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21 Sep 08 Enjoy the Photography With Digital Cameras

Author: Elaina

Digital is getting huge popularity among the all-level . In fact, the age of cameras is gone and now the cameras that can produce are in vogue. Such cameras have brought a new revolution in the field of professional .

are attracting the lovers these days. These have many advantages which make such cameras useful for taking and creating videos. These benefits can be stated as the following.

* The facility of instant review is given with such cameras that enable users to correct their mistakes and take another .
* One does not have to spend money on as these cameras give him or her opportunity to take many shots of the same object or scene.
* The allow users to capture hundreds of and save them on to the computer.
* The taken by these devices can be easily copied from one medium to other optical medium.
* One can also upload the on different online portals so that they could see them anytime and anywhere.
* These gadgets are also smaller in size and lighter in weight than the cameras.
* Such devices enable users to change the so that different styles of can be tried out. *

Users can find many brands of digital . Some of them are , and cameras. The popular devices are equipped with 10.0 mega camera and many other advanced features. Similarly, gadgets too are loaded with high camera, 24X zooming facility and external card space.

The discounted can be found on the online shopping portals. These portals offer discount to the customers so that they could gain the maximum benefits. Various incentives, schemes and deals are also offered on these websites. One can participate in the online contests in order to win the free gifts and sometimes also avail the products free of cost.

are used extensively by persons of all ages. The manufacturing companies are focusing on research and development works so that they could bring more innovative features in their products. Therefore, one can look for more advanced cameras in the future.

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21 Sep 08 About Digital Cameras

Author: Mohit Sharma

The have the ability to display the on the screen immediately after the image is recorded. The to be captured can be seen on its screen instead of its . This way you can get a clearer preview of the image you are intending to capture.
The outdoes the traditional camera in its image storing capacity too. The has the ability to store thousands of on a single device. In addition you can even erase or unload the captured onto your computer and reuse the camera’s inbuilt . In some cases you can even put a new card and store more . also allow you to edit . When capturing videos, have the ability to record sound too, thus making video capturing a fun experience.
There are varied categories of :
: They are the cameras that exclusively record moving .
The professional are the ones used for production, etc. these have multiple thus enhancing the of the end product. These do not have a inbuilt VCR or .
The camcorder is another type of that has a to record sound and an to view the image that you are going to capture. This is mostly used by amateurs.
The web cameras are the type that is attached to the computers. Some of these web cameras have , while some of them also include abilities.
Compact : They are small and portable; the smallest of them are called subcompacts. They are easy to use with not many special features or high quality. They have built in of not a very high power, but sufficient for close objects. It also permits live preview. They have a greater depth of field thus allowing objects from larger distances to come in sharp focus.
Bridge cameras: They are higher-end that look a lot like . Bridge cameras have the same advanced features as SLR and the live preview like the compact .
Digital single cameras: This is the that works like the single- with a .
Digital : A rangefinder is an optical mechanism used to measure subject distance. They were once widely used on cameras.
Professional modular systems: Mostly these cameras are used in studios for commercial production. Since they are bulky and difficult to carry they are rarely used in action or nature . They can be changed to digital or cameras by simply replacing the back part of the entire device.
Line-scan camera systems: This type of camera is used in industrial areas in order to capture an image of a constant stream of moving material. This technology has the ability
These cameras are almost solely used in industrial settings to capture an image of a constant stream of moving material. Line-scan technology is capable of capturing data extremely fast, and at very high image .

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21 Sep 08 Digital Camera - the Easy Way to Take Pictures

Author: Roberto Sedycias

In comparison to cameras, have number of advantages which includes displaying the image on the camera screen right after recording, a single small device can record thousands of , records , provision to edit , and above all capacity can be re-used by deleting the . There are numbers of devices available that has in-built like mobile phones, PDA`s etc. Specialized are fit into like The .

Digitizing on scanner and digitizing are much older than making of still using from an array of discrete . It was then used for astronauts to provide onboard navigation information during their visit to planets. It provided the still of stars and planet locations during transit and also additional stadiametric information for orbiting or landing guidance while approaching planet.

Steven Sasson, an engineer at Eastman , attempted to develop first with solid state chips. But it was just a technical exercise. The true was DS-1P developed in 1988. And the first commercialized camera was Dycam Model 1 in 1990. Then in 1991, launched its DCS 100. Else QV-10 was the first consumer camera in 1995. D1, a 2.74 camera was the first developed in 1999. And in 2003, 300D, first 600 camera was launched.

There are various types of available. For videos, there are professional which are used in television and movie production. Camcorders come with inbuilt and a small to watch video while recording and playback. One can get still also with them. Webcams, attached to computers, can capture full-motion video and are also available with or zooming ability.

In live-preview , there is an electronic camera that can be used to frame and preview before taking the and also to review stored . Many of such cameras can take motion . Then the recorded can be transferred to computer, printer or any other such device. USB mass device enables the camera to function as disk drive for computer and Transfer Protocol is then used.

To use Firewire, device is removed from camera and inserted into other device. Compact , small and portable with inbuilt , are easy to use, and are stored using Lossy compression. They might be able to capture motion but that to a limit. Bridge or SLR like camera is higher-end-live-preview camera with more advanced features like superzoom , takes movies with sound, etc. Digital rangefinder, a user operated mechanism, is capable to measure subject distance.

Apart from above mentioned , there are other categories also. Professional modular systems are used in studios for commercial production. Line-scan camera systems, based on focusing mechanism, are used in industrial settings to capture of constantly moving materials. They capture at extremely fast with high image .

Most of the come with pre-set modes for different applications. Data can be transferred through USB port, Firewire port, USB PTP mode and even through wireless connections like WiFi, Bluetooth etc. These data are mostly stored in Microdrives, Joint Experts Group (JPEG), Tagged Image File Format (TIFF) and RAW. Formats for movies are AVI, DV, MPEG and MOV. Recently MP4 format is also developed. have small but powerful to operate for enough length of time.

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20 Sep 08 The Magic Behind Digital Camera

Author: Harry Rockwell

A , as opposed to a or videotape camera, uses an to transform (or video) into electronic data. Modern are typically multifunctional and the same device can take , video, and/or sound.

In 2005, are starting to push traditional cameras out of many markets. Shrinking device sizes have recently allowed miniaturized to be included in multifunctional devices, such as cell phones and PDAs.

Classification

can be classified into several groups:

* Professional such as those used in television and movie production. These typically have multiple sensors (one per color) to enhance and color gamut. Professional usually do not have a built-in VCR or .

* Camcorders used by amateurs. These are a combination of camera and VCR to create an all-in-one production unit. They generally include a to record sound, and feature a small LCD to watch the video during filming and playback.

Still cameras

are generally characterized by the use of and USB or Fire Wire for and transfer.

Most have a rear LCD for reviewing . They are rated in ; that is, the product of their maximum dimensions. The actual transfers to a host computer are commonly carried out using the USB mass device class (so that the camera appear as a drive) or using the Transfer Protocol and its derivatives.

All use a (for Charged Coupled Device) which is a chip comprised of a grid of phototransistors to sense the light intensities across the plane of focus of the .

There has recently been some application of a second kind of chip, called a (Complementary Metal-Oxide Semiconductor) sensor, and this chip is often differentiated from a proper in that it uses less power and a different kind of light sensing material, however the differences are highly technical and many manufacturers still consider the chip a charged coupled device. For our purposes, a chip sensor is a .

* Standard : This encompasses most . They are characterized by great ease in operation and easy focusing; this design allows for limited motion capability. They have an extended depth of field.

This allows objects at multiple depths to be in focus simultaneously, which accounts for much of their ease of focusing. It is also part of the reason professional find their flat or artificial-looking. They excel in landscape and casual use.

* typically have a sensor nine times larger than that of a standard , and are targeted at professional and enthusiasts. They resemble ordinary in most ways, with replaceable and lens components, which give the user maximum control over light, focus and depth of field.

They are also bulkier and more expensive than their casual-use oriented counterparts. They are superb for portraiture and artistic because they can be customized for various applications with a comprehensive range of exchangeable .

Professional modular systems

High-end backs used by professionals are usually separate devices from the which they are used with. (This is because most of the large- and medium-format camera systems in professional use at the time that digital capture overtook as the professional’s medium of choice were modular in nature, i.e. the had multiple , viewfinders, winders and backs available for use with it to fit different needs.)

Since the first backs were introduced there have been three main methods of “capturing” the image, each based on the hardware configuration of the particular back.

The first method is often called “Single Shot,” in reference to the number of times the camera’s sensor is exposed to the light passing through the .

Single Shot capture systems use either one with a Bayer filter stamped onto it or three separate CCDs (one each for the primary additive colors Red, Green and Blue) which are exposed to the same image via a beam splitter.

The second method is referred to as “Multi-Shot” because the sensor is exposed to the image in a sequence of three or more openings of the lens aperture. There are several methods of application of the multi-shot technique.

The most common originally was to use a single with three filters (once again red, green and blue) passed in front of the sensor in sequence to obtain the additive color information.

Another multiple shot method utilized a single with a Bayer filter but actually moved the physical location of the on the focus plane of the lens to “stitch” together a higher image than the would allow otherwise. A third version combined the two methods without stamping a Bayer filter onto the chip.

The third method is called “Scan” because the sensor moves across the focus plane much like the sensor of a desktop scanner.

These CCDs are usually referred to as “sticks” rather than “chips” because they utilize only a single row of pixels (more properly “photosites”) which are again “stamped” with the Bayer filter.

The choice of method for a given capture is of course determined largely by the subject matter. It is usually inappropriate to attempt to capture a subject which moves (like people or objects in motion) with anything but a single shot system.

However, the higher color fidelity and larger file sizes and available with multi-shot and scan-backs make them attractive for commercial working with stationary subjects and large-format .

Webcams

* Webcams are attached to computers, used for or other purposes. Webcams can capture full-motion video as well, and some models include or ability.

These devices range in price from very inexpensive to expensive higher-end models; many complex webcams have a servo-controlled base capable of tracking facial motion with the help of software.

Interpolation

Image color or interpolation is used unless the camera uses a beam splitter single-shot approach, three-filter multi-shot approach, or Foveon X3 sensor.

The software specific to the camera interprets the information from the sensor to obtain a full color image. This is because in digital , each must have three values for luminous intensity, one each for the red, green, and blue channels. A normal cannot simultaneously record these three values.

The Bayer filter pattern is typically used. A Bayer filter pattern is a 2×2 pattern of light filters, with green ones at opposite corners and red and blue elsewhere.

The high proportion of green takes advantage of properties of the human visual system, which is determines brightness mostly from green and is far more sensitive to brightness than to hue or .

Sometimes a 4-color filter pattern is used, often involving 2 different hues of green. This provides a wider color gamut, but requires a slightly more complicated interpolation process.

The luminous intensity color values not captured for each can be interpolated (or guessed at) from the values of adjacent pixels which represent the color being calculated.

In some cases, extra is interpolated into the image by shifting photosites off of a standard grid pattern so that photosites are adjacent to each other at 45 degree angles, and all three values are interpolated for “virtual” photosites which fall into the spaces at 90 degree angles from the actual photosites.

Connectivity

Many can connect directly to a computer to transfer data. USB is the most widely used method, though some have a Fire wire port.

Integration

Some devices, like mobile phones integrates . Mobile phone cameras are much more sold than standalone digital ones.

need to store data. The higher one goes in size, the more will be needed. Cameras use a removable card to store data, but the cheapest and smallest cameras may simply use fixed internal instead. Some cameras come with inbuilt as well.

Autonomous devices

An autonomous device, such as a , operates without need of a computer. The camera connects to the printer, which then downloads and prints its . Some DVD recorders and television sets can read cards too.

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20 Sep 08 Is It Time To Get A Digital Camera?

Author: Carol Stack

If you are a enthusiast and enjoy taking on a regular basis, it may be time for you to explore what have to offer you. While at first, many were content with their cameras, many professionals are now turning to digital .

Whether you are a professional or you just enjoy taking great of your family and friends to document your life, can make getting the perfect much easier and cheaper.

Why Go Digital

There are a variety of great reasons to start using a for your needs. First of all you will find that in the long run, purchasing a will save you a great deal of money.

While the initial cost may scare some potential buyers away, if you tally up the cost of that you would have to use in a camera that uses and then the cost of developing that may not even turn out right, you will find that a will be well worth what you pay.

also help you ensure that you get the the first time. No more waiting until you develop the , only to realize that everyone blinked or Aunt Jenny’s head was cut off. With a , you can see the results immediately and can retake the if needed.

Another benefit is that you will not have to worry about running out of at the wrong time because, usually, you can shoot over a hundred with a with the right hardware.

What to Look For

If you are going to purchase a , you want to be sure that you find a camera that is good quality and suitable for the needs you have. One important factor to consider when you are purchasing a is the .

If you want that are clear, you will want a camera with a higher . In general, cameras that have between three and five are good quality, but you may want a camera with five to eight if you are doing professional .

Another consideration, when looking for the perfect , is the features on the camera. If the camera has no feature at all, you will probably want to consider a different camera.

If you want the very best features, you will select a camera that has optical , which will help you get shots up close that are very distinct and free from distortion. The LCD window is also something you want to consider when purchasing a . Having a larger LCD will enable you to see the you have taken more easily so you can decide when you need to take a again.

No matter what kind of you enjoy, making the change to a will be one that you will not regret. The is more cost effective and allows you to get perfect all the time. If you want quality at a low cost, consider the benefits that a has to offer you!

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20 Sep 08 Digital Camera Basics-images

Author: Brian Lee

In the past twenty years, most of the major technological breakthroughs in consumer electronics have been built around the same basic process: converting conventional analog information (represented by a fluctuating wave) into (binary information represented by ones and zeros, or bits). This fundamental shift in technology has changed how we handle visual and audio information — it completely redefined what is possible.

The is one of the most notable examples of this shift because it is so truly different from its predecessor. Conventional cameras depend entirely on chemical and mechanical processes — you don’t need any electricity whatsoever to operate them, other than for a . On the other hand, all have a built-in computer, and all of them record electronically.

The new approach has been enormously successful. Since usually provides better quality, have not completely replaced . But, as has improved, and prices dramatically decreased, have rapidly become more popular.

In this article, we’ll find out exactly what’s going on inside these amazing digital-age devices.

Understanding the Basics

Let’s say you want to take a and e-mail it to a friend. To do this, you need the image to be represented in the language that computers recognize — bits and bytes, or binary information. Essentially, a is just a long string of 1s and 0s that represent all the tiny colored dots — or pixels — that collectively make up the image. If you want to get a into this form, you have two options:

1) You can take a using a conventional camera, take the to a developing lab that processes the chemically, prints it onto photographic paper, and then place the on a to sample the print (record the pattern of light as a series of values).

2) You can directly sample the original light that bounces off your subject, immediately breaking that light pattern down into a series of values — in other words, you can use a .

At its most basic level, this is all there is to a . Just like a conventional camera, it has a series of that focus light to create an image of a scene. But instead of focusing this light onto a piece of , it focuses it onto a semiconductor device that records light electronically. A computer then breaks this electronic information down into digital data. All the fun and interesting features of come as a direct result of this process.

Instead of , a has a sensor that converts light into electrical charges.

The employed by most is a (). Some cameras use complementary metal oxide semiconductor () technology instead. Both and convert light into electrons. Without getting too technical, a simplified way to think about these sensors is to think of a 2-dimentional array of thousands or millions of tiny solar cells.

Once the sensor converts the light into electrons, it reads the value (accumulated charge) of each cell in the image. This is where the differences between the two main sensor types become a factor:

A transports the charge across the chip and reads it at one corner of the array. An analog-to-digital converter (ADC) then turns each ’s value into a digital value by measuring the amount of charge at each photosite and converting that measurement to binary form. sensors create high-quality, low-noise . sensors have been mass produced for a longer period of time, so they are more mature. They tend to have higher quality pixels, and more of them.

devices use several transistors at each to amplify and move the charge using ordinary wires. The signal is digital, so it needs no ADC. Because each on a sensor has several transistors located next to it, the light sensitivity of a chip is lower (many of the photons hit the transistors instead of the photodiode.) sensors traditionally consume little power. CCDs, on the other hand, use a process that consumes lots of power.

The amount of detail that the camera can capture is called the , and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger can be without becoming blurry or “grainy.” High-end can capture over 12 million pixels. Some support over 16 million pixels, or 20 million pixels for large-format cameras. For comparison, Hewlett Packard estimates that the quality of is about 20 million pixels.

Exposure and Focus

Just as with , a has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and , are also present on .

Aperture: The size of the opening in the camera. The aperture is automatic in most , but some allow manual adjustment to give professionals and hobbyists more control over the final image.

: The amount of time that light can pass through the aperture. Unlike , the in a can be reset electronically, so have a digital shutter rather than a .

These two aspects work together to capture the amount of light needed to make a good image. In , they set the exposure of the sensor.

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19 Sep 08 History And Type Of Digital Cameras

Author: Roberto Sedycias

A is such a camera that will take either video or still snaps digitally. It records the digitally on a light-. Some can take still snaps as well as video and audio. The have become very popular nowadays and more and more people are opting for rather than regular cameras.

are technologically much advanced and have many user-friendly features that are usually not found in regular cameras. One such very good feature is that it displays the image on the camera’s screen just after you catch it. Thus you can click and record millions and millions of , keep the ones you want and discard the others. After the or videos are recorded, you can edit the and thus can be a virtual master of the background, people etc. Imagine the fun when you can change the background of a taken at your home to be changed to a Hawaiian beach, or changing the hair color of your sister to a wild pink and many other things. The choices are unlimited.

Nowadays can be incorporated in many devices like PDAs or mobile phones or computers etc. Some like also use specialized .

technology has evolved from the similar technology that first recorded television . It was in 1951 when the first video tape recorder was used to capture live using television cameras. They converted the information in electrical impulses and saved the information on magnetic tape. It was actually due to NASA`s space technology that used digital to capture of surface of moon and advanced computer technology that led to major developments in digital .

Government was also using this technology in forms of spy camera and the time that being spy satellites and it contributed immensely in advancement of science of digital imaging. Soon private companies like , etc were releasing professional for ordinary people. Their strong marketing tactics worked and today are found everywhere.

There are many varieties of and we will discuss some of them. Compact are one of such varieties and are designed to be small as well as portable. The miniature versions are called subcompact cameras. Though they do not have much advanced features or excellent but they are very simple to use and easy to carry around. are stored using Lossy compression in JPEG format. Such cameras are generally equipped with a low power, built-in usually sufficient for close subjects. Live preview is generally used for framing the . They are perfect for casual and home use.

Another type are Bridge cameras that are higher-end cameras. They resemble DSLRs and also share some advanced features with them but just like , the framing is done with help of live preview and they also have small sized sensors. A FinePix Bridge camera is also equipped with super that give you a chance to take very distant shots, though at the cost of .

Another type is Digital single cameras that are based on SLRs or single- cameras. These cameras are characterized by the presence of a mirror-. Other types include rangefinder and are generally used for cameras, professional modular that are assembled from different modular components and used for specific purposes. The common brands for such cameras include Mamiya and Hasselblad.

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19 Sep 08 Look Through a Digital Camera Review Before You Buy That Camera!

Author: Brooke Hayles

When deciding on a , looking through a review first can help tell you about each camera. Each camera has different options and a review will help you decide which fits your needs best. As we all know, the is much different than previous . Before the digital boom began, cameras operated purely on mechanical and chemical processes.

If you’re new to the world of , then you will need to remember that unlike their predecessors, they work through a built-in computer. This allows to be captured electronically. With the popularity of these amazing gadgets, prices have dropped and what was once far too expensive for the average person, has now become just as affordable as cameras.

Different Styles

, a common phrase for , come in many shapes, sizes and features. As you look a review keep in mind if you are interested in a small, pocket sized camera or a larger model that has more features than the pocket sized. Point and shoot are the most popular, but the larger camera with its additional features can be a good investment for your money.

Due to its convenience, the pocket are wanted most often. A review will reveal that the small camera can be quite expensive due to the necessary technology needed to operate such a . As you get further into your review you will see the phrase . The SLR style is for the serious . The style of camera will produce the highest quality of .

The SLR has quite a few enhanced features. One of its features includes the ability to switch on the need of the situation. Of course, the SLR is also the most expensive of . As you read through a review it will become obvious that most people’s needs are met with either a standard or pocket sized . However, if is a hobby of yours the SLR models may interest you greatly.

Tips

One term that you will find often in a review is “.” Pixels refer to the individual dots that make up the . You may be more aware of the term “.” This term is the same as pixels, but measured by the thousand.

You may notice in the review that the more a camera has, the more expensive it seems to be. The reason behind this is that the more pixels a camera has, the high-quality your camera will take. Most have either 3-4 . Earlier models have less, but it’s easy to find a reasonable priced camera with either 3 or 4 . If you plan to use your camera for family and to print 4X6 , this will suit you just fine. If you want to print at the size of 8×10 or more, a digicam with more will keep your sharp.

If you own a PC and then purchase a , you can upload your to your computer. With special paper you can then print your own at home!

Summary:

A review will help you decide which camera will suit your needs best. Do keep in mind that operate differently than cameras. Since record electronically you can upload them to your computer and share them easily via email!

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19 Sep 08 Consumer Reports - Digital Cameras

, which employ reusable cards instead of , give you far more creative control than cameras can. With a , you can transfer shots to your computer, then crop, adjust color and contrast, and add textures and other special effects. Final results can be made into cards or T-shirts, or sent via e-mail, all using the software that usually comes with the camera. You can make prints on a , or by dropping off the card at one of a growing number of photofinishers. You can upload the file to a -sharing Web site for , viewing, and sharing with others.

Like camcorders, have LCD viewers. Some camcorders can be used to take still , but a ’s is no match for a good ’s.

WHAT’S AVAILABLE

The leading brands are , , HP, , , and ; other brands come from consumer-electronics, computer, and and companies.

are categorized by how many pixels, or elements, the contains. One equals 1 million elements. A 3- camera can make excellent 8×10s and pleasing 11×14s. There are also 4- to 8- models, including point-and-shoot ones; these are well suited for making larger prints or for maintaining if you want to use only a portion of the original image. Professional use as many as 14 .

Price range: $200 to $400 for 3 ; $250 to $400 for 4 and 5 ; $300 to $1,000 for 6 to 8 .

IMPORTANT FEATURES

Most are highly automated, with features such as automatic (which manages the , aperture, or both according to ) and autofocus.

Instead of , typically record their shots onto - cards. and (SD) are the most widely used. Once quite expensive, such cards have tumbled in price–a 128-megabyte card can now cost less than $50. Other types of cards used by cameras include Stick, Smart Media and xD- card. A few cameras, mainly some models, use 3 1/4-inch CD-R or CD-RW discs.

To save , you transfer them to a computer, typically by connecting the camera to the computer’s USB or FireWire port or inserting the card into a special reader. Some can take cards and make prints without putting the on a computer first. Image-handling software, such as Adobe Photoshop Elements, Jasc Paint Shop, Microsoft It, and ACDSee, lets you size, touch up, and crop digital using your computer. Most work with both Windows and Macintosh machines.

The file format commonly used for is JPEG, which is a compressed format. Some cameras can save in uncompressed TIFF format, but this setting yields enormous files. Other high-end cameras have a RAW file format, which yields the image data with no processing from the camera.

typically have both an optical and a small color . LCD viewers are very accurate in framing the actual image you get–better than most of the optical viewfinders–but they use more power and may be hard to see in bright sunlight. You can also view shots you’ve already taken on the . Many provide a video output, so you can view your on a TV set.

Certain cameras let you record an audio clip with a . But these clips use additional space. Some allow you to record limited video, but the frame rate is slow and the poor.

A lens provides flexibility in framing shots and closes the distance between you and your subject–ideal if you want to quickly switch to a close shot. The typical 3x on mainstream cameras goes from a moderately wide-angle view () to moderate telephoto (105mm). You can find cameras with extended ranges between 8x and 12x, giving added versatility for outdoor . Other new cameras go down to 24 or 28 mm at the wide-angle end, making it easier to take in an entire scene in close quarters, such as a crowded party.

Optical zooms are superior to digital zooms, which magnify the center of the frame without actually increasing detail, resulting in a somewhat coarser view.

Sensors in are typically about as light-sensitive as ISO 100 , though some let you increase that setting. (At ISO 100, you’ll likely need to use a indoors and in low outdoor light.) A camera’s range tells you how far from the camera the will provide proper exposure: If the subject is out of range, you’ll know to close the distance. But can tolerate some underexposure before the image suffers noticeably.

Red-eye reduction shines a light toward your subject just before the main . (A camera whose unit is farther from the lens reduces the risk of . Computer editing of the image may also correct .) With automatic mode, the camera fires the whenever the light entering the camera registers as insufficient. A few new cameras have built-in red-eye correction capability.

Some cameras that have powerful telephoto now come with image stabilizers. These compensate for camera shake, letting you use a slower than you otherwise could for following movement. But an won’t compensate for the motion of subjects.

Most new 6- to 8- cameras come with full manual controls, including independent controls for shutter and aperture. That gives serious shutterbugs control over depth of field, shooting action, or shooting scene with tricky lighting.

HOW TO CHOOSE

The first step is to determine how you will use the camera most of the time. Consider these two questions:

How much flexibility to enlarge do you need? If you mainly want to make 4×6 , a camera with a 3- or 4- will be fine. Such a camera will also make an 8×10 print of an entire image without alteration that looks as sharp as one from a 6- or 8- model. But to enlarge the image more or enlarge only part of it, you’ll want a 6- to 8- camera.

How much control do you want over exposure and composition? Cameras meant for automatic point-and-shoot , with a 3x- lens, will serve snap shooters as well as dedicate hobbyists much of the time. The full-featured cameras in the 6- to 8- range offer that more-dedicated will want to have. Two of the more important are a range of 5x to 10x or more, which lets you bring distant outdoor subjects close and also lets you shoot candid portraits without getting right in your subject’s face, and a full complement of manual controls that you determine the and lens opening. ‘

Once you’ve established the performance priorities that you need from a camera, you can narrow your choices further by considering these convenience factors:

Size and weight. The smallest, lightest models aren’t necessarily inexpensive 3- cameras. And the biggest and heaviest aren’t necessarily found at the high end. If possible, try cameras at the store before you buy. That way, you’ll know which one fits you hand best and which can be securely gripped. In our tests, we have found that some of the smallest don’t leave much room even for small fingers.

type and life. All can run on rechargeable of one of two types: an expensive pack or a set of AA . In our tests of the cameras, neither type had a clear performance advantage. The best-performing cameras offer upward of 300 shots on a charge, while the worst manage only about 50. We think it’s more convenient to own a camera that accepts AA . You can buy economical, rechargeable cells (plus a charger) and drop in a set of disposable lithium or alkaline if the rechargeable run down in the middle of the day’s shooting.

Camera speed. With point-and-shoot cameras like the ones we tested, you must wait after each shot as the camera processes the image. Most models let you shoot an image every few seconds, but a few make you wait 5 seconds or more. They may frustrate you when you’re taking in sequence.

Your other cameras. If you’re adding a camera to your lineup or trading up to a more versatile model, look first for one that’s compatible with the other cameras. If it is, you can share cards and . Designs within a camera brand line are often similar. So staying wit the brand you have lowers the learning curve on the for family members who switch between cameras.

Copyright © 2002-2006 Consumers Union of U.S., Inc.

For the latest information on this and many other products and services, visit www.ConsumerReports.org.

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19 Sep 08 Digital Camera Basics-resolution, Exposure, Focus, and Storage

Author: Brian Lee

The amount of detail that a camera can capture is called the , and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger can be without becoming blurry or “grainy.” High-end can capture over 12 million pixels. Some support over 16 million pixels (), or 20 million pixels for large-format cameras. For comparison, it has been estimated that the quality of is about 20 million pixels.

Exposure and Focus

Just as with , a has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and , are also present on .

Aperture: The size of the opening in the camera. The aperture is automatic in most , but some allow manual adjustment to give professionals and hobbyists more control over the final image.

: The amount of time that light can pass through the aperture. Unlike , the in a can be reset electronically, so have a digital shutter rather than a .

These two aspects work together to capture the amount of light needed to make a good image. In , they set the exposure of the sensor.

In addition to controlling the amount of light, the camera has to adjust the to control how the light is focused on the sensor. In general, the on are very similar to — some can even use conventional . Most use automatic focusing techniques.

The , however, is one important difference between the lens of a and the lens of a camera. The is the distance between the lens and the surface of the sensor. Sensors from different manufacturers vary widely in size, but in general they’re smaller than a piece of . In order to project the image onto a smaller sensor, the is shortened by the same proportion.

also determines the magnification, or , when you look through the camera. In cameras, a 50mm lens gives a natural view of the subject. Increasing the increases the magnification, and objects appear to get closer. The reverse happens when decreasing the . A lens is any lens that has an adjustable , and can have optical or digital — some have both. Some cameras also have macro focusing capability, meaning that the camera can take from very close to the subject.

have one of four types of :

1) Fixed-focus, fixed- - These are the kinds of on disposable and inexpensive cameras — inexpensive and great for , but fairly limited.

2) Optical- with automatic focus - Similar to the lens on a video camcorder, these have “wide” and “telephoto” options and automatic focus. The camera may or may not support manual focus. These actually change the of the lens rather than just magnifying the information that hits the sensor.

3) Digital- - With digital , the camera takes pixels from the center of the and interpolates (alters) them to make a full-sized image. Depending on the of the image and the sensor, this approach may create a grainy or fuzzy image. You can manually do the same thing with image processing software — simply snap a , cut out the center and magnify it.

4) Replaceable lens systems - These are similar to the replaceable on a camera. Some can use camera .

of

Most have an so you can view your right away. This is one of the great advantages of a — you get immediate feedback on what you capture. Of course, viewing the image on your camera would lose its charm if that’s all you could do. You want to be able to load the into your computer or send it directly to a printer. There are several ways to do this.

Although most of today’s cameras are capable of connecting through serial, parallel, SCSI, USB, or FireWire connections, they usually also use some sort of removable device. use a number of systems. These are like reusable, digital , and they use a caddy or card reader to transfer the data to a computer. Many involve fixed or removable . manufacturers often develop their own proprietary devices, including SmartMedia cards, cards and Sticks. Other removable device include floppy disks, hard disks (external, or microdrives), and writeable CD’s and DVD’s.

Regardless of what type of they use, all need lots of room for . They usually store in one of two formats — TIFF, which is uncompressed, and JPEG, which is compressed. Most cameras use the JPEG file format for storing , and they sometimes offer quality settings (such as medium or high).

To make the most of their space, almost all use some sort of additional data compression to make the files smaller. One compression routine takes advantage of patterns that repeat. The image can be reconstructed exactly as it was recorded, reducing the file size no more than 50%, often much less. Another compression routine called irrelevancy eliminates some of the more meaningless data, taking advantage of the fact that record more information than the human eye can easily detect.

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