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20 Sep 08 Digital Camera Basics-images

Author: Brian Lee

In the past twenty years, most of the major technological breakthroughs in consumer electronics have been built around the same basic process: converting conventional analog information (represented by a fluctuating wave) into (binary information represented by ones and zeros, or bits). This fundamental shift in technology has changed how we handle visual and audio information — it completely redefined what is possible.

The is one of the most notable examples of this shift because it is so truly different from its predecessor. Conventional cameras depend entirely on chemical and mechanical processes — you don’t need any electricity whatsoever to operate them, other than for a . On the other hand, all have a built-in computer, and all of them record electronically.

The new approach has been enormously successful. Since usually provides better quality, have not completely replaced . But, as has improved, and prices dramatically decreased, have rapidly become more popular.

In this article, we’ll find out exactly what’s going on inside these amazing digital-age devices.

Understanding the Basics

Let’s say you want to take a and e-mail it to a friend. To do this, you need the image to be represented in the language that computers recognize — bits and bytes, or binary information. Essentially, a is just a long string of 1s and 0s that represent all the tiny colored dots — or pixels — that collectively make up the image. If you want to get a into this form, you have two options:

1) You can take a using a conventional camera, take the to a developing lab that processes the chemically, prints it onto photographic paper, and then place the on a to sample the print (record the pattern of light as a series of values).

2) You can directly sample the original light that bounces off your subject, immediately breaking that light pattern down into a series of values — in other words, you can use a .

At its most basic level, this is all there is to a . Just like a conventional camera, it has a series of that focus light to create an image of a scene. But instead of focusing this light onto a piece of , it focuses it onto a semiconductor device that records light electronically. A computer then breaks this electronic information down into digital data. All the fun and interesting features of come as a direct result of this process.

Instead of , a has a sensor that converts light into electrical charges.

The employed by most is a (). Some cameras use complementary metal oxide semiconductor () technology instead. Both and convert light into electrons. Without getting too technical, a simplified way to think about these sensors is to think of a 2-dimentional array of thousands or millions of tiny solar cells.

Once the sensor converts the light into electrons, it reads the value (accumulated charge) of each cell in the image. This is where the differences between the two main sensor types become a factor:

A transports the charge across the chip and reads it at one corner of the array. An analog-to-digital converter (ADC) then turns each ’s value into a digital value by measuring the amount of charge at each photosite and converting that measurement to binary form. sensors create high-quality, low-noise . sensors have been mass produced for a longer period of time, so they are more mature. They tend to have higher quality pixels, and more of them.

devices use several transistors at each to amplify and move the charge using ordinary wires. The signal is digital, so it needs no ADC. Because each on a sensor has several transistors located next to it, the light sensitivity of a chip is lower (many of the photons hit the transistors instead of the photodiode.) sensors traditionally consume little power. CCDs, on the other hand, use a process that consumes lots of power.

The amount of detail that the camera can capture is called the , and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger can be without becoming blurry or “grainy.” High-end can capture over 12 million pixels. Some support over 16 million pixels, or 20 million pixels for large-format cameras. For comparison, Hewlett Packard estimates that the quality of is about 20 million pixels.

Exposure and Focus

Just as with , a has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and , are also present on .

Aperture: The size of the opening in the camera. The aperture is automatic in most , but some allow manual adjustment to give professionals and hobbyists more control over the final image.

: The amount of time that light can pass through the aperture. Unlike , the in a can be reset electronically, so have a digital shutter rather than a .

These two aspects work together to capture the amount of light needed to make a good image. In , they set the exposure of the sensor.

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20 Sep 08 Digital Camera: the Future of Cameras

Author: Nicholas Tan

Basically a is a deice use to capture without the use of films. Unlike the , the does not rely on mechanical and chemical processes. It has a built in computer and records the it captures in an electronic form. Having and operating one does not even require the use of electricity.

Since the that a captures is in electronic form, it is a language recognized by computers. This language is called pixels, tiny colored dots represented by ones and zeros that make up the that you just took. Just like any , a is furnished with a series of that focus the light and creates the image that you want to capture. The difference here is then; a focuses its light on a while a focuses the light into a semiconductor device that electronically records the light. Remember the built in computer, it comes in here and breaks this information to digital data resulting to all the features of the .

Another feature of the is that it has a sensor that converts light into electrical charges. A or is an that is found in a . While other low-end use complementary metal oxide semiconductor or as an , it can still become better and more famous in the future but most engineers are do not believe that it can replace the for higher-end .

A collection of tiny diodes, the gathers electrons when they are struck by photons or the light particles. Each diode or photosite is sensitive to light, meaning that the brighter the light, the number of the electrons gathering will be larger

The price of a nowadays have been depreciating, one of the main reasons of this is because of the introduction of , this is because sensors are less expensive and are easier to manufacture than sensors. A and sensor works the same way at first, by converting the light electrical charges into photosites. Simply putting it, is to think that a works in such a way as thinking that the millions of tiny solar cells, each of which forms a part of the whole image. Both and do this task using different methods.

When shopping for the best , take note of these key features.

. Check the of the camera. The higher the , the more thou will be able to enlarge your without the grainy or the out-of-focus effect that we all want to avoid.

Lens. Choose a with better digital . The digital of the camera will enable you take the pixels from the and incorporate them to make an image.
Power. Always opt for rechargeable , they can always come in handy, plus you don’t waste as much money on the disposable ones.

Options. So you can brag to your friends how good a or artist you are. Or choose the one that gives options that best cater to your lifestyle, so you won’t ever whine how you never get the right .

. If you’re a freak, be sure that you have enough in your camera to take all the wacky, freaky, funny and just about any you can. Think 512MB if you’re a junkie and takes of just about anything.

Computer Interface. Always make sure that it is compatible with your PC, laptop, palmtop or whatever your local printer software is, you don’t want to go running around the whole state or the country looking for a computer that’s compatible with your , wont you?!

Physical. If you are going to be bringing it everywhere, choose a handy and portable . This way, it won’t always feel as heavy and bulky as those cameras that you see professional are always dragging on their neck. Don’t they ever get tired of that?!

These are just the basic things you have to look for in a when you buy one. A is so great that it is quickly replacing all in the market, with all its technology and portability, truly the is the future of cameras.

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