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21 Sep 08 Nikon Announces Seven New COOLPIX Cameras With Consumer’s Digital Photography Needs in Mind

’s New COOLPIX Put Performance and Style in Your Life

Announces Seven New COOLPIX Cameras With Consumer’s Digital Needs in Mind

’s New COOLPIX Put Performance and Style in Your Life

MELVILLE, N.Y., Feb. 21 — Looking for a premier with your needs in mind? Whether you’re a first time consumer, looking to update your old , a person who enjoys sharing your or an experienced looking for a compact , ’s 2006 COOLPIX line has a camera and feature set that is right for you. Today, announced the addition of seven new COOLPIX cameras adding to its Life, Style and Performance Series. Developed with the consumer in mind, has combined exceptional features with world-renowned quality design and style at attractive prices.

“Consumers requested small, sharp, powerful and easy-to-use that can capture and share moments and ,” says Bill Giordano, General Manager of Consumer Product Marketing for Inc. “From entry-level to advanced technologies our designers and engineers have done an outstanding job of adopting design styles and intuitive technology that directly address what the consumer asks for — a camera that looks great and performs just as
well.”

Unique to COOLPIX , and now for the first time available throughout the line-up, is ’s Exclusive Feature System, which gives users the power to automatically improve recorded in-camera. This combination of in-camera features provides a quick, easy and seamless answer to underexposed due to excessive backlight or insufficient ,
blurry or out-of-focus shots and red eyes. The system includes:

– In-Camera Red-Eye Fix(TM): automatically detects and corrects , a common condition that occurs in . You may never see again.
– Face-Priority AF*: automatically finds and focuses on a persons face within the frame, providing sharp focus to produce clear, crisp portraits wherever the subject is positioned in the frame.
– D-Lighting: selects and creates a copy of with excessive backlight or insufficient illumination, adding light and detail where necessary.
– Blur Warning: alerts the user that a shot has resulted in a blurry allowing for it to be retaken before leaving the scene.
– Best Shot Selector (BSS): automatically identifies and saves the sharpest shot from ten sequential shots.

In addition, every new COOLPIX camera features TV Quality Move Mode** function (recording movies at up to 30 fps with sound), Noise Reduction - to produce better results during low-light conditions; a broad choice of selection and a convenient Help Button, which is never further than a push of a button away, giving easy-to-understand explanations for all
functions throughout the menu.

Made Easy with ’s COOLPIX L-Series

If you are looking for an easy to use, compact that takes great right out of the box, the COOLPIX L Series is a perfect fit. The COOLPIX L2, L3 and L4 feature high-quality components, including a 3x optical -Nikkor lens, a big, bright, 2.0-inch LCD and a streamlined design (less than 1″ thick) which contributes to the camera’s style and operation.

Adding to the cameras’ portability, each camera is AA-size and SD card compatible. With generous effective values of 6.0 for the COOLPIX L2, 5.1 for the and 4.0 for the COOLPIX L4, users have the ability to produce clear, crisp . A choice of 15 Scene Modes - including four with Scene Assist - Best Shot Selector (BSS), Single and Continuous AF, Choice of and Noise reduction help users create with optimal results.

The L2 and L3 will be available in late February 2006 with MSRP’s of, $199.95 for the L3 and $249.95 for the L2. The L4 will be available in March 2006 with an MSRP of $149.95

Brilliance Made Beautiful with ’s COOLPIX S Series

The stylish COOLPIX S5 and S6 combine high-quality imaging performance with impressive digital sharing technology. The sleek, modern wave design of the S Series cameras, along with 6.0 effective and a 3x optical -Nikkor ED Glass lens, make them ideal for the user who wants a camera with added style. Sharing digital is easy with the new Pictmotion(TM) function, which allows users to select their favorite , choose one of five royalty-free, pre-installed music files, or their own choice of music***, and automatically produce slide shows with pace and transition selected to match the music and style. Slide shows can be played back with ease on the S5’s 2.5-inch LCD of the S6’s 3.0-inch LCD, each of which is viewable for a wide 170-degree angle.

The incorporation of a Rotary Multi Selector allows for easy scrolling through the newly designed menu system and breezing through playback at up to 10 frames per second. Also included in the new S Series is a standalone One-Touch Portrait button conveniently located on the top of each camera, giving users instant access to the In-Camera Fix and Face Priority AF options.

To ensure quality in various shooting environments, users have the option of 16 scene modes, 17 for S5 with Underwater mode****, including four modes with Scene Assist.

The COOLPIX S6 features an additional advantage of built-in WiFi capability, allowing for wireless transfer of to a computer and wireless printing***** with any PictBridge enabled printer.

The COOLPIX S5 and S6 will be available nationwide in March 2006. The S5 has an MSRP of $349.95 and the S6 $449.95.

Passion Made Powerful with ’s COOLPIX P-Series

The COOLPIX P3 and P4 combine 8.1 effective with a range of advanced in-camera technologies. Designed for the who enjoys customization and the ability to control their , the P Series cameras feature an innovative Vibration Reduction (VR) capability. Originally developed for SLR , VR capability is available in two modes (Normal and Active) in order to compensate for camera movement. VR Normal compensates for minor movements, most often associated with handheld shooting, while VR Active compensates for more pronounced movements, such as the vibration of a moving vehicle.

The P3 and P4 give users the flexibility of a full array of settings. Covering a broader area of the frame, the new 11 wide-area AF achieves better results in more diverse compositions - leaving free to concentrate on the shot while the camera automatically achieves superior, sharp focus. In addition, there are 16 shooting modes, including nine advanced scene modes that allow to produce better suited to their own personal tastes - through the use of three effects that vary brightness, color intensity, noise reduction and more. To help capture the action as it happens, both cameras feature continuous shooting at up to 1.8 frames per second, which is
complimented by a five shot buffer that allows users to shoot in a continuous burst, with the camera recording the last five taken.

The COOLPIX P3 comes with built in Wi-Fi capability that allows for wireless transfer of to a computer and wireless printing***** with any PictBridge enabled printer.

The COOLPIX P3 and P4 will be available in March 2006 with a MSRP of $449.95 and $399.95, respectively.

* Face-recognition capability may be limited in some shooting
conditions.
** COOLPIX L4 does not record sound in the Movie Mode.
*** Via PictureProject for Windows only.
**** Requires new FJ-CP-1 - Field Jacket - Price TBD
***** Requires optionally available Wireless Printer Adapter PD-10.

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21 Sep 08 Nikon COOLPIX Style Series Adds Slideshows With Your Music and Wave Design

’s New 6.0- COOLPIX S5 and S6 Perform As Great As They Look

MELVILLE, NY (February 21, 2006) - today announced a stylish and edgy addition to the COOLPIX S, or Style, Series of . The new COOLPIX S5 and S6 combine high-quality imaging performance with impressive new Pictmotion™ sharing technology to make the S5 and S6 the must-have compact . Both the S5 and S6 have sleek, slim wave designs, appealing to users who want their cameras to look as great as the they take. Each camera boasts 6.0 effective and features a 3x -Nikkor ED Glass lens.

“Along with other products of great design, ’s new COOLPIX S Series encompasses all things desirable. It’s a great union of form and function,” says Bill Giordano, General Manager of Consumer Product Marketing for Inc. “Beyond style, the introduction of Pictmotion technology, huge, bright and a new Rotary Multi Selector turn the S5 and S6 cameras into fun tools for taking and sharing digital .”

Unique to COOLPIX , and now for the first time available throughout the line-up, is ’s Exclusive Feature System, which gives users the power to automatically improve recorded in-camera. This combination of in-camera features provides a quick, easy and seamless answer to dark , blurry or out-of-focus shots and red eyes. The system includes:

- In-Camera Red-Eye Fixâ„¢: automatically detects and corrects , a common condition that occurs in . You may never see again.
- Face-Priority AF*: automatically finds and focuses on a persons face within the frame, providing sharp focus to produce clear, crisp portraits wherever the subject is positioned in the frame.
- D-Lighting: selects and creates a copy of with excessive backlight or insufficient illumination, adding light and detail where necessary.
- Blur Warning: alerts the user that a shot has resulted in a blurry allowing for it to be retaken before leaving the scene.
- Best Shot Selector (BSS): automatically identifies and saves the sharpest shot from ten sequential shots.

Making it simple and convenient to take stunning portraits, a standalone One-Touch Portrait Button featured on both the S5 and S6, gives users instant access to the Face Priority AF and In-Camera Fix options. To ensure quality in various shooting environments, users have the option of 16 scene modes,17 for S5 with Underwater mode**, including four modes with Scene Assist and a TV Quality Movie Mode function that records moving at 30fps with sound.

Sharing digital is made easy with the new Pictmotion technology, which puts a creative new spin on the average in-camera slide show. By allowing users to select their favorite recorded and matching one of five royalty-free, pre-installed music files on the camera, or your own choice of music***, Pictmotion automatically analyzes all the elements to produce in-camera slide shows that look great and are fun to share with others. The COOLPIX S5 and S6 provide quality playback of sound and the bright, sharp expanded 2.5 and 3.0-inch LCD’s – with an impressively wide 170-degree viewing angle - make it easy for everyone to see.

With the incorporation of a new Rotary Multi Selector, users can easily scroll their way through the newly designed menu system or breeze through playback at up to 10 frames per second. Another new feature for the COOLPIX S5 and S6 includes a calendar function that automatically sorts according to the date that they were taken. For added in camera assistance, created a Help button, which is now standard on all ’s new COOLPIX cameras. This component provides easy-to-understand explanations for functions on the main menu.

Supporting both 80211.b and 80211.g WiFi standards, the built-in WiFi on the COOLPIX S6 allows for wireless transfer and printing of to any PictBridge-enabled printer. For wireless printing of without a computer offers the accessory Wireless Printer Adapter PD-10.

The COOLPIX S5 and S6 will be available nationwide in March 2006. The S5 has an MSRP of $349.95 and the S6 $449.95. For more information about this and other COOLPIX cameras, please visit www..com.

* Face-recognition capability may be limited in some shooting conditions.
**Requires new FJ-CP-1 Field Jacket Price TBD
***Via PictureProject for Windows only.

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21 Sep 08 Nikon Digital Imaging Software Business Enhanced by Collaboration With American Developer, Nik Software, Inc.

Partnership Will Lead to Exciting New Developments in Imaging Software for

TOKYO, Feb. 14 — Corporation (Michio Kariya, President) is pleased to announce collaboration in the field of imaging software for with American software developer, Nik Software, Inc. (formerly nik multimedia, Inc., Mr. Michael J. Slater, President & CEO; headquarters in San Diego, California).

With this collaboration, the technologies of both companies will be merged to develop and market innovative software products based on new concepts. This new relationship will enable a stronger presence and guarantee a leading role in the imaging software market.

To further the success of this collaboration, has also made equity investment in Nik Software, Inc. (hereafter “Nik”).

Behind the collaboration

As the popularity of increases, software applications that allow users to enjoy and expand the possibilities of their digital with management, enhancement, and processing tools become more and more important. Well aware of this fact, offers a selection of software applications including the image management and enhancement application, PictureProject, and the advanced image processing and editing application, Capture.

and Nik, with its own digital imaging software technology, have maintained a cooperative relationship since 2004.

Recognizing the significant benefits this collaboration will have in fortifying the digital imaging software business of both companies, as well as in offering users simple and fun to use software that appeals to the very broad digital market, and Nik have decided to expand and reinforce their ties.

* Overview of the collaboration
* Technical cooperation in the development of digital imaging software.
* Worldwide distribution, utilizing channels established by , of
products developed jointly.

* Plans for the future
With integration of ’s technology with Nik’s digital imaging software technology, the introduction of digital imaging software, based on new concepts, that incorporates innovative technology, versatility, and unique advantages is scheduled.

Harnessing the strengths of both companies and establishing a cooperative relationship in the software business will further the development of next-generation digital imaging software. The resulting software will offer users a wide variety of benefits in working with their digital , as well as offering greater performance from both personal and imaging. Together, all of these new possibilities and advantages will provide both companies with greater opportunities and a stronger position in the software business.

* Nik Software, Inc. corporate profile

President & CEO: Mr. Michael J. Slater
Offices: San Diego, California U.S.A. (Corporate Headquarters)
Hamburg, Germany (European Branch Office)
Primary business: Development and sales of digital imaging software
Primary products: nik Color Efex Pro(TM) (digital filters), nik
Sharpener Pro(TM) ( sharpening
software), Dfine(R) ( noise reduction
software)
Establishment: Established in 1995; Incorporated in 2001

* Statement from Mr. Michael J. Slater, President & CEO of Nik Software,
Inc.:
“This cooperative agreement enables both and Nik to fulfill their common commitment to continuously develop advanced products and technology for the booming digital market. We look forward to working with to build a strong digital imaging software business by leveraging both our companies’ proprietary technologies and -imaging know-how.”

For further information regarding the /Nik collaboration:
* Members of the press
Corporate Communications & IR Dept. Corporate Strategy Center,
Corporation
Bldg., 2-3 Marunouchi 3-chome, Chiyoda-ku, Tokyo, 100-8331 Japan
Mr. Hatori or Mr. Enomoto
+81-3-3216-1032

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21 Sep 08 Digital Camera Buying Guide

Author: Monty Alexander

Planning to buy a ? Not sure how to get started?

Read on to discover how…..

What do you need the camera for?

If you buy a simple one that can be used at home, you will not get interesting that you need for taking really good photographic . On the other hand, it would be a waste of your money if you have the latest only to be used for personal at home.

Based on the purpose one can choose from the following main three types.

· Point and shoot: - reasonably compact, with features and size like cameras.

· Lifestyle: - with moderate features, it’s sleek and compact, so you can carry it around with ease.

· Professional: - with interchangeable , flashes and other accessories, this camera is robust and feature laden, just the right choice for a professional or serious .

These are the important features to look for?

Digital are made up of dots called pixels. The higher the number of pixels in your image, the better will be the quality of the image. This will therefore enable you to enlarge your image to higher dimensions without creating a pixilated (broken) image.

Compression

Compression shrinks a ’s file size, thus accommodating more in the card. However compression causes a small amount of data loss. If you need the absolute best-quality , you have to consider buying a camera that takes uncompressed but will accommodate less number of .

A camera’s size will decide the number of that can be stored. of 128MB will be good enough if you want to use the camera mostly at a social do or a party. If you are on a vacation or when you cannot download for days at a stretch, a of 512MB to 1GB will be most favorable.

Most come with at least an optical but many also come with an built into the back. For a , they vary from 1.5-2.5 inches.

Lens

It is the length of a camera’s lens that determines how much of a scene will fit in a . A “Normal” lens is about 50mm, most closely approximate to what your eye sees.

Optical

This enables the to in on an object without any problem in quality. Depending on the magnification number, you can in more.

Digital

This feature enables the to in on the centre of the by removing the edges of the image.

Focus an exposure

In most cameras, the correct exposure for the lighting conditions is automatically determined. A camera rated ISO 100, has approximately the same light sensitivity as that of a traditional camera loaded with ISO 100 . A higher ISO rating means that the camera is more sensitive to light and is potential enough to take in darker settings.

Audio and Movie capture

This feature allows you to record sounds and moving at the same time, in exactly the same way that a camcorder functions. Some provide the facility to record a few seconds of audio with each shot, thus letting you add a personal sound bite to your .

Movie mode

This is a feature that lets you take short clips with your camera. The total record length is typically limited to 10 to 90 seconds.

Most come with an in-built . Some cameras however include additional features, such as red-eye reduction or night portrait mode.

Image erase

Most cameras also let you select to erase. This handy feature gives you the chance to edit out the you don’t want in order to create space in the .

Self-timer

A self-timer allows your for a delayed exposure, usually giving you about 10 seconds before the is taken.

Computer connections

Most high-end cameras have software and connections for both Mac and PC computers. However it is necessary to make sure the you want is compatible with your platform before you buy it.

This feature enables the to capture still of something moving very fast.

Printing

Nowadays you can buy special , depending on the compatibility of your camera, to print off your without connecting it to a PC. This applies both for digital and SLR .

How important is size and portability to you?

Size is another very important factor to consider. If you are to use the camera for non professional purposes the size has to be small as you cannot afford to carry huge when you are enjoying a trip.

What is your budget?

Based on the budget the features will vary and the overall offering of a camera. Today’s run anywhere from Rs 800 to Rs 30,000, depending on and features. While the initial expense of a is still high you may find that the added convenience and savings in and processing costs are worth it.

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20 Sep 08 The Magic Behind Digital Camera

Author: Harry Rockwell

A , as opposed to a or videotape camera, uses an to transform (or video) into electronic data. Modern are typically multifunctional and the same device can take , video, and/or sound.

In 2005, are starting to push traditional cameras out of many markets. Shrinking device sizes have recently allowed miniaturized to be included in multifunctional devices, such as cell phones and PDAs.

Classification

can be classified into several groups:

* Professional such as those used in television and movie production. These typically have multiple sensors (one per color) to enhance and color gamut. Professional usually do not have a built-in VCR or .

* Camcorders used by amateurs. These are a combination of camera and VCR to create an all-in-one production unit. They generally include a to record sound, and feature a small LCD to watch the video during filming and playback.

Still cameras

are generally characterized by the use of and USB or Fire Wire for and transfer.

Most have a rear LCD for reviewing . They are rated in ; that is, the product of their maximum dimensions. The actual transfers to a host computer are commonly carried out using the USB mass device class (so that the camera appear as a drive) or using the Transfer Protocol and its derivatives.

All use a (for Charged Coupled Device) which is a chip comprised of a grid of phototransistors to sense the light intensities across the plane of focus of the .

There has recently been some application of a second kind of chip, called a (Complementary Metal-Oxide Semiconductor) sensor, and this chip is often differentiated from a proper in that it uses less power and a different kind of light sensing material, however the differences are highly technical and many manufacturers still consider the chip a charged coupled device. For our purposes, a chip sensor is a .

* Standard : This encompasses most . They are characterized by great ease in operation and easy focusing; this design allows for limited motion capability. They have an extended depth of field.

This allows objects at multiple depths to be in focus simultaneously, which accounts for much of their ease of focusing. It is also part of the reason professional find their flat or artificial-looking. They excel in landscape and casual use.

* typically have a sensor nine times larger than that of a standard , and are targeted at professional and enthusiasts. They resemble ordinary in most ways, with replaceable and lens components, which give the user maximum control over light, focus and depth of field.

They are also bulkier and more expensive than their casual-use oriented counterparts. They are superb for portraiture and artistic because they can be customized for various applications with a comprehensive range of exchangeable .

Professional modular systems

High-end backs used by professionals are usually separate devices from the which they are used with. (This is because most of the large- and medium-format camera systems in professional use at the time that digital capture overtook as the professional’s medium of choice were modular in nature, i.e. the had multiple , viewfinders, winders and backs available for use with it to fit different needs.)

Since the first backs were introduced there have been three main methods of “capturing” the image, each based on the hardware configuration of the particular back.

The first method is often called “Single Shot,” in reference to the number of times the camera’s sensor is exposed to the light passing through the .

Single Shot capture systems use either one with a Bayer filter stamped onto it or three separate CCDs (one each for the primary additive colors Red, Green and Blue) which are exposed to the same image via a beam splitter.

The second method is referred to as “Multi-Shot” because the sensor is exposed to the image in a sequence of three or more openings of the lens aperture. There are several methods of application of the multi-shot technique.

The most common originally was to use a single with three filters (once again red, green and blue) passed in front of the sensor in sequence to obtain the additive color information.

Another multiple shot method utilized a single with a Bayer filter but actually moved the physical location of the on the focus plane of the lens to “stitch” together a higher image than the would allow otherwise. A third version combined the two methods without stamping a Bayer filter onto the chip.

The third method is called “Scan” because the sensor moves across the focus plane much like the sensor of a desktop scanner.

These CCDs are usually referred to as “sticks” rather than “chips” because they utilize only a single row of pixels (more properly “photosites”) which are again “stamped” with the Bayer filter.

The choice of method for a given capture is of course determined largely by the subject matter. It is usually inappropriate to attempt to capture a subject which moves (like people or objects in motion) with anything but a single shot system.

However, the higher color fidelity and larger file sizes and available with multi-shot and scan-backs make them attractive for commercial working with stationary subjects and large-format .

Webcams

* Webcams are attached to computers, used for or other purposes. Webcams can capture full-motion video as well, and some models include or ability.

These devices range in price from very inexpensive to expensive higher-end models; many complex webcams have a servo-controlled base capable of tracking facial motion with the help of software.

Interpolation

Image color or interpolation is used unless the camera uses a beam splitter single-shot approach, three-filter multi-shot approach, or Foveon X3 sensor.

The software specific to the camera interprets the information from the sensor to obtain a full color image. This is because in digital , each must have three values for luminous intensity, one each for the red, green, and blue channels. A normal cannot simultaneously record these three values.

The Bayer filter pattern is typically used. A Bayer filter pattern is a 2×2 pattern of light filters, with green ones at opposite corners and red and blue elsewhere.

The high proportion of green takes advantage of properties of the human visual system, which is determines brightness mostly from green and is far more sensitive to brightness than to hue or .

Sometimes a 4-color filter pattern is used, often involving 2 different hues of green. This provides a wider color gamut, but requires a slightly more complicated interpolation process.

The luminous intensity color values not captured for each can be interpolated (or guessed at) from the values of adjacent pixels which represent the color being calculated.

In some cases, extra is interpolated into the image by shifting photosites off of a standard grid pattern so that photosites are adjacent to each other at 45 degree angles, and all three values are interpolated for “virtual” photosites which fall into the spaces at 90 degree angles from the actual photosites.

Connectivity

Many can connect directly to a computer to transfer data. USB is the most widely used method, though some have a Fire wire port.

Integration

Some devices, like mobile phones integrates . Mobile phone cameras are much more sold than standalone digital ones.

need to store data. The higher one goes in size, the more will be needed. Cameras use a removable card to store data, but the cheapest and smallest cameras may simply use fixed internal instead. Some cameras come with inbuilt as well.

Autonomous devices

An autonomous device, such as a , operates without need of a computer. The camera connects to the printer, which then downloads and prints its . Some DVD recorders and television sets can read cards too.

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20 Sep 08 A Few Facts Of Digital Cameras

Author: Roberto Sedycias

A captures in a digital format, unlike a , which captures using a photographic .

History:

Using a mosaic photosensor, Eugene F. Lally of the Jet Propulsion Laboratory first showed how still could be produced in a digital domain. An engineer at Eastman , Steve Sasson, used solid-state chips to build a prototype having a of 0.01 , and recorded digital to a magnetic cassette tape. With this prototype model, Steve took the first image in December of 1975 taking 23 seconds to capture it.

In 1988, DS-1P became the first that captured as a computerized file. However, the camera never entered the U.S. market. In 1991, DCS-100 was the first commercially available , which used a 1.3 sensor. With the advancement of technology, modern have become multifunctional and are now capable of capturing audio/video and still .

Benefits:

1 - You get superior . can offer good to excellent image .

2 - You get a fair price. A is reasonably priced and is affordable.

3 - You can transfer the to your laptop. You can easily connect the to your laptop and transfer the in your hard disk.

4 - You can print in large sizes. Due to its high , can be printed in large sizes by any plotter.

5 - You can email the to your friends. You can send the by email to your loved ones.

6 - You can store the in CDs or hard disk. Once the are transferred from to the computer, permanent on a CD or hard disk is possible.

7 - You can take the camera in your pocket while you travel. The small size of the makes traveling with it easy and a pleasure.

8 - You can move in close to your subject. offer close-ups of your subject with sharp focus. You can take very good close-ups of flowers, bugs, stamps, coins, etc.

9 - You can rework the image in a computer. Any editing software can rework the taken.

10 - You can take good even in low-light situations. Due to flexible over sensitivity or ISO equivalents, can easily take detailed even in low-light conditions.

11 - You can take quality still of moving objects. Sports and fashion can be easily accomplished due to the fast burst rate of .

12 - You save money. There is no need of buying , developing them into negatives and positives. Moreover, the are usually rechargeable lithium-ion , which last a long time.

13 - You can choose as per your needs and fancy. Many models are available like standard , underwater , waterproof , compact , and the professional .

Media:

use to capture and store . Some of the storages media used are onboard , 3.5″ floppy disks, video floppy disk, PCMCIA hard drives, CD or DVD, cards, Microdrives, Stick, SD/MMC, MiniSD Card, MicroSD Card, XD- Card, SmartMedia, and FP .

Power:

consume a lot of power, which is supplied by powerful, small in size . are broadly divided into two groups, namely, off-the-shelf and proprietary. Off-the-shelf are like AA, CR2, CR-V3, AAA, and RCR-V3. They are lithium-ion (Li-Ion) or Nickel metal hydride (NiMH) . Standard AA non-rechargeable alkaline either do not work or work for only a very short time in most cameras.

Proprietary are built as per the manufacturer`s custom specifications and are usually available as aftermarket replacement parts. Generally, lithium ion are widely used as proprietary for .

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19 Sep 08 Tips On Buying A Good Digital Camera

Author: David Swanson

One of the top selling items on the market today is the . People enjoy taking when on a trip or vacation, at sporting events, when the flowers are in bloom and just about any other occasion that may arise. Countless teens are taking at the most random events in order to put them on their “myspace” page. capture moments and preserve . With a you are able to save these on your computer and print them at your convenience. Instead of wasting a roll of that you used to use in a regular camera, you are able as many things as you want and delete the bad shots and save only the best digital . So the real question is; which is the best to buy?

There are so many on the market today it can be very difficult to make a decision. If you go to any store with an or if you are looking online, you are bound to see a whole line up of different promising the best product with highest quality . It is helpful if you have a friend who is knowledgeable about . They can possibly steer you in the right direction.

If you are not lucky enough to have such a friend, I have listed a few key things to look for when shopping for a . One of the first things to look for in a is the amount of . The higher the mega the has the better quality you will receive. This means that when you try and enlarge the , the of the is going to be better or possibly worse depending on the different mega levels. If you have a one mega camera, when enlarging your , the quality is going to quickly deteriorate. The opposite will occur with your digital when you have a seven mega . Another thing to look for when selecting a is the . The better will provide a so you can frame your easier. Try to find a camera with a about 2.5 inches or larger for maximum results. Also notice the strength when you are researching . The best will provide up to a 10x digital for your all your close-ups.

It is not always necessary to spend a lot of money. Keep your eyes open for the sales. We were able to purchase a very high quality with 7.5 on sale and have been very satisfied with our .

Taking with a is a great way to capture moments that will stay with you forever. It is important to purchase a high quality in order to save these . There is a variety of available on the market, so do your research before choosing the one for you.

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19 Sep 08 Olympus Digital Camera: the Emperor

Author: Article Manager

Beautiful moments as well as some dazzling moments can occur any time without any previous warning. At that time, everyone wish to capture those moments. Now there is an option by that one can capture the beautiful moments easily and this option is . There are many available in the market. is different from all. It is to be known as one of the oldest .

This has completed a long journey in manufacturing field of cameras. Its are being used all over the world today. offers variety of , and mega-pixels. Even though had been offered by various other manufacturers during the 80’s and 90’s. They were not of very high quality and also were not suited for web publishing and making low prints.

are designed in such a way that users get quick right to use to most if not all features including setting and also deleting that simply requires pressing a single button. Moreover, these also allow users to simply print without the need of any connecting cable. Thus, when in the year 1996, come in way of life, and the world of underwent a major change.

That time together with P&S type of cameras that had an excellent motion. Continue improvement in the camera made mature and in 2000, it started to offer 2 and 3 mega-pixels cameras. It also features stabilizing digital so that burs can be done away that may have been caused by shuddering cameras or because of objects that were moving, which allows users to obtain crisper as well as clearer . Another main advantage of the is that users can use them in all weather conditions. Its designs allows for seals and gaskets that protect the camera and allow users to shoot without perturbing about rain, or snow, or sunshine.

houses a range of . Few of them are mentioned here: Stylus 770 SW, EVOLT E-510, FE-230, and EVOLT E-410, FE-280, SP-550 ultra , SP-560 UZ, Stylus 790 SW, and SP-320 and many others. With the considerable selection of the choice in the series of presented by , you will be certain to find something that fulfills your needs. For your right choice about , you are to search over the internet and you will find different serious of .

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19 Sep 08 History And Type Of Digital Cameras

Author: Roberto Sedycias

A is such a camera that will take either video or still snaps digitally. It records the digitally on a light-. Some can take still snaps as well as video and audio. The have become very popular nowadays and more and more people are opting for rather than regular cameras.

are technologically much advanced and have many user-friendly features that are usually not found in regular cameras. One such very good feature is that it displays the image on the camera’s screen just after you catch it. Thus you can click and record millions and millions of , keep the ones you want and discard the others. After the or videos are recorded, you can edit the and thus can be a virtual master of the background, people etc. Imagine the fun when you can change the background of a taken at your home to be changed to a Hawaiian beach, or changing the hair color of your sister to a wild pink and many other things. The choices are unlimited.

Nowadays can be incorporated in many devices like PDAs or mobile phones or computers etc. Some like also use specialized .

technology has evolved from the similar technology that first recorded television . It was in 1951 when the first video tape recorder was used to capture live using television cameras. They converted the information in electrical impulses and saved the information on magnetic tape. It was actually due to NASA`s space technology that used digital to capture of surface of moon and advanced computer technology that led to major developments in digital .

Government was also using this technology in forms of spy camera and the time that being spy satellites and it contributed immensely in advancement of science of digital imaging. Soon private companies like , etc were releasing professional for ordinary people. Their strong marketing tactics worked and today are found everywhere.

There are many varieties of and we will discuss some of them. Compact are one of such varieties and are designed to be small as well as portable. The miniature versions are called subcompact cameras. Though they do not have much advanced features or excellent but they are very simple to use and easy to carry around. are stored using Lossy compression in JPEG format. Such cameras are generally equipped with a low power, built-in usually sufficient for close subjects. Live preview is generally used for framing the . They are perfect for casual and home use.

Another type are Bridge cameras that are higher-end cameras. They resemble DSLRs and also share some advanced features with them but just like , the framing is done with help of live preview and they also have small sized sensors. A FinePix Bridge camera is also equipped with super that give you a chance to take very distant shots, though at the cost of .

Another type is Digital single cameras that are based on SLRs or single- cameras. These cameras are characterized by the presence of a mirror-. Other types include rangefinder and are generally used for cameras, professional modular that are assembled from different modular components and used for specific purposes. The common brands for such cameras include Mamiya and Hasselblad.

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19 Sep 08 Consumer Reports - Digital Cameras

, which employ reusable cards instead of , give you far more creative control than cameras can. With a , you can transfer shots to your computer, then crop, adjust color and contrast, and add textures and other special effects. Final results can be made into cards or T-shirts, or sent via e-mail, all using the software that usually comes with the camera. You can make prints on a , or by dropping off the card at one of a growing number of photofinishers. You can upload the file to a -sharing Web site for , viewing, and sharing with others.

Like camcorders, have LCD viewers. Some camcorders can be used to take still , but a ’s is no match for a good ’s.

WHAT’S AVAILABLE

The leading brands are , , HP, , , and ; other brands come from consumer-electronics, computer, and and companies.

are categorized by how many pixels, or elements, the contains. One equals 1 million elements. A 3- camera can make excellent 8×10s and pleasing 11×14s. There are also 4- to 8- models, including point-and-shoot ones; these are well suited for making larger prints or for maintaining if you want to use only a portion of the original image. Professional use as many as 14 .

Price range: $200 to $400 for 3 ; $250 to $400 for 4 and 5 ; $300 to $1,000 for 6 to 8 .

IMPORTANT FEATURES

Most are highly automated, with features such as automatic (which manages the , aperture, or both according to ) and autofocus.

Instead of , typically record their shots onto - cards. and (SD) are the most widely used. Once quite expensive, such cards have tumbled in price–a 128-megabyte card can now cost less than $50. Other types of cards used by cameras include Stick, Smart Media and xD- card. A few cameras, mainly some models, use 3 1/4-inch CD-R or CD-RW discs.

To save , you transfer them to a computer, typically by connecting the camera to the computer’s USB or FireWire port or inserting the card into a special reader. Some can take cards and make prints without putting the on a computer first. Image-handling software, such as Adobe Photoshop Elements, Jasc Paint Shop, Microsoft It, and ACDSee, lets you size, touch up, and crop digital using your computer. Most work with both Windows and Macintosh machines.

The file format commonly used for is JPEG, which is a compressed format. Some cameras can save in uncompressed TIFF format, but this setting yields enormous files. Other high-end cameras have a RAW file format, which yields the image data with no processing from the camera.

typically have both an optical and a small color . LCD viewers are very accurate in framing the actual image you get–better than most of the optical viewfinders–but they use more power and may be hard to see in bright sunlight. You can also view shots you’ve already taken on the . Many provide a video output, so you can view your on a TV set.

Certain cameras let you record an audio clip with a . But these clips use additional space. Some allow you to record limited video, but the frame rate is slow and the poor.

A lens provides flexibility in framing shots and closes the distance between you and your subject–ideal if you want to quickly switch to a close shot. The typical 3x on mainstream cameras goes from a moderately wide-angle view () to moderate telephoto (105mm). You can find cameras with extended ranges between 8x and 12x, giving added versatility for outdoor . Other new cameras go down to 24 or 28 mm at the wide-angle end, making it easier to take in an entire scene in close quarters, such as a crowded party.

Optical zooms are superior to digital zooms, which magnify the center of the frame without actually increasing detail, resulting in a somewhat coarser view.

Sensors in are typically about as light-sensitive as ISO 100 , though some let you increase that setting. (At ISO 100, you’ll likely need to use a indoors and in low outdoor light.) A camera’s range tells you how far from the camera the will provide proper exposure: If the subject is out of range, you’ll know to close the distance. But can tolerate some underexposure before the image suffers noticeably.

Red-eye reduction shines a light toward your subject just before the main . (A camera whose unit is farther from the lens reduces the risk of . Computer editing of the image may also correct .) With automatic mode, the camera fires the whenever the light entering the camera registers as insufficient. A few new cameras have built-in red-eye correction capability.

Some cameras that have powerful telephoto now come with image stabilizers. These compensate for camera shake, letting you use a slower than you otherwise could for following movement. But an won’t compensate for the motion of subjects.

Most new 6- to 8- cameras come with full manual controls, including independent controls for shutter and aperture. That gives serious shutterbugs control over depth of field, shooting action, or shooting scene with tricky lighting.

HOW TO CHOOSE

The first step is to determine how you will use the camera most of the time. Consider these two questions:

How much flexibility to enlarge do you need? If you mainly want to make 4×6 , a camera with a 3- or 4- will be fine. Such a camera will also make an 8×10 print of an entire image without alteration that looks as sharp as one from a 6- or 8- model. But to enlarge the image more or enlarge only part of it, you’ll want a 6- to 8- camera.

How much control do you want over exposure and composition? Cameras meant for automatic point-and-shoot , with a 3x- lens, will serve snap shooters as well as dedicate hobbyists much of the time. The full-featured cameras in the 6- to 8- range offer that more-dedicated will want to have. Two of the more important are a range of 5x to 10x or more, which lets you bring distant outdoor subjects close and also lets you shoot candid portraits without getting right in your subject’s face, and a full complement of manual controls that you determine the and lens opening. ‘

Once you’ve established the performance priorities that you need from a camera, you can narrow your choices further by considering these convenience factors:

Size and weight. The smallest, lightest models aren’t necessarily inexpensive 3- cameras. And the biggest and heaviest aren’t necessarily found at the high end. If possible, try cameras at the store before you buy. That way, you’ll know which one fits you hand best and which can be securely gripped. In our tests, we have found that some of the smallest don’t leave much room even for small fingers.

type and life. All can run on rechargeable of one of two types: an expensive pack or a set of AA . In our tests of the cameras, neither type had a clear performance advantage. The best-performing cameras offer upward of 300 shots on a charge, while the worst manage only about 50. We think it’s more convenient to own a camera that accepts AA . You can buy economical, rechargeable cells (plus a charger) and drop in a set of disposable lithium or alkaline if the rechargeable run down in the middle of the day’s shooting.

Camera speed. With point-and-shoot cameras like the ones we tested, you must wait after each shot as the camera processes the image. Most models let you shoot an image every few seconds, but a few make you wait 5 seconds or more. They may frustrate you when you’re taking in sequence.

Your other cameras. If you’re adding a camera to your lineup or trading up to a more versatile model, look first for one that’s compatible with the other cameras. If it is, you can share cards and . Designs within a camera brand line are often similar. So staying wit the brand you have lowers the learning curve on the for family members who switch between cameras.

Copyright © 2002-2006 Consumers Union of U.S., Inc.

For the latest information on this and many other products and services, visit www.ConsumerReports.org.

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