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20 Sep 08 Digital Camera Basics-images

Author: Brian Lee

In the past twenty years, most of the major technological breakthroughs in consumer electronics have been built around the same basic process: converting conventional analog information (represented by a fluctuating wave) into (binary information represented by ones and zeros, or bits). This fundamental shift in technology has changed how we handle visual and audio information — it completely redefined what is possible.

The is one of the most notable examples of this shift because it is so truly different from its predecessor. Conventional cameras depend entirely on chemical and mechanical processes — you don’t need any electricity whatsoever to operate them, other than for a . On the other hand, all have a built-in computer, and all of them record electronically.

The new approach has been enormously successful. Since usually provides better quality, have not completely replaced . But, as has improved, and prices dramatically decreased, have rapidly become more popular.

In this article, we’ll find out exactly what’s going on inside these amazing digital-age devices.

Understanding the Basics

Let’s say you want to take a and e-mail it to a friend. To do this, you need the image to be represented in the language that computers recognize — bits and bytes, or binary information. Essentially, a is just a long string of 1s and 0s that represent all the tiny colored dots — or pixels — that collectively make up the image. If you want to get a into this form, you have two options:

1) You can take a using a conventional camera, take the to a developing lab that processes the chemically, prints it onto photographic paper, and then place the on a to sample the print (record the pattern of light as a series of values).

2) You can directly sample the original light that bounces off your subject, immediately breaking that light pattern down into a series of values — in other words, you can use a .

At its most basic level, this is all there is to a . Just like a conventional camera, it has a series of that focus light to create an image of a scene. But instead of focusing this light onto a piece of , it focuses it onto a semiconductor device that records light electronically. A computer then breaks this electronic information down into digital data. All the fun and interesting features of come as a direct result of this process.

Instead of , a has a sensor that converts light into electrical charges.

The employed by most is a (). Some cameras use complementary metal oxide semiconductor () technology instead. Both and convert light into electrons. Without getting too technical, a simplified way to think about these sensors is to think of a 2-dimentional array of thousands or millions of tiny solar cells.

Once the sensor converts the light into electrons, it reads the value (accumulated charge) of each cell in the image. This is where the differences between the two main sensor types become a factor:

A transports the charge across the chip and reads it at one corner of the array. An analog-to-digital converter (ADC) then turns each ’s value into a digital value by measuring the amount of charge at each photosite and converting that measurement to binary form. sensors create high-quality, low-noise . sensors have been mass produced for a longer period of time, so they are more mature. They tend to have higher quality pixels, and more of them.

devices use several transistors at each to amplify and move the charge using ordinary wires. The signal is digital, so it needs no ADC. Because each on a sensor has several transistors located next to it, the light sensitivity of a chip is lower (many of the photons hit the transistors instead of the photodiode.) sensors traditionally consume little power. CCDs, on the other hand, use a process that consumes lots of power.

The amount of detail that the camera can capture is called the , and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger can be without becoming blurry or “grainy.” High-end can capture over 12 million pixels. Some support over 16 million pixels, or 20 million pixels for large-format cameras. For comparison, Hewlett Packard estimates that the quality of is about 20 million pixels.

Exposure and Focus

Just as with , a has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and , are also present on .

Aperture: The size of the opening in the camera. The aperture is automatic in most , but some allow manual adjustment to give professionals and hobbyists more control over the final image.

: The amount of time that light can pass through the aperture. Unlike , the in a can be reset electronically, so have a digital shutter rather than a .

These two aspects work together to capture the amount of light needed to make a good image. In , they set the exposure of the sensor.

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19 Sep 08 How Do I Choose a Digital Camera?

Author: J Adams

A might look like a camera but they are actually quite different. Both freeze light to make a . cameras do this chemically using . use a light sensitive or to convert light and into pixels.

Pixels are the tiniest areas of light that your can recognize and change into information. The greater amount of pixels the more detail and higher the the . A low color printout of tree will show that it is green but in a high the leaves and texture of the bark will be more sharply defined.

With digital your have the ability to use software like Adobe Photoshop Deluxe and Microsoft to edit and make corrections.

Choosing Your Camera
Important considerations when choosing a are: What do you want the camera to do? What features do you require? How much do you wish to spend on your camera?
There are professional high end cameras that cost thousands of dollars, cheap throwaway cameras and a huge selection of mid-level cameras available to choose from.

Will you be photographing for the internet and for email? Will your be printed? For regular print size and web a one to two camera will do. In fact for the web a lower would be better as higher are slow to download.

Do you want a point-and-click camera? Are you someone who just wants to get the taken with the least amount of bother. Do you want a camera that does everything automatically and you simply have to press a button? Or, are you someone who would rather figure out the best settings for your camera and make the adjustments manually? It’s always best to find a camera that suits your purpose, need and ability.

High or Low
High end, high cameras are good for that are to be printed. The greater the number of pixels the higher the . High does not make sense on the web as the extra does not make appear any sharper. Also, high are slow to download on the web.

To print your you will need a good quality color printer. If are to be printed, high does make a difference depending how large you want the to be. High will give a large print better definition. High cameras cost more. Expect to pay more for high . You also need to check that your printer can handle high prints.


Low-end have fixed focus made of plastic. With these everything is focused and you don’t need to make a decision what to focus on.

Variable focused are made of glass or high quality plastic. These focus on whatever object you are trying to capture in a .

Most mid-range come with and manual focus built in. is for point-and-click of whatever is in the middle of the frame. Or, by turning the ring over the lens, you can manually focus the camera. These cameras allow users to switch between auto and manual focus.


have optical and digital . Optical costs more, give a better quality , and works the same way as on non- with lens adjustments. A digital comes about when the camera makes calculations to manipulates the pixels. Digital gives a less sharp image. Some cameras include both optical and digital .

View Finder
The view finder is what you look through to see what you are photographing. The view finder on both digital and regular cameras will approximate the your lens is viewing. will also come with an that you can use to check your and decide weather or not to keep them.

Lighting
When it comes to lighting you might not want the camera to make the decision automatically for you. On an auto setting you camera might not make the best lighting choice given the location and environment. At times like this you can appreciate being able to switch between manual and automatic settings.

allow you to test exposure and view a on LCD prior to pressing the button fully and committing to a .


There will be a built in that comes with your . In addition, the better cameras have a location for a attachment. This is a good option for producing better quality .

Connecting to Your Computer
You will need a PC USB cable, or for Mac’s - Firewire or Mac USB cable, to connect to your computer. You will also need a cable adapter for your camera’s CF (Compact ) or SM (Smart Media) card .

The CF or SM cards are removable high capacity cards for your . Your camera will use one type of card or the other. Not both. Check to see which type of card your camera uses.

USB connections are fast and easy to set up. Older cameras connect through a serial port. USB is faster and does not require that the computer be rebooted before it recognizes the camera.

and AC Adapters
often come with rechargeable . It is best to have two sets of . One set to use while the other is recharging. AC adapters make it easy to plug into an electrical outlet when you are near by one.

Main Drawback of
The main drawback of is shutter lag delays when the camera delays responding after you squeeze the button. It is possible you may miss the moment when photographing moving objects due to shutter lag. Some of the newer cameras are beginning to address the problem.

Select a camera that does what you want it to do, has features you will use and is priced in the range you want to pay. This will be the for you. If your experience is limited and you do not want to take a lot of time learning how to use the camera, go with a point-and-shoot camera. Something without too many features. If you are a camera enthusiast who wants to do more with your camera or is willing to take the time to learn how to use the feature then, by all means go all out.

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