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Productive Shopping For Digital Cameras
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17 Sep 08 Buying a Digital Camera

Family and friends can be pretty far flung these days, so how do you keep in touch? Snail mail and phoning are good options, but it’s fun to be able to share . With the advent of , it’s easy to post on a blog or website, or send via email.

Of course, cameras will work, as you can scan and convert to digital files, but the easiest way to send quickly and cheaply is to use a .

How To Find What’s Best For YOU When Buying A

There are all kinds of available these days, so the trick is to find the one that suits your needs and budget. If you are buying your first , the lingo and technology are a bit different than for cameras, so before shopping take time to learn a little and figure out what you’d like to buy.

First, what kind of are you? Do you like total control over the taking process, or would you rather just aim the camera and push the shutter button? Then it’s also helpful to decide what you want to do with your . Do you just want to put them online or send them via email, or do you want to be able to print them, and if so, how large do you want your prints?

If isn’t your passion, and you just want to have to share, buying a simple point-and-shoot is probably best. It has automatic settings, so all you have to do is aim the camera, press the shutter and viola! Instant !

However, if you prefer more control over the taking process, try buying a mid-range . There is a wide range in both price and features. For the more serious hobby , there are “prosumer” cameras midway between point-and-shoot cameras and cameras. They offer better lens quality and usually more features than a point-and-shoot, though those little cameras can come pretty loaded these days!

cameras are top of the line and more expensive. These work more like , having a body with detachable lens. This gives you more options with being able to change lens, but it’s also much more expensive. Just one lens can cost as much as a point-and-shoot ! There’s also usually a steeper learning curve to figure out how to use all the options on a camera.

However, if you’re buying your first , intermediate, “prosumer” and cameras probably aren’t the best choice. All the settings and features can be a little overwhelming for the beginner, and your expensive camera may end up collecting dust somewhere. Try a low to midrange camera first and get a feel for and what features are most important to you. Then when you’re ready to move up and buy a better , you’ll have a better idea of what to look for before you lay out your hard earned cash!

What To Look For When You’re Ready To Buy A

You can buy in all sorts of places these days, from fancy department stores to discount stores, / and many stores online. While you can sometimes find great deals on-line, if this is your first , go to shops and look at different cameras if at all possible. It helps to pick it up and get the feel of the camera in your hand to see if it’s comfortable and the controls are easy to use, and you can check out what features it has and how they work.

But what exactly are you looking for?

A makes your ….

One of the first things to check out when buying a is the . A is a single dot in a graphics image. A is equivalent to one million pixels. A 1- camera would produce an image roughly 1200 pixels wide by 900 pixels high, a 3 would be 2048 x 1536 , and so on. Higher mean better , but aren’t the whole . The main thing to keep in mind is the more , the bigger image you can print.

Approximate vs. Print Size

2 prints well up to 4×6 inches

3 prints well up to 5×7 inches

4 prints well up to 6×8 inches

6 prints well up to 7×10 inches

8 prints well up to 10×14 inches

12 prints well up to 16×24 inches

For email, websites and printing , a 3 to 5- camera is a good choice. If you want to make high quality 8×10 prints or larger, you need more . Higher also allow you to crop down to a smaller portion of the while still retaining in prints.

One other thing to keep in mind when considering and , be sure you are getting optical . This is the actual number of the camera records. Some cameras offer interpolated to get bigger from the same number of by using software algorithms to determine what color pixels to add, so the becomes bigger at the expense of clarity.

Opt for optical…

have two kinds of , optical and digital. In this case, focus on the optical . It’s the one that actually uses the lens’ to bring the subject closer. The higher the number, the further away you can “pull in” your subject. The digital merely takes the original information and makes it bigger, and once again, clarity is sacrificed. Most serious turn off digital . Stick to optical!

For Your Viewing Pleasure…

commonly use an instead of a to focus on your subject, though some come equipped with both. Check the size of the screen when buying a to be sure you can comfortably see your subject. It’s also really handy to have a flip screen that allows you to hold your camera low or high, and still be able to see what’s on the screen.

Fun features…

Many offer settings for such things as burst shooting mode, which is handy if you want to take of moving subjects. The camera shoots a series of without pause, then writes the files to . Other features allow for manually changing settings, special effects, short digital movie files, using an external , and much more. Look over several different cameras, decide what features you just have to have, and which are on the “nice to have but not vital” list. No one camera will do everything well.

Get the

You’ve got to get the out of the camera to share them. Usually the files are downloaded to your computer through a USB port, so make sure your computer has one. Also, keep in mind when choosing a camera, the more , the bigger the files. You’ve got to store those files somewhere, so how much is available on your computer? Does it have a CD burner.

However, you can still buy a even if you don’t have a computer. Many labs, even in places like Walmart or Kmart, have machines with the capability of making prints and/or CD’s from cards, and will make a disk of the files, sort of like digital negatives. There’s also the option of buying a printer with a docking station for your camera. Just plug the camera into the docking station, and bypass the need for a computer to print.

Cash After Camera

When buying your , keep some cash in reserve, because there are two more important purchases you need to make.

1. - The ’s equivalent of , the amount of determines how many you can take. Different cameras use different types of , so the first step is to find out what your camera uses. The most popular types are: Secure Digital (SD), (CF), SmartMedia (SM), Stick (MS), MultiMediaCard (MMC), and xD- Card (xD).

Cameras are usually packaged with a small MB-sized card. A second card of 64 MB is good, but of course the more MB and the more cards, the more you can take before having to download and erase the . The different cards are NOT interchangeable, so be sure to buy the right kind for your camera!

2. - There’s nothing more frustrating than being in the middle of snapping and the dies. Get extras. It’s worth the expense to have a second charged and waiting should the one in your camera lose power. The rechargeable ones are more expensive, but the ability to use them over and over makes them worth the initial outlay of cash.

That’s The Total Package!

There you have the basics for choosing a . Decide what kind of you are likely to take, what size prints you want to make, how much , and are there any extras you can’t live without? Look for the camera that most closely matches your list in your price range, buy a bigger card and an extra set, and you’re good to go!

 

Have fun sharing those with friends and family!

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