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21 Sep 08 Nikon Introduces D70s Digital SLR Camera; Offers Upgrades to 2004’s “Camera of the Year”

6.1- D70s Features Internal and External Refinements to Become a Worthy Successor to the Venerable D70 Camera

MELVILLE, NY, APRIL 20, 2005 - Incorporating upgrades based on user feedback and advancement in technologies, ® (www..com) today introduced the D70s™ 6.1-effective camera. The D70s builds on the success of its popular predecessor, the D70, with multiple internal and external refinements including an improved autofocus system, larger LCD monitor, the addition of a remote cord port, new graphic user interface, among several other enhancements. Designed for a broad range of consumers from experienced and amateur to beginning enthusiasts and hobbyists, the D70s offers a proven track record of superior , robust performance, and advanced new features.

The D70s maintains leadership in its class of cameras and offers tremendous value to customers by combining various new and existing technologies into a comprehensive feature set. Its DX format 6.1-effective sensor is optimized to deliver with excellent and clarity. An improved autofocus system delivers enhanced performance, especially in Dynamic area AF and Dynamic area AF with closest subject priority modes. This combined with ’s unique Dynamic Buffer technology (that allows the camera to continuously take up to 144 at a speed of three per second*) makes the D70s even more responsive and when photographing fast moving subjects.

’s commitment to its customers is exemplified with the introduction of the D70s. has taken an internationally best-selling camera and made it even more appealing to hobbyists and enthusiasts by incorporating a range of enhancements and new features that were based largely on the feedback we received from our customers and research findings,” said Steve Heiner, general manager of Systems for Inc. “The D70s now represents the best combination of performance and value for enthusiasts, and offers superb , advanced speed and simple, intuitive usability. We are confident the D70s will continue to build on the popularity of the D70.”

Smart New Enhancements

The D70s incorporates a host of new enhancements and refinements internally and externally, in addition to all of the advanced features and innovations found in the D70:

- A refined 5-area autofocus system now has an all-area search priority to go along with the camera
- single area, dynamic area, and close subject priorities, improving the camera’s ability to acquire focus on fast moving subjects within the frame.
- The camera now boasts a larger 2.0″ LCD monitor, making it easier for users to review and access menus.
- A new remote port for the MC-DC1 electronic cable release (optional) allows users to trigger the camera and hold the shutter open via an electronic cable release
- A built-in Speedlight with a wider angle of coverage, supports 18mm .
- A new easier-to-read menu design in the D70s uses color-coded menus, and a larger type-face.
- A higher capacity EN-EL3a offers users more per charge. The EN-EL3a comes with a new, smaller MH-18a charger. Both the new and charger are included with the D70s.

System Versatility: DX Nikkor

The D70s joins ’s current selection of models and inherits the popular DX format sensor and F-Mount, making it seamlessly compatible with all AF Nikkor and ’s exclusive DX Nikkor . Designed exclusively for use with DX Format cameras, DX Nikkor deliver a wider angle, higher performance, and outstanding center-to-edge-to-corner , while realizing smaller and lighter designs. All DX Nikkor have a angle comparable to that of format with a 1.5x factor. Since the introduction of the DX Nikkor , the series has grown to include six . These include:

- New AF-S DX -Nikkor 18-55mm f/3.5-5.6G ED
- New AF-S DX -Nikkor 55-200mm f/4-5.6G ED
- AF-S DX -Nikkor 18-70mm f/3.5-4.5 IF-ED
- AF-S DX -Nikkor 17-55mm f/2.8G IF-ED
- AF-S DX -Nikkor 12-24mm f/4G IF-ED
- AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

Simplified Creativity: Revolutionary Built-in Speedlight with i-TTL

Taking its cue from the D70, the D70s’ built-in Speedlight offers a level of performance that is unrivalled in any other camera in its class. Designed to be a part of ’s growing Creative Lighting System, the D70s’ built-in Speedlight adopts ’s exclusive i-TTL control technology. In addition to normal on-camera use, the D70s’ built-in Speedlight can also be used in Commander Mode to remotely control one group of multiple SB-600 or SB-800 Speedlights wirelessly, offering users remarkable creative lighting control while still maintaining point-and-shoot simplicity. Alternately, an SB-800 can be mounted on the D70s and used as the Master Speedlight for even more control of up to three remote groups of wireless Speedlights, with each group consisting of any number of SB-800 or SB-600 Speedlight units. The D70s lets you shoot at synchronized speeds up to 1/500 second for great fill effects under brighter light conditions, while FV Lock maintains the measured value while recomposing the shot so you still achieve the appropriate output for the subject.

Powerful Software: New PictureProject™ and PictureProject In Touch

Software is a key component of the digital experience, and a key component of ’s Total Imaging System. After conducting exhaustive worldwide research into customer expectations, requirements and work habits, has developed the new PictureProject 1.5 image management and editing software. Based entirely on a new software architecture that empowers customers of varying skill levels to maximize their digital experience, PictureProject 1.5 boasts powerful features wrapped into a brand new interface that navigates quickly and is easy to master. While PictureProject 1.5 is already a dynamic new addition to , the software also supports plug-ins, allowing users to add new features, as technology and the market evolve. The software allows users to easily transfer to PC’s or MAC’s and browse, organize, and share them. With support for JPEG, TIFF and NEF and compressed NEF (RAW) files, PictureProject 1.5 works in close unison with Capture 4.2 as the ideal companion to its powerful feature set.

With ’s PictureProject In Touch™, users can share without attaching them in an email or uploading them to a website. PictureProject In Touch is a free desktop software application, available via download on www.nikonnet.com and included with the newest version 1.5 of PictureProject™ software. It enables the fast, seamless and easy transfer of between a sender and one or more recipients and can be viewed as full-screen slide shows with the click of a button. With this powerful software, can ensure that its customers will always keep ahead of the technology curve.

The D70s will be available either as an Outfit or a Set. The D70s Outfit includes the , rechargeable , charger, new PictureProject™
software, neck strap and the new high-performance AF-S DX Nikkor 18-70mm f/3.5-4.5G IF-ED lens. The D70s Set includes all items mentioned above except the lens. The D70s Outfit will be available for an estimated street price of $1199.95, while the D70s Set (body only) will be available for an estimated street price of $899.95*1. The camera will ship in early May 2005.

MAJOR FEATURES OF THE D70s

Accurate, vivid color

- 6.1 effective DX Format imaging sensor produces 3,008 x 2,000- with high and superbly sharp details.
- Advanced processor uses advanced algorithms to optimize , while also controlling auto , auto tone and color control, as well as real-time processes to diminish digital noise and produce beautiful long exposure shots.
- Accurate achieved by ’s acclaimed Meter with 1,005- for highly precise control over under widely varied lighting conditions.

High Performance and Quick Response

- Continuous shooting at 3 frames per second for a continuous burst of up to 144 (When using JPEG NORMAL - Large setting, and a SanDisk SDCFH (Ultra II), SDCFX (Extreme/Extreme III), or Lexar Media 80X WA ™ card) thanks to improved buffer handling, faster image processing, increased card access speed and greater system bus bandwidth. (The number of
continuous shots possible in a single burst may be fewer depending on the type of CF card used.)
- Ultra-short shutter time lag is hardly noticeable and offers very quick response.
- Immediate power-up has the D70s ready to take before your finger can reach the shutter button.
- High-speed, high precision 5-area AF system with predictive focus tracking and Lock-on™ ensures quick response and sharp focus, while an AF-assist illuminator helps ensure top performance in dark situations.
- Fast with a range from 30 to 1/8,000 sec. for full creative control.
- Fast sync up to 1/500 sec. available for great fill-effects under brighter light conditions.

Optimized and Predictable Results

- Seven Automated Digital Vari-Program selections easily accessed from the Mode Dial deliver automatic operation that optimizes , sharpening, tone, color, and hue for crisp and vivid results that match the intended shot. Selections include Auto, Portrait, Landscape, Close-up, Sports, Night Portrait, and Night Landscape.
- Image enhancement options optimize sharpening, contrast, tone, color, and hue while using Auto Multi Program [P], Shutter-Priority Auto [S], [Aperture-Priority Auto A], or [Manual M] exposure modes to best match the scene or intended use for the . The easy to set choices include Normal, Vivid, Sharp, Soft, Direct print, Landscape or Custom optimization
- Optimized exposure with a choice of three TTL exposure modes, including ’s acclaimed Meter with 1,005- RGB Sensor, variable Center-Weighted Meter and choice of Spot Meters.
- ’s built-in iTTL automatic balanced Fill- can shoot at synchronized speeds up to 1/500 second for great fill effects when shooting in brighter lighting conditions; compatibility within ’s Creative Lighting System.
- exposure compensation; a comprehensive selection of compensation tools enable more versatile taking; tools for ambient light, illumination and the two combined are provided.
- New Generation Color Reproduction System offers a choice of three color modes to ensure the best match for the shot when operating the camera manually.
Mode Ia: Renders natural-looking skin tones out of the camera. (sRGB)
Mode II: Realizes a wider color range suited for processing or retouching. (Adobe RGB)
Mode IIIa: Renders vivid landscape and flora colors out of the camera. (sRGB)
- JPEG and NEF Combination Filing System enables simultaneous recording of compressed NEF (RAW) and JPEG data for the same shot to optimize and accelerate workflow.
- Exclusive use of Compressed NEF files to maximize number of raw possible for each
CF card used.

Creative and Versatile System for Subtle Expression

- High-Quality Nikkor : The unrivalled performance of AF, AF-S and DX Nikkor expand creative possibilities to the maximum.
- Built-in auto pop-up features exclusive i-TTL control, fast 1/500 sec. sync , and supports ’s Creative Lighting System for wireless control of remote SB-600 and SB-800 Speedlights. Also supports wide-angle up to 18mm.
- ISO shoe makes it easy to attach an SB-600 or SB-800 Speedlight directly to the camera.
- Integrated Software Solutions:

Capture 4 (optional) is a comprehensive and remote camera control package that fully supports NEF* (compressed and uncompressed) (RAW), TIFF and JPEG data. Among other features, the package offers Image Dust Off sensor dust and particle shade removal control; D-Lighting for scene-specific automatic dodge and burn control; and transformation of shots from the AF DX Fisheye-Nikkor 10.5mm f/2.8G ED lens to ultra-wideangle .

Project is ’s versatile bundled software that simplifies and improves data transfer, as well as browsing and editing of image files. Project introduces an entirely new intuitive user interface, and supports exclusive plug-ins for added function.

Improved Overall Performance

- Large 2 inch LCD monitor with user-friendly menus located directly below the displays bigger menu fonts and icons that use familiar keywords for ease of understanding. A protective clear LCD cover is also included with the D70s.
- Versatile LCD playback options include Single frame, Thumbnail (4 or 9 segments), playback (up to 4.7x), Slide show, Histogram indication, and Highlight point displays with automatic image rotation for vertical shots.
- 25 Custom Settings allow you to personalize the operation of your D70s to match your shooting style or the demands of different shooting conditions
- Remote control operation made available with optional ML-L3 (IR) or MC-DC1 electronic cable release.
- Direct printing from the D70 to any PictBridge compatible printer using the supplied USB cable.

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21 Sep 08 Benefits of Using a Digital Camera

Author: Roberto Sedycias

If you are one of those who love taking , then is probably one invention you simply cannot afford to miss! Smart and trustworthy, this one is probably the most imaginative development in the world of till date!

are electronic devices that capture as well as store digitally, instead of on . A , however, needs a or a media to save these . Some of the most popularly used devices include Floppy Disks, CD Singles, DVDs, Cards (such as Microdrives or Cards, Sticks, MiniSD Cards, , etc), FP and many others. Though devices such as Floppy Disks need computers, using autonomous devices, like the can ensure that you can print your directly using a printer.

One of the greatest advantages of using a is that they, unlike the , can record, store, retrieve, remove, edit and manage your as you may wish to. In fact may also allow one to shoot and save videos of a considerable length. The sound and the quality ranges form one camera to another to a great extent, though in most cases a can surely allow you to shoot at least a reasonably good video.

Another great benefit of using a is that these devices are (in most of the cases) very portable, and can be easily carried around form place to place. Though one cannot say that these are not delicate, and need not be handled with care, one can sure stay assured of the fact that these days are not very difficult to be taken care of either. If you can keep it safely in a cover, and handle it with reasonable care, and your camera is sure to serve you well. However, since in most cases come with a long guarantee period, this is one thing you simply need not worry about!

Just like all other electronic devices, also come with a wide rage of features that keep on adding and developing with the growth in technology. Though much depends on the price of the camera and the companies manufacturing it, there are certain features that have been found to be popular among almost all of them. These days it is not rare to find allowing , image adjusting, and automatic functioning (as based on the time set by you), when you go clicking . Settings as to the color code, brightness, , etc can also be changed. Generally also allow you to make your own or video albums, so that you can systematically save them all.

A works on , the life and the stand by time of which varies greatly, depending on the camera you are using and of course on the itself. Generally these are chargeable, so you know you can charge your anytime you need to. However, the best part of it is that, (depending on your video camera) the can work non-stop for a relatively fair amount of time. This means you can click away your happily, without having to bother about the betraying you mid way!

These days almost all well known and even not so well known related company can be seen producing . Needless to say, as more and more companies enter the market producing more and more sophisticated , the more the prices can be seen falling with each passing day. Now in such circumstances, how can anyone resist having a of their own?!

This article is under GNU FDL license and can be distributed without any previous authorization from the author. However the author’s name and all the URLs (links) mentioned in the article and biography must be kept.

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20 Sep 08 A Few Facts Of Digital Cameras

Author: Roberto Sedycias

A captures in a digital format, unlike a , which captures using a photographic .

History:

Using a mosaic photosensor, Eugene F. Lally of the Jet Propulsion Laboratory first showed how still could be produced in a digital domain. An engineer at Eastman , Steve Sasson, used solid-state chips to build a prototype having a of 0.01 , and recorded digital to a magnetic cassette tape. With this prototype model, Steve took the first image in December of 1975 taking 23 seconds to capture it.

In 1988, DS-1P became the first that captured as a computerized file. However, the camera never entered the U.S. market. In 1991, DCS-100 was the first commercially available , which used a 1.3 sensor. With the advancement of technology, modern have become multifunctional and are now capable of capturing audio/video and still .

Benefits:

1 - You get superior . can offer good to excellent image .

2 - You get a fair price. A is reasonably priced and is affordable.

3 - You can transfer the to your laptop. You can easily connect the to your laptop and transfer the in your hard disk.

4 - You can print in large sizes. Due to its high , can be printed in large sizes by any plotter.

5 - You can email the to your friends. You can send the by email to your loved ones.

6 - You can store the in CDs or hard disk. Once the are transferred from to the computer, permanent on a CD or hard disk is possible.

7 - You can take the camera in your pocket while you travel. The small size of the makes traveling with it easy and a pleasure.

8 - You can move in close to your subject. offer close-ups of your subject with sharp focus. You can take very good close-ups of flowers, bugs, stamps, coins, etc.

9 - You can rework the image in a computer. Any editing software can rework the taken.

10 - You can take good even in low-light situations. Due to flexible over sensitivity or ISO equivalents, can easily take detailed even in low-light conditions.

11 - You can take quality still of moving objects. Sports and fashion can be easily accomplished due to the fast burst rate of .

12 - You save money. There is no need of buying , developing them into negatives and positives. Moreover, the are usually rechargeable lithium-ion , which last a long time.

13 - You can choose as per your needs and fancy. Many models are available like standard , underwater , waterproof , compact , and the professional .

Media:

use to capture and store . Some of the storages media used are onboard , 3.5″ floppy disks, video floppy disk, PCMCIA hard drives, CD or DVD, cards, Microdrives, Stick, SD/MMC, MiniSD Card, MicroSD Card, XD- Card, SmartMedia, and FP .

Power:

consume a lot of power, which is supplied by powerful, small in size . are broadly divided into two groups, namely, off-the-shelf and proprietary. Off-the-shelf are like AA, CR2, CR-V3, AAA, and RCR-V3. They are lithium-ion (Li-Ion) or Nickel metal hydride (NiMH) . Standard AA non-rechargeable alkaline either do not work or work for only a very short time in most cameras.

Proprietary are built as per the manufacturer`s custom specifications and are usually available as aftermarket replacement parts. Generally, lithium ion are widely used as proprietary for .

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20 Sep 08 Digital Cameras in Todays Society

Author: Nigel

have become mainstream cameras because they are extremely easy to use and offer a host of wonderful features. connect to PC via USB so you can transfer your easily for archiving, editing, and printing. make it easy to share both online and in print. with in the four to five range are capable of producing professional-quality .

Cameras

The major advantage of is the ability to take multiple at no extra cost and then printing only the best ones. Cameras meant for automatic point-and-shoot , with a 3x lens, will serve casual shooters as well as dedicated hobbyists much of the time. with less than one are inexpensive, but they usually lack key features. Cameras with higher resolutionsof 7, 8, 10 or even more give you the latitude to create largerprints, or to crop and manipulate with -editing software without degrading them. All have a built-in computer, and all of them record electronically. Since still provides better quality, digitalcameras have not completely replaced . All the fun and interesting features of come as a direct result of striving to improve customer needs for high quality, low cost .

are made up of tiny cells (also called pixels). taken at higher will look much clearer and sharper when printed, and large prints will look better. You can even select only the best and copy them from your computer back onto the camera’s device so you can give an edited slide show of just the best . Once are in digital form, you can start to take pieces from various and paste them into other . Digital now makes it possible to put all of your on the Web and bore the entire world instead of just your friends and family. One nice thing about is that you can show your on a TV set.

Most support some type of removable card for storing your . You should buy as large a card as your camera can accept, as the cards that are included with the cameras are usually not nearly big enough to hold a good number of high quality . Two popular card types are and SmartMedia cards. Both types of are similar in price and performance but cards are more widely used. How many will fit in the . The exact number depends on the size of the card (or other type of used), the camera’s , the compression quality setting, the exact type of camera, and even the type of taken. If you can’t fit enough in the , you should buy a higher capacity card instead.

are distinguished by their —how many pixels, or elements, the contains. give you extraordinary control over . are perfect for learner as the can be displayed immediately. generally need a computer to manipulate and print , but the technology is evolving rapidly, and that work without a computer are now mass-market items. have high power requirements, and over time have become increasingly smaller in size, which has resulted in an ongoing need to develop a small enough to fit in the camera and yet able to power it for a reasonable length of time. emerging popularity is attributed to the vastly improved experience they afford, through instant viewing, deletion, annotation, and control over reprint size and quantity.

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19 Sep 08 The Basics of Digital Camera Care

Author: Roberto Sedycias

Your is an expensive and sophisticated possession. It is a long-term investment and hence, worth protecting. This delicate needs special care and attention at all times for better performance. Though most of us know the importance of taking care of a , barely anyone go for the safe and proper way to do that. Everyone knows that the and lens should be handled with care as they are prone to damage and scratches. But few people know that there are also some other aspects that are ctritical to the care. Just put in some efforts and follow some basic tips and make your precious camera perform efficiently for years.

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Lens is the most important part of your ; it is the window towards the outside world. A small scratch or spot on the lens will destroy the whole . Hence, care should be taken to keep it clean but not by touching with the fingers directly. If there is any dust, first try to blow it up, if it is still there wipe it with a cleaning tissue or you can use a lens brush or lens blower. You can even find specifically meant for . Do not forget to cover the lens while the is not in use.

Delicate Parts of the Camera:

card is one of the most delicate components of your . You may find , SD or in your camera. They are small and play a vital role while taking snaps. The other delicate part of your is camera panel. You need to handle all these delicate components carefully.

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Taking care of the also comes under care. Getting the right kind of will enhance the performance of the . Clean the component and remove the while the camera is not in use for long time.

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Another important thing is to turn off the camera while you are not using it. The care of a also depends on how you are storing it. Make sure that you are keeping it away from any kind of magnet. Magnet in any form may affect the circuitry of the . It is also essential to store your camera against condensation. Put the silica gel capsules in the box of your to prevent condensation. If you are storing your for a long duration, there could be corrosive leaks from the over the time. You can take the out of the camera in such case. Temperature is one important aspect of consideration while storing camera. Keep your camera away from extremely cold or hot temperature.

Travelling:

We prefer to store each and every of our holiday trip or any other trip. are the best way to preserve the for a life time. Everyone likes to take the camera so that they can capture every single moment worth remember. A delicate device like should be taken care of properly while travelling. Take a case with you in your trips. It is safer and can protect your camera from scratches. Security is the main concern. Remember to insure your as the chances of robbery increases when you are travelling.

Your is a real treasure as it costs a lot of money. Taking care is something that you ca not avoid if you want to use it for a years. Apply every single tip you know to take care of your camera and keep its performance intact for ever.

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19 Sep 08 Consumer Reports - Digital Cameras

, which employ reusable cards instead of , give you far more creative control than cameras can. With a , you can transfer shots to your computer, then crop, adjust color and contrast, and add textures and other special effects. Final results can be made into cards or T-shirts, or sent via e-mail, all using the software that usually comes with the camera. You can make prints on a , or by dropping off the card at one of a growing number of photofinishers. You can upload the file to a -sharing Web site for , viewing, and sharing with others.

Like camcorders, have LCD viewers. Some camcorders can be used to take still , but a ’s is no match for a good ’s.

WHAT’S AVAILABLE

The leading brands are , , HP, , , and ; other brands come from consumer-electronics, computer, and and companies.

are categorized by how many pixels, or elements, the contains. One equals 1 million elements. A 3- camera can make excellent 8×10s and pleasing 11×14s. There are also 4- to 8- models, including point-and-shoot ones; these are well suited for making larger prints or for maintaining if you want to use only a portion of the original image. Professional use as many as 14 .

Price range: $200 to $400 for 3 ; $250 to $400 for 4 and 5 ; $300 to $1,000 for 6 to 8 .

IMPORTANT FEATURES

Most are highly automated, with features such as automatic (which manages the , aperture, or both according to ) and autofocus.

Instead of , typically record their shots onto - cards. and (SD) are the most widely used. Once quite expensive, such cards have tumbled in price–a 128-megabyte card can now cost less than $50. Other types of cards used by cameras include Stick, Smart Media and xD- card. A few cameras, mainly some models, use 3 1/4-inch CD-R or CD-RW discs.

To save , you transfer them to a computer, typically by connecting the camera to the computer’s USB or FireWire port or inserting the card into a special reader. Some can take cards and make prints without putting the on a computer first. Image-handling software, such as Adobe Photoshop Elements, Jasc Paint Shop, Microsoft It, and ACDSee, lets you size, touch up, and crop digital using your computer. Most work with both Windows and Macintosh machines.

The file format commonly used for is JPEG, which is a compressed format. Some cameras can save in uncompressed TIFF format, but this setting yields enormous files. Other high-end cameras have a RAW file format, which yields the image data with no processing from the camera.

typically have both an optical and a small color . LCD viewers are very accurate in framing the actual image you get–better than most of the optical viewfinders–but they use more power and may be hard to see in bright sunlight. You can also view shots you’ve already taken on the . Many provide a video output, so you can view your on a TV set.

Certain cameras let you record an audio clip with a . But these clips use additional space. Some allow you to record limited video, but the frame rate is slow and the poor.

A lens provides flexibility in framing shots and closes the distance between you and your subject–ideal if you want to quickly switch to a close shot. The typical 3x on mainstream cameras goes from a moderately wide-angle view () to moderate telephoto (105mm). You can find cameras with extended ranges between 8x and 12x, giving added versatility for outdoor . Other new cameras go down to 24 or 28 mm at the wide-angle end, making it easier to take in an entire scene in close quarters, such as a crowded party.

Optical zooms are superior to digital zooms, which magnify the center of the frame without actually increasing detail, resulting in a somewhat coarser view.

Sensors in are typically about as light-sensitive as ISO 100 , though some let you increase that setting. (At ISO 100, you’ll likely need to use a indoors and in low outdoor light.) A camera’s range tells you how far from the camera the will provide proper exposure: If the subject is out of range, you’ll know to close the distance. But can tolerate some underexposure before the image suffers noticeably.

Red-eye reduction shines a light toward your subject just before the main . (A camera whose unit is farther from the lens reduces the risk of . Computer editing of the image may also correct .) With automatic mode, the camera fires the whenever the light entering the camera registers as insufficient. A few new cameras have built-in red-eye correction capability.

Some cameras that have powerful telephoto now come with image stabilizers. These compensate for camera shake, letting you use a slower than you otherwise could for following movement. But an won’t compensate for the motion of subjects.

Most new 6- to 8- cameras come with full manual controls, including independent controls for shutter and aperture. That gives serious shutterbugs control over depth of field, shooting action, or shooting scene with tricky lighting.

HOW TO CHOOSE

The first step is to determine how you will use the camera most of the time. Consider these two questions:

How much flexibility to enlarge do you need? If you mainly want to make 4×6 , a camera with a 3- or 4- will be fine. Such a camera will also make an 8×10 print of an entire image without alteration that looks as sharp as one from a 6- or 8- model. But to enlarge the image more or enlarge only part of it, you’ll want a 6- to 8- camera.

How much control do you want over exposure and composition? Cameras meant for automatic point-and-shoot , with a 3x- lens, will serve snap shooters as well as dedicate hobbyists much of the time. The full-featured cameras in the 6- to 8- range offer that more-dedicated will want to have. Two of the more important are a range of 5x to 10x or more, which lets you bring distant outdoor subjects close and also lets you shoot candid portraits without getting right in your subject’s face, and a full complement of manual controls that you determine the and lens opening. ‘

Once you’ve established the performance priorities that you need from a camera, you can narrow your choices further by considering these convenience factors:

Size and weight. The smallest, lightest models aren’t necessarily inexpensive 3- cameras. And the biggest and heaviest aren’t necessarily found at the high end. If possible, try cameras at the store before you buy. That way, you’ll know which one fits you hand best and which can be securely gripped. In our tests, we have found that some of the smallest don’t leave much room even for small fingers.

type and life. All can run on rechargeable of one of two types: an expensive pack or a set of AA . In our tests of the cameras, neither type had a clear performance advantage. The best-performing cameras offer upward of 300 shots on a charge, while the worst manage only about 50. We think it’s more convenient to own a camera that accepts AA . You can buy economical, rechargeable cells (plus a charger) and drop in a set of disposable lithium or alkaline if the rechargeable run down in the middle of the day’s shooting.

Camera speed. With point-and-shoot cameras like the ones we tested, you must wait after each shot as the camera processes the image. Most models let you shoot an image every few seconds, but a few make you wait 5 seconds or more. They may frustrate you when you’re taking in sequence.

Your other cameras. If you’re adding a camera to your lineup or trading up to a more versatile model, look first for one that’s compatible with the other cameras. If it is, you can share cards and . Designs within a camera brand line are often similar. So staying wit the brand you have lowers the learning curve on the for family members who switch between cameras.

Copyright © 2002-2006 Consumers Union of U.S., Inc.

For the latest information on this and many other products and services, visit www.ConsumerReports.org.

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19 Sep 08 Digital Camera Basics-resolution, Exposure, Focus, and Storage

Author: Brian Lee

The amount of detail that a camera can capture is called the , and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger can be without becoming blurry or “grainy.” High-end can capture over 12 million pixels. Some support over 16 million pixels (), or 20 million pixels for large-format cameras. For comparison, it has been estimated that the quality of is about 20 million pixels.

Exposure and Focus

Just as with , a has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and , are also present on .

Aperture: The size of the opening in the camera. The aperture is automatic in most , but some allow manual adjustment to give professionals and hobbyists more control over the final image.

: The amount of time that light can pass through the aperture. Unlike , the in a can be reset electronically, so have a digital shutter rather than a .

These two aspects work together to capture the amount of light needed to make a good image. In , they set the exposure of the sensor.

In addition to controlling the amount of light, the camera has to adjust the to control how the light is focused on the sensor. In general, the on are very similar to — some can even use conventional . Most use automatic focusing techniques.

The , however, is one important difference between the lens of a and the lens of a camera. The is the distance between the lens and the surface of the sensor. Sensors from different manufacturers vary widely in size, but in general they’re smaller than a piece of . In order to project the image onto a smaller sensor, the is shortened by the same proportion.

also determines the magnification, or , when you look through the camera. In cameras, a 50mm lens gives a natural view of the subject. Increasing the increases the magnification, and objects appear to get closer. The reverse happens when decreasing the . A lens is any lens that has an adjustable , and can have optical or digital — some have both. Some cameras also have macro focusing capability, meaning that the camera can take from very close to the subject.

have one of four types of :

1) Fixed-focus, fixed- - These are the kinds of on disposable and inexpensive cameras — inexpensive and great for , but fairly limited.

2) Optical- with automatic focus - Similar to the lens on a video camcorder, these have “wide” and “telephoto” options and automatic focus. The camera may or may not support manual focus. These actually change the of the lens rather than just magnifying the information that hits the sensor.

3) Digital- - With digital , the camera takes pixels from the center of the and interpolates (alters) them to make a full-sized image. Depending on the of the image and the sensor, this approach may create a grainy or fuzzy image. You can manually do the same thing with image processing software — simply snap a , cut out the center and magnify it.

4) Replaceable lens systems - These are similar to the replaceable on a camera. Some can use camera .

of

Most have an so you can view your right away. This is one of the great advantages of a — you get immediate feedback on what you capture. Of course, viewing the image on your camera would lose its charm if that’s all you could do. You want to be able to load the into your computer or send it directly to a printer. There are several ways to do this.

Although most of today’s cameras are capable of connecting through serial, parallel, SCSI, USB, or FireWire connections, they usually also use some sort of removable device. use a number of systems. These are like reusable, digital , and they use a caddy or card reader to transfer the data to a computer. Many involve fixed or removable . manufacturers often develop their own proprietary devices, including SmartMedia cards, cards and Sticks. Other removable device include floppy disks, hard disks (external, or microdrives), and writeable CD’s and DVD’s.

Regardless of what type of they use, all need lots of room for . They usually store in one of two formats — TIFF, which is uncompressed, and JPEG, which is compressed. Most cameras use the JPEG file format for storing , and they sometimes offer quality settings (such as medium or high).

To make the most of their space, almost all use some sort of additional data compression to make the files smaller. One compression routine takes advantage of patterns that repeat. The image can be reconstructed exactly as it was recorded, reducing the file size no more than 50%, often much less. Another compression routine called irrelevancy eliminates some of the more meaningless data, taking advantage of the fact that record more information than the human eye can easily detect.

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18 Sep 08 You Need a Digital Camera Buying Guide

Copyright (c) 2008 Orlando Thompson

The best way to find out about is with a buying guide. You can find out all the information about each specific and what features the has as well as how they operate. The buying guide is a great place to start shopping. Some of the information in the guide will include the options, , and .

The information you find will help you choose a that will fit your needs. This is the most comprehensive guide for buying. You can get this guide in print or use the Internet, which has the same information. The buying guide has reviews of the , which should help you decide if the is worth the time and money.

The reviews come from testing the to see the ease of use and can explain how the features work or do not work. If you plan to buy a , you will find the buying guide very useful. For the first time user, this guide can be beneficial. If you already have a and want something comparable or better, the guide is where you should look.

You can find over thirty-five hundred reviews of when you look at the buying guide. Many online sites have all the information you need to decide which will work the best for you. The guide will help you with things that you need to consider when buying a . If you are looking for a professional or a for general , the buying guide will help you choose the best one.

Before you go and buy a , you need to compare different to find out which ones are highly rated plus which have all the features you are looking for.

It really depends largely on what you personally are looking for in a but these are comments of different personal wants and the features that they found important.

The Snapshooter

I want to take that I can e-mail to friends and family, post on the Web, or print in sizes smaller than 8×10 inches. I’d like a that is easy enough for the whole family to use and small enough to take anywhere. I’ll be printing on an inexpensive, all-purpose inkjet printer or getting prints from the local drugstore, though I’ll consider buying a printer if I like the enough. If this is your purpsose these are The specs that matter. It doesn’t matter. Most cameras on the market today have sufficient for your needs. Price $150 to $300, lens type (range encompassing at least 38mm to 114mm, equivalent) media Internal , , Stick, xD- Card, or Secure Digital/MultiMediaCard file format JPEG Interfaces USB, NTSC/PAL television connection, exposure controls automatic, programmed scene modes, exposure compensation (for tweaking the automatic exposure), focus controls automatic, modes automatic, fill, red-eye reduction, software stitching, album, slide show, multimedia VGA (640×480), 30fps video-clip recording with sound, other cool features to look for Direct-to-printer (PictBridge) output compatibility, in-camera red-eye removal, automatic exposure fix, optical or mechanical , .

The Trendsetter

I like to buy the newest, shiniest toys before anyone else does. I want to impress my friends and business associates with the latest technologies and coolest features, but not if it makes the product too complicated to use. Although I do want the best deal available the cost of the is not my number one concern. For the trendsetter the specs that matter are 8 or greater, price Less than $1,000 lens type (range encompassing at least 36mm to 108mm, equivalent), media Internal , , Stick, xD- Card, or SD/HC, file format JPEG, interfaces USB, HDMI, or component HDTV television connection, exposure controls automatic, programmed scene modes, exposure compensation (for tweaking the automatic exposure), focus controls automatic, modes automatic, fill, red-eye reduction Software -stitching, album, slide show, multimedia 720p (1,280×720) video-clip recording with sound and functioning during video, other cool features to look for Ultracompact design, Webcam , voice recording, Wi-Fi support, 3-inch LCD, simultaneous video and capture, 12X or greater optical , optical or mechanical , .

The Business user

I need to be able to shoot onsite or in the office, products and people for ads and publicity in print and on the Web, and get professional-looking results without hiring a pro. I need to get prints in a variety of ways, including from a color laser printer or quick-print shop. I have to share the camera with my coworkers. The specs that matter for the business user are 7 or greater, price $400 to $700, lens type (range encompassing at least 36mm to 130mm, equivalent), media , Stick, xD- Card, or SD/HC, file format JPEG or TIFF, interfaces USB, NTSC/PAL television connection, exposure controls automatic, aperture- and shutter-priority, manual, choice of metering modes, bracketing, focus controls automatic, manual modes automatic, fill, red-eye reduction, external compatibility, software editor; collaborative image sharing, multimedia voice recording, built-in speaker for audio playback, other cool features to look for Support for digital security, Wi-Fi, text-capture mode, world clock.

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17 Sep 08 Buying a Digital Camera

Family and friends can be pretty far flung these days, so how do you keep in touch? Snail mail and phoning are good options, but it’s fun to be able to share . With the advent of , it’s easy to post on a blog or website, or send via email.

Of course, cameras will work, as you can scan and convert to digital files, but the easiest way to send quickly and cheaply is to use a .

How To Find What’s Best For YOU When Buying A

There are all kinds of available these days, so the trick is to find the one that suits your needs and budget. If you are buying your first , the lingo and technology are a bit different than for cameras, so before shopping take time to learn a little and figure out what you’d like to buy.

First, what kind of are you? Do you like total control over the taking process, or would you rather just aim the camera and push the shutter button? Then it’s also helpful to decide what you want to do with your . Do you just want to put them online or send them via email, or do you want to be able to print them, and if so, how large do you want your prints?

If isn’t your passion, and you just want to have to share, buying a simple point-and-shoot is probably best. It has automatic settings, so all you have to do is aim the camera, press the shutter and viola! Instant !

However, if you prefer more control over the taking process, try buying a mid-range . There is a wide range in both price and features. For the more serious hobby , there are “prosumer” cameras midway between point-and-shoot cameras and cameras. They offer better lens quality and usually more features than a point-and-shoot, though those little cameras can come pretty loaded these days!

cameras are top of the line and more expensive. These work more like , having a body with detachable lens. This gives you more options with being able to change lens, but it’s also much more expensive. Just one lens can cost as much as a point-and-shoot ! There’s also usually a steeper learning curve to figure out how to use all the options on a camera.

However, if you’re buying your first , intermediate, “prosumer” and cameras probably aren’t the best choice. All the settings and features can be a little overwhelming for the beginner, and your expensive camera may end up collecting dust somewhere. Try a low to midrange camera first and get a feel for and what features are most important to you. Then when you’re ready to move up and buy a better , you’ll have a better idea of what to look for before you lay out your hard earned cash!

What To Look For When You’re Ready To Buy A

You can buy in all sorts of places these days, from fancy department stores to discount stores, / and many stores online. While you can sometimes find great deals on-line, if this is your first , go to shops and look at different cameras if at all possible. It helps to pick it up and get the feel of the camera in your hand to see if it’s comfortable and the controls are easy to use, and you can check out what features it has and how they work.

But what exactly are you looking for?

A makes your ….

One of the first things to check out when buying a is the . A is a single dot in a graphics image. A is equivalent to one million pixels. A 1- camera would produce an image roughly 1200 pixels wide by 900 pixels high, a 3 would be 2048 x 1536 , and so on. Higher mean better , but aren’t the whole . The main thing to keep in mind is the more , the bigger image you can print.

Approximate vs. Print Size

2 prints well up to 4×6 inches

3 prints well up to 5×7 inches

4 prints well up to 6×8 inches

6 prints well up to 7×10 inches

8 prints well up to 10×14 inches

12 prints well up to 16×24 inches

For email, websites and printing , a 3 to 5- camera is a good choice. If you want to make high quality 8×10 prints or larger, you need more . Higher also allow you to crop down to a smaller portion of the while still retaining in prints.

One other thing to keep in mind when considering and , be sure you are getting optical . This is the actual number of the camera records. Some cameras offer interpolated to get bigger from the same number of by using software algorithms to determine what color pixels to add, so the becomes bigger at the expense of clarity.

Opt for optical…

have two kinds of , optical and digital. In this case, focus on the optical . It’s the one that actually uses the lens’ to bring the subject closer. The higher the number, the further away you can “pull in” your subject. The digital merely takes the original information and makes it bigger, and once again, clarity is sacrificed. Most serious turn off digital . Stick to optical!

For Your Viewing Pleasure…

commonly use an instead of a to focus on your subject, though some come equipped with both. Check the size of the screen when buying a to be sure you can comfortably see your subject. It’s also really handy to have a flip screen that allows you to hold your camera low or high, and still be able to see what’s on the screen.

Fun features…

Many offer settings for such things as burst shooting mode, which is handy if you want to take of moving subjects. The camera shoots a series of without pause, then writes the files to . Other features allow for manually changing settings, special effects, short digital movie files, using an external , and much more. Look over several different cameras, decide what features you just have to have, and which are on the “nice to have but not vital” list. No one camera will do everything well.

Get the

You’ve got to get the out of the camera to share them. Usually the files are downloaded to your computer through a USB port, so make sure your computer has one. Also, keep in mind when choosing a camera, the more , the bigger the files. You’ve got to store those files somewhere, so how much is available on your computer? Does it have a CD burner.

However, you can still buy a even if you don’t have a computer. Many labs, even in places like Walmart or Kmart, have machines with the capability of making prints and/or CD’s from cards, and will make a disk of the files, sort of like digital negatives. There’s also the option of buying a printer with a docking station for your camera. Just plug the camera into the docking station, and bypass the need for a computer to print.

Cash After Camera

When buying your , keep some cash in reserve, because there are two more important purchases you need to make.

1. - The ’s equivalent of , the amount of determines how many you can take. Different cameras use different types of , so the first step is to find out what your camera uses. The most popular types are: Secure Digital (SD), (CF), SmartMedia (SM), Stick (MS), MultiMediaCard (MMC), and xD- Card (xD).

Cameras are usually packaged with a small MB-sized card. A second card of 64 MB is good, but of course the more MB and the more cards, the more you can take before having to download and erase the . The different cards are NOT interchangeable, so be sure to buy the right kind for your camera!

2. - There’s nothing more frustrating than being in the middle of snapping and the dies. Get extras. It’s worth the expense to have a second charged and waiting should the one in your camera lose power. The rechargeable ones are more expensive, but the ability to use them over and over makes them worth the initial outlay of cash.

That’s The Total Package!

There you have the basics for choosing a . Decide what kind of you are likely to take, what size prints you want to make, how much , and are there any extras you can’t live without? Look for the camera that most closely matches your list in your price range, buy a bigger card and an extra set, and you’re good to go!

 

Have fun sharing those with friends and family!

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