography with an object that is shadowed. If the object is wearing a hat it can create shades on the object’s face or when the object is lit from the side the object’s nose can create shades too. Putting the flash in manual fill-in mode will force the flash to fire. The flash will lit those shadowed areas and prevent the shades in the final digital photo. The object of course must be in effective flash range. Another example is an object that is lit from behind such as when taking a digital photo of an object against a sunset. Without a fill-in flash the photo will likely be just a dark silhouette of the object.
These were some basic concepts behind flash usage. There are many other advanced options for your digital camera flash. For example bounce flash can result in great digital photos in that mode instead of pointing the flash directly at the object it is pointed to some reflecting surface like a wall or a special reflector. The result is more natural light and color rich digital photos.
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