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21 Sep 08 The Technology Behind Digital Cameras

Author: Roberto Sedycias

Technology has revolutionized the concept of capturing live . The earlier concept of producing permanent was based on pure chemistry. In 1830, Louis Daguerre, devised the first practical way of producing permanent . Today we are talking about the computerized imagery in the filmless taken by a device that is smart in electronic intelligence and in appearance - .

A takes video, still , or both digitally. It records on a light . Instead of using a , an arrangement of charged-coupled devices-light sensitive semiconductors, which stores electrical charges,-does the job. These -composed of pixels -transform the light from the scene snapped into an analog signal which is then converted into a digital version. One electronic filtering system regulates color and other components. Another system reduces the . The image is finally sent to a temporary area and ultimately onto a card. Many compact can record sound, video and still .

The are transferred to a computer where they can be modified, printed, attached to email, inserted in web pages, etc. The most significant advantages of a are its capacity and ability to screen the taken on a tiny video monitor.

The technology of the relates to the same technology of Video Tape Recorder. The first VTR in 1951 captured from the television by converting the information into electrical impulses (digital) and subsequently saving them onto magnetic tape. It was in 1960s when NASA had made a major breakthrough by converting analog to by means of the space probe for mapping the surface of the moon. Also digital imaging had its other uses in spy satellites.

scientists invented the first mega sensor capable of recording 1.4 million pixels. In 1991, released the first system- a F-3 camera equipped with 1.3 aimed at journalists. The first for the consumers which worked with a home PC via a serial cable were the Apple Quick Take 100 camera(1994), the DC40 camera(1995), the QV-11 with LCD monitor(late 1995) and `s Cyber-Shot Digital (1996).

The main features of a can be summarized as follows:

: means of a . The higher the number of pixels, the higher is the .

: The are stored like a data file in a . The size of the determines the number of which can be taken, stored and downloaded in the computer.

Type: Most have a built in of a range around 10 -16 feet which is required to provide extra light needed to take in insufficient light.

Optical : Normally two types of are used viz., digital and optical. The optical serve more purpose like adding detail and .

Compression: This process helps to reduce the file size.

Lens: The length of a lens determines how much of a scene will fit into a .

: A very interesting feature of a is the which permits one to see what the will look like before and after taking , leaving room to decide whether to erase or save the .

In the market there are several brands of which are selling successfully and the continuous improvement in Technology is leading way to introduction of more and more exciting features in the .

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20 Sep 08 Digital Camera Basics - Want To Stop Being An Idiot And Learn How Digital Cameras Work?

Author: Mike Singh

With the advancement of the and the software that is made for them, most look professional from the first click of the camera. But like most things, it is important to understand the “how and why” for higher quality results.

The basics of a revolve around terms like , count, , sensor, sensitivity, optical , or digital . These improve your understanding of what digital is all about, and will help you become a more efficient .

For example, one important term is . A typical may have a digital that is as big as a small finger nail. Most 5MP use a sensor that is 7mm x 5mm in size. This is much smaller than the size of the negative of a camera. However, high-end have large sensors, and generate superior . These are important things to know, to see how can be better or worse.

also have sensitivity settings similar to ISO ratings on . Most will have settings for sensitivity equivalent to ISO 100 and . Many also have a setting for . A few expensive cameras with large sensors have settings for ISO 3200 or even for ISO 6400.

Most have an optical and a digital . An optical by changing the and magnification while the is being utilized - with the remaining high. Digital works by cropping the image to a smaller size. The cropped image is enlarged to fill the frame, causing a significant loss of quality.

The manufacturers of use the term “ count” to describe their camera’s . The word originates from “(PIC)ture (EL)ement”- with the use of phonics added for emphasis. It represents a single point in a - not a dot but an abstract sample that can be reproduced in any size, without a dot or square appearance.

A is important to understand because it is the basic unit of measurement, used to define a digital . The more the number of pixels per square inch, the higher the of a digital , increasing its clarity. Some examples would be 2,400 pixels per inch, 640 pixels per line, or spaced 10 pixels apart. Designers, artists, and sometimes interchange the terminology, such as dots per inch (dpi) with pixels per inch (ppi). The dpi is used when it refers to the printer’s for the printing density. Each is made up of three color channels - red, green and blue-and has a numerical value of between 0 and 255.

The count also decides the size of a print in case you want to print . A 3MP camera can provide excellent 4×6 inch prints, while a 4 or 5MP can deliver high quality 8×10 inch prints. With a you can pick the to suit the light source. This is meant to ensure that white looks white, and not yellow or blue. Normally, your will do this automatically. You can also set the yourself for better effects.

Since each generates three bytes of data, a using a 3MP camera will need a space of 9 million bytes or 9MB to store a single image. This is a huge amount of space. Camera companies therefore allow for a compression of image using a format called JPEG. This reduces the file size significantly but while doing so a lot of data is lost. To overcome this problem companies have come up with different formats. calls it RAW while calls it NEF. The data loss is less in these formats.

The low end cameras used by beginners can shoot whose count is one million is categorized as 1 MP or one million camera because the intensity of each is variable, with each having three or four dimensions of variability - such as red, green and blue, cyan, magenta, yellow, and black. The high-end cameras used by professionals, can range from 14MP to 22MP with a count as high as 14 million or 22 million per image.

The thing to remember is the higher the , the more realistic the image is, matching closest what the actual image is. So take your time, do some research, and talk to people who know cameras. Otherwise, a lot of money will be spent on something that is barely adequate for what you want.

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