msgbartop
Productive Shopping For Digital Cameras
msgbarbottom

20 Sep 08 Easy to Use Nikon Digital Camera

Camera is an option of capturing the beautiful moments of life. Many years ago, capturing the beautiful moment was not easy. Users or had to set the camera and after a boring process it was possible to capture the . Now everything has changed. Continue improvements of camera have changed methods of capturing. used for professional or entertainment is easy now. has changed the methods of capturing and videos.

There are many available in the market, but has occupied a special place in the market as well as in the heart of users. All are good for something, but users want clear and detailed image captured by the camera. Users also want camera that should be easy to use and have a few functions like simple camera. For that are suitable for you. Suddenly occurred actions can be easily captured with its help.

People are sure of buying because they know that they are paying for quality, durability, functionality and reputation. The advantage of these is that it gives the opportunity to amateur to have the quality professional shot. produced less expensive units of their . houses a top reputation in the world.

D2X is packed with all possible features, which most amateurs will hardly use in a lifetime as this camera is very expensive. D80 shares many features such as improved auto-focus, interchangeable , 10.2 mega-pixels, wider range and longer life. are loaded with hi-speed USB card reader, card, and .

Now FX format D700 is the camera that will definitely fit for your needs. This newly launched equipped with 12.1 mega- FX-format sensors. It can work with an area of up to 36.0 x 23.9mm. It is capable of taking 5 frames per second that gives you an option of shooting anything successfully. P4 houses 8 mega-pixels with 2.5 inch viewing screen with auto mode. S50C offers 7.2mega-pixels and houses a wireless interface. This camera is impressive with 3 inch viewing screen, three times optical and four times digital .

There are a lot of available and they are their own reputation in various areas. You are to select one according to your requirements.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

19 Sep 08 Olympus Digital Camera: the Emperor

Author: Article Manager

Beautiful moments as well as some dazzling moments can occur any time without any previous warning. At that time, everyone wish to capture those moments. Now there is an option by that one can capture the beautiful moments easily and this option is . There are many available in the market. is different from all. It is to be known as one of the oldest .

This has completed a long journey in manufacturing field of cameras. Its are being used all over the world today. offers variety of , and mega-pixels. Even though had been offered by various other manufacturers during the 80’s and 90’s. They were not of very high quality and also were not suited for web publishing and making low prints.

are designed in such a way that users get quick right to use to most if not all features including setting and also deleting that simply requires pressing a single button. Moreover, these also allow users to simply print without the need of any connecting cable. Thus, when in the year 1996, come in way of life, and the world of underwent a major change.

That time together with P&S type of cameras that had an excellent motion. Continue improvement in the camera made mature and in 2000, it started to offer 2 and 3 mega-pixels cameras. It also features stabilizing digital so that burs can be done away that may have been caused by shuddering cameras or because of objects that were moving, which allows users to obtain crisper as well as clearer . Another main advantage of the is that users can use them in all weather conditions. Its designs allows for seals and gaskets that protect the camera and allow users to shoot without perturbing about rain, or snow, or sunshine.

houses a range of . Few of them are mentioned here: Stylus 770 SW, EVOLT E-510, FE-230, and EVOLT E-410, FE-280, SP-550 ultra , SP-560 UZ, Stylus 790 SW, and SP-320 and many others. With the considerable selection of the choice in the series of presented by , you will be certain to find something that fulfills your needs. For your right choice about , you are to search over the internet and you will find different serious of .

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , ,

19 Sep 08 Digital Cameras - How They Work

Author: Ted Burns

come in various sizes, shapes, and specifications and offer a variety of impressive features.

are quickly gaining popularity around the globe. Many people already own one and routinely use it for their own . Their use have become part of the culture among many communities and industries.

also have become part of a broad package of combined features with other hand-held tools, such as PDA devices and cellular phones. This makes the use of both devices much more convenient, having them combined in one, rather than two or more, functional instruments.

, moreover, not only can be used for still as with , but also for taking videos. An owner needs only to upgrade the camera’s card to increase capacity.

The marketplace offers a number of brands that provide a wide range of features. , , , , and HP are some of the better-known brands of cameras offering the conventional to digital. Other key include , , and .

Considerations

Differing from , have a small , and sometimes an plus . The is similar to TV screens that allow the to see the , even before snapping it. Some have large screens that enable the to see more of the subject and background.

also come with slots that hold a card or “stick.” The amount of available in them ranges from to gigabytes. Of course, the more , the greater the cost. However the extra capacity may be well worth the additional expense.

Another purchasing concern is the . Some use disposable . However, they wear out quickly, so most people recommend rechargeable for longer energy life. Typically a rechargeable and a charger come in bundle with the camera unit.

Finally, consider the way the are downloaded. Though many come with a USB port which easily connects to a computer, there are others that necessitate removing the card and positioning it with a reader to download .

Features

Camera buyers should know at least the basic features of their camera of choice before making an expensive purchase. Though the snapping of is fundamentally the same from camera-to-camera, there are features that make one brand more appealing than others.

For example, the number of used when taking - meaning millions of pixels that help with the clarity of the - should be one of the primary considerations to most buyers. Pixels are the individual “dots” that make up the content of .

As such, cameras offering a greater number of pixels can produce larger with better than those with less. Be aware, though, that cameras using a more pixels consume more camera when storing the .

The camera’s function is also critical. Most are enhanced with a two- capability; the optical and digital. Optical uses a moving lens and makes the subject in the appear closer, while digital crops or stretches the image.

Finally, don’t neglect the importance of the ’s durability. Some are made predominantly of plastic materials - and are consequently more fragile - while others are comprised of a combination of plastic and metal alloy.

Either type has limitations in the amount of jarring that can be sustained without internal damage. Spend a little extra money to purchase a case that will protect your camera investment.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

19 Sep 08 Digital Camera Basics-resolution, Exposure, Focus, and Storage

Author: Brian Lee

The amount of detail that a camera can capture is called the , and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger can be without becoming blurry or “grainy.” High-end can capture over 12 million pixels. Some support over 16 million pixels (), or 20 million pixels for large-format cameras. For comparison, it has been estimated that the quality of is about 20 million pixels.

Exposure and Focus

Just as with , a has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and , are also present on .

Aperture: The size of the opening in the camera. The aperture is automatic in most , but some allow manual adjustment to give professionals and hobbyists more control over the final image.

: The amount of time that light can pass through the aperture. Unlike , the in a can be reset electronically, so have a digital shutter rather than a .

These two aspects work together to capture the amount of light needed to make a good image. In , they set the exposure of the sensor.

In addition to controlling the amount of light, the camera has to adjust the to control how the light is focused on the sensor. In general, the on are very similar to — some can even use conventional . Most use automatic focusing techniques.

The , however, is one important difference between the lens of a and the lens of a camera. The is the distance between the lens and the surface of the sensor. Sensors from different manufacturers vary widely in size, but in general they’re smaller than a piece of . In order to project the image onto a smaller sensor, the is shortened by the same proportion.

also determines the magnification, or , when you look through the camera. In cameras, a 50mm lens gives a natural view of the subject. Increasing the increases the magnification, and objects appear to get closer. The reverse happens when decreasing the . A lens is any lens that has an adjustable , and can have optical or digital — some have both. Some cameras also have macro focusing capability, meaning that the camera can take from very close to the subject.

have one of four types of :

1) Fixed-focus, fixed- - These are the kinds of on disposable and inexpensive cameras — inexpensive and great for , but fairly limited.

2) Optical- with automatic focus - Similar to the lens on a video camcorder, these have “wide” and “telephoto” options and automatic focus. The camera may or may not support manual focus. These actually change the of the lens rather than just magnifying the information that hits the sensor.

3) Digital- - With digital , the camera takes pixels from the center of the and interpolates (alters) them to make a full-sized image. Depending on the of the image and the sensor, this approach may create a grainy or fuzzy image. You can manually do the same thing with image processing software — simply snap a , cut out the center and magnify it.

4) Replaceable lens systems - These are similar to the replaceable on a camera. Some can use camera .

of

Most have an so you can view your right away. This is one of the great advantages of a — you get immediate feedback on what you capture. Of course, viewing the image on your camera would lose its charm if that’s all you could do. You want to be able to load the into your computer or send it directly to a printer. There are several ways to do this.

Although most of today’s cameras are capable of connecting through serial, parallel, SCSI, USB, or FireWire connections, they usually also use some sort of removable device. use a number of systems. These are like reusable, digital , and they use a caddy or card reader to transfer the data to a computer. Many involve fixed or removable . manufacturers often develop their own proprietary devices, including SmartMedia cards, cards and Sticks. Other removable device include floppy disks, hard disks (external, or microdrives), and writeable CD’s and DVD’s.

Regardless of what type of they use, all need lots of room for . They usually store in one of two formats — TIFF, which is uncompressed, and JPEG, which is compressed. Most cameras use the JPEG file format for storing , and they sometimes offer quality settings (such as medium or high).

To make the most of their space, almost all use some sort of additional data compression to make the files smaller. One compression routine takes advantage of patterns that repeat. The image can be reconstructed exactly as it was recorded, reducing the file size no more than 50%, often much less. Another compression routine called irrelevancy eliminates some of the more meaningless data, taking advantage of the fact that record more information than the human eye can easily detect.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

18 Sep 08 How to Buy Discount Digital Cameras

Author:

Many brands of discount are available from manufacturers such as , , , and amongst others.

Why these cameras are discounted? The reasons could be like they have been over purchased with a lot of stocks left or it could be a means of making you enter their store. Websites use discounted items to grab your attention to their website many times. Online purchasing has emerged as a large market and it can save some money to the company when you purchase online. As expenses such as opening a store, paying out salaries for employees, purchasing shelves and other fixtures are not incurred, these savings can be passed on to you to some extent.

By saving money on the purchase of discount , you will feel great as by not paying the full price, you still have the same quality. The are exactly the same as the difference here exists only on the price. Hence, why should you pay an expensive price as you can get the same camera when you purchase it on a discount? With the money thus saved, you can buy other great add-ons for your .

Finding discount is easier over websites. The question is which to choose. You can find discount from most major manufacturers. You should have a basic idea of the options, features and brand name of the you want to buy. You can also find from sale bills and newspapers about different types and brands of along with the prices offered at many stores. Some times, though the deals are advertised over the web, they may not have them in their stores. Earlier the had one thing in common when compared with non-, (i.e.) an expensive price tag. However the cost of has dropped so much recently that you can purchase a for less than $250.

When buying a , you have to be aware of at least the buzzword ‘’ related with . refers to the number of pixels available per million or the of the image. This is important to be considered because directly relates to the obtained. The factors such as budget, , , life, user controls and lens are all important while making a choice of a camera and to get the best out of it. Knowing these features will save you time when you start looking for a discounted .

You have to understand also the type of software that is needed for the you have planned to buy. Because all do not use the same software for storing or to transfer the from the camera to the computer. Make sure that the software supplied will be compatible with your computer, without the need for upgrading your older computer for the sake of having the on your computers.

If you don’t have an idea of the features you need, you can also then search by brand name of the and read all about the various models offered. Still, Price should not be the only factor when you shop for discount cameras, but also certain basic features.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , ,

18 Sep 08 Top 20 Questions to Consider When Buying a Digital Camera

Author: aldrin garcia

My top 20 key questions to ask yourself when buying a .

1. How many “” /?

Once and for all, at least to me, you have to get the highest your money can buy at the time you buy. Period.

2. Who made the lens?

Most cameras will give you an idea where the lens was made just by looking at the front of the lens. Know if the lens of your camera came from a reputable company like , Zeiss, , Etc… Lens quality is one of the most important factors you should consider especially if you’re going to use it for commercial, technical or scientific purposes.

3. Will I need interchangeable ? How many are available for my specific camera in mind?

Having the option of interchangeable gives you the freedom to experiment with different kinds of focal lengths. Although some P&S (point and shoot) cameras can rival ’s with a generous range for a non interchangeable lens system.

Also note the number of available for use with your specific camera because of flexibility reasons. You can practically cover the entire “ range” with interchangeable versus modest ranges on non interchangeable lens systems or P&S cameras.

4. Does it have a capability? What’s the range?

Almost all applications that I listed above will need some form of zooming in (telephoto) or out (wide angle), especially if you don’t have the space to move around the object you are shooting.

For Landscape shots, wide angle shots are very common and appealing while zooming in on the details serves as a break and complements the wide angle shots.

For weddings and events, you need a because there will be times where you are limited by the shooting space and you will have a difficult time moving around. Its a good thing to know that you can do all sorts of framing without even moving from your position.

A nice will give you the efficiency and versatility in your , so my suggestion is to go for the longest range you can get (usually from a 7X to a 10X for Point and Shoots).

Also note the speed of zooming in or out as this will be a factor if you’re shooting events like weddings. You will fail to capture that “decisive moment” on a mediocre speed.

5. Does it have the provision to capture raw ?

Many will say you’ll need this feature if you want to have big prints from your . Although this is correct, the main reason why you will want this is because of the benefit it will give you…pure total control of your … from exposure, color, metadata, hdr and a lot more.

6. Can I attach an external ?

Having an external capability will give you the power and creative freedom to light your subjects any which way you like.

You can connect your to all sorts of lighting equipment thus giving you more options and versatility. This comes in the form of a hotshoe or a PC-Sync socket.

If your doesn’t have this feature, there is still hope because accessories called slaves are being sold by third party companies in different flavors that will also do the same job more or less.

7. Does it have a tripod socket?

Some of the most beautiful landscape that I’ve seen are undoubtedly made with a tripod, so this is a must have if you are planning to do this kind of .

The “ shots” in a wedding, still life and product shots, studio and fine art shots … all need a tripod for successful execution… so guess what happens if you don’t have a tripod socket?… You cannot effectively use a tripod!

8. Does it have automatic and manual focusing?

It will not be evident at first why you’ll need this especially if you’re just starting out in . But if you’re like me… A total control freak when it comes to cameras… and you really want to express your creative side, this is definitely a must have.

9. Can you attach filters to it? and what filter size?

Creative expression through special effects is just one of the many reasons that makes fun and interesting, and experimenting with filters is one creative pursuit you should try with your especially if you’re a beginner.

Always remember to ask if the particular you are eyeing for can handle filters and ask for the filter size. (To save you from buying the right filter with the wrong filter size) Please note that most should be able to to handle filters as most that come with it have a filter thread built into the lens.

Most P&S (point and shoot) normally doesn’t have a filter thread built-in and might need special accessories to accomplish this so you should check to know for sure.

Again, there are many third party accessories that you could buy to adapt filters to your P&S that don’t have this provisions. I’ll discuss all about this in a future post so watch for it. (Or subscribe to my announcement list (feed via email) so you’ll know when it’s up.

10. Can I upgrade the firmware?

The good thing about some manufacturers is that they keep on improving their even after they sold it to you… this comes in the form of a firmware upgrade.

Usually this involves an improvement on one or many features of a camera. Be sure that the you’re planning to buy has an easy way of upgrading its firmware. This comes in the form of either an easy download via the manufacturer’s website (find it and bookmark it now) or a FREE CDROM.

Another caveat - be sure to consider if a downgrade is also possible or available with your … Why is there a need a downgrade you ask?… Because, you may want to reinstall an earlier firmware… just in case you don’t like the results from a firmware upgrade.

Occasionally there’s a feature that will be removed by the upgrade that you failed to read about and you decided that you just want to keep that feature instead of a bunch of trivial upgrades from the new firmware. (Yes, I personally experienced this.)

11. Are there extra goodies or software that come with it?

Some people ignore the fact that you can save a lot of money just by doing a simple arithmetic. Did you know that you could actually get your for a lot less if you study the deals and offers on the marketplace?

If you buy a and it comes with software that you can really use… like photoshop, elements, or any other software for that matter, then you already saved some money you would otherwise spend. Some dealers will throw in lots of extras… If you just simply ask.

Always try to ask for these things that you’ll end up buying anyway if you don’t - like camera bags, extra , extra , cards, tripod, etc. Trust me… you will end up buying these things if you don’t ask for it on the deal. What have you got to lose? Simply ASK. Would you believe that I effectively lowered one of my cost by as much as 30%? Ask away.

12. Is there Local Support in your area?

Finding the answer to this one will give you a great benefit in the long run. Wouldn’t you sleep better at night because you feel that extra security - that in case there is something wrong with your , you can bring it in for repair at a moments notice?

Not knowing when your camera will be repaired (or if it even arrived at a distant repair facility) is one of the worst feelings a can have especially if you’re in the middle of a photoshoot or project.

13. What type of warranty does it have? Worldwide / Countrywide?

If you travel a lot its good to know that a countrywide or even better - a worldwide warranty can get your camera fixed wherever you are. Always bring the warranty card and glue it on your camera bag.

14. Does it have the ability to take video and audio?

I know, most DSLRs don’t have this function. But some non interchangeable lens DSLRs have it. This is a very useful feature to have if you’re on a project or photoshoot and want to document or record a procedure, a moment, or an idea that you would otherwise have trouble remembering or even writing. It’s always a good idea to bring a P&S camera backup that have this function.

The things that you could do with audio and videoclips on a photoshoot are only limited by your imagination… interviews, documentation, funny quips, training procedures, bloopers, etc..

15. Does it have a manual ?

is one of the most interesting aspects of . Its fun and fascinating to work with. Having this option puts the fun-o-meter way way up. In future posts, I will be discussing in detail so be sure to stay tuned.

16. How sensitive is it to infrared?

If you’re planning to make infrared or enter the exciting world of Infrared fine art then you’ll want to know if your can do it.

TIP: There is a simple way to test how sensitive your is to infrared using a very common device - a TV remote control. For P&S, you can aim the remote control towards the lens and gauge how bright the LED from remote is. This should give you an idea how sensitive your is to infrared. For DSLRs you will need to take shots of the LED and experiment a little or you can simply research or the particular you have in mind for other people’s experiences and thoughts about it.

17. How high is the ISO sensitivity? Is it manually adjustable?

ISO sensitivity is a term referring to the sensitivity of to light. In the world, it refers to the sensitivity of the in your in relation to the ISO standard used for .

The higher the ISO sensitivity of your camera the faster or better it can record a specific amount of light.

High ISO sensitivity is useful for taking better in dark settings… such as inside a church or at night. The higher the ISO setting, the more details you can capture of a dark scene.

One caveat - take note of the amount of noise a particular camera exhibits at higher ISOs. Some people like it and some don’t. Again, don’t be afraid to ask or do research on the noise characteristics of your in mind to see if this is the right choice for you.

18. How high or low can you set the shutterspeed? What are the minimum and maximum aperture settings?

Shutterspeed and aperture settings are the basic mechanisms that drive your camera and controls the amount of light that is exposed by the or .

You use high shutterspeeds in action shots and to prevent camera shake, and you use low shutterspeeds for movement effects and bulb or long exposures. You can check for these figures on the websites that I gave you in part 1. You can see it in the technical specifications for a particular camera.

A bulb or “T” function is a nice feature to have because you can take exposures for virtually very long periods of time. Another feature to have is if your camera has a remote control to use this bulb or “T” mode. This gives you the capability to take without holding your camera and adding to the “camera shake”.

With the subject of apertures, a small one (small aperture opening) lets you have a wider depth of field so your shots are sharp from near to far versus a large aperture (big aperture opening) where your shots have a narrow depth of field and appear “selectively focused”.

19. Does it have some form of an ?

New cameras coming out as we speak often have this feature. Simply put, an is some form of a mechanism built into the lens or the (depending on the manufacturer and their implementation) that basically prevents you from getting blurred when taking in low light or you are using a long or . Having this feature can mean the difference between a blurry (aka no !) to a usable one.

20. How close can it focus? Macro abilities?

The closer your camera can focus… the bigger the of an object you can take in relation to the image dimensions of the final … and the bigger the of the object… the more detail you can get. If you want to take of small objects such as flowers and fine details then this is a must-have.

That’s it. Whew.

Do you really have to go over all these questions?… Of course not, but even if you only study and ponder on half of them…and take the time… I promise you that one thing will surely happen…

You’ll be…

a lot smarter!

than when you first started asking these questions… ergo you’ll be in a better position to decide what to buy… Because you are now armed with the most powerful tool anybody can have

the power of information!

In any case, I hope you find as much value in these questions as many of my friends have and be able to get the camera of your dreams.

Enjoy!

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

18 Sep 08 The Early Digital Camera

Author: Roberto Sedycias

A is basically a digital device that enables to be captured. are stored electronically rather than on . This process involves converting light into electrical charges, and then translating this back into the image that was seen through the LCD. Although the is a recent addition to the world of , the concept of the possibility of a was begun in the 1950s.

The early concept of the was closely linked to television technology. It began with digital being recorded on scanners and in the form of digital . In 1951 broadcasting companies were recording as electrical impulses and onto magnetic tape from their television cameras, and this paved the way for technology to begin. By 1956 electrical impulse recordings were common practise within industry, and began to dream of a device.

The first record of a patent for a type of was in 1972 when Texas Instruments patented a camera that did not require . However, the patent revealed a more analog based design rather than a , and there is no record of whether the camera was actually created. What the patent does show, however, is that interest towards a was growing with the idea that the need for could be removed. A pioneer in the history of was Steve Sasson, an engineer at . Digital were of the moon were being transmitted via satellite by NASA, using a mosaic sensor, and he saw the possibility of a for commercial use. In 1972 he began to group together available equipment used within the industry to create an image digitally rather than on .

Central to this early concept of the , and still used by today, is the Charged Coupled Device. The detects light and colour intensity and then converts this information into electrons. The value of each cell in the image is then read, and converted to binary format to make the image computer compatible. Steve Sasson produced his first image in 1979. The image took a total of 23 seconds to take, and a further 23 seconds to read from the playback unit. Although the image was less than perfect, it showed that the was a possibility. had developed a camera that developed from light, but it was never manufactured for the public.

The first camera to be marketed was the Mavica electronic in 1981. It was not a true as the image was recorded on mini disc, and then attached to a television or video. It was more a freeze frame video camera but it greatly influenced people`s attitude to the recorded image. It made public the possibility of a camera that stored using techniques other than . It still used more television technology but was the first hand held with the general idea of usage. Cameras that could transmit via satellite became popular, but were used by the media only due to the expense incurred. The possibilities were becoming apparent and were used for news coverage. The first camera for general use with a computer was the Apple Quicktake 100 camera which appeared in1984. In 1986 the RC-701 was used for coverage of the Olympics, with quality printed in the newspaper. This showed the possible quality, and the desire for the was born.

The first mega sensor was invented in 1986. It contained 1.4 million pixels and was suitable for a image measuring 5×7 inches. In 1987 accessories for storing, printing, manipulating, transmitting, and recording digital came onto the market, with the DS-P1 arriving in 1988. This is arguably the first true as recognised today, boasting a 16MB card. With the arrival of JPEG and MPEG standards in the 1990´s, the face of the was changed for ever. marketed the first readily available that met all standards, with the DC40 in 1995.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

17 Sep 08 The Early Digital Camera

A is basically a digital device that enables to be captured. are stored electronically rather than on . This process involves converting light into electrical charges, and then translating this back into the image that was seen through the LCD. Although the is a recent addition to the world of , the concept of the possibility of a was begun in the 1950s.

The early concept of the was closely linked to television technology. It began with digital being recorded on scanners and in the form of digital . In 1951 broadcasting companies were recording as electrical impulses and onto magnetic tape from their television cameras, and this paved the way for technology to begin. By 1956 electrical impulse recordings were common practise within industry, and began to dream of a device.

The first record of a patent for a type of was in 1972 when Texas Instruments patented a camera that did not require . However, the patent revealed a more analog based design rather than a , and there is no record of whether the camera was actually created. What the patent does show, however, is that interest towards a was growing with the idea that the need for could be removed. A pioneer in the history of was Steve Sasson, an engineer at . Digital were of the moon were being transmitted via satellite by NASA, using a mosaic sensor, and he saw the possibility of a for commercial use. In 1972 he began to group together available equipment used within the industry to create an image digitally rather than on .

Central to this early concept of the , and still used by today, is the Charged Coupled Device. The detects light and colour intensity and then converts this information into electrons. The value of each cell in the image is then read, and converted to binary format to make the image computer compatible. Steve Sasson produced his first image in 1979. The image took a total of 23 seconds to take, and a further 23 seconds to read from the playback unit. Although the image was less than perfect, it showed that the was a possibility. had developed a camera that developed from light, but it was never manufactured for the public.

The first camera to be marketed was the Mavica electronic in 1981. It was not a true as the image was recorded on mini disc, and then attached to a television or video. It was more a freeze frame video camera but it greatly influenced people`s attitude to the recorded image. It made public the possibility of a camera that stored using techniques other than . It still used more television technology but was the first hand held with the general idea of usage. Cameras that could transmit via satellite became popular, but were used by the media only due to the expense incurred. The possibilities were becoming apparent and were used for news coverage. The first camera for general use with a computer was the Apple Quicktake 100 camera which appeared in1984. In 1986 the RC-701 was used for coverage of the Olympics, with quality printed in the newspaper. This showed the possible quality, and the desire for the was born.

The first mega sensor was invented in 1986. It contained 1.4 million pixels and was suitable for a image measuring 5×7 inches. In 1987 accessories for storing, printing, manipulating, transmitting, and recording digital came onto the market, with the DS-P1 arriving in 1988. This is arguably the first true as recognised today, boasting a 16MB card. With the arrival of JPEG and MPEG standards in the 1990´s, the face of the was changed for ever. marketed the first readily available that met all standards, with the DC40 in 1995.

Related posts

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,