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21 Sep 08 NIKON’S NEW D80™ DIGITAL SLR CAMERA BRINGS ADVANCED PERFORMANCE AND UNMATCHED CREATIVE CONTROL TO PHOTO ENTHUSIASTS

* 10.2 D80 Offers Outstanding Performance, Ease Of Use, Versatile Personal Control and Exciting In-Camera Editing Tools
* All New 7.5x 18-135mm f/3.5-5.6G AF-S IF-ED DX Nikkor Lens Included with the D80 Outfit Creates a Compelling Option for Enthusiasts

MELVILLE, NY, AUGUST 9, 2006 - Building on the extraordinary success of the D70 and D70s, ® (www..com) today introduced the new D80™ camera - an impressively featured, high performance camera that incorporates ’s latest digital and photographic technologies, and offers advanced features as well as automated operation to satisfy any with the passion to create beautiful and preserve special moments. With a new 10.2 effective DX Format and an exclusive high- color processing engine inherited from ’s latest professional cameras, the D80 can render with incredible , sharp detail and vibrant color that is unmatched in this class of cameras. And it can shoot these fast - at speeds of up to 3 frames per second, for up to 100 (in JPEG Normal mode), ensuring that the camera’s always ready for the next fleeting moment.

The D80 works with the efficiency and grace of a fine-tuned instrument, powering up in only 0.18 seconds and capturing a with an imperceptible shutter lag time of just 80 milliseconds (0.08 seconds). A new 11-area auto-focus system detects focus with superb precision and can even track a moving subject across the frame, shifting focus instantly and automatically to any of the 11 auto-focus points that detect the subject. The D80’s large, bright 0.94x affords a remarkable view not found in many , making critical composition easier and more pleasing. The camera’s rechargeable can last up to 2700 shots on a single charge, while also providing a real-time Fuel Gauge of the percentage of charge remaining in the at all times. And like all cameras, the D80 feels solid and substantial while being both compact and comfortable. But more experienced enthusiasts will admire the D80 most for its bevy of creative controls and features that make with the camera so much more enjoyable and rewarding. Its new Optimize image menu, for instance, offers complete control over the look and feel of your , allowing you to boost and create with vivid color, or shoot black-and-white with a choice of four filtration effects, or even create your own custom look that expresses personal style and creativity. Other creative tools include an all-new image Retouch menu for in-camera , built-in i-TTL control with the ability to control up to two remote groups of Speedlights, as well as over 32 Custom settings to customize several attributes of the camera’s performance.

“The D70 and D70s cameras proved to be extraordinarily successful due to the excellent value they offered to passionate enthusiasts when each was introduced. They offered an ideal balance of features, performance, innovation and price, making them appealing to a very broad range of . With the introduction of the D80, is significantly raising the bar for a camera in this class,” said Edward Fasano, general manager for Marketing, SLR System Products at Inc. “By bringing high-end features and technologies inherited from our professional line of cameras to the passionate enthusiast, while making the camera simpler and more enjoyable to use, we believe the D80 will represent the ’sweet spot’ for anyone looking for a new level of camera performance and value. Paired with the new 7.5x 18-135mm f/3.5-5.6G AF-S IF-ED DX -Nikkor lens, the D80’s performance and versatility becomes even more compelling for consumers,” he added.

Unrivaled
At the heart of any lies its image processing engine - a sophisticated processor that determines, among other things, the overall color rendering and of taken with the camera. One of the key advances developed for the D80 is ’s own high- image processing engine that inherits best-of-breed technologies from ’s latest professional cameras, including color independent analog pre-conditioning and high-precision 12-bit processing algorithms, which combine to produce natural-looking that benefit from faithful color and tone reproduction. A new dedicated high-performance processing chip greatly accelerates performance on all levels, while also achieving lower power consumption, assuring more per charge.
The D80 also benefits from ’s exclusive Metering II, to ensure accurate exposures, even in the most challenging lighting conditions. Evaluating, rather than merely measuring or averaging the true content of each scene, input from the system’s frame-wide 420- sensor is automatically referenced against an onboard database of over 30,000 scenes from actual to calculate final exposure value. Variable Center-Weighted metering and Spot metering centered on the active focus area are also available, as are exposure compensation and auto exposure bracketing. Sophisticated exposure automation combined with options for complete user control help to make the D80 an ideal high-performance for passionate enthusiasts.

Speed to Burn
One of the hallmarks of ’s cameras is how fast they operate, not only when capturing , but also when processing them. The D80 proudly carries this tradition forward. Not only is the camera powered up and ready to shoot in only 0.18 seconds, it also reacts at blazing speeds when the shutter button is pressed. With a minimal shutter lag time of just 80 milliseconds (0.08 seconds), and the ability to shoot 3 frames per second up to 100 (in JPEG Normal mode), the camera is ready to shoot whenever that priceless expression or special moment presents itself. shot are processed instantly and recorded rapidly to the inserted SD card. Preview are also displayed near instantly.
The D80’s new 11-area auto-focus system also fulfills its role in the overall speed of the camera, delivering fast and precise focus under varying shooting conditions. Adopting a refined version of ’s advanced Multi-CAM 1000 AF Sensor Module, this new 11-area AF system with center area wide-frame operation adds effective new focusing options that will instill greater confidence in getting the desired shot. An all-new Auto-Area AF mode measures all eleven focus areas and automatically determines which of them are on the primary subject.

Creativity Comes Standard
The D80 is designed to inspire creativity at every level. For this reason, the camera includes a wide assortment of features and tools to empower all kinds of users, ranging from the novice to the seasoned pro, to pursue their creative vision, instantly and right from within the camera.
D80 will enjoy the camera’s built-in Multiple Exposure mode for unique composite image effects, or the Optimize menu options that closely tailor results to the scene at hand or the intended use of an image or to a custom preference of the . Optimization of sharpening, tone (contrast), color, and hue is controlled by the user-selected choice of Normal, Softer, Vivid, More Vivid, Portrait, Custom and Black-and-White. The black-and-white mode can be customized using red, green, yellow and orange filter effects as well as image sharpening and tone compensation.

The D80 also features an all-new image Retouch menu, with exclusive in-camera editing functions that will certainly keep D80 users engaged when they’re not busy shooting. Options within the Retouch menu include:

* D-Lighting: Automatically balances underexposed portions of an image to enhance detail in these areas, without affecting the highlights of the
* In-camera Red-eye Correction: Automatically removes the annoying red-eye effect sometimes caused by .
* Trim: can be trimmed within the camera to produce smaller files with reduced display sizes for easy sharing or greater efficiency for specific end purposes.
* Image Overlay: Merges a pair of selected RAW files taken with the D80 to create a composite image within the camera as a RAW or JPEG file. This feature is especially useful when trying to create a soft-focus effect with two similar
* Monochrome settings: Monochrome settings can be applied to any color image in the camera, to convert it to a pleasing monochromatic , either in black-and-white, sepia or cyanotype
* Filter Effects: Can be used to emulate and apply the effects of a Skylight filter or a Warming filter to any image stored on the inserted . A Customized Color menu within filter effects can also be used to make subtle shifts in color to any image in the camera.

For anyone just beginning to enjoy the added performance and versatility of , creative shooting is as simple as rotating the Digital Vari-Program mode dial on the camera. The D80 has seven preconfigured program modes to optimize the camera for specific shooting conditions and greatly increase the chances of taking a great . In “Portrait” Mode, for example, the camera automatically optimizes the color, hue, and levels to capture the most flattering skin tones, softens the focus of the background to emphasize the face and applies a milder form of in-camera sharpening. Users can choose from Auto, Portrait, Landscape, Close-Up, Sports, Night Landscape or Night Portrait.

The D80 also offers creative ways to share , with its built-in Pictmotion slideshow feature, which includes style selections that control transitions and background music. Shows can be enjoyed on the 2.5-inch LCD, or complete with audio on a television when connected via the supplied AV cable.

Creature Comfort
The D80 features refined ergonomics and design, borne from ’s extensive experience designing successful for over 50 years. As a result, the camera is incredibly comfortable to use and handle, and incorporates several new features that enhance its usability. The D80 features a large and bright with large 0.94x magnification to ensure the clearest view possible for precise composition. Included is a built-in diopter adjustment control knob also makes it easier to fine-tune the view to match eyesight. The ’s integrated grid display can also be turned on to assist with composition.
A large new 2.5-inch 230,000-dot high- LCD provides an ultra-wide 170-degree viewing angle from all directions. Navigating the spacious preview of your is easy with a new dedicated button, magnifying on screen up to 25 times their original size. A new RGB histogram display aids in evaluating exposures with greater precision. Other playback options include single frame, 4 or 9-image thumbnail display, an improved histogram display and highlight point display. A new menu interface featuring refinements to the carefully chosen color scheme and increased font size makes navigation easier on the eye, easier to understand and easier to use. Menus can be customized to display only selected items using the new “My Menu” set.

The D80 is slimmer and more compact than its predecessors, and remains true to ’s commitment to intuitive operation. The size, layout and operation of all buttons and controls are designed for maximum ease of use.

System Strength
With the D80, users also have complete and seamless compatibility with ’s extensive Total Digital Imaging System, and the camera is designed to take advantage of many of the technologies built into accessories. The D80’s powerful built-in Speedlight is compatible with ’s Creative Lighting System, and can wirelessly control up to two groups of Speedlights in full TTL mode, taking the guesswork out of multiple . Compatible Speedlights within the Creative Lighting System include the SB-800, SB-600 and ’s Wireless Close-up Speedlight Systems, featuring the SB-R200.
The D80 also offers unprecedented compatibility with ’s extensive selection of AF Nikkor as well as new DX Nikkor , which are designed exclusively for use with DX format cameras. Nikkor , famous for optical superiority, add to the D80’s ability to deliver outstanding .

The D80 will also have an optional MB-D80 pack available, extending the shooting capability in an ergonomic design that adds shooting stability. Able to run on either one or two EN-EL3e rechargeable or six AA-size , the pack also features an additional command dial and alternative buttons for shutter release and AE-Lock/AF-Lock that make vertical shooting more comfortable.

The D80 is also fully compatible with Capture NX software (available for purchase separately), ’s highly versatile and elegantly simple new editing solution designed to help tap the full potential of NEF (RAW) . Featuring an innovative user interface that provides easier access to powerful and visually intuitive enhancement tools, Capture NX’s powerful image processing and editing tools can also be applied to JPEG and TIFF files to satisfy a broader range of photofinishing needs and applications.

The D80 will be available beginning September 2006 for an estimated selling price of $999.95** for body only and $1299.95** for body and lens outfit, including the new 18-135mm f/3.5-5.6G AF-S IF-ED DX Nikkor Lens. For more information, please visit www..com.

About
, At the Heart of the Image™. Inc. is the world leader in digital imaging, precision and imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional . Inc. distributes the Total Imaging System of consumer and professional cameras, Nikkor , Speedlights and System Accessories; COOLPIX® compact ; COOLSCAN® digital scanners; ; software products and sports and recreational . At the heart of every camera is ’s Exclusive Feature System, making it easy for anyone to take amazing digital . Through the Spirit Initiative™, the company, plays an active role in supporting aspiring and advanced through a variety of philanthropic organizations, educational programs, events and workshops. For more information, dial (800) -US or visit www..com, which links all levels of to the web’s most comprehensive learning and sharing communities.

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21 Sep 08 Nikon Unveils the New D200 Digital SLR Camera

10.2 D200 Delivers Outstanding with Blazing Speed, Rugged Construction and Intelligent Features

MELVILLE, NY (November 1, 2005) - (www..com) today introduced the highly anticipated new D200 - a precision-engineered, high performance camera designed to satisfy the requirements of passionate and demanding . Combining brand new technologies with advanced features inherited from ’s venerable D2X professional camera, the D200 incorporates more must-have features than any other camera in its class, enabling to capture in a way once reserved only for professionals.

The D200 promises an extremely satisfying shooting experience, with a winning combination of quality, performance, construction and advanced system features. Employing a newly developed 10.2 effective DX Format , the D200 captures with remarkable and clarity. Its sophisticated 1005- Metering II system ensures ideal exposures while an advanced image processing engine renders with superb clarity and smooth color gradations. The D200 reacts with lighting speed, powering-up in a mere 0.15 seconds, and firing in an imperceptible 50 millisecond shutter release lag time. It can shoot five frames per second with a drastically shortened blackout time of just 105 milliseconds between shots. Its large, bright offers 0.94x magnification for comfortable and precise composition while a new 2.5 inch provides ultra-wide 170 degrees viewing angle from all directions. With an all new 11-area Autofocus system, robust control of ’s i-TTL Creative Lighting System and advanced Wi-Fi image-transmission options*, the D200 is a perfect fit for discriminating and a natural choice for wedding, event and action .

“ has spent considerable time and effort to truly understand the qualities and features desire in an advanced camera. The D200 embodies this research and delivers a camera that’s built to the requirements of passionate , and meets demands for , speed, precision, and ultimate . The D200 represents an unmatched combination of quality, performance and value that’s hard to resist,” said Edward Fasano, general manager for Marketing, Products, at Inc. “The D200 is hands-down the most capable camera in its category.”

SMARTER

The D200 embodies a host of intelligent technologies that deliver remarkably precise control and accurate automatic features. Equipped with ’s exclusive 1,005 Metering II, the D200 seamlessly determines ideal exposures even in complex lighting conditions. Capturing scene elements including brightness, contrast and color content with a unique 1,005- RGB-enabled sensor, this advanced system employs further improved algorithms for even better evaluation of large area highlight and shadow detail. The Metering II light metering system also uses an onboard database of detailed exposure information from over 30,000 actual against which instantaneous real-time comparisons are made as part of determining exposures. Rather than merely looking at light levels, a complex, yet transparent evaluation of overall scene content takes place, ensuring highly accurate exposures, even in challenging lighting conditions.

The 10.2 effective on the D200 incorporates a high-speed 4-channel data output and a new Optical Low Pass Filter that significantly reduces any incidence of moir© as well as color fringing and shifting. Furthermore, 4-channel output allows the D200 to inherit the advanced image-processing engine of the D2x professional that combines color-independent preconditioning prior to A/D conversion with advanced processing algorithms to deliver fine color gradations with smooth, consistent transitions. can take advantage of the D200’s advanced image optimizing functionality that allows them to fine tune image characteristics such as , tone, color, , and hue. can also select from preset options like Normal, Softer, Vivid, More Vivid, Portrait and Black-and-White.

One of the most notable new features of the D200 is its all new 11-area AF system, convertible to a 7-wide area AF system, both based on ’s advanced Multi-Cam 1000 AF Sensor Module. Not only does this AF system support the with fast and precise under a variety of shooting conditions, but it also offers a pleasing array of functions for greater flexibility - allowing an individual area to be selected from either the 11-area AF or 7-wide area AF sensors for Single AF or making use of multiple sensors to enable Dynamic AF, Closest Subject Priority Dynamic AF and Group Dynamic AF.

Running out of power on the D200 is harder than ever, since in addition to its remarkable capacity of up to 1800 shots per charge, the D200 also features an intelligent power management Fuel Gauge feature that constantly monitors the ’s precise remaining power in 1% increments. It also displays the total number of shots taken on each charge as well as overall life of the , so can easily tell when to replace a .

The D200 is a wireless whiz, and features ’s advanced i-TTL wireless Speedlight control built right into the camera, as well as wireless image transfer over a 802.11b/g Wi-Fi network built into the optional WT-3 Wireless Transmitter (available Spring 2006). The camera’s powerful built-in Speedlight, capable of coverage for as wide as 18mm, features a Commander Mode that can wirelessly control up to two separate groups of an unlimited number of i-TTL speedlights such as the SB-800, SB-600 or SB-R200. The Commander Mode in the D200 can adjust compensation settings for each of the two groups on the fly, making light output control from speedlights placed in hard to reach locations simple and effortless.

FASTER

The D200 is faster than any other camera in its class, making its handling exceptionally responsive. The D200 can shoot continuously at up to five frames per second, capturing up to an impressive 37 JPEG ** or up to 22 NEF (RAW) , making it ideal for action, wedding and event . Featuring an industry leading power-up time of 0.15 seconds, the D200 is ready to shoot when the is ready. Its reduced shutter release time lag of 50 milliseconds is nearly undetectable and when shooting in its continuous burst mode of five frames per second, its shortened blackout time (between each successive shot) of just 105 milliseconds proves especially useful in keeping an eye on a moving subject.

STRONGER

The D200 is designed with long term durability, ruggedness and precision in mind. Built on a magnesium alloy chassis and body cover, the D200 combines light weight with high-level durability and protects performance integrity. It also features an enhanced environmental sealing system that helps protect exterior seams from potentially damaging moisture and dust. The D200’s double-bladed shutter unit is tested to well over 100,000 cycles, ensuring highly reliable performance year after year. The shutter unit also employs a refined mirror balance mechanism that allows the mirror to complete its motion cycle and reach a complete stop with virtually no image degrading mirror bounce.

The Ultimate Shooting Experience

is renowned for the distinct usability and handling of its , and the D200 continues this tradition. handling the camera will immediately notice its large, bright with 0.94x magnification that ensures the clearest view possible for precise composition. Viewing excellence is taken further with an expansive 2.5-inch high- LCD that provides an ultra-wide 170? viewing angle from all directions. It also offers the ability to magnify by up to 400% to enable to closely inspect for fine details while offering a selectable RGB histogram display, which allows to make better-informed exposure decisions through the viewing of a composite RGB histogram, or a separate histogram for each individual color channel. The D200 also features the largest top LCD panel among cameras in its class to convey maximum information at a glance with easy access to shooting data including shooting mode, condition, card information, gridline display, , F-stop and number of remaining shots.
Refined menus on the D200 offer a streamlined and visually enhanced view of camera setup and custom setting options. can access an expanded on-board Help feature to view brief descriptions of every one of the camera’s menu items. The D200 also features a “Recent Settings” menu that reflects the last 14 settings adjusted, offering a quick way to revisit these settings.

’s Digital Imaging System

Like all , the D200 also offers the advantages of compatibility with ’s superior and comprehensive Digital Imaging System. High is assured through compatibility with over 50 outstanding AF Nikkor , including ’s DX Nikkor engineered exclusively for use with and an extensive array of AF Nikkors designed for use on digital and SLRs. The D200 also offers compatibility with the Creative Lighting System, enabling high-precision with SB-800, SB-600 and the Wireless Close-up Lighting Systems. Outlined below are groundbreaking technologies and system features that enable to achieve results not possible with any other system:

New Wireless Transmitter WT-3 (Available Spring 2006)

is leading the imaging world with wireless image transfer technology via Wi-Fi. The D200 marks the announcement of the Wireless Transmitter WT-3, offering creative new ways to set up their workflow. The new IEEE802.11b/g compatible Wireless Transmitter WT-3 provides fast image transmission with improved security and compatibility with the latest protocols. It also provides alternative buttons for shutter release and AF-start as well as an extra command dial to facilitate more comfortable shooting in vertical format.

i-TTL Speedlight Technology

’s i-TTL speedlight technology is arguably the most robust and advanced speedlight system in the world, and holds limitless possibilities for all kinds of using creative lighting. i-TTL technology built-in to the D200 allows to wirelessly control in full TTL, up to 2 groups of Speedlights, with any number of individual speedlights in each group. can shed all cords and cables or the need to ever calculate and distance ratios, because the i-TTL systems is capable of making all exposure calculations in real time, wirelessly, during the exposure to deliver a perfect exposure in any situation. can even maintain full output control of each group of speedlights from the D200’s built-in speedlight. This technology can potentially distill an entire portrait lighting system into a small set of multiple SB800, SB600 or SB-R200 Speedlights.

Nikkor®

As a company that built its reputation with the superb quality of its , ’s renowned Nikkor® brand of offer D200 users a tremendous choice of over 50 high quality ranging from highly specialized exotic ones such as the AF DX Fisheye-Nikkor 10.5mm f/2.8G ED to broad range for everyday , such as the newly announced AF-S DX VR -Nikkor 18-200mm f/3.5-5.6G IF-ED lens. The D200 is compatible with DX Nikkor that are optimized for ’s camera sensors as well as legendary AF Nikkor , delivering outstanding system flexibility. This ensures that D200 users will always find a high quality Nikkor lens that’s just perfect for their .

PictureProject and Capture 4.4 Software

The D200 will include a complimentary copy of ’s PictureProject software, a $49.95 value, and an easy-to-use yet powerful software application that provides image transfer, organization, editing, and design functions for JPEG and NEF (RAW) produced with the camera. PictureProject can also convert NEF (RAW) files to JPEG or TIFF format finished files, as well as save in the original NEF file format. PictureProject is an essential accessory and is compatible with the new D200 and all prior models and COOLPIX Models. The D200 is also compatible with Capture 4.4 software (sold separately), a new version of Capture that has the specifications to open NEF files from the D200 and all other models. This newest version features greatly enhanced NEF (RAW) processing as well as Capture Camera Control that allows remote when connected to a computer via the included USB cable or wirelessly using the new Wireless Transmitter WT-3 (sold separately). This versatility is especially useful when may need to continue shooting with their D200 while simultaneously having someone else edit incoming .

The NEF (RAW) files from the D200 comprise not only the RAW image data captured by the 10.2 effective but also a thumbnail image and a “Instruction Set” of the cameras settings at the time of shooting. NEF allows the Instruction Set data - such as , color balance and tone curves and more - to be adjusted for each recorded image at any time after shooting through the use of Capture software. Use of Capture also allows a NEF file to be saved as a NEF, ensuring a record of the original Instruction Set is always preserved, even if several newer Instruction Sets are saved to the file. This ensures that never loose the original settings and image data of a NEF (RAW) file, and reverting back to the original image requires just a few clicks in Capture software.

Version 4.4 of Capture software offers a flexible, stable and creative workflow approach for any in both professional and personal use through ’s unique approach referred to as the “Camera to NEF to Capture Dynamic Link” performance. Newly added features for Capture include automatic highlight recovery when using Exposure Compensation at values lower than 0 EV and conversion support in Tone Compensation.

The D200 will be available in late December 2005 for an estimated selling price of $1699.95***. For more information, please visit www..com.

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21 Sep 08 Nikon Adds New 18-200MM Lens to its Nikkor Line of Lenses

Offers Enhanced VR Vibration Reduction System in a Compact and Lightweight 11.1x High Power Lens for

MELVILLE, NY, NOVEMBER 1, 2005 – Inc. (www..com) today introduced the new 18-200mm f/3.5-5.6G IF-ED AF-S DX VR -Nikkor lens, a compact, lightweight 11.1x lens that is ideal for high performance everyday and incorporates advanced features such as ’s Extra Low Dispersion (ED) glass, Silent Wave Motor technology (SWM) and Enhanced Vibration Reduction (VR II), in a DX-Nikkor design engineered exclusively for use with DX format cameras. With a remarkable 18-200mm range ( angle equivalent to a 27-300mm lens in format), the lens conveniently covers everything from wide landscapes to tight portraits and action . Advanced engineering has lent the lens a compact lightweight design that offers excellent handling characteristics and superb optical quality.

“’s range of DX Nikkor , designed specifically for cameras, has grown substantially since the introduction of the category, and the new 18-200mm f/3.5-5.6G IF-ED AF-S DX VR -Nikkor lens is an excellent addition offering an advanced all-purpose lens with superb and Enhanced Vibration Reduction ,” said Edward Fasano, general manager for Marketing, Products, at Inc. “Nikkor are famous for their breathtaking , optimal contrast and consistent color rendition across its range of with varying focal lengths. Now with the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR -Nikkor, will be able to take advantage of remarkable versatility in one lens with assurance of the outstanding Nikkor image performance that has made Nikkor renowned worldwide.”

Beyond the lens’ incredible optical versatility is the benefit of Enhanced VR II Vibration Reduction an innovation that makes it possible to take substantially sharper handheld at slower than would otherwise be possible. This provides the distinct advantage of being able to shoot more effectively in a much broader variety of challenging conditions. With the new VR II advantage, users can take at as many as 4 stops slower* than they ordinarily could shoot without the image degrading blur associated with camera shake at slow . ’s VR technology further enhances taking potential with a choice of two modes to match most shooting conditions. VR Normal Mode primarily compensates for camera shake, and includes automatic panning detection, as well as automatic tripod detection. VR Active Mode effectively compensates for vibration in situations where it is more pronounced and more frequent, such as when shooting from a moving vehicle.

To further ensure outstanding , the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR -Nikkor features two Extra-Low Dispersion (ED) glass elements and three complex aspherical lens elements that provide for higher , high-contrast while minimizing chromatic aberration, astigmatism and other forms of distortion. The lens also features ’s compact Silent Wave Motor technology (SWM), which combines fast and precise autofocusing with super-quiet operation, as well as Internal Focusing (IF) construction that allows the lens to focus without changing its external size, improving balance and handling chrematistics.

All of ’s DX Nikkor are engineered exclusively for use with DX format cameras, making the lens smaller and lighter while providing exceptional center-to-edge-to-corner and overall . With the addition of the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR -Nikkor lens, can choose from over 50 Nikkor , ranging from the amazing 10.5mm f/2.8G ED AF DX Fisheye to the astounding 600mm f/4D ED-IF AF-S II super Telephoto.

The 18-200mm f/3.5-5.6G IF-ED AF-S DX VR -Nikkor lens will be available beginning in December 2005 for an estimated selling price of $699.95**. For more information about and the Nikkor brand of , please visit www..com.

18-200mm f/3.5-5.6G IF-ED AF-S DX VR -Nikkor Major Features

• Offers the broad 18-200mm focal range (11.1x ) for use in a variety of situations (equivalent to a 27-300 mm lens in format)
• VR II Vibration Reduction system offers the practical equivalent of using a 4 stops faster
• Two ED glass and three complex aspherical lens elements minimize chromatic aberration, astigmatism and other forms of distortion, while ensuring high and contrast
• Incorporates a compact SWM (Silent Wave Motor) for quiet focusing
􀂃 Delivers high-level that is specially designed for use with the
• Employs a seven-blade rounded diaphragm opening that achieves a natural blur for out-of-focus elements
• Enables focusing from as close as 50cm (20 in.) from the subject through its entire focal range
• M/A mode for rapid switching between autofocus and manual focus operation
• Internal Focusing (IF) design simplifies the use of circular polarizing filters
• Super Integrated Coating (SIC) offers superb color reproduction while minimizing ghosting and flare
• Flower-shaped Lens Hood HB-35 (included) greatly reduces stray light, enhancing

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21 Sep 08 About Digital Cameras

Author: Mohit Sharma

The have the ability to display the on the screen immediately after the image is recorded. The to be captured can be seen on its screen instead of its . This way you can get a clearer preview of the image you are intending to capture.
The outdoes the traditional camera in its image storing capacity too. The has the ability to store thousands of on a single device. In addition you can even erase or unload the captured onto your computer and reuse the camera’s inbuilt . In some cases you can even put a new card and store more . also allow you to edit . When capturing videos, have the ability to record sound too, thus making video capturing a fun experience.
There are varied categories of :
: They are the cameras that exclusively record moving .
The professional are the ones used for production, etc. these have multiple thus enhancing the of the end product. These do not have a inbuilt VCR or .
The camcorder is another type of that has a to record sound and an to view the image that you are going to capture. This is mostly used by amateurs.
The web cameras are the type that is attached to the computers. Some of these web cameras have , while some of them also include abilities.
Compact : They are small and portable; the smallest of them are called subcompacts. They are easy to use with not many special features or high quality. They have built in of not a very high power, but sufficient for close objects. It also permits live preview. They have a greater depth of field thus allowing objects from larger distances to come in sharp focus.
Bridge cameras: They are higher-end that look a lot like . Bridge cameras have the same advanced features as SLR and the live preview like the compact .
Digital single cameras: This is the that works like the single- with a .
Digital : A rangefinder is an optical mechanism used to measure subject distance. They were once widely used on cameras.
Professional modular systems: Mostly these cameras are used in studios for commercial production. Since they are bulky and difficult to carry they are rarely used in action or nature . They can be changed to digital or cameras by simply replacing the back part of the entire device.
Line-scan camera systems: This type of camera is used in industrial areas in order to capture an image of a constant stream of moving material. This technology has the ability
These cameras are almost solely used in industrial settings to capture an image of a constant stream of moving material. Line-scan technology is capable of capturing data extremely fast, and at very high image .

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20 Sep 08 The Magic Behind Digital Camera

Author: Harry Rockwell

A , as opposed to a or videotape camera, uses an to transform (or video) into electronic data. Modern are typically multifunctional and the same device can take , video, and/or sound.

In 2005, are starting to push traditional cameras out of many markets. Shrinking device sizes have recently allowed miniaturized to be included in multifunctional devices, such as cell phones and PDAs.

Classification

can be classified into several groups:

* Professional such as those used in television and movie production. These typically have multiple sensors (one per color) to enhance and color gamut. Professional usually do not have a built-in VCR or .

* Camcorders used by amateurs. These are a combination of camera and VCR to create an all-in-one production unit. They generally include a to record sound, and feature a small LCD to watch the video during filming and playback.

Still cameras

are generally characterized by the use of and USB or Fire Wire for and transfer.

Most have a rear LCD for reviewing . They are rated in ; that is, the product of their maximum dimensions. The actual transfers to a host computer are commonly carried out using the USB mass device class (so that the camera appear as a drive) or using the Transfer Protocol and its derivatives.

All use a (for Charged Coupled Device) which is a chip comprised of a grid of phototransistors to sense the light intensities across the plane of focus of the .

There has recently been some application of a second kind of chip, called a (Complementary Metal-Oxide Semiconductor) sensor, and this chip is often differentiated from a proper in that it uses less power and a different kind of light sensing material, however the differences are highly technical and many manufacturers still consider the chip a charged coupled device. For our purposes, a chip sensor is a .

* Standard : This encompasses most . They are characterized by great ease in operation and easy focusing; this design allows for limited motion capability. They have an extended depth of field.

This allows objects at multiple depths to be in focus simultaneously, which accounts for much of their ease of focusing. It is also part of the reason professional find their flat or artificial-looking. They excel in landscape and casual use.

* typically have a sensor nine times larger than that of a standard , and are targeted at professional and enthusiasts. They resemble ordinary in most ways, with replaceable and lens components, which give the user maximum control over light, focus and depth of field.

They are also bulkier and more expensive than their casual-use oriented counterparts. They are superb for portraiture and artistic because they can be customized for various applications with a comprehensive range of exchangeable .

Professional modular systems

High-end backs used by professionals are usually separate devices from the which they are used with. (This is because most of the large- and medium-format camera systems in professional use at the time that digital capture overtook as the professional’s medium of choice were modular in nature, i.e. the had multiple , viewfinders, winders and backs available for use with it to fit different needs.)

Since the first backs were introduced there have been three main methods of “capturing” the image, each based on the hardware configuration of the particular back.

The first method is often called “Single Shot,” in reference to the number of times the camera’s sensor is exposed to the light passing through the .

Single Shot capture systems use either one with a Bayer filter stamped onto it or three separate CCDs (one each for the primary additive colors Red, Green and Blue) which are exposed to the same image via a beam splitter.

The second method is referred to as “Multi-Shot” because the sensor is exposed to the image in a sequence of three or more openings of the lens aperture. There are several methods of application of the multi-shot technique.

The most common originally was to use a single with three filters (once again red, green and blue) passed in front of the sensor in sequence to obtain the additive color information.

Another multiple shot method utilized a single with a Bayer filter but actually moved the physical location of the on the focus plane of the lens to “stitch” together a higher image than the would allow otherwise. A third version combined the two methods without stamping a Bayer filter onto the chip.

The third method is called “Scan” because the sensor moves across the focus plane much like the sensor of a desktop scanner.

These CCDs are usually referred to as “sticks” rather than “chips” because they utilize only a single row of pixels (more properly “photosites”) which are again “stamped” with the Bayer filter.

The choice of method for a given capture is of course determined largely by the subject matter. It is usually inappropriate to attempt to capture a subject which moves (like people or objects in motion) with anything but a single shot system.

However, the higher color fidelity and larger file sizes and available with multi-shot and scan-backs make them attractive for commercial working with stationary subjects and large-format .

Webcams

* Webcams are attached to computers, used for or other purposes. Webcams can capture full-motion video as well, and some models include or ability.

These devices range in price from very inexpensive to expensive higher-end models; many complex webcams have a servo-controlled base capable of tracking facial motion with the help of software.

Interpolation

Image color or interpolation is used unless the camera uses a beam splitter single-shot approach, three-filter multi-shot approach, or Foveon X3 sensor.

The software specific to the camera interprets the information from the sensor to obtain a full color image. This is because in digital , each must have three values for luminous intensity, one each for the red, green, and blue channels. A normal cannot simultaneously record these three values.

The Bayer filter pattern is typically used. A Bayer filter pattern is a 2×2 pattern of light filters, with green ones at opposite corners and red and blue elsewhere.

The high proportion of green takes advantage of properties of the human visual system, which is determines brightness mostly from green and is far more sensitive to brightness than to hue or .

Sometimes a 4-color filter pattern is used, often involving 2 different hues of green. This provides a wider color gamut, but requires a slightly more complicated interpolation process.

The luminous intensity color values not captured for each can be interpolated (or guessed at) from the values of adjacent pixels which represent the color being calculated.

In some cases, extra is interpolated into the image by shifting photosites off of a standard grid pattern so that photosites are adjacent to each other at 45 degree angles, and all three values are interpolated for “virtual” photosites which fall into the spaces at 90 degree angles from the actual photosites.

Connectivity

Many can connect directly to a computer to transfer data. USB is the most widely used method, though some have a Fire wire port.

Integration

Some devices, like mobile phones integrates . Mobile phone cameras are much more sold than standalone digital ones.

need to store data. The higher one goes in size, the more will be needed. Cameras use a removable card to store data, but the cheapest and smallest cameras may simply use fixed internal instead. Some cameras come with inbuilt as well.

Autonomous devices

An autonomous device, such as a , operates without need of a computer. The camera connects to the printer, which then downloads and prints its . Some DVD recorders and television sets can read cards too.

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19 Sep 08 Canon Digital Camera: the Better Way to Move in Past

Author: Jayson Pablo

There was an era when the past good times that we had lived happily were the matters of our only. With every new joy, those good times of past were being vanished from our and re-living them became so hard for all of us. Then the age of Art arrived and we all learnt to stock our memoirs in the form of paintings and sculptures. However, the boundaries of these methods were limited and hectic. The human culture was demanding more, then, in 1660’s the English Scientist Robert Boyle with his assistant Robert Hooke developed the first portable camera. This device was capable of capturing the events, thus, the humankind found their way to re-live their life. From the day of its inception, the camera has seen various changes in its style, performance, and looks.
From camera obscure to the modern , the is itself a legend. The concept of logarithmic camera was first reached its destination in the year 1972 and we got our first bona fide in the year 1990 with the name-tag of Logitech Fotoman. This camera made the use of ; it had the capability of storing the digitally and making them available to download them in PC. From the year 1991, various companies such as , , and others started manufacturing the High-end on very large scale. Their attractive products ranged from Simply Digital to the SLRs. When we aim these cameras at the object and fiddle with the , the camera robotically focuses on the object and digitally takes a reading of the obtainable light and then with the help of the processor, and ADC it interpolates the pixels to create crystal clear .
Nowadays, having a is a non-stop passion for every one. There are many companies in the market, who manufactures these digital photographic engines, but some of them are prodigious. is also among those prodigy masters. This giant offers very huge range of products from different categories. They also offer a superior range of digital still and . are one of the most significant products that are currently available in the market. These cameras employ high-quality features and tools to make them more efficient in the terms of quality and performance. These numerical photographic machines hold high-quality mechanism and the superb understanding of all colours so that they can easily tender the eye-pleasant lively . Fathered in the year 1937, the is now one of the biggest companies that offer qualitative technology for the cameras and . This company has redefined the way the world look at its past.
has mind-blowing categories of in its shelf. These categories hold the range of all way simple cameras to the superbly effective professional ones. These categories are- Digital and Cameras. The Digital Category is consisting of two superb series named as IXUS and the . Both of these series offers the cameras of astounding styles and great performances. The IXUS includes the cameras that are known as the ultimate Style Icons and combines unending grace with the avant-garde technology. In addition, the series covers the range of point-and-shoot cameras. These masterpieces are amazing in looks and they capture brilliant to cater the photographic feel of all levels. Digital IXUS860, Digital IXUS950, Digital IXUS960, G9, S5, and SX100 are some of the highlights of the IXUS and Series.
Whereas, the EOS Series of Cameras are the most widespread approach . These provide sparkling and snappish with every shot. These cameras are admired and appraised by the worldwide. Ranging from 10.1 to the latest 21 of superior , the EOS Cameras are making the world our playground, where we can reach to the new dimension creativity. If the life is all about finding new things then the are the ever-best things to find and explore.

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18 Sep 08 Top 20 Questions to Consider When Buying a Digital Camera

Author: aldrin garcia

My top 20 key questions to ask yourself when buying a .

1. How many “” /?

Once and for all, at least to me, you have to get the highest your money can buy at the time you buy. Period.

2. Who made the lens?

Most cameras will give you an idea where the lens was made just by looking at the front of the lens. Know if the lens of your camera came from a reputable company like , Zeiss, , Etc… Lens quality is one of the most important factors you should consider especially if you’re going to use it for commercial, technical or scientific purposes.

3. Will I need interchangeable ? How many are available for my specific camera in mind?

Having the option of interchangeable gives you the freedom to experiment with different kinds of focal lengths. Although some P&S (point and shoot) cameras can rival ’s with a generous range for a non interchangeable lens system.

Also note the number of available for use with your specific camera because of flexibility reasons. You can practically cover the entire “ range” with interchangeable versus modest ranges on non interchangeable lens systems or P&S cameras.

4. Does it have a capability? What’s the range?

Almost all applications that I listed above will need some form of zooming in (telephoto) or out (wide angle), especially if you don’t have the space to move around the object you are shooting.

For Landscape shots, wide angle shots are very common and appealing while zooming in on the details serves as a break and complements the wide angle shots.

For weddings and events, you need a because there will be times where you are limited by the shooting space and you will have a difficult time moving around. Its a good thing to know that you can do all sorts of framing without even moving from your position.

A nice will give you the efficiency and versatility in your , so my suggestion is to go for the longest range you can get (usually from a 7X to a 10X for Point and Shoots).

Also note the speed of zooming in or out as this will be a factor if you’re shooting events like weddings. You will fail to capture that “decisive moment” on a mediocre speed.

5. Does it have the provision to capture raw ?

Many will say you’ll need this feature if you want to have big prints from your . Although this is correct, the main reason why you will want this is because of the benefit it will give you…pure total control of your … from exposure, color, metadata, hdr and a lot more.

6. Can I attach an external ?

Having an external capability will give you the power and creative freedom to light your subjects any which way you like.

You can connect your to all sorts of lighting equipment thus giving you more options and versatility. This comes in the form of a hotshoe or a PC-Sync socket.

If your doesn’t have this feature, there is still hope because accessories called slaves are being sold by third party companies in different flavors that will also do the same job more or less.

7. Does it have a tripod socket?

Some of the most beautiful landscape that I’ve seen are undoubtedly made with a tripod, so this is a must have if you are planning to do this kind of .

The “ shots” in a wedding, still life and product shots, studio and fine art shots … all need a tripod for successful execution… so guess what happens if you don’t have a tripod socket?… You cannot effectively use a tripod!

8. Does it have automatic and manual focusing?

It will not be evident at first why you’ll need this especially if you’re just starting out in . But if you’re like me… A total control freak when it comes to cameras… and you really want to express your creative side, this is definitely a must have.

9. Can you attach filters to it? and what filter size?

Creative expression through special effects is just one of the many reasons that makes fun and interesting, and experimenting with filters is one creative pursuit you should try with your especially if you’re a beginner.

Always remember to ask if the particular you are eyeing for can handle filters and ask for the filter size. (To save you from buying the right filter with the wrong filter size) Please note that most should be able to to handle filters as most that come with it have a filter thread built into the lens.

Most P&S (point and shoot) normally doesn’t have a filter thread built-in and might need special accessories to accomplish this so you should check to know for sure.

Again, there are many third party accessories that you could buy to adapt filters to your P&S that don’t have this provisions. I’ll discuss all about this in a future post so watch for it. (Or subscribe to my announcement list (feed via email) so you’ll know when it’s up.

10. Can I upgrade the firmware?

The good thing about some manufacturers is that they keep on improving their even after they sold it to you… this comes in the form of a firmware upgrade.

Usually this involves an improvement on one or many features of a camera. Be sure that the you’re planning to buy has an easy way of upgrading its firmware. This comes in the form of either an easy download via the manufacturer’s website (find it and bookmark it now) or a FREE CDROM.

Another caveat - be sure to consider if a downgrade is also possible or available with your … Why is there a need a downgrade you ask?… Because, you may want to reinstall an earlier firmware… just in case you don’t like the results from a firmware upgrade.

Occasionally there’s a feature that will be removed by the upgrade that you failed to read about and you decided that you just want to keep that feature instead of a bunch of trivial upgrades from the new firmware. (Yes, I personally experienced this.)

11. Are there extra goodies or software that come with it?

Some people ignore the fact that you can save a lot of money just by doing a simple arithmetic. Did you know that you could actually get your for a lot less if you study the deals and offers on the marketplace?

If you buy a and it comes with software that you can really use… like photoshop, elements, or any other software for that matter, then you already saved some money you would otherwise spend. Some dealers will throw in lots of extras… If you just simply ask.

Always try to ask for these things that you’ll end up buying anyway if you don’t - like camera bags, extra , extra , cards, tripod, etc. Trust me… you will end up buying these things if you don’t ask for it on the deal. What have you got to lose? Simply ASK. Would you believe that I effectively lowered one of my cost by as much as 30%? Ask away.

12. Is there Local Support in your area?

Finding the answer to this one will give you a great benefit in the long run. Wouldn’t you sleep better at night because you feel that extra security - that in case there is something wrong with your , you can bring it in for repair at a moments notice?

Not knowing when your camera will be repaired (or if it even arrived at a distant repair facility) is one of the worst feelings a can have especially if you’re in the middle of a photoshoot or project.

13. What type of warranty does it have? Worldwide / Countrywide?

If you travel a lot its good to know that a countrywide or even better - a worldwide warranty can get your camera fixed wherever you are. Always bring the warranty card and glue it on your camera bag.

14. Does it have the ability to take video and audio?

I know, most DSLRs don’t have this function. But some non interchangeable lens DSLRs have it. This is a very useful feature to have if you’re on a project or photoshoot and want to document or record a procedure, a moment, or an idea that you would otherwise have trouble remembering or even writing. It’s always a good idea to bring a P&S camera backup that have this function.

The things that you could do with audio and videoclips on a photoshoot are only limited by your imagination… interviews, documentation, funny quips, training procedures, bloopers, etc..

15. Does it have a manual ?

is one of the most interesting aspects of . Its fun and fascinating to work with. Having this option puts the fun-o-meter way way up. In future posts, I will be discussing in detail so be sure to stay tuned.

16. How sensitive is it to infrared?

If you’re planning to make infrared or enter the exciting world of Infrared fine art then you’ll want to know if your can do it.

TIP: There is a simple way to test how sensitive your is to infrared using a very common device - a TV remote control. For P&S, you can aim the remote control towards the lens and gauge how bright the LED from remote is. This should give you an idea how sensitive your is to infrared. For DSLRs you will need to take shots of the LED and experiment a little or you can simply research or the particular you have in mind for other people’s experiences and thoughts about it.

17. How high is the ISO sensitivity? Is it manually adjustable?

ISO sensitivity is a term referring to the sensitivity of to light. In the world, it refers to the sensitivity of the in your in relation to the ISO standard used for .

The higher the ISO sensitivity of your camera the faster or better it can record a specific amount of light.

High ISO sensitivity is useful for taking better in dark settings… such as inside a church or at night. The higher the ISO setting, the more details you can capture of a dark scene.

One caveat - take note of the amount of noise a particular camera exhibits at higher ISOs. Some people like it and some don’t. Again, don’t be afraid to ask or do research on the noise characteristics of your in mind to see if this is the right choice for you.

18. How high or low can you set the shutterspeed? What are the minimum and maximum aperture settings?

Shutterspeed and aperture settings are the basic mechanisms that drive your camera and controls the amount of light that is exposed by the or .

You use high shutterspeeds in action shots and to prevent camera shake, and you use low shutterspeeds for movement effects and bulb or long exposures. You can check for these figures on the websites that I gave you in part 1. You can see it in the technical specifications for a particular camera.

A bulb or “T” function is a nice feature to have because you can take exposures for virtually very long periods of time. Another feature to have is if your camera has a remote control to use this bulb or “T” mode. This gives you the capability to take without holding your camera and adding to the “camera shake”.

With the subject of apertures, a small one (small aperture opening) lets you have a wider depth of field so your shots are sharp from near to far versus a large aperture (big aperture opening) where your shots have a narrow depth of field and appear “selectively focused”.

19. Does it have some form of an ?

New cameras coming out as we speak often have this feature. Simply put, an is some form of a mechanism built into the lens or the (depending on the manufacturer and their implementation) that basically prevents you from getting blurred when taking in low light or you are using a long or . Having this feature can mean the difference between a blurry (aka no !) to a usable one.

20. How close can it focus? Macro abilities?

The closer your camera can focus… the bigger the of an object you can take in relation to the image dimensions of the final … and the bigger the of the object… the more detail you can get. If you want to take of small objects such as flowers and fine details then this is a must-have.

That’s it. Whew.

Do you really have to go over all these questions?… Of course not, but even if you only study and ponder on half of them…and take the time… I promise you that one thing will surely happen…

You’ll be…

a lot smarter!

than when you first started asking these questions… ergo you’ll be in a better position to decide what to buy… Because you are now armed with the most powerful tool anybody can have

the power of information!

In any case, I hope you find as much value in these questions as many of my friends have and be able to get the camera of your dreams.

Enjoy!

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